Pastoret (Claude, Emmanuel, Joseph Pierre, 1755-1840) :Livre Rare Book
47 résultats
178715507Paris, Buisson, 1787 ; in-8 ; demi-veau havane, dos à faux-nerfs décoratifs dorés, fleurons dorés, pièce de titre vert foncé décorée et dorée, plats de papier peint rose (reliure de l'époque) ; (8), 477, (1) pp.
1782PHO-1331Paris ,Chez Pissot père et fils, Chez Laporte, (1782) 1 volume in-octavo (20 x 12,7 cm) de X-508 pp. ,Reliure plein veau marbré d'époque, dos lisse orné avec pièce de titre et tomaison, tranches rouges ,la carte et le frontispice sont manquants , défauts à la reliure .
1782PHO-1839Paris, Chez Pissot père et fils, Chez Laporte, (1782) 1 volume in-octavo (20 x 12,7 cm) de X-508 pp., Reliure plein veau marbré d'époque, dos lisse orné avec pièce de titre, tranches rouges, illustré de la gravure de la mort de Cook, la carte est manquante, défauts à la reliure, mouillure en fin d’ouvrage.
1782PHO-717Paris ,Chez Pissot père et fils, Chez Laporte, (1782) 1 volume in-octavo (20 x 13 cm) de X-508 pp. Reliure plein veau marbré d'époque, dos à nerfs orné avec pièce de titre,la carte et le frontispice sont manquants.
17843603426London: Sold in Spur Street Leicester Square 1784. Small crease in lower corner in good condition. Oval engraving 350 x 265 mm. image size; mounted. <p><p>Rare variant of the famous engraving of Cook's death showing as the caption notes "Part of the Original Plate after Webber" and presumably quite literally printed from an oval cut from the fuller engraved copper. This is only very rarely seen: the single example noted by Joppien and Smith was in the British Museum. </p> <p>The full-size engraving was first issued early in 1784. Based on the oil painting executed by Webber soon after he returned to London in 1780 the figures were engraved by Francesco Bartolozzi and the landscape by William Byrne. Quickly becoming the most famous of all eighteenth-century depictions of the massacre the view appeared at about the same time as the official third voyage account was published. This was no coincidence: although lavishly illustrated by Webber the official account did not include any depiction of the most famous scene of the entire voyage the death of Captain Cook. As a result the iconic engraving is often seen bound into extra-illustrated editions of the third voyage account.</p> <p>Reflecting the general opinion prevailing in published accounts of the voyage the original image as Joppien and Smith argue appeared to show Cook as 'an innocent victim killed in the act of pleading for peace'. This is here heightened by the changed composition as the oval shape dictates a radically different impact to that of the original engraving omitting the dramatic conflict between the British sailors and the Hawaiians and thus implying a scene in which Cook his arm raised in supplication to his men offstage stands alone and is overwhelmed by a seething crowd.</p> <p>The only copy noted among Australian holdings appears to be the heavily clipped copy in the National Library of Australia part of the Nan Kivell collection.</p> </p> . Sold in Spur Street, Leicester Square unknown
179738275T. Heptinstall. Good with no dust jacket. 1797. 1. Leather. b/w; 2xi12751 pages; Engraved title showing a rather devilish looking cherubic brother portrait frontis and six plates by Thomas Stothard. Front cover detached. Mild spotting to first two leaves otherwise VG throughout. . T. Heptinstall, hardcover
178135765Wien, Joseph von Kurzbeck, 1781. 8°. Mit einigen Holzschn.-Vignetten. 4 nn. Bll. (das letzte weiß), Mod. Brosch.
