33 résultats
1939223973New York: Dutton 1939. First. hardcover. very good. 8vo beige cloth; spine slightly rubbed & dust soiled. New York: Dutton 1939. First American Edition.<br/><br/> By the Novel Prize Winner in Literature 1934.<br/><br/> Dutton unknown books
1939134095New York: E. P. Dutton & Co. 1939. Octavo 284 pp. cloth. First edition in English. Nineteen short stories. Pastedowns age-darkened a very good copy. #134095 E. P. Dutton & Co. unknown books
1958WRCLIT60141New York: Crown Publishers Inc. 1958. Cloth. First US edition of these translations by Marta Abba. Fine in faintly rubbed and sunned dust jacket. First publication in English of three plays by the Italian Nobel Prize winner. Crown Publishers, Inc. hardcover books
1958WRCLIT41825Leeds: The Pirandello Society 1958. Pictorial wrappers. First edition of this translation/adaptation by Frederick May. Wrappers slightly darkened staples rusty else a nice copy. The Pirandello Society unknown books
192236048NY: Dutton 1922. Third printing. 8vo pp. 233. cover little worn and stained o/w a VG tight copy. Dutton unknown books
2001UPIRLAT00LAWDedalus 2001. Fine. PIRANDELLO LUIG. The Late Mattia Pascal. Gardena CA: Dedalus 2001. 251pp. 8vo. Paperback. Book condition: Near fine with subtly bumped corners. Dedalus paperback books
193218611New York: E.P. Dutton & Co 1932. Cloth. Very Good /Very Good -. The 1932 stated 1st American edition translated from its original Italian --and with an Introduction-- by Samuel Putnam. Solid and VG in a crisp VG- dustjacket with several small closed tears and creases --and tape to reinforce them-- along the rear panel's lower-edge. Mild darkening as well along the spine and light chipping at its ends. Still though a solid presentable copy of this play by the winner of the 1934 Nobel prize in literature. <br/><br/> E.P. Dutton & Co hardcover books
1938218173New York: Contemporary Play Publications 1938. Magazine. 338-432p. wraps badly worn: handled and soiled chipped along the spine rear wrap detached but present. Find some internal handling wear but more significantly all 35pages of the Langston Hughes play are marked in holograph for stage production using ink including a huge smear pencil English and shorthand! with crossings-out and added stage directions; either a mess or a compendium of valuable insights your call. Complete issue. Includes Luigi Pirandello's The Jar translated by Arthur Livingston; "Don't you want to be free" by Langston Hughes see above; a film sequence "Blockade" by John Howard Lawson; and "an original playlet designed for projection by Television" by Harold L. Anderson. Of fhis latter piece Anderson comments in third person that "in preparing it the author has possibly attributed to this new medium a flexibility and scope which it does not as yet posess. There is an emphasis on close-up a device which may be technically unattainable." Anderson's further notions how TV will accommodate his brainchild run about 500 words. Contemporary Play Publications unknown books
