[Jeanne WEIL PROUST] NadarBiblio.com
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1904Pro4<p><b>PROUST Jeanne WEIL 1849-1905</b></p><p>5th December 1904 original period film print. Round photography 159 cm diameter mounted on thick paper frame in the photographer's name.Tiny spot on lower margin of the mounting small stainStamp on verso from collection Suzy Mante-Proust collection</p><p><b>One of Jeanne Weil Proust's last portraits less than a year before her death</b></p><p>This portrait was taken on December 5th 1904. At this time aged 56 years old Proust's mother has been a widow for a year. The translation of his son's <i>The Bible of Amiens</i> was published that same year. She died of nephritis a year later on September 26 1905. Nadar did process her portrait and removed the shadows and various flaws on her face.</p><p>Michel Schneider notes that the narrator's mother in the <i>Search</i> is obviously inspired by the mother of the author himself. Jeanne Proust was born Jeanne Weil in 1849 from a Jewish family of the enlightened bourgeoisie. Much has been said about the intellectual complicity that united her with elder son. Marcel Proust who during his mother's lifetime wrote only <i>beautiful</i>things in the spirit of the time <i>Pleasures and Days</i> will not become the novelist of the <i>Search</i> until after the death his mother an event that has somehow freed his creation. In the novel the grief he felt at his death is shifted to that of the grandmother and that of Albertine. In the <i>Search</i> Mom doesn't die she is also mentioned more than 500 times.</p><p>Provenance:<br />-Proust Family<br />-Suzy Mante-Proust only daughter of Robert Proust by descent<br />-Patricia Mante-Proust granddaughter of Suzy Mante-Proust by descent</p><p><u>References:</u><br />Nadar repr. p. 32 in full. <br />Cattaui n° 59 repr. <br />Mauriac repr. p. 10.</p>
1966129888N.P.: n.p. 1966. Limited Editions Club. framed painting 34 by 28 inches. A framed watercolor depicting a guard at the fortress and monastic community at Qumran. Shraga Weil 1918-2009 was an Israeli artist. Born in Prague in 1918 he studied at the National School of Arts there. He served in the Hungarian resistance to the Nazis during World War II. After the war he joined the exodus to Israel. He received training in monumental and graphic techniques at the Academy of Arts in Paris in 1953. He worked as a designer and illustrator of books during the 1950s during which time he was illustrator of The Dead Sea Scrolls New York: Limited Editions Club 1966. This work was offered but not used as an illustration for that book. In the 1960s and 1970s he created several architectural designs including the copper doors for the main entrance of the Knesset building and the residence of the President of Israel in Jerusalem. source: Knesset website and Shraga Weil website. Qumran was the location of an ancient Jewish fortress and Essene monastic community where the Dead Sea Scrolls were found beginning in 1947. n.p. unknown
1966129889N.P.: n.p. 1966. Limited Editions Club. framed painting 34 by 28 inches. A framed painting depicting a guard at the fortress and monastic community at Qumran. Shraga Weil 1918-2009 was an Israeli artist. Born in Prague in 1918 he studied at the National School of Arts there. He served in the Hungarian resistance to the Nazis during World War II. After the war he joined the exodus to Israel. He received training in monumental and graphic techniques at the Academy of Arts in Paris in 1953. He worked as a designer and illustrator of books during the 1950s during which time he was illustrator of The Dead Sea Scrolls New York: Limited Editions Club 1966. This work was included as an illustration in that book. In the 1960s and 1970s he created several architectural designs including the copper doors for the main entrance of the Knesset building and the residence of the President of Israel in Jerusalem. source: Knesset website and Shraga Weil website. Qumran was the location of an ancient Jewish fortress and Essene monastic community where the Dead Sea Scrolls were found beginning in 1947. n.p. unknown
19782612SUCHIER RALPH 1978. 1.ND. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt und umgearbeitet! SUCHIER, RALPH hardcover