1769023027Salamanca: Oficina de la Santa Cruz por Domingo Casero 1769. No consta edición. Tapa blanda. Good. 40 pp. 14 x 195 cm. SERMÓN QUE PARA LAS HONRAS DEL Rmo. P. MAESTRO Fr. MANUEL VIDAL COMPUSO el Rmo. P. Mro. Fr. PEDRO OTERO Y MALLON Y QUE POR SU MUERTE DIXO en la Real Capilla de San Geronymo el día 19 de diciembre de 1769 un discípulo suyo. Papel limpio. Oficina de la Santa Cruz por Domingo Casero unknown
1755ga2547A Rochefort, chez Jaques Le Noir Relié 1755 In-12 (8 x 13,5 cm), reliure plein veau, dos à 5 nerfs orné de caissons dorés, tranches rouges, double ex-libris en première garde (Thierry-Richard Savatier et Roger Peyrefitte), XXIV-202 pages. Cet ouvrage, qui tourne en dérision la mort et fait l'apologie du suicide, sera mis à l'index en 1758 ; quelques frottements aux coiffes, mors et coins, par ailleurs bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1732002982A Amsterdam, Chez les Frères Westeing, 1732
17864439France 1786. Hand-colored etched folding paper fan printed on the recto of two joined sheets backed in plain paper mounted on 15 later plain wooden sticks the open leaf measuring approx. 112 x 460 mm. total fan height 260 mm. The etching shows two couples and a small dog and table with wine carafe and glass flanking a female figure in white Grecian robes and a green wreath holding in one hand a heart at her breast and with the other hand ceremoniously setting alight a bundle of wood a fagot on a small pedestal or altar above which is the wreathed inscription Institution des fagotiers a auteuil le 2 avril 1786 / On prete serment sur un fagot de pratiquer toute sa vie cinq vertus : cordial franchise amitié générosité obeisance sic et tendresse; at top a star with the initials T L A and a banner lettered Vertus des fagotiers surmounted by the caption Ronde joyeuse des fagotiers/ Air: c’est la petite Theresse sic; on either side of this scene are four verses within two green-outlined oval cartouches within stenciled blue and yellow decorative border. Some wear and slight splitting along a few folds a couple of small tears at mounts.<br /> <br /> A mildly licentious pre-Revolutionary printed fan possibly commemorating a real event a “festival of the wood-gatherers†fagotiers held in Auteuil on April 2 1786 but of which there appears to be no historical record. Rather than a guild the fagotiers may have been a local association or club. <br /> <br /> The symbolism of the image and verses seems to be along the lines of Carpe diem carnally for death is around the corner — heavy sentiments for a feather-light fan. One of the men is gesturing toward his partner’s crotch and the verses on either side of the central scene are dotted with sexual innuendo. The first stanza “Let us sing of the burning fagot a bundle of small wood lit by friendship / he who backs away from it knows her i.e. friendship only half-way / without her life is nothing / with her one is deified†could be understood as innocuous but the second stanza celebrates the joys of Déduit an archaic term for the pleasures of love or coïtus. Stanza three brings in Death in the form of Charon: “amiable fellow let us sing his good humor his boat may lead to the devil but his spirit leads to happiness / with his worthy ardor the fire burns in our hearts.†The last stanza declares that the “august fagotine law†allows us to include women we need not hide everyone kiss your partner etc. <br /> <br /> I locate one other example of this fan held by the Musée Carnavelet in Paris. It is digitized on their website with the description “The Genie of Friendship lights the pyre on which the couples will take the oath of friendship.†The stenciled border of our copy differs from that of the Carnavelet example which is in pink; here it is in two colors and includes two birds perched on branches. unknown
178814520Paris, Le Jay et Maradan, 1788 ; 2 tomes in-8 ; demi-chagrin noisette (reliure moderne) ; (4), 282 pp., portrait du capitaine Henri Wilson en frontispice, gravé par Mme Massard d'après I. Russell, grande carte géographique dépliante, 7 planches gravées dont 6 dépliantes ; (4), 274 pp., (3) ff. Errata et Approbation, 8 planches gravées dont 6 dépliantes, soit 17 planches au total ; vocabulaire de la langue Pelew pp. 251-267 du tome II.
17328697Amsterdam, chez les frère Westeing, 1732. Petit in-12 de XXIII-[1]-290-[8] pages, 1 front., pleine basane marron, dos à nerfs orné de filets et fleurons dorés, pièce de titre bordeaux, tranches rouges, coiffes et coins frottés, mors un soupçon fendu en tête et en queue, papier légèrement bruni. Tampon au recto du frontispice, inscription ancienne au verso de la p. de garde.
1780WOC-2072Oeuvre de Jean HOLBEIN ou Recueil de gravures d'après ses plus beaux ouvrages. Accompagnés d'Explications Historiques et Critiques et de la Vie de ce Fameux Peintre, par Chrétien De Mechel, Graveur de S. A. S. Monseigneur l'Électeur Palatin, et Membre de Diverses Académies. Première Partie: Le Triomphe de la Mort. 12 planches (contenant chacune 4 vues, sauf la dernière qui contient 3, et 1 planche à pleine page et 2 culs-de-lampes en eaux-fortes. A Basle, Chez l'Auteur, 1780. In-folio (38x28cl) relié demi veau d'époque, dos orné de petits nerfs, de fleurons dorés, titre et nom sur maroquin rouge et vert, coiffes et charnières faibles. 2 ff, (Dédicace à sa Majesté GEORGE III Roi de la Grande Bretagne, &c. &c. &c. + 14 pages (Explications des Sujets du Triomphe de la Mort de JEAN HOLBEIN + 1 planche hors-texte: Triumphus Paupertatis.
