152 résultats
185518671<p>'Seventh edition'. Good hardcover no DJ. Half calf leather with spot pattern marbled paper over boards; raised bands on spine; spot pattern marbled end papers. Cover marbled papers partially rubbed through to boards; rubbed at fore corners to boards; spine title panel lacking; all textblock edges blue stained apparently by owner; slight blue tinge dye tinge on covers; spine leather intact and supple - no cracking at joints; tightly bound; free end papers lacking; cloth reinforced at front and rear end paper hinges; foxing on several prelim and terminal leaves; light clean interior with occasional light foxing; supple leaves. With all three partitions - complete in one volume. Large 8vo 670 pp; index. See OCLC #682392487.</p> Philadelphia: J.W. Moore hardcover
182718286Longman Rees Orme etc. 1827. Book. Very Good. Hard Covers. The Thirteenth Edition corrected. Half calf. Marbled endpapers. Gilt title on spine. Light wear to corners and to spine ends. Hinges are sound. Two Volumes. Bookplate in each volume. Longman, Rees, Orme, etc. Hardcover
1859022014Boston: William Veazie 1859. Hardcover. Good. 8vo - over 7¾ - 9¾" tall. Brown pebbled cloth covers. Volume I has broken front and back hinges with resulting detached frontispiece and title page. Remaining contents tight. The other 2 volumes are tight clean and intact. Will require extra postage for priority or overseas shipping. William Veazie hardcover
18804373New York: A. C. Armstrong and Son. Very Good with no dust jacket. 1880. Hardcover. With a satirical preface . A New Edition corrected and enriched by translations of the numerous classical exrtacts. Set complete in three volumes uniformly bound with matching leather spines and corners spines with gilt-lettered brown and blue labels and gilt decorations all page edges marbled marbled endpapers Volume I with reproduction of engraved frontipiece from Sixth Edition. Heavy extra for international postage.; 5-1/4" x 7-1/2"; 500467514 pp; A nicely preserved set with but minor faults. All volumes have small rubbed areas and light edgewear Volume III only with 1" sunned area across top of front board. Hinges are without wear. A few pages with minor corner wear; no ownership inscriptions clean and unmarked pages. . A. C. Armstrong and Son hardcover
1857D4633London: William Tegg 1857. Hardcover. Very Good. Half calf and marbled paper over boards lavishly gilt-stamped compartmented spine gilt-stamped lettering in red leather spine label endpapers and all edges marbled. With a reproduction of the frontispiece to the original edition. Moderate scuffing on boards spine tips and along edges of boards; corners lightly bumped. A worn but pretty copy with bright gilt. Internally clean. <br/><br/> William Tegg hardcover
182600284725Printed For Thomas McLean Haymarket; R. Griffin & Co. Glaslow; and J. Cumming Dublin 1826 Tan boards/brown spine w/ titleplate somewhat worn slits along seams but boards holding tight. internal foxing. Engraved frontispiece is clean by Georgio Berkleio 461 pgs. The Author's Abstract of Melancholy The Argument of the Frontispiece front. Scarce edition. Owners Name. A New Edition. Cloth w/b/w Paste-on. Good. Printed For Thomas McLean, Haymarket; R. Griffin & Co. Glaslow; and J. Cumming, Dublin hardcover
183720202London. Near Fine. 1837. Second Edition. Full-Leather. Bound in full leather with raised bands and gilt decorations & titles. Light rubbing at the edges. All the hinges tight. Note that this is only volume 2 of a 2 volume set. ; 8vo 8" - 9" tall; 611 pages . hardcover
182737791London: Longman Rees Orme and Co. Etc. 1827. Two very attractive matching calf-bound volumes. Spines have six panels with elaborate gilt floral decoration. Leather titles. Owner's signature on both free endpapers otherwise very clean throughout. A good firm sound set with minor rubbing to edges. Thirteenth Edition Corrected. Full Leather. Very Good. Octavo. Longman Rees Orme and Co. Etc. Hardcover
1652045029London: Crips and Lodo 1652. The front and back covers are detached from book. Spine is still attached. Cover is well worn splitting and chipped. Pages are tight browning with a few old pen markings. Owner's name tag in front. Contains 723 pages with table in back. Text is still legible. Overall in good condition considering the age of this book. Hard Cover. Fair/No Jacket. Folio - over 12" - 15" tall. Crips and Lodo Hardcover
1890190Excellent condition Volume III only-------- Dana Estes hardcover
18671373483London: William Tegg 1867. New Edition. Hardcover. Octavo xviii 747 pages. In Very Good condition with plastic covering. Spine is brown with gilt lettering. Boards have some rubbing and dirt staining from dirt trapped beneath the plastic. Text block has minor damp staining to the top exterior edge a letter from the Folger Shakespeare library tucked into the plastic cover on the front paste down minor pencil writing on the front end papers and half title page and some foxing throughout. NOTE: Shelved in Room G. 1373483. Special Collections. William Tegg hardcover
1925mon0004120689The Nonesuch Press 1925T. hardcover. Very Good. . 2-volume set. shows minimal wear. The Nonesuch Press hardcover
3846050016.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3846050008.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
9354211593.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3375123248.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3375123256.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1826269269Glasgow: R. Griffin & Co 1826. Hardcover. Very Good. New edition. 8vo. Volume two only of two. Three quarter leather cover with cloth boards. Top edge gilt. Very good. Bookplate inside front cover. Front hinge slightly cracked. Corners lightly rubbed. Leather spine lightly rubbed. R. Griffin & Co hardcover