19462547Budapest: Hasomér Hacair 1946. In an original folder. Plates are in fine condition. Small tears on the text plate. Folder little bit torn but still in very good condition. In an original folder. 10 plate with text plate. Ten plates with printed illustrations by Shraga Weil documenting the holocaust period and life in the camps. Shraga Weil Ferenc Ferdinánd; 1918–2009 was a Hungarian born Israeli painter. He studied at the Academy of Art in Prague and École des Beaux Arts in Paris. During WWII he was active in the Zionist underground movement in Budapest working in the workshop for forging documents. After the war he sailed for Palestine on an illegal immigrant ship and became a member of Kibbutz Ha’ogen where he lived until his death. In 1959 Weil was awarded the Dizengoff Prize for painting. He created the doors of the main entrance to the Knesset building and the President’s residence in Jerusalem. Weil painted the wooden panels in the Israeli Hall at the Kennedy Center. (Hasomér Hacair) unknown
1952032525London: Routledge and Kegan Paul Ltd 1952. First English Edition 1st Printing. Green Cloth. Near Fine/Near Fine DJ. 288 Pp. First English Language Translation Of Her Book Which Was First Published In France In 1949. Gallup B66 For The Eliot Preface. Camus Reportedly Considered Her To Be The Most Important 20Th Century Writer. Book Is Clean Unmarked No Names No Fraying Light Rubbing At Corners. Dj Is Especially Clean And Bright Unfaded Price Clipped At Bottom Of Front Flap With A 1/4" Deep X 1/2" Long Chip At Bottom Of Front Bottom Spine Fold A 1/8' V-Chip At Bottom Of Rear Spine Fold And A 1/8" Deep X 1/4" Long Chip At Top Of Rear Spine Fold. <br/> <br/> Routledge and Kegan Paul Ltd hardcover
1937008688London: E. P. Goldschmidt 1937 8vo 21.5 cm 24 pp. Printed wrappers both wrappers and paper inside are slightly toned. This is a limited first edition restricted to 100 copies featuring Einstein's bibliography. It includes 174 entries encompassing papers collections of papers and their translations. E. P. Goldschmidt paperback
194316547London 1943. <p>Weil Ernst 1891-1965. Complete set nos. 1-33 of Weil's rare book catalogues. Approx. 1320pp. total. Plates. London: E. Weil 1943-1965. 218 x 138 mm. Bound in 3 volumes recent cloth red leather spine labels; original printed wrappers present. Fine. Herbert M. Evans' Copies with his purchase notes on the front wrappers of several catalogues and his signature or initials on one or two front wrappers. Typed letter signed from Weil to Evans dated 19 May 1953 bound into Catalogue 20.</p> <p> First Editions of these important catalogues issued by one of the foremost 20th-century dealers of rare books in medicine and science. These copies are from the library of Herbert M. Evans 1882-1971 co-discoverer of Vitamin E and one of the pioneering collectors of rare medical and scientific books. Many of the catalogues in this set bear Evans's pencil or ink notes on their front covers and Catalogue 20 1953 has a typed letter signed from Weil to Evans bound in discussing a possible purchase of four items.</p> <p> Ernst Weil a native of Germany was influenced by his cousin the bookseller Heinrich Eisemann to collect and eventually to sell early printed books. In 1924 he founded with Hans Taeuber the firm of Taeuber & Weil in Munich; in 1933 he moved his family to London where he entered into partnership with E. P. Goldschmidt. In 1943 he began selling books under his own name issuing 33 catalogues before his death in 1965. Although modestly produced his catalogues contain much research and original observation particularly on hitherto ignored medical and scientific books. See E. Weil "A doctor and his books: Harvey Cushing and his library. The formation of the Harvey Cushing Collection" Journal of the History of Medicine 1 1946: 234-246. </p> . unknown
197764791MMFA. As New. 1977. Paperback. 0892800070 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 122 pp. With 44 ills. On 43 pls. one foldout. 28 x 22 cm. -- with a bonus offer-- . MMFA paperback
19822257EDITION C.O.L.S. 1982. 7.ND. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt! Neu umgearbeitet! EDITION C.O.L.S. hardcover
1984195MÜLLER KARL 1984. 1. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt und umgearbeitet! MÜLLER, KARL hardcover
