Engels, Gregor (Editor)/ Opdyke, Bill (Editor)/ Schmidt, Douglas C (Editor)/ Weil, Frank (Editor)Biblio.com
648 résultats
2007x-3540752080Springer-Verlag New York Inc 2007. Paperback. New. 1st edition. 698 pages. 9.00x6.00x1.00 inches. Springer-Verlag New York Inc paperback
20192-2718415169Arnette Blackwell 2019. Paperback. New. 286 pages. French language. 7.01x5.12x0.63 inches. Arnette Blackwell paperback
2002BN828612002. 2002. Probleme des Kantischen Denkens. : Einleitung und Übersetzung von Hector Wittwer. <br/><br/> unknown
2006Alibris.0017633Ernest Weil. 2006. Trade paperback. Very good. 0977373703. . Ernest Weil paperback
2006Alibris.0017645Ernest Weil. 2006. Trade paperback. Very good. Signed by author. 0977373703. . Ernest Weil paperback
2005Q-1571813284Berghahn Books 2005-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Berghahn Books paperback
2005x-1571813284Berghahn Books 2005. Paperback. New. 322 pages. 9.00x6.00x0.75 inches. Berghahn Books paperback
2003x-157181812XBerghahn Books 2003. Hardcover. New. illustrated edition. 304 pages. 9.50x6.25x1.00 inches. Berghahn Books hardcover
200357676Berghahn Books. New. 2003. Hardcover. 157181812X . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 322 pages. -- with a bonus offer-- . Berghahn Books hardcover
2024__0323959814Academic Pr 2024. Paperback. New. 1st edition. 369 pages. 8.50x5.75x0.75 inches. Academic Pr paperback
20051-8474329728Gedisa Editorial 2005. Paperback. New. 306 pages. Spanish language. 8.70x6.00x0.80 inches. Gedisa Editorial paperback
20029651New York: Vincent FitzGerald & Co. 2002. One of 20 copies all on special paper handmade by Paul Wong at Dieu Donne Papermill each signed and numbered on the colophon by Susan Weil. The artist has titled signed numbered and dated each print as well at the bottom in pencil. Page size: 16 x 16 inches; 6 images plus colophon. Housed in orange silk custom-made clamshell box with inset of blueprint image by the artist of broken glasses printed in white on blue fabric box made by Priscilla Spitler at Hands on Bookbinding new. The colophon was printed by Daniel Keleher at Wild Carrot Letterpress. Vincent FitzGerald & Company did the collage work. The prints are described by the publisher as follows: 1 blueprint image on cover; 2 "Umbrella" photograph which puts the umbrella structure directly on the paper; 3 "Secrets" A collaged blueprint. These private words are layered then cut in strips and woven. The back of the strips are water colored red reflecting slightly. 4 "Grace's Lace" The lace squares are treated with chemicals for a brown print and developed with ultraviolet light. This is mounted on handmade paper which has been water colored pale gray. 5 "Catenary" This is a blueprint collage. The two blueprint hands hold a copper string. The handmade paper is water colored pale green. 6 "Woven Wineglasses" This is a photograph collage. Several direct wineglass images are simply woven into a box form making this study of water and shadows into an abstraction. 7 "Haphazard" This is a formal blue print configuration of glass rectangles. The haphazard quality comes from the unpredictability of the beautiful breaks in the glass. <br/>Susan Weil returns to a medium she used in the late 1940's and early 1950's with her then husband Robert Rauschenberg at Black Mountain College where they had studied with Josef Albers. Carla Schulz-Hoffman notes in her article on Susan Weil in the exhibition catalogue MIND'S EYE 1989 the origins of this art form. In subsequent visits to Black Mountain they began experimenting with blueprint paper. Rauschenberg writes "Sue and I experimented with light-sensitive papers partly because of their low cost.". Schulz-Hoffman writes "In 1951 their son Christopher was born and in that same year 'Life' magazine published a three page article including reproductions of their spectacular 'Blueprints'. Similar to Man Ray's rayographs the blueprints used blueprint-paper and a sunray lamp to capture life-sized silhouettes." She notes "For this reason it is not always possible to credit one particular individual with