Pascal CosteBiblio.com
113 résultats
1840P4522Paris: Lemercier c.1840. Very Good. Notes: A scarce and fine view of the College Medresseh Maderi-Chah of Sultan Hussein in Isfahan during the mid 19th century. Image Size : 300x430 mm 11.81x16.93 Inches Platemark Size : 388x516 mm 15.28x20.31 Inches Paper Size : 430x540 mm 16.93x21.26 Inches Coloring: Hand Colored Medium: Lithograph Categories: Views Asia Middle East Iran; Lemercier unknown
1888ABC_47975Cairo 1888. 34 albumen prints ca. 22 x 27 cm mounted on cream cardstock ca. 28 x 35.5 cm. Remarkable collection of 34 stunning photographic prints of Egypt all numbered titled and signed in the negative by photographer Jean Pascal Sébah 1872-1947 who owned the leading studio for Orientalist photography. He was even named the official photographer of the Sultan of Turkey together with his business partner Polycarpe Joailllier 1848-1904. The majority of the images in the present collection show streets and buildings from lesser known Egyptian cities and scenes of daily life. Larger collections of Sébah's work are relatively rare on the market.Sébah continued the business of his father Pascal Sébah 1823-1886 one of the first photographers working in Egypt. Pascal rose to prominence because of his well-organized compositions careful lighting and quality of his prints. The majority of his photographs are of tourist destinations and locals. Jean Pascal inherited his father's good eye but was more interested in depicting lesser known locations. His photos of people also appear more spontaneous. The present collection includes photographs of El-Souroughieh street and the Khalig canal in Cairo the Virgin Mary's tree in Matariya a local with a buffalo a group of seated men in a mosque a sugarcane market locals working on a sugarcane field a group of boys fishing and the hustle and bustle along the Nile.With a small purple ownership stamp of an anchor in mirror image and the letters "S A" near the top edge of one of the photographs of the Nile. The cardstock is very slightly foxed and yellowed and has somewhat warped from past temperature fluctuations. The prints have somewhat yellowed around the edges but are otherwise in good condition.l Cf. Saretzky The history of photography online. unknown
1888ABC_47975Cairo 1888. 34 albumen prints ca. 22 x 27 cm mounted on cream cardstock ca. 28 x 35.5 cm. Remarkable collection of 34 stunning photographic prints of Egypt all numbered titled and signed in the negative by photographer Jean Pascal Sébah 1872-1947 who owned the leading studio for Orientalist photography. He was even named the official photographer of the Sultan of Turkey together with his business partner Polycarpe Joailllier 1848-1904. The majority of the images in the present collection show streets and buildings from lesser known Egyptian cities and scenes of daily life. Larger collections of Sébah's work are relatively rare on the market.Sébah continued the business of his father Pascal Sébah 1823-1886 one of the first photographers working in Egypt. Pascal rose to prominence because of his well-organized compositions careful lighting and quality of his prints. The majority of his photographs are of tourist destinations and locals. Jean Pascal inherited his father's good eye but was more interested in depicting lesser known locations. His photos of people also appear more spontaneous. The present collection includes photographs of El-Souroughieh street and the Khalig canal in Cairo the Virgin Mary's tree in Matariya a local with a buffalo a group of seated men in a mosque a sugarcane market locals working on a sugarcane field a group of boys fishing and the hustle and bustle along the Nile.With a small purple ownership stamp of an anchor in mirror image and the letters "S A" near the top edge of one of the photographs of the Nile. The cardstock is very slightly foxed and yellowed and has somewhat warped from past temperature fluctuations. The prints have somewhat yellowed around the edges but are otherwise in good condition.l Cf. Saretzky The history of photography online. unknown