175723113Paris Pierre-guillaume Simon 1757 3 Volumes In-12 LXXXIV- 283 + 528 pp + 451 , mors fendus ou faibles, il manque une étiquette de titre et un quatrième volume de tables
17361123391736 Venetiis (Venise), Excudit Jo. Baptista Paschalius - Superiorum permisuu, ac privilegio - Avec privilège - 1736 - Fort in-8, reliure demi peau à coin, 5 nerfs, pièce de titre au dos - Tranches mouchetées rouges - 717 p. - Avec des gravures (bandeaux et cartes dépliantes)
17503115<p>1750. DBI s.v. Albani; G. Cucco ed. Papa Albani e le arti a Urbino e a Roma 1700-1721 2001. Highly finished preparatory design for a fresco or tapestry connected to the Albani family whose coat of arms appears under the left-hand arch crowned with a cardinal’s hat. Under the central arch of the drawing preceded by a palafreniero four servants in blue and white livery carry a red baldacchino that covers two figures processing on horseback. One is clearly a secular prince with his garland crown and red cape while the other figure is a cardinal wearing a black hat and a red robe. It is possible that the cardinal depicted is either Annibale 1682-1751 or Alessandro 1692-1779 Albani or their nephew Cardinal Giovan Francesco Albani II 1720-1803. Under the right arch of the fictive architecture two buildings appear. While three commedia dell’arte figures who are commonly associated with the Venetian carnevale appear the carriage in the background contradicts the possibility that the setting for this event is Venice. Below these three arches a series of nine crests appear. The personification of death reclines with his scythe behind the coat of arms of the Corsini family blue and yellow diagonal stripes with a white band through the center. The crown which signified the rank of the family has been wrenched off. The Corsini were made dukes by Urban VIII in the seventeenth century and princes by Clement XII in 1730 This act of vandalism fits well within the long history of enmity between the Corsini and Albani families in the papal court. We have been unable to connect the sheet to a specific project at any Albani residence but future research should consider the Villa Castelbarco Albani in Vaprio d’Adda northeast of Milan whose documentation has proved difficult to obtain.</p> unknown books
1724000220Paris Imprimerie d'Antoine Urbain Coustelier 1724
1768491801768 PARIS, chez DESPILLY - 1768 - 1fort volume In-8 - Nelle édition augmentée des conférences des coUtumes sur chaque Article, avec les notes de M. GOUPY, Architecte - Reliure plein veau de l'époque, 1 mors fragilisé - Dos à nerfs & à caissons fleuronnés & dorés - Pièce de titre cerise, titre doré - coiffe usagée - Toutes tranches rouges - XXXII & 702 pages - quelques rousseurs, Bon exemplaire - Envoi rapide et soigné - Réf.49180
1778341778 reliure plein veau havane in-seize, dos 5 nerfs défraîchi (manque les coiffes et le compartiment de tête) + pièce de titre à double filets or + fleurons, coins défraîchis principalement le coin inférieur du premier plat, tranches rouges, 412 pages, 1778 Paris Chez Durand neveu Libraire et Charles-Pierre Berton Libraire Editeurs,
1753134581753 reliure plein veau brun blond in-seize (binding full calfskin sextodecimo), dos 5 nerfs - roulettes sur les nerfs - manque de dorure (spine with 5 raised bands with fillets - miss gilding) - entre-nerfs à fleuron au fer évidé avec des fleurettes aux angles et des petits fers en remplissage (between the raised bands floweret with hollowed out blocking stamp and small floweret with the angles and small blocking stamp in filling) - pièce de titre sur fond bleu-marine avec filet or (label of title with gilt line), coiffes supérieure et inférieure manquantes (are missing the head and tail of the spine), accidents aux charnières principalement sur le premier plat (joints damaged mainly on the front cover), quatrième plat - petite mais forte épidermure jusqu'au carton (on the back cover - small but strong scratch up to the cardboard), filet sur les coupes (gilt line on the cuts) - manque de dorure (blurred gilding), toutes tranches rouges (all red edges), marque-page en tissu vert (bookmark in green tissue), pages de garde peignées à motif "caillouté" (painting endpaper), annotations manuscrites anciennes à l'encre sur la page de titre (old handwritten annotations with ink on the title page), texte à manchette (marginal note), illustrations : orné de bandeaux - lettrines et de culs-de-lampe (illuminated of headpieces and dropped initials and of tailpieces), VII+431 pages avec Approbation & Privilège du Roi, 1753 à Paris Chez Gabriel-Charles Berton Libraire - Laurent Durand Libraire,
17849413Londres, sans nom, 1784. 2 parties en un volume in-12 de [4]-277-[4]-206 pages, pleine basane brune, dos à 5 nerfs orné de fleurons, roulettes et encadrements dorés, roulette dorée sur les coupes, tranches rouges. Petite épidermure au premier plat, légère et discrète trace de pli au coin supérieur des feuillets, courant sur presque tout le volume.
1771970371771 1771, 151 p., broché, environ 18x11cm, broché en attente de reliure, intérieur propre.
17071204Lyon, Pierre Thenet, 1707 ; in-12 de [6] ff., 504 pp., [1] f., reliure de l’époque basane brune frottée, dos à nerfs.
179592854Augsbourg: Chez tous les Libraires 1795. (2), 370 Seiten. 8° (18,5 x 11,5 cm). Interimsbindung mit Kleisterpapier-Kartonage der Zeit.
