113 résultats
1867054908Constantinople 1867. Hardcover. Very Good. Original b/w photograph by Pascal Sebah. 30x20 cm. In Ottoman script. Slightly chipped on corners and margins a stain on the descriptive text area. Otherwise a good photo. Original print photograph from 'Les costumes populaires de la Turquie en 1873 ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes the second is a standard dress for Muslim men and the last one is a home dress of Muslim women. Pascal Sébah 1823-1886 was a photographer in Constantinople now Istanbul and Cairo who produced a prolific number of images of Egypt Turkey and Greece to serve the tourist trade and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873. <br/> <br/> hardcover
1837202347<p>Venice: In Insula S. Lazari 1837. Hardcover. Very Good. Signed. Full leather binding with gilt lettering & decoration to spine gilt ruled borders on both boards all edges gilt marbled endpapers engraved frontispiece and title page 6-1/4" x 4†434 pp. Aucher’s name appears in three different versions on the first leaf: Armenian transliterated Armenian and Latin dated 1847. George Gordon Lord Byron traveled to the Island of St. Lazar where Father Pascal Aucher 1774-1854 taught him Armenian. Together they published Grammar of the English and Armenian Languages in 1819 and contributed to Aucher’s 1821 English Armenian Dictionary. Byron was devoted to the Armenian language writing: “I learned the language of the Armenians in order to understand how and what language the Gods spoke for the Armenian language is the language of the Gods and Armenia is the homeland of the Gods and the Gods come from the Ararat valley.â€A translation of twenty-four prayers one for each hour of the day of St. Nerses the Graceful translated into twenty-four languages. This is the culmination of an effort that first had 6 10 14 and then 16 translations. This effort was likely from many of the Mekhitarist monks at San Lazzaro degli Armeni. The monastery was founded in 1715 by twelve monks; when Byron visited there were 70; today there are 12 monks and five novices. Despite the small population St. Lazzaro has been a major center of Armenian studies for centuries and still maintains the third-largest library of Armenian materials in the world. This polyglot prayer book is notable not just for its place in Armenian history and the spread of Orthodoxy but it is also a typographic success in acquiring the various fonts.</p> In Insula S. Lazari hardcover
190063452ca. 1900. Le Monde Intellectuel. - La France Contemporaine. - Berlin-Charlottenburg Adolf Eckstein Editeur o.J. ca.1900 300 x 460 mm; beigelegt 2 pp. Biographie von Charles Rozan. Jean-Louis Pascal geboren am 4. Juni 1837 in Paris; gestorben am 17. Mai 1920 ebenda war ein französischer Architekt der Beaux-Arts Tradition. unknown
1865YY7857Libraire de Firmin Didot Freres Fils et Cie 1865. Original full red claf decorated in blind and gilt to boards. Matching cloth spine with original gilt decorated backstrip and original black gilt label laid down. All edges gilt. original marbled endpapers uncracked at gutters. Owner's name in gilt to front board 'Cours D.'A. Furby. B.A. LL.B.' No foxing or browning to text. 'Table Analytque de Materies Contenues dans ce Volume' at rear. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. Binding sound text unmarked. Binding sound text unmarked. Very Good. 464pp. Libraire de Firmin Didot Freres, Fils et Cie Hardcover
1867ABC_474041867. Contemporary gold-tooled reddish-brown morocco over cushioned covers gold-tooled turn-ins watered-silk end papers gilt edges. Oblong folio ca. 28 x 38 cm. With 75 albumen prints most signed and numbered in the negative. Beautiful and unusually large souvenir album with 75 photographs of Syria Palestine Constantinople and Athens in a luxurious binding. The photographs were made by the renowned studios of Félix Bonfils 1831-1885 and Pascal Sébah 1823-1886 who were already widely celebrated in their own time for their pioneering work in Egypt the Ottoman Empire and the Middle East. Their images could be bought separately or as customised albums but collections as large as the present one are uncommon as few sets exceed fifty images. The majority of the photographs in the album are signed by Bonfils. He opened his first studio in Beirut in 1867 and produced thousands of photographs of the region. The present album contains one of the photographs