79 résultats
18561320270New York: Redfield 1856. Hardcover. Octavo; G/no DJ; Hardcover w/out DJ; Spine brown with gold print; Boards in grey cloth wear to corners and spine caps heavy wear to front fore edge shelfwear; Text block has name in ink on front endpapers slight foxing throughout tinted top edge stain to fore edge slight tear to fore edge of final four pages; xxvi 495 pages. 1320270. FP New Rockville Stock. Redfield hardcover books
185037560New York: J.S. Redfield 1850. Together with The Works of Edgar Allan Poe Vol.3: The Literati: Some Honest Opinions about Authorial Merits and Demerits with Occasional Works of Personality. Together with marginalia suggestions and essays.With a sketch of the author by Rufus Wilmot Griswold. New York: Redfield 1850. Together with The Works of Edgar Allan Poe Vol. 4: Arthur Gordon Pym &c. New York: Redfield 1856. Together 4 volumes 12mo; BAL 16158 16159 and 16161. All are first editions all ex-James J. Hill Library with light accession markings on the spines and perforated stamps in the lower margins of the title pages; vol. I is first printing in BAL's A binding in original brown cloth front hinge cracked lacking the engraved frontispiece; Vol. 2 is the second printing in BAL's binding variant F in original blue cloth; Vol. 3 in BAL's binding variant F in original black cloth; Vol. 4 in BAL's binding variant H in original purple cloth; shelf wear small loss to top of spine of Vol. 4 affecting 2 letters at the top. <br/><br/> J.S. Redfield hardcover books
18521317633New York: J.S. Redfield 1852. Hardcover. Octavo; G-/no DJ; Hardcover w/out DJ; Spine green with gold print; Boards in green embossed cloth exposed corners tattered spine caps mild spotting and shelfwear; Text block has surface tear to front pastedown erased name on front flyleaf cracked front hinge intermittent spine breaks tanning to rear endpapers foxing throughout; xx 483 pages frontispiece port. 1317633. FP New Rockville Stock. J.S. Redfield hardcover books
1884118042New York: G. P. Putnam's Sons 1884. The Amontillado edition of the works of Edgar Allan Poe. Octavo 8 volumes bound in full morocco by P.B. Sanford with gilt titles and tooling to the spine in 6 compartments within raised gilt bands double gilt ruling to the panels gilt turn-ins and inner dentelles marbled endpapers all edges gilt tissue-guarded engraved frontispiece to each volume by R. Swain Gifford Frederick Church and others etched engraved vignettes to the title pages. One of 315 numbered copies signed and dated by the publisher on the limitation leaf of each volume this is number 290. In fine condition. Rare and desirable. Best known for his tales of mystery and the macabre American Romantic writer and poet Edgar Allan Poe is credited with inventing the genre of detective fiction and contributing to the genre of science fiction only just emerging at the turn of the 20th century. Poe was the first well-known American writer to earn a living through writing alone resulting in a financially difficult life and career and his works influenced literature around the world as well as specialized fields such as cosmology and cryptography. Poe's most memorable tales include: The Black Cat The Cask of Amontillado The Gold-Bug The Pit and the Pendulum The Premature Burial and The Tell-Tale Heart. G. P. Putnam's Sons unknown books
1850145961850. . by N.P. Willis J.R. Lowell and R.W. Griswold. New York: J.S. Redfield 1850 Vol IV in 1856. 4 pp Vol I ads; 8 pp Vol IV ads. Original blind-stamped purple and blue-grey cloth. First Collected Edition of Poe's writings published beginning in the year following his sudden death at the age of 40. According to the Vol I note by Maria Clemm Poe's aunt and mother-in-law he had requested shortly before his death that Rufus Griswold act as literary executor and that N.P. Willis write "such observations upon his life and character as he might deem suitable.". This is the resulting work which she says is "published for my benefit" she had assigned her rights in it to Redfield for a fee. The first two volumes were issued together in December 1849 or January 1850. The first volume which includes a Poe portrait frontispiece consists of Poe's "Tales" -- including all those for which he is famous -- "The Gold Bug" "The Murders of the Rue Morgue" "The Black Cat" "The Pit and the Pendulum" "The Cask of Amontillado" "The Tell-Tale Heart" and so on; the second volume contains his verse such as "The Raven" "Lenore" "Annabel Lee" "The Conqueror Worm" and "Tamerlane." This pair is from the second printing determinable by the ads in Vol I and on page 46 of Vol II; these volumes are in Blanck's faded-purple binding "D" four filigree rules on spine volume number in gilt. Later in 1850 September a third volume THE LITERATI etc. -- including Griswold's infamous "Sketch" of Poe was issued; this copy is likewise in binding "D" but in blue-grey. Finally six years later a fourth and final volume including ARTHUR GORDON PYM was also issued -- Blanck's binding "H" here in purple specific for this volume but also used for 1853-1856 reprints of the earlier volumes. This set is generally in very good condition with minor wear at the extremities; the front endpaper is excised in Vols I II and III; Vol II has some soil on pages 22-27; and Vol IV has darkened page margins and a bit more edge-wear than the other volumes. Blanck 16158 16159 16161; Heartmann & Canny pp 129-131. unknown books