18801037551880. SEBAH J. Pascal DITTRICH P. PERIDIS Pappa and BECHARD H. Collection of 69 photographs. Cairo: J.P Sebah P. Dittrich Pappa Peridis H. Bechard circa 1880. Vintage albumen prints each measuring about 8-1/2 by 11 inches individually mounted on heavy card stock total measures 11 by 14 inches most captioned and signed with photographer's studio imprint in the negative later printed labels on mount versos. Housed in three matching custom clamshell boxes. $12000.69 Striking exhibition-size photographs circa 1880-1890 of Egyptian temples and monuments by J. Pascal Sebah and other pioneering photographers in the early trade in images of Egyptian antiquities including photographs from many of the most iconic temples and locations in Egypt including the Temple of Amun-Ra at Karnak the Temple of Hatshepsut at Deir-el-Bahri the Temple of Hathor at Dendera the Temple of Amon at Luxor and the Great Temple of Rameses II at Abu Simbel.Near the end of the 19th century ""the Middle East exerted an irresistible attraction"" to much of Europe. ""It was in Egypt that the first resident photographic studios were opened"" Frizot 161 encouraging the work of photographers such as J. Pascal Sébah famed for his ""fine images produced in Turkey and Egypt"" Hannavy Encyclopedia of 19th-Century Photography I:1260 and P. Dittrich the first German photographer to set up shop in Cairo. This collection includes 31 photographs by Sébah and 17 by Dittrich plus 21 additional photographs by other photographers including Pappa Peridis and H. Bechard. This collection includes multiple images of the Temple of Amun-Ra at Karnak 10 the Temple of Hatshepsut at Deir-el-Bahri 9 the Tomb of Ti at Sakkara 7 the Temple of Hathor at Denderah 6 the Temple of Amon at Luxor 6 the Temple of Seti I at Abydos 5 the Temple of Isis at Island of Philae 4 Ramses III's Temple at Medinet Habu 3 the Temple of Rameses II at Abu Simbel 3 the Ramesseum at Thebes 3 the Temple of Horus at Edfu 2 and the Temple at Kalabsha 2 and individual images including other sites at Karnak Sakkara and Thebes. With institutional printed labels to mount versos. A fine collection. unknown
1893715381893. Fine. 23 mars 1893 13.40 x 7.80 cm une carte Autograph card from painter Pascal Dagnan-Bouveret congratulating his colleague on receiving a distinction. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1840P4520Paris: Lemercier c.1840. Very Good. Notes: A scarce and fine view of the caravanserail of Sultan Hussein in Isfahan during the mid 19th century. Image Size : 242x427 mm 9.53x16.81 Inches Platemark Size : 335x487 mm 13.19x19.17 Inches Paper Size : 427x568 mm 16.81x22.36 Inches Coloring: Hand Colored Medium: Lithograph Categories: Views Asia Middle East Iran; Lemercier unknown
1830302581830. Froriep Chir. Taf. 248. - Chir. KupferTaf. hrsg. v. L.F. Froriep Heft Nr. 49. - Weimar Landes-Industrie-Comptoir 1830 4° Kupferstichtafel mit 1 Abbildungen 2 Seiten Tafelerklärungen. A.P. Bancal 1790-1856 Manuel pratique de la Lithotritie ou lettres à un jeaune sur le broiement de la pierre dans la vessie. Paris et Bordeaux 1829. 8. unknown
1890715521890. Fine. 3 février 1890 11.20 x 17.40 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. « . Neither Mr Burgers nor Jules Girardet could pass as Associates. They were both named associate members. We wanted to limit ourselves to one hundred associates for the moment. . » unknown
1893715411893. Fine. 23 février 1893 13.80 x 9.50 cm une carte Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Je vous envoie pour la Société de sauvetage de l'Enfance . une eau-forte de ma Madone épreuve sur Japon avant la lettre signée du graveur et de moi. . Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche les tableaux que nous comptons exposer pour le Salon du champ de Mars"" I am sending you for the Society for Child Welfare . an etching of my Madonna proof on Japan paper before letters signed by the engraver and myself. . My friend Courtois and I will have great pleasure in showing you on Sunday the paintings we intend to exhibit at the Salon du champ de Mars unknown
1890715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
1890715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