he is most known for namely the group of Jews in front of the Wailing Wall. Bonfils personally considered this haunting image to be one of his best works. Other photographs include views of Damascus Beirut and Jerusalem the church of the Holy Sepulchre the Dome of the Ascension Jericho Jaffa Ramallah the Jordan river the temple of Jupiter in Baalbek and the Umayyad mosque. The remaining photographs in the album are either signed by Sébah or unsigned and include beautiful portraits of locals views of Istanbul the Blue Mosque Hagia Sophia Galata bridge and the Bosphorus river and Athens the Theseion the temple of Olympian Zeus the Parthenon and the caryatids of Erechtheion.With a black bookseller's label mounted at the foot of the front pastedown Philip Son & Nephew Liverpool some of the photographs are captioned in ink underneath. The leaves are somewhat browned and the albumen prints are slightly yellowed. Otherwise in very good condition.l Cf. El-Hage B. Damascus a photographic journey 1840-1918 pp. 57-58; Hannavy Encyclopedia of nineteenth-century photography pp. 173-175. unknown
1880I45A4CVFDU99Egypt and Switzerland 1880. Contemporary black half morocco. 4to 29.5 x 23.5 cm. 50 photographs of Egypt albumen prints and cyanotypes and approximately 40 albumen prints of Switzerland. Impressively presented series of original photographs taken at various important sites and cities in Egypt including Giza Thebes Karnak Luxor Abydos Esna and others. They show archaeological sites like the temple of Seti I at Abydos the precinct of Ahmen-Rah near Luxor the Avenue of Sphinxes at Karnak the Ramesseum and the Colossi at Thebes the temple of Khnum at Esna the Sphinx and pyramids of Giza and many more. Other photographs show the local population engaged in a wide variety of activities such as catching crocodiles on the nile a Luxor barber shaving the head of a sailor or life in a Bedouin camp in the Libyan Desert. The Istanbul-based Sebah studio catered to the Western European interest in the exotic "orient" and the growing numbers of tourists visiting the Islamic world who wished to take home images of the city ancient ruins in the surrounding area portraits and local people in traditional costumes. "Sebah rose to prominence because of his well-organized compositions careful lighting effective posing attractive models great attention to detail and for the excellent print quality" Saretzky. When Pascal Sébah 1823-1886 died his son Jean Sébah 1876-1947 took over the studio and signed his productions "J. P. Sebah" on the negative putting his initial in front of his fathers.Some spotting and fading binding worn. Otherwise in good condition.l Cf. for Sébah: Saretzky Photo history. unknown
1880J3HGA8OYHYKWEgypt and elsewhere 1880. With 9 carte de visite albumen prints ca. 8.5 x 5.5 cm by Hammerschmidt and Van Lint two albumen prints 9.5 x 12.5 cm by Sébah mounted on paper one silver gelatin print 8.5 x 11.5 cm by Lehnert & Landrock and one silver gelatin print 27 x 21 cm by Schroeder & Cie in a passepartout. Collection of early photographs of North-Africa and the Middle East by several photographers who had worked in the region. The main part of this collection consists of carte de visite portraits by Wilhelm Hammerschmidt ca. 1830-1869 from the 1860s. Most of them show Egyptians including a porter carrying a large chest on his back and a blind man. Three outdoor photographs show a group of men one holding a pipe almost as long as himself a camel rider and two camels in profile. Two larger photographs by the firm of Pascal Sébah from Istanbul date from the 1870s or 1880s and show a caravan halting in the desert. Of later date is the single image by the photographic duo Lehnert & Landrock who worked in Tunis in 1904-1914. Their picture which was popularly used in picture postcards shows a small group overlooking an oasis near Tripoli. The largest and most artistic photograph is by the Swiss firm Schroeder & Cie and dates from the 1880s. This striking image shows the Mosque of Muhammad Ali in Cairo with the crumbling remains of a rock and wall acting as repoussoir and a figure at the front watching from the shade. A strange stowaway in this collection is a single carte de visite by the Italian photographer Enrico Van Lint 1829-1882 of "Galileo's Lamp" the bronze lamp which Vincenzo Possenti created after a drawing by Leon-Battista Alberti in 1587 for the Pisa Cathedral.With 4 of the cartes de visite labelled on the back and one stamped with a name; the paper of the Sebáh photograph with an inscription in English and the Schroeder with an inscription on the back. Some of the sheets or cards on which the photographs are mounted are somewhat tattered at the edges and the cartes de visite have probably been trimmed. Photograph by Lehnert & Landrock with a diagonal fold. All photographs are otherwise in very good condition. unknown