1900WRCLIT68113Philadelphia: George Barrie & Son 1900. Six volumes. Small quarto. Somewhat later unsigned full green pebbled morocco gilt labels a.e.g. Plates. Extremities a bit rubbed but a good sound set internally about fine. A deluxe issue of this offshoot of the illustrated edition published by Nimmo in London in 1884 with a biographical essay by John H. Ingram and illustrations. That edition marked the first appearance in book form of the "Journal of Julius Rodman" see BAL 16166. This is set #100 of the "Large Paper Library Edition" of 250 sets printed on Japan vellum with the "Twenty Original Etchings Five Photogravures and a New Etched Portrait" present in two states. The illustrations are signed in the plates by Wogel Ferrat Herpin et al and are related to those executed for the 1884 edition published in Paris by Quantin. This set was subscribed for by Livingston Ludlow Biddle the prominent Philadelphian and has his name imprinted on the colophon. George Barrie & Son hardcover books
1845111538New York: Wiley and Putnam 1845. Rare first edition in book form of Poe's famed work. Octavo bound in three quarters morocco over marbled boards gilt titles to the spine raised bands. In very good condition with some light foxing and usual wear. BAL 16147. The Raven is a narrative poem by American writer Edgar Allan Poe. First published in January 1845 the poem is often noted for its musicality stylized language and supernatural atmosphere. It tells of a talking raven's mysterious visit to a distraught lover tracing the man's slow fall into madness. The lover often identified as being a student is lamenting the loss of his love Lenore. Sitting on a bust of Pallas the raven seems to further instigate his distress with its constant repetition of the word "Nevermore". The poem makes use of a number of folk mythological religious and classical references. Biographer Hervey Allen: The most important volume of poetry that had been issued up to that time in America. In this little volume the weary wayworn wanderer had successfully reached his own native shore in the realm of imagination" Grolier 100 American 56. Poe considered "The Raven" to be his finest poem--indeed he was quoted as saying it was the finest poem ever written. Wiley and Putnam hardcover books
18451610043Wiley and Putnam 1845. 1st Edition. Hardcover. Very Good. Two volumes. Vol. I January-June 1845; vol. II July-December 1845. In vol. I: The Raven p.143 and Some Words with a Mummy p.363. In vol. II: Eulalie-A Song p.79 and The Facts of M. Valdemar's Case p.561. Vol. I and II: Thick quarto half red morocco over marbled boards. Spine with raised bands and gilt geometric patterns in compartments. Vol. I: Light foxing to the preliminaries and fore edges. Vol. II: Light foxing to the preliminaries and fore edges front inner hinge open. Very good uncommonly clean copies. Housed in a custom-made slipcase. Wiley and Putnam hardcover books
1845320399New York: Wiley and Putnam 1845. First editions of both titles. Tales BAL third printing three-line copyright; Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Three quarter blue morocco gilt t.e.g. by Riviere & Son. Binder's endsheets with foxing text with slight toning and a few stray traces of foxing. First editions of both titles. Tales BAL third printing three-line copyright; Raven with half title "Wiley and Putnam's Library of American Books" name of stereotyper T. B. Smith on the title verso; Tales third printing with three-line copyright. Raven: i-viii 1-91 92 blank 93-96 ads. Tales: i-v 1-228 229-232 ads. 1 vols. 8vo. Students all over the world know of the title poem and many know others as well: "The Conqueror Worm" "Eulalie" "Leonore" "To Helen" etc. "The most important volume of poetry that had been issued up to that time in America." - Grolier American 56<br/><br/>A choice set of the major books published during Poe's lifetime BAL's "reissue B" issued by Wiley and Putnam in April 1846 comprising the first edition sheets of The Raven and The Tales in either second or third printing here in BAL's third printing distinguishable by the three-line