LASCOMBE / LOUIS PASCAL / COIFFIERLivre Rare Book
398 résultats
1893RO20120756MACHESSOU FILS. 1893. In-12. Broché. Bon état, Livré sans Couverture, Dos satisfaisant, Non coupé. Paginé de 201 à 238. Extrait des Mémoires et procès-verbaux - 1888, 1889, 1890. Tome sixième. . . . Classification Dewey : 340-Droit
1830302581830. Froriep Chir. Taf. 248. - Chir. KupferTaf. hrsg. v. L.F. Froriep Heft Nr. 49. - Weimar Landes-Industrie-Comptoir 1830 4° Kupferstichtafel mit 1 Abbildungen 2 Seiten Tafelerklärungen. A.P. Bancal 1790-1856 Manuel pratique de la Lithotritie ou lettres à un jeaune sur le broiement de la pierre dans la vessie. Paris et Bordeaux 1829. 8. unknown
1861ROD0103050DEZOBRY, E. Magdeleine et Cie. 1861. In-12. Relié. Etat d'usage, Plats abîmés, Dos abîmé, Mouillures. 336 pages. Annotations sur les 2 contre-palts. Page de faux-titre déchirée. Ex-dono sur la page de titre. Coins frottés. Manque sur les 2 plats.. . . . Classification Dewey : 372.7-Livre scolaire : mathématiques
184619626Paris: Andrieux 1846. 8vo. 72 pp.; fold. leaf. <br><br>Newly discovered manuscript; and the last will of Pascal. 19th-century German boards covered with black mottled paper; respined with black cloth tape. Ex-library with bookplate and call number in pencil on verso of title-page. Front cover with paper shelf label call number blacked out. Spots of foxing on several pages. Scrape costing a portion of a dozen letters to half-title. Andrieux hardcover books
1846RO40166128Andrieux. 1846. In-8. Broché. Etat d'usage, Plats abîmés, Dos satisfaisant, Rousseurs. 72 pages. Papier muet collé sur le dos. Etiquette de code sur le 1er plat. Tampons et annotation de bibliothèque en page de titre. Manques sur le 1er plat.. . . . Classification Dewey : 232-Jésus Christ
1897044642Publications Théosophiques Broché Paris 1897 52 pages en format 12 - 19 cm
1889689111 vol. in-8 reliure demi-basane bordeaux, Révolution et Evolution. Le Centenaire de 1789 et les Conservateurs catholiques. Par G. de Pascal avec une lettre de M. le Mis de la Tour-du-Pin Chambly, Imprimerie Saudax et Cie, Paris, 1888, 96 pp. [ Suivi de : ] La Révolution Française à propos du Centenaire de 1789 par Monseigner Freppel, A. Roger et F. Chernoviz, Paris, 1889, 155 pp. [ Suivi de : ] De l'Organisation judiciaire 1789-1889, par V. de Marolles, Typ. de l'Oeuvre de Saint-Paul, 29 pp. [ Suivi de : ] Du Pouvoir et de l'Organisation administrative en France avant et après 1789, Oeuvre des Cercles Catholiques d'Ouvriers, Extrait de l'Association catholique, avril 1888, 31 pp. [ Suivi de : ] La Famille - Les Moeurs. Centenaire de 1789, par Urbain Guérin, 28 pp. [ Suivi de : ] L'Instruction Publique 1789-1889, par D.B., 24 pp. [ Suivi de : ] Religion. Etudes pour l'Enquête du Centenaire de 1789, par V. Alet, 36 pp. [ Suivi de : ] Introduction aux Etudes du Centenaire de 1789, par Tour-du-Pin Chambly, 32 pp. [ Suivi de : ] Mémoire n° VI. Les Services Publics. 60 pp. [ Suivi de : ] L'Agriculture 178-1889, 16 pp. [ Suivi de : ] De l'état actuel de la Grande Industrie. Des réformes à opérer, par Urbain Guérin, 23 pp. [ Suivi de : ] Les Arts et Métiers 1789-1889, 35 pp. [ Suivi de : ] Le Commerce, 14 pp.
1821R150153025LEFEVRE.. 1821. In-8. Relié demi-cuir. Etat passable, Coins frottés, Dos abîmé, Mouillures. 484 + 578 pages. Frontispice en noir et blanc avec serpente sur le premier tome ( la page est débrochée) . Mouillure sur le second tome.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1879R150158109LEMERRE .. 1877 - 1879. In-8. Broché. Etat d'usage, Tâchée, Dos abîmé, Pliures. 83 + 420 pages. Frontispice en noir et blanc avec serpente sur le tome 1. Manque le deuxième plat de couverture sur le tome 1.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
1890715523 février 1890 | 11.20 x 17.40 cm | une feuille rempliée
1890715521890. Fine. 3 février 1890 11.20 x 17.40 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. « . Neither Mr Burgers nor Jules Girardet could pass as Associates. They were both named associate members. We wanted to limit ourselves to one hundred associates for the moment. . » unknown
1866R300272421Aux bureaux de la publication. 1866. In-24. Relié. Etat d'usage, Coins frottés, Dos abîmé, Quelques rousseurs. 191 + 192 pages. Page de titre légèrement salie. Plats et contreplats jaspés. Dos cuir manquant.. . . . Classification Dewey : 840.04-XVII ème siècle
18937154123 février 1893 | 13.80 x 9.50 cm | une carte
1893715411893. Fine. 23 février 1893 13.80 x 9.50 cm une carte Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Je vous envoie pour la Société de sauvetage de l'Enfance . une eau-forte de ma Madone épreuve sur Japon avant la lettre signée du graveur et de moi. . Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche les tableaux que nous comptons exposer pour le Salon du champ de Mars"" I am sending you for the Society for Child Welfare . an etching of my Madonna proof on Japan paper before letters signed by the engraver and myself. . My friend Courtois and I will have great pleasure in showing you on Sunday the paintings we intend to exhibit at the Salon du champ de Mars unknown
1869R240150637Armand Le Chevalier. 1869. In-12. Broché. Etat d'usage, Coins frottés, Dos plié, Quelques rousseurs. 478 pages. Annotation sur le dos.. . . . Classification Dewey : 944.041-Histoire de France de 1789 à 1804
18907155631 octobre 1890 | 11.10 x 17.40 cm | une feuille
1890715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
18967166017 mars 1896 | 11.40 x 17.70 cm | une feuille
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
18907166230 novembre 1890 | 11.40 x 17.80 cm | une feuille
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
18907155525 mars 1890 | 11.10 x 17.50 cm | une feuille
1890715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