the discovery of innovations which would prove decisive in precipitating the fall of Abstract Expressionism and in shaping the course which the entire New York School would eventually take. Although many of the results of Weil's productive collaborations with Rauschenberg and Jasper Johns cannot be attributed exclusively to one or another of these artists nevertheless a typically one-sided art historical scholarship tends to ignore Weil or consign her a marginal role.". As well as blueprint images Weil began to use collage in an especially creative way. Her complete mastery of these techniques can be seen in these images. Vincent FitzGerald & Co. unknown books
20019656New York: Vincent FitzGerald & Co 2001. Portfolio of five etchings by Susan Weil signed by Weil on the colophon in pencil and initialed by her with the print number in pencil on each print. Printed on Japanese Gampi paper chine colle on Hahnemuhle Copper paper by Peter Pettengill at Wingate Studio. The etchings are taken from re-strikes of the Rembrandt Self-Portrait etchings purchased by Susan Weil while studying art in Paris at the Academie Julien in the 1940's. For this suite she has cut up the etchings and collaged them to achieve the images herein. The images were made from photogravue plates made by Jon Goodman. Ms. Weil has been experimenting with the use of images made from blueprint paper since 1951 when she and her then husband Robert Rauschenberg were working at Black Mountain College. Her use of collage has dated from this time as well. She has obviously has made these mediums her own. Vincent FitzGerald & Co unknown books
20069813New York: Vincent FitzGerald & Company 2006. One of 10 copies only on J.B. Green paper each signed and numbered in pencil on the colophon by the artist Susan Weil. Page size: irregular but about 7 inches x 9 inches; 7 individual collages each hand water colored cut out and assembled by the artist Susan Weil and the publisher Vincent FitzGerald. On the reverse of each individual work of art is a "secret" hand written by the artist. Because they are secrets the reader / viewer can see words but there is no way to read the secret. Bound: loose in translucent plexi-glass box with sliding cover printed colophon in black with title in red visible through side of box new. The images created by Weil are so full of life - one is instantly drawn into the full world of this talented artist who has always included others in her life - children partners pets - all lovingly viewed through her aesthetic. The colors are vivid blues bright yellows gold and silver and the reader / viewer engages with them - knowing they will be unknowable and all the more intriguing. Vincent FitzGerald & Company unknown books
2017LFA-126747627Un ouvrage de 638 pages, format 155 x 240 mm, broché, publié en 2017, Editions du Cerf, bon état
2011x-389971881XV&R unipress GmbH 2011. Paperback. New. 248 pages. German language. 9.45x6.14x0.79 inches. V&R unipress GmbH paperback
2008Q-0521699614Cambridge University Press 2008-07-21. Paperback. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
2007Q-0521876176Cambridge University Press 2007-03-05. Hardcover. New. In shrink wrap. Looks like an interesting title! Cambridge University Press hardcover
201494870Freiburg i. Br., Alber 2014. 451 Seiten. Softcover/Paperback
2009Q-0231110030Columbia University Press 2009-11-12. Paperback. New. In shrink wrap. Looks like an interesting title! Columbia University Press paperback
2009x-0231110022Columbia Univ Pr 2009. Hardcover. New. 482 pages. 9.25x6.25x1.00 inches. Columbia Univ Pr hardcover
2009x-0231110030Columbia Univ Pr 2009. Paperback. New. 482 pages. 9.00x6.00x1.00 inches. Columbia Univ Pr paperback
2004Q-0553381865Bantam 2004-12-28. Paperback. New. In shrink wrap. Looks like an interesting title! Bantam paperback
2008Q-1600581307Walter Foster Publishing 2008-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Walter Foster Publishing paperback
20081-1600581307Walter Foster Pub 2008. Paperback. New. illustrated edition. 144 pages. 11.75x8.75x0.50 inches. Walter Foster Pub paperback
