Marcel PagnolBiblio.com
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1988Q-0865473129North Point Press 1988-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! North Point Press paperback
185375529X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1987309994BERKELEY: NORTH POINT PRESS. Fine with no dust jacket. 1987. Poster. Promotional POSTER. 15" X 22" Fine on single printed sheet. Features a full-color scene from the Claude Berri directed film adaptation of Marcel Pagnol's novels. Nicely suited for framing. G . NORTH POINT PRESS. unknown
19561194Paris: Grasset 1956. Fine. Grasset Paris 1956 12 x 19 cm broché First edition one of 1350 numbered copies on alfa mousse. Grasset unknown
100152988Editions de Provence. Bon Etat couvertures un peu défraîchies intérieurs propres circa 1960. in12. Sans date. Broché. 5 volumes. Editions de Provence unknown
198070063Paris: Julliard 1980. Fine. Julliard Paris 1980 18 x 24 cm en feuilles First edition in volume form one of 250 numbered copies on Rives Arjomari laid paper the only deluxe copies. Work illustrated by Marcel Laverdet. Julliard unknown
1937150439N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau capturing a scene in the town square between the town priest Robert Vattier and schoolteacher Robert Bassac with the camera crew just to the left director Marcel Pagnol looking on in the center background and several members of the cast waiting just outside the frame to the far right. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. With a stamp for the Cinemonde Archives on the verso.<br /> <br /> An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. <br /> <br /> Loosely based on Jean Giono's 1932 novel "Blue Boy" the film follows a small-town baker's wife who runs away with a handsome younger shepherd leaving the baker heartbroken and unable to work. The villagers who initially laugh at his cuckoldry soon take the matter very seriously and organize a plan to find the wife and to bring her back to her husband. <br /> <br /> 9.25 x 7 inches. About Fine. N.p. unknown
194151622Paris: Fasquelle 1941. Fine. Fasquelle Paris 1941 13.50 x 20.50 cm relié First edition one of 50 numbered copies on Hollande the deluxe issue. Bradel binding in full chartreuse-green floral and vegetal patterned paper smooth spine green olive box leather label original wrappers preserved binding signed by Thomas Boichot. Minor foxing to the lower cover and the final three leaves. A fine untrimmed copy handsomely bound. Fasquelle hardcover
mon0000928793Editions Pastorelly. hardcover. Like New. in x in x in. Book isin French. Copyright is 1973. Book has maroon covers with gold lettering on front cover and spine. Editions Pastorelly hardcover
2877061000.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20018720Madrid: Ediciones Rialp 2001. 2ª Edición. Encuadernación de tapa blanda. Bien. Traducción de Isabel de Ambía. Ejemplar en buen estado. Ediciones Rialp unknown
DADAX2877060519Brand: European Book Co 0000-00-00. paperback. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: European Book Co paperback
196573243Paris: Editions de Provence 1965. Fine. Editions de Provence Paris 1965 12 x 19 cm broché First edition one of 100 copies on Dame Blanche wove paper deluxe issue. A fine copy. Editions de Provence unknown
1960500133667Pastorelly 1960. 1960. Etat correct Pastorelly unknown
feb96050Used. For more details please contact me unknown
197789548Paris: Julliard 1977. Fine. Julliard Paris 1977 15 x 22 cm broché First edition one of 100 copies on pure wove paper ours being one of 20 hors commerce copies the only deluxe papers after 25 on Hollande. A very fine copy. Julliard unknown
1977BN146004Julliard 1977. 1977. Softcover. Le Temps des Amours : Souvenirs d'enfance <br/><br/>Le Temps des Amours : Souvenirs d'enfance Marcel Pagnol Julliard paperback
197771183Paris: Julliard 1977. Fine. Julliard Paris 1977 14.50 x 22.50 cm broché First edition one of 25 numbered copies on Hollande paper deluxe issue. A very handsome copy. Julliard unknown
792P29Pairs: Julliard 1977. First edition. Leather. Fine. 8.5" by 6". None. A finely bound limited first edition copy of Marcel Pagnol's final volume in his series of autobiographical copies a wonderful example of this French work. The limited first edition of this work this being numbered eighteen one of twenty-five copies printed on Holland paper.In the original French.Original wraps bound in.The fourth volume of Marcel Pagnol's autobiographical novel series this volume being unfinished and published posthumously. 'Souvenirs d'Enfance' was a popular autobiographical series a fictious telling of the author's life from his birth in 1895 to about 1915.Bookplate of Francis M. Lamond to the front paste down.With a postscript by Bernard de Fallois. In a quarter morocco binding with marbled paper to the boards. Externally spine is just a little faded. A few very light marks to the boards and spine. Bookplate to the front paste down. Internally firmly bound. Pages are bright and clean. Fine Julliard hardcover