1836000455London: B. Blake 13 Bell Yard Tmple Bar. 1836. Original half brown calf with original period spine and end papers professionally relaid retaining 90% of original spine. Marbled boards and endsheets. Frontispiece with negligible dampstaining also to flyleaf. Previous owner's name on flyleaf and another owner's stamped name also on same. 744 pages. Overall FAIR PLUS condition. Digital photos upon request. The Anatomy of Melancholy Full title The Anatomy of Melancholy What it is: With all the Kinds Causes Symptomes Prognostickes and Several Cures of it. In Three Maine Partitions with their several Sections Members and Subsections. Philosophically Historically Opened and Cut up. is a book written by Robert Burton which was first published 1621. The book is on its surface a medical textbook in which Burton applies his large and varied learning in the Scholastic manner to the subject of melancholia. Each section piles on ancient and mediæval medical authorities from Hippocrates Aristotle and Galen forward and adds to these ancient examples a great deal of Latin poetry. Burton defines his subject this way: Melancholy the subject of our present discourse is either in disposition or in habit. In disposition is that transitory Melancholy which goes and comes upon every small occasion of sorrow need sickness trouble fear grief passion or perturbation of the mind any manner of care discontent or thought which causes anguish dulness heaviness and vexation of spirit any ways opposite to pleasure mirth joy delight causing frowardness in us or a dislike. In which equivocal and improper sense we call him melancholy that is dull sad sour lumpish ill-disposed solitary any way moved or displeased. And from these melancholy dispositions no man living is free no Stoick none so wise none so happy none so patient so generous so godly so divine that can vindicate himself; so well-composed but more or less some time or other he feels the smart of it. Melancholy in this sense is the character of Mortality.This Melancholy of which we are to treat is a habit a serious ailment a settled humour as Aurelianus and others call it not errant but fixed: and as it was long increasing so now being pleasant or painful grown to a habit it will hardly be removed. Over the course of the book Burton draws from nearly every science of his day including psychology physiology astronomy astrology demonology meteorology and theology. In fact much of the book consists of quotations from various authorities and Burton fills the Anatomy with more or less pertinent references to the works of others. The Anatomy of Melancholy is a particularly lengthy book. The first edition printed as a single quarto volume was nearly 900 pages long and subsequent editions only added to that total. The text is partitioned into three major sections plus an introduction each arranged in Burton's sprawling style. characteristically the introduction includes not only an author's note titled "Democritus Junior to the Reader" but also a Latin poem "Democritus Junior to His Book" a warning to "The Reader Who Employs His Leisure Ill" an abstract of the following text and another poem explaining the frontispiece. The following three sections proceed in a similarly exhaustive fashion: the first section focuses on the causes and symptoms of "common" melancholies while the second section deals with cures for melancholy and the third section explores more complex and esoteric melancholies including the melancholy of lovers and all varieties of religious melancholies. The Anatomy concludes with an extensive index which many years later The New York Times Book Review called "a readerly pleasure in itself".; additionally most modern editions of the book are supplemented with many pages of explanatory notes for the reader. Throughout the book Burton's digressive and inclusive style often verging on a stream of consciousness consistently informs and animates the text. Though nominally a medical book the Anatomy is "vitalized by Burton's pervading humour" and is as much a sui generis work of literature as it is a scientific or philosophical text. The Anatomy of Melancholy has been admired by many subsequent writers from Samuel Johnson Charles Lamb and John Keats who professed it to be his favourite book to Stanley Fish Philip Pullman and Jorge Luis Borges who used a quote as an epigraph to his story "The Library of Babel". Despite its age The Anatomy of Melancholy is still considered an enduring if eccentric literary classic by many modern critics. UncleAndy. Seventh Edition. Half Calf Leather. Fair. 8vo - over 7¾" - 9¾" tall. Hardcover. B. Blake, 13, Bell Yard, Tmple Bar. Hardcover
1850284417Philadelphia: J. W. Moore 1850. Hardcover. Fair. New edition later printing. Three quarter leather with marbled boards. Poor with front board detached but present stamps and owner gift inscription on front fly foxing on tissue to frontispiece cover edges worn. J. W. Moore hardcover
1826109777London: R. Griffin & Company 1826. Hardcover. Very Good. New edition. Very good copy with some foxing throughout. R. Griffin & Company hardcover
201299London Thomas Tegg 1845. xviii748pp. 8vo. Original half leather with marbled boards rubbed and edgeworn. Black and white frontispiece. A very good copy. London, Thomas Tegg 1845. hardcover
1020342552.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1022468685.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1849ABE-1680040946499Philadelphia: J.W. Moore; New York: Wiley & Putnam 1849. Hardcover. Very Good. Tall 8vo quarter calf over blue marbled boards titles stamped in gilt over black leather 670pp. Calfskin shows some abrasions at spine fading and bumping to corners; marbled boards show a few spots of discoloration and rubbing. Pages are wholly age toned at edges and show scattered spotting and foxing with an ownership signature to front endpaper else text is unmarked. Binding square and tight. A one volume edition of Robert Burton's classic of medical literature psychology and satire structured in three partitions. Prints the complete text of the New Edition with a facsimile frontispiece of the Sixth Edition the first complete volume. A lovely nineteenth century fine binding example this being a very handsome copy. Philadelphia: J.W. Moore; New York: Wiley & Putnam hardcover