1997Manohar-9780521296151Cambridge University Press 1997. Paperback. New. Cambridge University Press paperback
1997Manohar-9780521296151Cambridge University Press 1997. Paperback. New. Cambridge University Press paperback
19806452Portland OR: Sara Kirschenbaum 1980. Number 13 of 25 copies. 10x8" loose sheets 1 24pp. housed in black paper box signed and numbered by Kirchenbaum. 14 mounted or full page photographs of the American Museum of Natural History. Pages curled some scattered foxing. Very good. <br /> <br /> A very interesting artist's book from Portland area writer and visual artist and daughter of Susan Weil Sara Kirschenbaum b. 1959. Consists of short pieces both poem and prose accompanied by photographs of the American Museum of Natural History in New York. The verso of the title sheet credits help from artists Christopher Rauschenberg Kirschenbaum's half brother Jan Håfström and her mother Susan Weil. The surreal and at times grotesque historical photographs detail the building of exhibits of mammoths elephants and other large creatures. <br /> <br /> <br /> Kirschenbaum has been published in literary journals such as Tin House and has had art exhibitions in Portland and Lucerne Switzerland. She has collaborated with Weil on at least one other artist's book Cycles of Poems which is held by only the National Museum of Women in the Arts according to OCLC. As far as we can see this project is not held and we find little mention of it elsewhere. . Sara Kirschenbaum unknown
1970050902London: Oxford University Press 1970. 1st This Ed. . Hardcover. Very Good/Very Good. 8vo - over 7¾" - 9¾" tall. 368pp.incl.index; HB red w/gilt; some rub w/soil&wear on edges&corners; slight bow; bookplate; ink lines in margins otherwise cleantight pgs. DJ red&blue w/blk.&white; rubbed w/wear one dges&cornes; some folds; lt.sun. "Taken all together the notebooks provide an unselfconscious and unintentional self-portarit of one of the most remarkable minds and characters of this century. <br/> <br/> Oxford University Press hardcover
1978836j1676USA: Warner Bros. Publications Inc. Good. 1978. First Edition. Paperback. Songbook with piano sheet music lyrics and guitar chords for these songs: Astronomy; Before The Kiss A Redcap; Cities On Flame With Rock And Roll; E.T.I. Extra Terrestrial Intelligence; Godzilla; Harvester Of Eyes; Hot Rails To Hell; Kick Out The Jams; Then Came The Last Days of May; M E 262; Don't Fear The Reaper; The Red And The Black; R.U. Ready To Rock; Seven Screaming Dizbusters; Subhuman; This Ain't The Summer Of Love; We Gotta Get Out Of This Place. 72 pages. "Blue Öyster Cult was formed in 1967 on Long Island New York. Their fusion of hard rock with psychedelia and penchant for occult fantastical and tongue-in-cheek lyrics had a major influence on heavy metal music." - Wikipedia. You may recall that their monster hit Don't Fear The Reaper lives on in the timeless and hilarious SNL skit "More Cowbell" featuring Christopher Walken. Clean tight and unmarked with average wear. A sound example of this rare and truly awesome seventies rock memento. ; 4to . Warner Bros. Publications Inc. paperback
1968538797London: Oxford University Press 1968. Very good hard cover with plastic coated unclipped dust jacket. Previous owner has penned front paste down. Light shelf and handling wear only. Pages securely bound content unmarked. CN. Hardcover. Very Good/Very Good. Used. Oxford University Press Hardcover
197010188London: Oxford University Press 1970. 1st English Edition. Hardcover. Very Good/Fair. 1st English Edition. Originally published 1950. DESCRIPTION: Blue and pink DJ over dark pink red cloth. Language: English. Book Condition: Very Good: Sharp corners and edges. Lightly bruised spine ends. Clean cloth. Tightly bound with clean intact endpapers and strong hinges. Clean unmarked pages. Stain to upper text block edges with minor spotting to text block edges. DJ Condition: Fair: Heavy wear and creasing to upper text block edge. 3.5 cm tear to upper front edge and 1.5 cm tear to upper rear edge. Wear to spine edges fold over edges and lower spine end. Rubbed and lightly soiled covers. Unclipped Pages xiv 368. Size: 22cm by 14cm. Oxford University Press hardcover
1991BN89345Birkhäuser 1991. 1991. Softcover. Souvenirs d'apprentissage. <br/><br/> Birkhäuser paperback