copyright notice. <br/><br/>BAL notes that "impressions from the plates of several pages vary in an anomalous way. For instance the first three letters of the last three lines of p. 160 appear both battered and intact within the three printings." This copy has slight battering to "I" and "o" on p. 160 while the "v" is intact. The E in the running head on p. 187 is broken here as in most copies of all printings. BAL cautions "It is possible that the printings designated below as second and third are in fact two states of the same printing." This copy is textually complete in both books including the integral ads; the volume has been rebound without the separate gatherings of advertisements that followed the text. BAL 16146 16147; Heartman & Canny 92-94 97-108; Grolier American 56 Wiley and Putnam unknown books
1845319132New York: Wiley and Putnam 1845. First Edition with half-title. viii 91 1 pp. 1 vols. 8vo. Bound in full green morocco a.e.g. Spine sunned some foxing throughout; pencilled note on flyleaf stating that the binding was executed in 1896. Near fine. First Edition with half-title. viii 91 1 pp. 1 vols. 8vo. First Edition. Students all over the world know of the title poem and many know others as well: "The Conqueror Worm" "Eulalie" "Leonore" "To Helen" etc.<br/><br/>"The most important volume of poetry that had been issued up until that time in America" Hervey Allen Israfel The Life and Times of Edgar Allan Poe New York 1926 vol. 2 p. 667. The Raven and Other Poems was published in November 1845 in an edition of some 750 copies; it was dedicated to Elizabeth Barrett Browning and contains 30 poems including "The Raven" "Eulalia" "Tamerlane" "Al Aaraff" and "To Helen" etc. The title poem was first printed in the American Review for January 1845; it "made Poe's name known both in America and England and brought him an immortality that by no other means could he have attained . and it gave him fame as a poet such as no other American has received" John W. Robertson A Bibliography of the Writings of . Poe San Francisco 1934 vol. 2 pp. 224-225. Grolier American 56; BAL 16147; Heartman & Canny pp. 97-108; Robertson vol. 2 pp. 224-225 Wiley and Putnam unknown books
18451001883New York: Wiley and Putnam 1845. First edition in book form of Edgar Allan Poe's "The Raven" the single most famous American poem of the nineteenth century first published earlier that year in the New York Evening Mirror under Poe's own name and The American Review under a pseudonym. Partly inspired by the early lyrics of Elizabeth Barrett later Browning to whom he dedicated this volume of poems Poe composed "The Raven" in trochaic octometer with a deranged musicality all his own. The elements are familiar even to those who don't read poetry: the "midnight dreary" the silk-curtained chamber the raven perched upon the bust of Athena the relentless refrain that drives the narrator mad. "'Leave no black plume as a token of that lie thy soul hath spoken! / Leave my loneliness unbroken! - quit the bust above my door! / Take thy beak from out my heart and take thy form from off my door!' / Quoth the Raven 'Nevermore.'" Even before publication Poe knew he had a sensation on his hands. When a friend described an early reading of the poem as "fine uncommonly fine" Poe responded: "Is that all you can say for this poem I tell you it's the greatest poem ever written." Poe's fame only increased with the appearance of contemporary parodies like "The Owl" and "The Polecat": a contemporary recalls "'The Raven' became known everywhere and everyone was saying 'Nevermore.'" The publication of "The Raven" paved the way for Wiley and Putnam's publication of Poe's Tales the collection that introduced his pioneering detective fiction to a wider audience that same year. BAL 16147. A near-fine copy of a landmark in American literature. Octavo measuring 7.25 x 5 inches: 6 91 1. Early twentieth-century full russet calf boards single-ruled in gilt raised bands black morocco spine labels spine single-ruled and lettered in gilt gilt dentelles marbled endpapers. Handwritten slip tipped onto second fly leaf noting "inner gilt dentelles by Zaehnsdorf." Lacking original wrappers half title and ads. Joints expertly repaired a few light scratches to lower board. Wiley and Putnam unknown books
1884008667New York: Harper & Brother Publishers 1884. Original embossed beveled grey cloth stamped in gilt all edges gilt dark brown end papers. 23 pp. text plus 26 engraved plates by Doré each with descriptive caption on facing page. Very Good Plus 1/4" tears to cloth at fore edges of boards light soiling to boards internally clean and lovely with solid hinges a much nicer copy than commonly encountered. . First American Edition with Dore Illustr. Decorative Cloth. Very Good Plus/No Jacket As Issued. Elephant Folio - over 15" - 23" tall. Harper & Brother Publishers Hardcover books