186633354Paris Delagrave et Cie 1866 Cont. hcalf. Back slightly worn and rubbed. CXXXVIII222;364 pp. Some marginal notes in old hand by Thor Lundby. unknown
1866HAY218541866. Paris Ch. Delagrave et Cie Libraires-Editeurs. reliés pleine toile marron éditeur. Couvertures un peu frottées et virées de couleur ; quelques rares et faibles rousseurs sinon très bon état. 2 volumes in-8. dos avec pièces de titres en maroquin marron avec titres et filets dorés. unknown
1827206967Paris: Chez Ledentu 1827. Softcover. VG: Volume one lost its blue cover and is now just inside the marble wraps. Its binding remains strong. Some foxing to the pages but they remain mostly clear and easy to read. A small two volume set bound in marbled paper wraps. Volume two retains its original blue paper covers now folded inside the new wraps. Volume one is 228 pages; Volume two is 279 pages. Chez Ledentu paperback
182300009753Paris: Froment 1823. Later edition. Hardcover. Very Good. 2 vol. 24mo. The bibliography states this set was published as a 12mo. but this cataloger spotted vertical chainlines in the leaves 12mo. has horizontal chainlines. 5 6-314; 5 6-383 1 pp. Nineteenth-century parchment with a green and red morocco label lettered in gold on each spine spines decorated in gold; all edges decoratively stained yellow. Each with a silk ribbon bookmark. Part of the series Collection des Classiques Français. Graesse 147. Maire IV 86. A few editions of Pascal's Pensées and Lettres were released between 1803 and 1835 in Paris. Pascal's writings on geometry Christianity and natural philosophy collected and edited by P.R. Auguis. A charming set of Pascal's writings. A Very Good set with a contemporary name on both the half-title pages a modern bookplate on the front pastedowns and one leaf showing a tiny chip to its fore-edge. Froment hardcover
1874353921Paris: Librairie des bibliophiles 1874. Limited Edition. Hardcover. Very good copy in gilt-blocked half leather. Top edge gilt. Raised spine bands with gilt detail. Slight suggestion only of dust-dulling to the spine bands and panel edges. Internally bright and clean. Provenance: Bookplate of Vyvyan Edwards's Book. Physical description:xxxviii 305 pages; 22cm. Notes: Text is in French. Subjects: Philosophy -- France -- Early works to 1800. Philosophy. French works. 19th century French literature. Paris: Librairie des bibliophiles hardcover
1873105771Paris : Henri Plon 1873. 150x100mm. frontispice XXIV - 495Êpages reliure parchemin coins. Plats et garde papier marbr. Couvertures et dos conservs. Nom du possesseur sur le haut de la page de garde suprieure autrement bel exemplaire sur beau papier numrot n.¡ 220 / 300. 736 Henri Plon unknown
184481449Andrieux 1844. Hardcover. Good/No Jacket. Andrieux hardcover
1874002103Paris: Librairie des Bibliophiles 1874. Un volume in 8o di XXV-XXXVIII-305 pagine. Ritratto di Pascal in antiporta. BELLA LEGATURA coeva in piena pelle rossa con cornice dorata e fregi agli angoli dorso a nervi con fregi dorati. Tagli dorati. Ottimo esemplare da collezione. Librairie des Bibliophiles unknown
1861132521Paris: Charpentier 1861. Very Good. octavo. hardback in tooled vellum 613pp. index Edition variorum after the written manuscript text. Occasional foxing mainly to prelims. o/w nice tight square copy Charpentier hardcover
18613735186Firmin Didot Freres Fils et Cie 1861. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover.8vo. Library cloth. Moderate external soiling and wear small tears to head and tail of spine. Binding secure internally sound pages clean save for very sporadic pencil markings and stains. Please note the Image in this listing is a stock photo and may not match the covers of the actual item600grams ISBN: Firmin Didot Freres, Fils et Cie hardcover
181259006469Paris: Renouard 1812. Bound in 1/4 black cloth over brown boards. A handsome two-volume set. Text is in French. . Reprint. Hard Cover. Very Good/No Jacket. 16mo - over 5¾" - 6¾" tall. Renouard Hardcover