1968007177Paris France: Editions Gallimard 1968. Paper Back. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. 134pp.; SC white w/green; some rub; spine darkened; cleantight pgs. Trans.: Poems - followed by Venice saved tragedy in three acts - Letter from Paul Valery . poemsletter&play. in French. Rare <br/> <br/> Editions Gallimard unknown
199224240MÜLLER KARL 1992. 1. hardcover. Tausend und eine Nacht Über 700 Illustrationen! Erstmalig aus dem Urtext vollständig treu übersetzt und umgearbeitet! MÜLLER, KARL hardcover
192347739San Francisco: The Book Club of California 1923. Limited edition. Hardcover. g to vg. 295/400 with nine original letters and three original scores tipped in at rear 7 x 9" with textual annotations; two original photographs of Oscar Weil tipped in on front endpaper 7 1/2 X 4 3/4" and recto of frontispiece 5 1/2 x 4 1/2". Original brown quarter cloth over light brown textured boards red label with gilt lettering and decorative decor pasted to brown debossed frame on cover; gilt lettering on white paper label on spine gilt ruled. Frontispiece silver print 4 1/4 x 3 1/4" by Dorothea Lange after a painting by Olga M. Ackerman with gilt ruling and decor; tissue guard. Title page with red woodcut designed by H. von Schmidt. Red titles and marginalia enlarged initials in red and blue. Printed by the Grabhorn Press San Francisco. <br /> <br /> The original letters appear to address "Mein lieber Doctor" from 1914 through 1920 one of them not dated altogether 21 pages. A payment note on printed Bush Street letterhead and a magazine clipping "The Late Oscar Weil" by A. Pupil dated April 17 1921. <br /> <br /> Educated as a musician Oscar Weil 1839–1921 enrolled as a private in the Union Army at the beginning of the American Civil War and retired as a major at the end of the war. Injuries incurred during the war prevented him from pursuing his career as a violinist. Weil turned to composing and wrote music critiques for the Argonaut after settling in San Francisco.<br /> <br /> The book contains the Oscar Weil Memoir letters to Oscar Weil his contributions to the Argonaut to "The Occident" at the University of California including "The Mundwyler Collection of chamber Music at the University of California" a contribution to the San Francisco Call on the paintings of Francis McConas an informal talk before the Music Section of the Delphian Club in Alameda and words spoken at his funeral by Stewart W. Young. Compositions of Oscar Weil are listed in a separate chapter at rear. Binding with light wear along edges light bumps at corners and lightly sunned spine. Papers uncut at bottom and foredge. Binding in overall good interior in very good condition. The Book Club of California hardcover
19855095London: Architectural Association 1985. First edition. VG. Box 33 cm x 35 cm containing 1 booklet 32 pages 1 yard of fabric 6 separate color plates tin copper wire 2 engraved plastic cards along with a chessboard. Contains all original contents which are all in excellent condition. Published by Architectural Association Publications AA on the occasion of an exhibition at the AA in London May 29-June 25 1985. Moderate edge wear to the purple box which also shows a ring stain from a cup that was placed down upon it to the front cover. Scarce. Architectural Association unknown
1975071941Springer-Verlag 1975. Hardcover. Near Fine/Very Good. Volume Two Function Theory Geometry Miscellaneous HARDCOVER in excellent unmarked near-pristine condition slightest handling gentle bump of lower corner. The dust jacket is VG with slight wear a few small edge tears and is protected by a new clear removeable cover. 877 pages. 3.6 lbs Springer-Verlag hardcover
1973159About this Item<p>SIGNED INSCRIBED by GEORGE P ELLIOTT!</p><p>Inscription says For Re whose admiration for this essay is as great as my own</p><p>George</p><p>41p octavo. A fine copy in red cloth with a paper label on spine. Small foxing spots on top front board and exterior of top pages. Otherwise all is excellent! This is a limited edition of 150 copies from The Stone Wall Press First Thus. Printed on handmade Crown & Sceptre paper. Translated by Mary McCarthy preface by George P. Elliot. Contains Weil's reflections on Homer's epic poem and the nature of force in human affairs.</p> The Stone Wall Press hardcover
