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2000mon0000973288Heritage House Publishing Co. Lt 1/1/2004 12:00:01 AM. paperback. Very Good. 0.5000 in x 10.7992 in x 8.2008 in. Heritage House Publishing Co. Lt paperback
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2025x-1009619233Cambridge University Press 2025. Hardcover. New. 75 pages. 6.00x0.25x9.00 inches. Cambridge University Press hardcover
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ria9788197595769_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Semiconductor Laser Dynamics: Fundamentals and Applications provides a comprehensive overview of the fundamental principles and practical applications of semiconductor laser dynamics. Through collaboration with experts this book covers hardcover
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1952210511952. Ives Morgan; Aldrich Ann; Mark Edwina; Flamond Pierre; Brock Lilyan. Lesbian pulp fiction collection 1952-1970 documenting the development of lesbian representation within mid-twentieth-century mass market literature. These works situate same-sex desire within popular fiction at a time when such themes were often constrained by censorship and mediated through pseudonymous authorship. The collection includes both female and male-authored texts with several written by women including figures associated with early pro-lesbian pulp offering insight into how narratives of identity desire and social transgression were constructed and circulated within mid-century print culture.<br /> <br /> Collection comprises 5 mass market paperback novels ranging from approximately 150 to 250 pages and measuring about 4.25" x 7". 1 Ives Morgan pseudonym of Marion Zimmer Bradley. Spare Her Heaven. Derby Connecticut: Monarch Books 1963. First edition. Narrative centers on a charismatic female leader of a communal group presenting themes of sexual autonomy and resistance to conventional gender roles. 2 Aldrich Ann pseudonym of Marijane Meaker. Carol in a Thousand Cities. Greenwich Connecticut: Fawcett Publications 1960. First edition. A collection blending fictional and documentary-style accounts of lesbian life across multiple settings extending Meaker's engagement with reader correspondence and community experience. 3 Mark Edwina pseudonym of Edwin Fadiman Jr. My Sister My Beloved. New York: Berkley Publishing Corporation 1958. A narrative framed around taboo relationships within a domestic setting reflecting mid-century pulp conventions of sensational subject matter. 4 Flamond Pierre. Gays & Dolls. New York: Bee-Line Books 1970. Depicts a suburban milieu in which female same-sex relationships emerge within social networks presented through the stylistic and marketing conventions of later pulp fiction. 5 Brock Lilyan. Queer Patterns. New York: Eton Books 1952. Originally published in 1935 this reissued work presents an early narrative of same-sex attachment framed through conflict and social constraint. Across the volumes cover art frequently depicts pairs of women in stylized poses employing visual tropes of intimacy and tension characteristic of the genre.<br /> <br /> Produced during a period when lesbian themes were marginalized within mainstream publishing these works demonstrate how pulp fiction operated as a primary medium for the circulation of queer narratives. Authors such as Meaker contributed to expanding the range of representation available to readers while the inclusion of both male and female authors highlights the varied perspectives shaping the genre. Light wear to covers and minor handling visible; textblocks remain intact; overall very good condition. This collection offers a representative grouping of lesbian pulp fiction illustrating shifts in authorship and narrative approach across two decades. unknown
1959210341959. Bannon Ann. I Am a Woman. Gardner Miriam. The Strange Women. Sinclair Marianne. The Corruption of Innocence. Henry Joan. Women in Prison. Smith Artemis. The Third Sex. These mid-twentieth century paperback novels document women-authored representations of same-sex relationships and queer social life within a publishing field largely dominated by male writers working under pseudonyms. Issued between 1953 and 1964 these works provide primary evidence of how lesbian identity gender nonconformity and same-sex relationships were depicted in commercially distributed fiction during a period when homosexuality remained criminalized and pathologized in both medical and legal frameworks. Ann Bannon's I Am a Woman part of the Beebo Brinker series occupies a central place in lesbian literary history as one of the earliest widely circulated narratives to present lesbian identity through recurring characters and urban social networks while Marion Zimmer Bradley writing as Miriam Gardner contributed to the genre through emotionally centered narratives of same-sex relationships. Joan Henry's Women in Prison grounded in her own incarceration intersects with carceral studies and gendered confinement while Artemis Smith's The Third Sex addresses both male and female homosexuality within a shared social framework. Several titles align with evaluative frameworks established by Barbara Grier identifying works with sustained lesbian characters and narrative focus situating this grouping within early lesbian reading cultures prior to the emergence of organized gay and lesbian liberation movements.<br /> <br /> Bannon Ann pen name of Ann Weldy. I Am a Woman. Greenwich Conn.: Fawcett Publications 1959. First edition first printing. Mass-market paperback.<br /> Gardner Miriam pen name of Marion Zimmer Bradley. The Strange Women. Derby Conn.: Monarch Books 1962. First edition. Mass-market paperback.<br /> Sinclair Marianne. The Corruption of Innocence. New York: Macfadden-Bartell 1964. First American edition. Mass-market paperback.<br /> Henry Joan. Women in Prison. New York: Permabooks 1953. Second edition. Mass-market paperback.<br /> Smith Artemis pen name of Annselm Morpurgo. The Third Sex. New York: Beacon Signal Books 1963. Second edition. Mass-market paperback.<br /> Group of five paperback volumes spanning 1953 to 1964 each measuring approximately 4.25 x 7 inches and generally ranging between 120 and 250 pages. Illustrated covers follow mid-century pulp conventions frequently depicting women in intimate or emotionally charged poses paired with promotional language such as "I Am a Woman In Love With A Woman-Must Society Reject Me" I Am a Woman and "They were trapped by their forbidden love" The Strange Women. Narrative content includes first lesbian relationships urban social networks carceral environments and negotiated heterosexual marriages as in The Third Sex which presents a marriage of convenience between a gay man and a lesbian woman. The Corruption of Innocence situates its narrative within expatriate and nightlife environments in Paris while Women in Prison provides a semi-autobiographical account of women's incarceration and interpersonal dynamics within institutional confinement.<br /> <br /> These works circulated within an expanding postwar paperback industry that enabled the distribution of controversial subject matter through inexpensive formats even as publishers framed lesbian content through sensationalized language to navigate censorship and obscenity standards. Female-authored contributions introduced perspectives grounded in lived experience emotional interiority and social negotiation contributing to the development of lesbian literary traditions that would later intersect with feminist and gay liberation movements of the late 1960s and 1970s. Clean covers and interiors with tight textblocks; light handling wear including a noted crease to the upper corner of The Strange Women; overall good to very good condition. The grouping offers a concentrated record of women-authored lesbian fiction within mid-century mass-market publishing and supports research into sexuality gender and print culture. unknown
