407 résultats
A clean, unmarked book with a tight binding. Light wear to cover.
160 pages. Features: An irreverant review of 10 years of WoodenBoat; The Singular Beauty of Wooden Boats; Buying a Wooden Boat - Three Perspectives; TELKAA - after two centuries still a sensible 10-footer; Save-it! - Part I - the cold-molded sheathing solution; BABY BOOTLEGGER - Mark Mason wanted the boat perfect; Toad's Landing - knee deep in boats; Building the Nutshell Pram - the most fun boat imaginable; The Anatomy of a Wooden Boat - an illustrated glossary; Shovels and Pails - an antipodal instructional recalled; Spars - ways to build them to any size and shape you want; . Average wear. A sound copy. Magazine
160 pages. Features: Jim Stephens, Mike Siddal, and R. Mark Neyman - The RANDANDY; The Beauty of Construction Models; Liverpool historical discovery; FOREST BELLE - the superior value of plank-on-frame construction; The Butt Block - an integral part of a wooden boat's structure; Westport's flat-iron skiff and its sharpie cousin; George Luzier's boatshop in Sarasota; Renewing the deck - an expert approach; Dragonquest - in search of the Chinese junk; From the brink of extinction - Mediterranean molding in Brazil; Matter of Detail; Perfectly Seasoned - Air Drying your Lumber - Part I. Average wear. Unmarked. A sound copy. Magazine
A clean, unmarked book with a tight binding. 8 1/4"w x 11 5/8"h.
91p. Illustrated. 8vo. Original full red cloth binding. Spine faded. Some markings from someone who studied the text. Hardbound. Good. A useful practical introduction to Hatha Yoga. OCC 9
New English Original bdg. HC. 4to. (29 x 21 cm). In English and Turkish. Special designed folded 16 p., 12 b/w photos. Yusuf Sevinçli. Oculus. [Exhibition catalogue]. Galerist Tepebasi, 14.12.2017-27.01.2018. Designed by Valentina Abenavoli. This catalogue was published on the occasion of Yusuf Sevinçli's exhibition 'Oculus' at Galerist Tepebasi between 14.12.201 7-27.01.2018. The exhibition comprises analogue, black & white photographs taken mostly in France and Turkey. Taking its title from an old Roman architectural term for a small circular or oval window or the round openings found at the center of domes. Often an oculus allows a concentrated beam of light into an otherwise dark interior and so is threshold between a world of light and one of shadow. In Sevinçli's images we are in a shadow-world in which light, meaning and beauty pass fleetingly, out of reach and into memory. There is a beautiful, poetic intelligence in Sevinçli's photographs. They are, we are told images of actual things and places. The artist's sensibility, however, articulated through the elegant contingencies of the analogue photographic process; the framing of the shot, the manipulation of the negative, the quality of the printing, renders reality dreamlike. The images are a dream-state, rich with ambiguity and metaphor; A flower, silhouetted, becomes epic and architectural. A white circle painted on a dark ground, the casual record of an act of art making takes on occult significance. A woman pulls skin tight like cloth, another's eyes sparkle with light. Stream rises, spectral like from the street. A man in movement, arms outstretched, his head hidden from us, is perhaps dancing or falling. Stairs ascend into luminosity and fiction. Political in their sensibility of oppressive ambiguity, poetic in their search for moments of transcendence, Sevinçli's photographs are exquisite signs, only partially intelligible, full of melancholy and hope. 1000 copies were printed.
Small blue quarto; 500 p, b&w illus Rare; only 1 holding & 1 record on WorldCat. || In Persian. || Cosmetics; Iran. || Title in French on rear cover.