1866720486Paris: Ch. Delagrave et Cie 1866. Quarter leather. In French. Complete set volume 1 and volume 2. xlv 220; 362 91 pages. Attractive set; 12mo quarter black leather with black and blue papered board raised bands gilt title borders lettering and floral panel stamps marbled end-papers. Some light rubbing to extremities library stamp and 'discard' stamp to title pages discreet paper labels to corner of front glued end papers. Otherwise very good. Paris: Ch. Delagrave et Cie hardcover
188756046n129Paris: Librairie Ch. Delagrave 1887. Book. Very Good. Hardcover. 8vo - over 7¾ - 9¾" tall. Rebound in cream buckram cloth hard covers with original wrappers preserved. Old owner's name. Otherwise clean tight and unmarked. Internally fine. Very neat -- a sound square set. Librairie Ch. Delagrave Hardcover
189054541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover.<br /> <br /> Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall.<br /> <br /> The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890.<br /> <br /> Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total.<br /> <br /> Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover
1888167887Istanbul: Sébah & Joaillier c.1888. Remarkable photographic panorama of Istanbul A superb panoramic view of the city taken from the Galata Tower looking over the Bosporus towards the Asian side; across the Golden Horn can be seen the Topkapi Palace and the great mosques of the city Haghia Sophia the Blue Mosque the Yeni Mosque and the Süleymaniye. In 1857 Pascal Sébah opened one of the first photographic studios in Constantinople. Having met with great success in 1873 he expanded the business setting up a further establishment in Cairo near to the renowned Shepheard's Hotel. In 1883 he suffered a stroke and the business was taken over by his son Jean who styled himself J. Pascal Sebah so as not to break the continuity of the business and was to become a talented photographer in his own right. In 1888 he went into partnership with a French photographer resident in Istanbul Policarpe Joaillier the firm in time becoming official photographers of the Sultan. In various forms this business continued down to the middle of the 20th century when in 1952 its last incarnation Foto Sabah finally closed its doors. "From the 1870s Sébah and Joaillier were major suppliers of evocative imagery to the increasing number of people who undertook the Victorian Grand Tour" Hannavy p. 1261. Landscape folio 310 x 375 mm. With 10 albumen prints mounted on card panels and joined with linen tape leporello-style to form a panorama approximately 3.47 m over 11 feet in length card panels 3054 x 340 mm; photographic prints 247 x 340 mm. Original red sand-grain cloth over bevelled boards red roan backstrip title gilt to front cover within elaborate ornamental gilt panel and incorporating images of the Galata and Maiden's towers gilt stamp to back cover of the ay-y ld z star and crescent within a laurel wreath. Covers variably sunned old splash stain to head of front cover a few marks to back light foxing and marginal dust marking the images bright and clean. A very good example. John Hannavy ed. Encyclopaedia of Nineteenth-Century Photography Vol. I 2005; Engin Özendes From Sebah & Joaillier to Foto Sabah: Orientalism in Photography 2004. hardcover
184422914Paris: Petit-Montrouge 1844. Half leather gilt. Marbled covers. 1304 colums 652 pp.; 28 cm. Text in French top and foot of spine sl. dam. corners sl. bumped sl. worn old library stamps paper sl. browned Although still very good decorative binding. ¶ Publiées par M. L'Abbé M MIGNE éditeur des cours complets. cet ouvrage avait été annoncé et devait paraître sous le titre de Rational Liturgique. Petit-Montrouge hardcover
18441231018.13J. -P. Migne Paris 1844. Hardcover. Very Good. Large 8vo hardcover. No dj maroon cloth. Vg condition. Lacks title page. Nice modern rebinding of original ptgs maroon buckram new endpapers gilt title two place-holder ribbons. No marking or writing. J. -P. Migne, Paris hardcover
184577962Bruxelles: Societe Belge de Librairie Hauman et Ce. 1845. Half leather hardcover. Marbled covers 4328 pp.; 28x18.5 cm. Text in French / Français. - leather hinges slightly weak edges of the first 4 pages repaired paper slightly browned with occasional spots/foxing throughout Overall in very good condition see pictures Societe Belge de Librairie Hauman et Ce. hardcover