18452105012Philadelphia: Carey and Hart 1845. 2nd. hardcover. very good. Poe's The Purloined Letter in The Gift 2nd edition with four additional plates 8 plates in first edition. No date on title page. Book very good some foxing of front free end papers title page and content page; some rubbing and wear; inscription by previous owner on front free end paper. Carey and Hart unknown books
1887245697New York: Benjamin & Bell 1887. paperback. very good. With an Introductory Argument to prove that "Lavante" was Poe and Appendix of Notes by Geoffrey Quarles. 12mo printed wrappers; uncut and unopened; dust soiled. New York: Benjamin & Bell 1887. Reprint of the 1847 edition "with a supposedly plausible but really weak argument in support of Poe's authorship." - Heartman & Canny page 240.<br/><br/> Benjamin & Bell unknown books
1859273571New York. : Redfield. 1859. Publisher’s blindstamped blue cloth gilt spine title all edges gilt. . Very good spine darkened light wear to extremities front inner hinge starting ink name to second endpaper. small 8vo. 14.5x8.5 cm. A nice copy of an early edition of Poe’s poetry. weight: 0.5 lb. Portrait frontis. Redfield. hardcover books
186825606Melbourne: George Robertson 1868. 1st edition thus BAL 16215. "Australian Edition". Original green cloth binding with gilt spine lettering. Yellow eps. Overall VG avg binding wear/some soiling & staining to a few preliminary leaves/period pos to ffep. viii 9 - 144 pp. 12mo. 6-3/4" x 4-3/8" <br/><br/> George Robertson hardcover books
186815360Melbourne: George Robertson 1868. First Australian edition. pp. i-viii 9-144. 1 vols. Small 8vo. Publisher's green cloth quite worn and soiled endpapers abraded small hole in title-leaf New Zealand bookseller's stamp on first two leaves. A well-worn but sound copy of this scarcity. First Australian edition. pp. i-viii 9-144. 1 vols. Small 8vo. First Australian edition! BAL 16215 George Robertson unknown books
183719474Philadelphia: Printed and Published by Merrihew & Gunn 1837. First edition. Boards soiled and spotted and the edges rubbed; spine split nearly the length of the joint and front board loose; some light foxing throughout; a good sound copy only. 12mo original rose linen spine printed drab boards 84 pages. Poe enthusiast Joseph Jackson was fresh off his triumphant 1920 attribution to Poe of the uncommon pseudonymous anti-Dickens English Notes Boston 1842 by "Quarles Quickens" when in Jackson's own words "the publicity given that discovery set a good many booksellers delving for copies. One Philadelphia bookseller who had not been fortunate enough to uncover a copy . . . did run across an anonymous little book which seemed to him to have a Poesque touch although he could not exactly explain why he was thus impressed. He had no knowledge of the copy which came into his possession but when I was looking over his stock he handed it to me with the remark: 'This looks as if it was written by Poe.'" From this characteristic bookseller remark--a certain offhand scholarly optimism cloaked in the guise of expertise with enough of modesty to serve as a disclaimer and nothing so vulgar here as the mention of a profit--there of course soon burst a moderate boom for this title. In the foreword to the new edition of the Philosophy of Animal Magnetism Philadelphia 1928 which inevitably followed Jackson makes a show of professing a suitably demure initial skepticism before launching into a series of confident assertions regarding Poe's identity as the author--Poe must have visited Philadelphia in 1837 as he had nothing else much better to do; the address of the printers in Carter's Alley puts them on the same block as the editor Samuel Atkinson which "would suggest that Poe had called on Atkinson and that the latter had referred him to the printers as likely to publish the book;" the use of italics and small capitals for emphasis is particularly characteristic of Poe "It is true that his publishers in later years dispensed with the use of small capitals but the printers of 'Animal Magnetism' Merrihew and Gunn Philadelphia were a new firm and did not remain long in business. They evidently followed the author's copy literally"; the appearance of the word "Literati" in the dedication to the receptive mind inevitably suggests Poe etc. etc. Jackson's case was sufficiently convincing to collector J. K. Lilly who reportedly paid $2500 for a copy of the first edition of The Philosophy of Animal Magnetism and--given the well-known difficulties of proving a negative allied to the book trade's understandable reluctance to give up a profitable attribution--later bibliographers have seemed equivocal about showing