Cinquini, AlainBiblio.com
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73-2066Cannes: Alain Cinquini 2000. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 2000 unknown
73-2006Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2029Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2033Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2057Monte-Carlo: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1998 unknown
73-2157St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
73-2011Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
1976019041Galerie Marguerite Lamy 1976. Book. Near Fine. Soft cover. Inscribed by subject. Inscribed and signed Ces by by Cesar Domela . Galerie Marguerite Lamy Paperback
73-6683Paris: Vilo Publishing 2000. Fo. 187 pp. Black and white plates. Hard cover with dust jacket. Paris: Vilo Publishing, 2000 hardcover
73-6692Paris: Marval 1996. Fo. 185 pp. Color plates. Hard cover with dust jacket. Very Good. Heavy book may cost extra for shipping Paris: Marval, 1996 hardcover
2000H37792Paris: Albin Michel 2000. First Printing. Wraps. Very good. Trade softcover 8.75 x 7 inches warmly inscribed to Irwin Kotofsky and his wife in 2017; Kotofsky a Pittsburgh businessman was a dedicated wine enthusiast and gourmande his collection of wines sold at Christie's a few years ago for $1.4M. 365 pp. Carré des Feuillants Dutournier's Michelin-starred restaurant is still going strong in the first arrondisement. Uncommon signed. Albin Michel unknown
1999382847Somogy Editions D'Art 1999. 1st. Hardcover. Very Good/Very Good. Hardcover in a bright dust jacket. Still in publisher's shrinkwrap. Full color exhibition catalogue of the new retrospective exhibition of Saint-Gaudens' work the first in Europe since 1900. Venues include the Muse des Augustins in Toulouse February 2-May 30 1999 and the Muse national de la Cooperation Franco-Americaine at Blrencourt June 26-October 18 1999. The artwork covers Saint-Gaudens' entire career from the cameos done during his youth to sophisticated portrait reliefs public monuments and coins. The essays contribute new scholarship on the sculptor's career and art including his decorative art designs for Tiffany's personalized pencil caricatures for friends and the development of the monument to Charles Stewart Parnell in Dublin the last public monument Saint-Gaudens saw to completion. Record # 382847 Somogy Editions D'Art hardcover
139781Atlantic Monthly Pr. First Edition. Hardcover. Very Good. First Edition First Printing. Not price-clipped $16.95 price intact. Published by Atlantic Monthly Press 1985. Octavo. Black boards over red boards stamped in silver. Signed inscribed and dated on half title page. Book is very good; clean with no writing or names. Sharp corners and spine straight. Binding tight and pages crisp. A few spots and tiny nicks to top of page ends. Dust jacket is very good with light shelf wear and a few nicks and smudges. A good copy of this historical fiction novel that won the 1985 Premio Polifemo. 243 pages. ISBN: 0871131099. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions or if you would like a photo. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Southampton New York. We Buy Books! Individual titles libraries collections. Message us if you have books to sell! Atlantic Monthly Pr hardcover
18-6090New York: Staempfli 1963. 8vo. 12 pp. Very Good. Oblong. Soft Cover. Minor shelf wear and crease at top right edge. Illustrated paper wraps. Staple binding. Color and B&W plates throughout.From the Collection of the Art Historian Peter Selz. New York: Staempfli, 1963. paperback
1989283924New York: Abrams 1989. First. hardcover. fine/fine. Profusely illustrated in color and black & white. 630 pages. Very thick 4to white cloth with a color print mounted on cover d.w. New York: Abrams 1989. First American edition. A fine copy in a fine dust wrapper.<br/> <br/> Abrams unknown
200719745Actes Sud. New. 2007. First Edition. Hardcover. 2742763333 . Unopened in the original shrink wrap with accompanying dvd. ; Small 4to 9" - 11" tall . Actes Sud hardcover
73-6598Paris: Eventhia et Alain Senderens circa 1980s-1990s. Fo. 8 pp. Color plates. Soft cover. Fair. Tearing on interior pages. Text in French. Provenance: Collection of M. Denis SCHNEIDER ancien Chef de Cuisine Copenhague Maison du DANEMARK. 142 Ave. des Champs-Élysées 75008 Paris Paris: Eventhia et Alain Senderens, [circa 1980s-1990s] paperback
1995106296Columbia Univ Pr 1995-02-01. Hardcover. Like New. 9x6x1. First edition first printing looks new and unread but for faint sun fade to spine of jacket. d34 Please email for photos. Columbia Univ Pr hardcover
73-6949Paris: Massimo Riposati editeur 1993. Fo. Very good. 94 pp. Soft cover. Color plates. Paris: Massimo Riposati editeur, 1993 paperback
1981017886Melbourne Australia: Kookaburra Technical Publications. Very Good in Very Good dust jacket. 1981. First Edition. Hardcover. 0858800403 . 144 pp. illus. several in color . Kookaburra Technical Publications hardcover
2008195343London England: The Folio Society 2008. Hardcover. VG/VG crinkling to spine top; light wear to boards. remains tightly bound; likely unread. slipcase has scuffs scratches. white boards w/ green orange & grey illustrations. 252 pgs w/ color illustrations. green paper slipcase. Remains a nice bright copy and sharp copy. Wonderful illustrations by Laura Carlin. The Folio Society hardcover
RGAIHOW00tpmBonny Doon Vineyard. Very Good. Gainesberger Alain. Howlbarino. Domaine des Blagueurs Grenache Village. Steadman Ralph. Santa Cruz: Bonny Doon Vineyard ND. Illustrated. 15 x 27.5 inches. Paper poster. Book condition: Very good with gently bumped edges. Rolled. Parody of Allen Ginsberg's Howl. Bonny Doon Vineyard unknown
198500092109Seattle: Eastland Press 1985. First Edition Thus; Second Printing. Hardcover. Very Good in Very Good dust jacket. Second Printing 1987. Translated from the French "Atlas des Techniques Manipulatives des Os du Crane et de la Face" 1981. Clean pages except for a clear droplet stain on the top edges and modest age-toning around outside edges; no prior owners' marks; the sewn binding is secure the full gray cloth hard cover only very lightly surface-worn at corners; the silver dustjacket shows scattered scratches a short surface tear at the spine heel and light folding around top edges otherwise excellent. xviii 250pp. Jacket is now protected in a clear sleeve. Eastland Press hardcover