1971108218Editions Pastorelly 1971. Hardcover. Very Good-/No Jacket as Issued. 8vo - over 7¾" - 9¾" tall. Original maroon cloth over boards with gilt lettering. Text in French. Illustrations de Suzanne Ballivet 16 plates in color. Edition reliee Couverture en simili-cuir Titre manuscrit et signature de Marcel Pagnole reproduits en fac-simile et dores a chaud. Pages are bright and clean. Text block is slightly cracked and pulling away from boards but pages are still secure. Outer page edges are lightly foxed/finger soiled. Boards are slightly finger soiled/dust soiled. Nice copy of this increasingly scarce title. <br/> <br/> Editions Pastorelly hardcover
193080538s. l.: S. n. 1930. Fine. S. n. s. l. s. d. 1930 14 x 21.50 cm trois feuilles Signed autograph letter of three pages by Marcel Pagnol addressed to his great friend the Provençal writer caricaturist and filmmaker Carlo Rim pseudonym of Jean Marius Richard one of his oldest accomplices. 33 lines in blue ink on Théâtre des Variétés letterhead. Folding traces inherent to being placed in an envelope a date inscribed in pencil by Carlo Rim probably that of the receipt of this letter. In this very fine letter of indulgent and touching tenderness for his old friend Carlo Rim with whom he is slightly at odds Marcel Pagnol shows less clemency for the theatrical criticisms of Roger Martin du Gard: ""Mon cher Jean Je reçois un mot de toi - Il est petit mais il me fait grand plaisir. Il y a eu entre nous quelque pique imbécile. Partageons en la responsabilité et embrassons nous Folleville ! J'ai d'ailleurs des nouvelles de toi par les littéraires - où je regarde tes dessins chaque semaine. Je t'avoue d'ailleurs que c'est la seule raison pour laquelle j'achète ce journal dont la page des théâtres est en général absolument hilarante par l'incompréhension absolue de M. Martin du Gard. Il a d'ailleurs été très gentil pour moi mais il s'y connait autant que moi en peinture. Quand déjeune-t-on ensemble Téléphone donc à Gras qui est aux Variétés tous les jours de 3 à 7. Tous mes respects chez toi. Ton vieux Marcel."" ""My dear Jean I receive a note from you - It is small but it gives me great pleasure. There has been some foolish quarrel between us. Let us share the responsibility and embrace each other Folleville! I have news of you moreover through the literary papers - where I look at your drawings each week. I confess to you moreover that it is the only reason for which I buy this journal whose theatre page is generally absolutely hilarious by the absolute incomprehension of M. Martin du Gard. He has moreover been very kind to me but he knows as much about it as I do about painting. When shall we lunch together Do telephone Gras who is at the Variétés every day from 3 to 7. All my respects to your household. Your old Marcel."" Tutor to the aspiring bachelor Jean Marius the very young graduate Marcel Pagnol preferred to teach him bilboquet mocking the uselessness of the baccalauréat. This was the beginning of an unbreakable friendship between the two artists whose literature theatre and films contributed to the fame of the land of cicadas. S. n. unknown
3125997712.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
57716Nouveau Drouot Paris 1984 In-8 10pp. Nb-0263 unknown
69-5640Detroit Michigan: Contemporary Authors Gale Research Co 1960. Original photograph. 21 cm x 15 cm. Submitted by the author or their agent for inclusion in the publication "Contemporary Authors". Very Good.Provenance: From the collection of Frederic Gale Ruffner Jr the founder of Gale Research Detroit. Detroit, Michigan: Contemporary Authors Gale Research Co, [1960] unknown
1937133241N.p.: N.p. 1937. Vintage double weight photograph from the 1938 film. A candid on-the-set photograph by the film's credited still photographer Roger Corbeau of a cafe scene featuring the film's principal character actor Raimu with the camera crew just to the left in the shadows the borders of the studio set clearly visible. With Roger Corbeau's photo credit "PHOTO ROGER CORBEAU" at the bottom left of the frame. On the verso is a rubber stamp for the Cinemonde Archives. <br /> <br /> An extraordinary "fourth wall" shot demonstrating at once the method and the magic of Pagnol's filmmaking as well as his relentless interest in provincial life in France. In this film a new baker Aimable Raimu settles down in a small French village. His wife Aurelie is beautiful and much younger than he. She departs with a shepherd the night after Aimable produces his first breads. Aimable is so afflicted that he cannot work anymore. The villagers who initially laugh at his cuckoldry soon take the matter very seriously they want the bread and organize a plan to find Aurelie and to bring her back to the bakery and her husband. <br /> <br /> In a custom museum-quality frame archivally mounted with UV glass. 9.25 by 7 inches. Four tiny single pinholes at the corners within the white marginal border. Near Fine overall. N.p. unknown
