353 résultats
1957115298New York: Grove Press 1957. Number 25 of the rare first edition O'Hara's classic work of poetry published in an edition of 75 hardbound copies. Octavo original cloth. Presentation copy inscribed by the author on the front free endpaper "For Mike- Happy Birthday and I hope the Houses and Odes go on and on into 1262- Frank." Near fine in the rare original slipcase. Housed in a custom half morocco clamshell box. Exceptionally rare especially signed. Frank O'Hara was one of the great poets of the twentieth century and along with such widely acclaimed writers as Denise Levertov Allen Ginsberg Robert Creeley and Gary Snyder a crucial contributor to what Donald Allen termed the New American Poetry "which by its vitality alone became the dominant force in the American poetic tradition." Frank O'Hara was born in Baltimore in 1926 and grew up in New England; from 1951 he lived and worked in New York both for Art News and for the Museum of Modern Art where he was an associate curator. O'Hara's untimely death in 1966 at the age of forty was in the words of fellow poet John Ashbery "the biggest secret loss to American poetry since John Wheelwright was killed." "Moving in the way that only simple communication can be moving. . . . His poems always manage a fresh start free from the dreadful posturings of the conventional verse of his generation" Kenneth Rexroth The New York Times Book Review. Grove Press hardcover books
1960140940127New York: Tiber Press 1960. First Edition. Fine. Complete in four folio volumes each measuring 17½" x14¼". Each volume with three full-page color silkscreen prints and additional prints at title page and upper cover original cloth-backed illustrated boards. First Edition. No. 47 of 200 copies. Each volume signed by the poet and artist on the limitation page. A Fine set bright and sharp in publisher's thick acetate jackets housed in cloth slipcase with light shelf wear.<br /> <br /> <p>A visionary collaboration between the leading lights of the New York School of poetry and four second generation abstract expressionist artists produced at the height of their creative collective powers. A heady encapsulation of the New York literary and visual avant garde at the dawning of the '60s. Tiber Press unknown books
195113180N. Y.: Tibor De Nagy Gallery 1951. First edition of O'Hara's first book the birth of the New York School of Poetry. One of 20 copies printed by hand in Bodoni types on Japanese Kochi paper by Ruthven Todd for Editions of the Tibor de Nagy Gallery specially bound with an original drawing by Larry Rivers as a frontispiece; this copy number 8. The drawing in this copy a beautiful drawing of a reclining nude woman is signed by Rivers. According to the colophon A City Winter was published in March-April 1952 in an edition of 150 numbered copies in two forms: a regular issue of 130 copies printed on French Arches paper copies 21-150 and a deluxe issue printed on Japanese Kochi paper with an original drawing by Larry Rivers copies 1-20. However according to Brad Gooch 280 "folded paper" copies were printed in addition to the copies on Kochi paper. The regular issue bound in blue paper wrappers sold for $1.00; the deluxe hardbound issue on Kochi paper with an original drawing by Rivers for $20.00. Gooch City Poet p. 213. Not all of the copies in the regular issue were bound a fact probably explained by the large over-run of 130 copies of the regular issue - twice the number specified in the colophon. These additional copies for which there may not have been enough of the decorative blue paper used for the original wrappers appear to have been distributed as unnumbered "folded paper" copies that is as "folded and gathered sheets". Of the copies that have come on the market in the past twenty-five years the majority of copies have been in the form of unbound sheets. O'Hara gave Rivers full credit for getting the book published: "I doubt very much if John Myers would ever have published my first pamphlet A City Winter if one of his artists Larry Rivers hadn't wanted him to and wanted to do the drawings for it." Rivers was one of the artists represented by the Tibor de Nagy Gallery and its favorite owing to John Bernard Myers' infatuation with him. "No matter how large Myers' stable of artists became Rivers was . . . always the showpiece." - Brad Gooch City Poet: The Life and Times of Frank O'Hara N. Y.: Alfred A. Knopf 1993 p. 199. Between 1951 and 1961 with the exception of two years Myers devoted the gallery's December show to Rivers' work. Covers a bit faded otherwise a fine copy. RIVERS Larry. Tall 8vo original frontispiece drawing & reproductions of two drawings by Larry Rivers original cloth-backed decorated boards. Covers a bit faded otherwise a fine copy. Tibor De Nagy Gallery unknown books