Jackson's claims the door. BAL vol. 7 page 150 notes "Jackson attributes this piece . . . to Poe" thus leaving outside the Poe canon while bibliographer of animal magnetism Adam Crabtree remarks "Although there is no general agreement on the matter this book has been attributed to Edgar Allan Poe." Scribner in 1941 offered a copy of the first edition for the then-substantial sum of $175 under the fig leaf of "Attributed by some authorities to the pen of Poe." Only Merle Johnson seems to have sufficient temerity to note as early as 1936 that this title "is now definitely established as not the work of Poe." All this having been said still an interesting early American work on the subject including instructions on how to induce magnetic somnambulism. Crabtree 385. Printed and Published by Merrihew & Gunn, unknown books
18411610315George R. Graham 1841. 1st Edition. Hardcover. Very Good. These stories are the first appearances of Poe's works: The Murders in the Rue Morgue A Descent into the Malstrom The islands of the Fay The Coloquy of Monos and Una Never Bet the Devil Your Head Israfel. In Graham's Lady's and Gentleman's Magazine. Large thick quarto full maroon calf. Publisher's deluxe binding. Covers with decorative borders stamped in gilt and blind. Gilt-decorated turn-ins and marbled endpapers. Spine with raised bands and gilt in compartments. All edges gilt. Plate tissues moderately foxed else contents especially clean and fresh. A beautiful very good plus copy. Previous owner's small bookplate attached to front paste-down rear cover slightly separating at bottom. Housed in a custom-made slipcase. George R. Graham hardcover books
18422102108Philadelphia: Graham's 1842. First appearance of this story. hardcover. Very good. A very good copy in original decorated covers with new leather matching spine. the first appearance of this Poe classic tale. Graham's unknown books
18421501726Graham 1842. 1st Edition. Hardcover. Good/No Jacket. The true first appearance of this classic tale by Edgar Allen Poe in Vol. 20 of Graham's Magazine. Contains other works by Poe including Life in Death and To One Departed. The Mask begins on page 257. Good only condition. Housed in a custom-made collector's slipcase. Graham hardcover books
18401506036Burton's Gentleman's Magazine 1840. 1st Edition. Hardcover. Very Good. The first appearance of Poe's classic tales The Man of the Crowd and Omania in this bound volume of the magazine. Housed in a custom-made collector's slipcase. First edition. 298 pages. Half leather backstrip well flicked marbled boards with seven plates one is of fashions. Tissue guards present some scattered and light foxing. Overall very good. Burton's Gentleman's Magazine hardcover books
184537495New York: J.K. Wellman 1845. 2 volumes in 1 8vo pp. 378; 14 steel engraved plates and hand-colored botanical lithographs; contemporary red gilt and blind-tooled cloth shelf wear hinge repair; ex-Hill Library with usual markings; early bookseller's description to front pastedown endpaper. The first two of four volumes of an 18th century American gift book. Includes an early printing of Edgar Allan Poe's "The Raven" pp. 376-378. Other featured authors include Washington Irving and John Whittier. Not in BAL Thompson or Faxon. <br/><br/> J.K. Wellman hardcover books
184237513New York: William W. Snowden 1842. 2 volumes in one large 8vo; 35 steel engraved plates and fashion lithographs; contemporary three-quarter calf over marble boards gilt lettering on spine begining to detach shelf wear; ex-Hill Library with usual markings; foxing otherwise good interior. Contains the first printings of Edgar Allan Poe's "The Landscape Garden" and his famous short story "The Mystery of Marie Roget" in three parts. "The Mystery of Marie Roget" is arguably one of the first murder mysteries to be based on a true crime that of the murder of Mary Cecilia Rogers the "Beautiful Cigar Girl" who was found drowned in the Hudson River in 1841. Poe chose to situate the narrative in Paris as a sequal to his "The Murders in the Rue Morgue". BAL 16149A Sova p. 164. <br/><br/> William W. Snowden hardcover books
1844RPOELAD00AFWilliam W. Snowden 1844. Good. Poe Edgar Allan. The Ladies' Companion containing two Poe short stories; The Landscape Garden and The Mystery of Marie Roget Volumes 17 and 18 bound together. Snowden Editor William W. NY: William W. Snowden 1844. 334 308pp. Illustrated. 4to. Plain brown cloth. Book condition: Good with subtle foxing and slightly chipped page edges. Lightly bumped and rubbed extremities. Chords and boards barely exposed. Endsheets a bit tattered along hinges. A few dog-eared pages. In protective clear laminate. Skilled but amateur recovering of original binding with plain brown cloth. William W. Snowden hardcover books