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A nearly complete set of flannel (cardboard backed with very thin gray foam) multicultural and possibly non-binary children's faces and body parts with various skin tones dressed in the finest styles of 1979, including some tall gray boots. See photos for parts included. Also includes dual-language instruction sheet in English and Spanish. Also includes foam-backed word cards.
141 p. Dampstain. Title page torn without loss. 165mm. Virtually disbound. This perhaps should best be considered a candidate for rebinding. First edition. "James Bradley Thayer (1831-1902) was a Boston attorney, legal scholar, and professor at Harvard University. He had business dealings with Emerson and was one of a party of twelve who, with Emerson, went in a private Pullman car from Boston to California, and travelled there for several weeks, in 1871. Thayer wrote a number of diary-like letters to his wife while on the trip which later formed the basis for this account. This book also contains the letter that Thayer had written to the Boston 'Daily Advertiser' in which he attempts to clarify the response to a recent (1883) Boston lecture on Emerson given by Matthew Arnold." - From a description by Riverrow Book Shop. BAL p.68. TRAVEL BX 2
213p. 8vo. Original full cloth binding. Original dust jacket. Nice copy. The biographies include: MAX GORDON; BARNEY JOSEPHSON; BRADLEY CUNNINGHAM; BENNY GOODMAN; CHARLIE PARKER; and RUBY BRAFF JAZZ 1 ** !
8vo., Second Impression, on laid paper; original dove-blue laid paper wrappers printed in blue, sewed as issued, yapped edges, wrappers lightly browned at backstrip and with small loss at head of backstrip else a remarkably well-preserved, crisp, clean copy. Published in same month as the first edition. Bradley's inaugural lecture as Professor of Poetry at Oxford, which post he held until 1906. EXTREMELY SCARCE, ESPECIALLY IN THIS CONDITION.
8vo., First Edition; original white boards, upper board lettered in red, sewed as issued, a near fine copy. EXTREMELY SCARCE.
8vo., First Edition, with frontispiece (original tissue guard present), numerous charming illustrations in the text and large folding map coloured in outline, endpapers very lightly spotted; original series binding of green cloth, upper board and backstrip lettered in gilt, gilt top, uncut, a very good, bright, clean copy. With 4pp publisher's advertisements bound in at end.THE ORIGINAL EDITION IS SCARCE IN THIS CONDITION.
8vo., First Edition; handsomely bound in dark red full crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments lettered and ruled in gilt, all other compartments tooled in gilt, gilt top, hand-made endpapers, ribbon marker, a most attractive copy ideal as a gift or for presentation. Elegant copy of one of the seminal Shakeapeare studies of the early twentieth century.
8vo., First Edition, with a frontispiece (original tissue guard present), very numerous illustrations (a number full-page) in the text and a folding map coloured in outline; original series binding of blue cloth gilt, gilt back, gilt top, a very good, bright, clean copy. With 4pp series catalogue at end. A scarce example of the first edition bound in blue cloth rather than the green cloth of the early titles.
8vo., First Edition thus, with a frontispiece, numerous charming illustrations in the text and a large folding map coloured in outline; original series binding of green cloth, upper board and backstrip elaborately blocked and lettered in gilt and blind, a near fine copy. With the bookplate of the Selkirk Hill & Rock Club Library on front paste-down. Nice copy of the first pocket edition of this famous guide, first published in 1901. The early titles of the Pocket series are distinguished by their superior blocking and lettering. UNCOMMON IN THIS CONDITION.
8vo., First Edition, with numerous photographs and diagrams in the text; green cloth, gilt back, a fine copy in unclipped dustwrapper. Ottley, 12244.
8vo., First Edition, with coloured and monochrome plates; green cloth, gilt back, a fine copy in unclipped dustwrapper. SIGNED BY THE AUTHOR ON BLANK PRELIMINARY
Oblong 4to., First Edition, with numerous full-page coloured illustrations in the text; blue cloth gilt, gilt back, olive endpapers, a very good, clean copy in unclipped dustwrapper. Third book in the Miss Carter sequence.
4 vols., oblong 4to., First Edition, with very numerous coloured illustrations throughout; coloured boards (blue/rose/blue/rose respectively), upper boards lettered in gilt, gilt backs, coloured endpapers, a near fine set in unclipped dustwrapper. THE FIRST VOLUME IS A PRESENTATION COPY SIGNED BY THE AUTHOR WITH HER HOLOGRAPH INSCRIPTION AND WELL-KNOWN 'NELLIE BLY' MONOGRAM. Complete set of Helen Bradley's inimitable illustrations of Edwardian England: the sequence comprises 'And Miss Carter wore Pink' (1971), 'Miss Carter came with Us' (1973), 'In the Beginning' (1975), 'The Queen who came to Tea' (1978). COMPLETE SETS IN THIS CONDITION ARE SCARCE.
Incisione all'acquaforte e puntasecca impressa su carta di Cina, parte incisa mm.290x135, ampi margini bianchi. Firma e titolo incisi al marg. inf.. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.195x378, ampi margini bianchi. Firma e titolo incisi al marg. inf. (1877 circa). (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.274x440, ampi margini bianchi. Titolo e firma sulla lastra, datata a matita 1878. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.475x292, margini bianchi di circa 3 cm. Controfondata al tempo su cartone rigido. Firma e titolo a matita al marg. inf., senza data (1877 circa). (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.140x320, ampi margini bianchi. Firma e titolo incisi al marg. inf., datata 1877. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.145x318, ampi margini bianchi. Firma e titolo incisi al marg. inf. (senza data, 1877-1878 circa). (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.285x455, ampi margini bianchi. Firma sulla lastra, datata 1877. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.270x440, ampi margini bianchi. Firma e titolo incisi al marg. inf. (1877 circa). (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.370x558, ampi margini bianchi. Firma sulla lastra, datata 1876. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta, parte incisa mm.365x260, ampi margini bianchi. Firma a matita in basso a destra. Datata 1873. (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.170x400, ampi margini bianchi, lievemente fioriti. Firma e titolo a matita al marg. inf. della parte incisa (1877 circa). (Per notizie sull'A. cfr. Benezit II, p.265)
Incisione all'acquaforte e acquatinta impressa su carta di Cina, parte incisa mm.180x360, ampi margini bianchi. Titolo e firnm a penna dell'a. al margine inf., senza data (1877 - 1878 circa). Fiorit. non gravi sulla parte incisa(Per notizie sull'A. cfr. Benezit II, p.265)