Renault,MaryMareMagnum
Platon.MareMagnum
Phédon. Extraits traduits par Jean Guillon.
Un fin volume broché de format petit in 8° de 64 pp.; quelques illustrations en noir dans le texte. Bel état. Voir photo.
Sciardet Daniel · Allemagne5,00 €
427 résultats
Nikeratos, the Actor, tells story of his life in the Theatre and his encounters with Plato and Dion, a well crafted story set in ancient Athens ans Sicily. 285p. Book
Nikeratos, the Actor, tells story of his life in the Theatre and his encounters with Plato and Dion, a well crafted story set in ancient Athens and Sicily. 285p.Bookstorestamp etc. Book
Nikeratos, the Actor, tells story of his life in the Theatre and his encounters with Plato and Dion, a well crafted story set in ancient Athens and Sicily. 285p.Bookstorestamp etc. Book
119pp., 2e édition, br.orig., 17cm., dans la série "Les Philosophes", pour la plupart non coupé, bon état, F80376
Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows the slightest signs of shelf wear only, no tears. 275 pages. Contents include: Differentiations of consciousness, Social reality, Society and disorder, Struggle for order: Israel and the prophets, Struggle for order: Plato and the polis, Is the good society possible? Beyond order, etc.
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism. ; 254 pages
[373] pp. [i.e. columns/pages numbered from 603 to 1336], reprint of the original 1864-edition, 25cm., publisher's hardcover in grey cloth, text and interior are clean and bright, good condition, F105302
xcv + [215] pp., 21cm., brochure originale, édition bilingue: grec-français, texte et intérieur frais, bon état, F104812
Tome 1 seul (des 2): viii + 62 + 287pp., 25cm., dans la série "Ancient and medieval philosophy. De Wulf-Mansion Centre" Series I volume 3, reliure toile de l'éditeur, très bon état, [introduction en français, texte de l'édition critique en latin], F97924
49pp., 24cm., text in Latin, Doctoral Dissertation, stamp at verso of title page, text is clean and bright, F112998
Ellipses 1999, In-8 broché, 60 pages. petites annotations marginales au crayon néanmoins trés bon état.
Reprint in one volume of the 1911, 1913 & 1920 titles. ; Greek & Roman Philosophy Volume 30
In-4°: pp. (8), 41, (1) Capilettera incisi in legno. Marca editoriale Al frontespizio e nell’ultima carta
In-8°; cc. (12), 327, (1) marca tipografica al frontespizio; legatura in pergamena con titolo manoscritto al dorso. Leggera marginale gora di umidità alle ultime carte, due fori di tarlo alla legatura. Prima edizione di questo volgarizzamento, che anche contiene il commento di Erizzo al Fedone. Sebastiano Erizzo fu un letterato veneziano (1525-1585). Gamba 1581; Parenti 217; Argelati III 221; Paitoni III 111; Adams P 1453.
Paris, Armand Colin, vers 1890. Collection "Classiques Grecs". Un volume de format petit in 8° de 140, 4 pp., et quelques pages quadrillées muettes, pour les notes éventuelles. Reliure de l'éditeur en percaline brune, titres et encadrements en noir. Tache noire sur le premier plat, sinon bon état. Rare. Edition bilingue préparée par Charles Cucuel.
Paris, Albin Michel, 1949. Un volume broché de format petit in 8° de 246 pp. Edition en français. Préparée par Mario Meunier. Piqures sur la couverture, sinon bel état.
Un volume broché de format in 8° de 190 pp.; couverture illustrée. Comme neuf. Voir photo.
Paris, Buchet/Chastel, Corrêa, 1960 ; in-12, broché, 254 pp. 24 héliogravures hors-texte.
Paris, Garnier, Les Classiques Garnier, 1938. In-12, broché, 594 pp. Bon exemplaire, papier bien conservé.
Paris, Garnier-Frères, 1947. Collection "Classiques Garnier". Un volume broché de format petit in 8° de 492 pp. Texte en français. Traduction d'Emile Chambly. Dos passé, sinon parfait état.
Un fin volume broché de format petit in 8° de 64 pp.; quelques illustrations en noir dans le texte. Bel état. Voir photo.
Paris, Garnier-Frères, 1942. Un volume broché de format petit in 8° de 490 pp. Texte en français, edition préparée par E. Chambry. Dos fendu, manques à la couverture, pour le texte uniquement. Bien complet.
xxvi + 424pp., reliure cart. (dos en cuir avec titre et faux-nerfs dorés, dos peu touché), 20cm., peu de rousseurs, édition bilingue grec-français, bon état
Boards are laminated with laminate flecking off in a few places. Former owner's booklabel to ffep. Else minor shelfwear. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 1; 235 pages
Some pencilling. Tape applied to spine ends. Spine browned. Tears along spine joints. Minor dampstaining to spine. ; Parallel text in French and Greek. ; Collection Des Universités De France. Association Guillaume Budé; Vol. 2; 157 pages