O'hara

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Frank and Willem De Kooning O'HaraBiblio.com

Poems

O'Hara, Frank (Poem); Hoyem, Andrew (Preface); Berkson, Bill (Essay, Glossary); Dine, Jim (Artist)Biblio.com

CNAP032bSan Francisco: The Arion Press 1990. New. Dine Jim. 22 by 15 inches issued as unbound sheets in portfolio 44 leaves with sequential numbering on the back. The poem was set by hand in 22 point Spectrum. Over proofs of the poetry Dine drew inter-weaving images. Between the text pages are leaves with illustrations only. The images were printed by duotone offset lithography and the text overprinted by letterpress. The portfolio box is covered in red cloth. The essay and glossary issued as a booklet 11 by 7-1/2 inches is contained in a recessed pocket of the portfolio. The paper is English mouldmade T. H. Saunders Waterford hot-press finish. The lithographic printing was by Phelps-Schaefer Brisbane California. Numbered and signed by the artist. Edition of 150 copies plus 26 lettered copies. Biotherm is the last long poem of Frank O'Hara whose accidental death in 1966 at age forty deprived America of one of its most vital and innovative poets. The poet and critic Bill Berkson to whom the poem is addressed provided an essay and compiled a glossary to explicate the references in the poem and to recount the circumstances of its writing. The artist Jim Dine knew O'Hara and admired his work. Challenged by O'Hara's brilliant experimentation in "Biotherm" Dine's prints pay a vibrant homage to the poet and engage themes in the poem. "Biotherm" a true livre d'artiste is the sixth collaboration between Jim Dine and Andrew Hoyem. ___POSTAGE: International customers please note that additional postage may apply; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press unknown

Swan's Fine Books · États-Unis3 025,00 $US≈ 2 559,45 €

O'Hara, Frank; Dine, JimBiblio.com

Biotherm For Bill Berkson. Lithographs by Jim Dine. Introduction by Andrew Hoyem; essay and glossary by Bill Berkson

324944San Francisco: Arion Press 1990. First edition lettered issue; limited to 26 lettered copies 'reserved for participants in the project' signed by Jim Dine of total printing of 176 copies. 42 lithographs by Jim Dine. Folio 22 x 15 inches. Covers of red cloth portfolio are lightly soiled on front and rear covers with small crease at one edge else very good; the title page printed leaves and lithographs are fine. First edition lettered issue; limited to 26 lettered copies 'reserved for participants in the project' signed by Jim Dine of total printing of 176 copies. 42 lithographs by Jim Dine. Folio 22 x 15 inches. "'Biotherm' is the last long poem of Frank O'Hara whose accidental death in 1966 at age forty deprived America of one of its most vital and innovative poets. The poet and critic Bill Berkson to whom the poem is addressed provided an essay and compiled a glossary to explicate the references in the poem and to recount the circumstances of its writing. The artist Jim Dine knew O'Hara and admired his work. Challenged by O'Hara's brilliant experimentation in "Biotherm" Dine's prints pay a vibrant homage to the poet and engage themes in the poem. Biotherm is a true livre d'artiste. The format is 22 by 15 inches issued as unbound sheets in portfolio. The poem was set by hand in 22-point Spectrum. Over proofs of the poetry Dine drew inter-weaving images. Between the text pages are leaves with illustrations only. The images were printed by duotone offset lithography and the text overprinted by letterpress. The portfolio box is covered in red cloth. The essay and glossary issued as a booklet 11 by 7-1/2 inches is contained in a recessed pocket of the portfolio. The paper is English mouldmade T. H. Saunders Waterford hot-press finish. The lithographic printing was done at Phelps-Schaefer in Brisbane California" per publisher's statement. Arion Press unknown

James Cummins Bookseller · États-Unis3 000,00 $US≈ 2 538,30 €

O'HARA, FrankBiblio.com

Poems

69340New York: Limited Editions Club 1988. DE KOONING Willem; LIMITED EDITIONS CLUB. DE KOONING Willem artist. LIMITED EDITIONS CLUB. Poems. With Lithographs by Willem De Kooning New York: Limited Editions Club 1988. Full Description: O'HARA Frank. DE KOONING Willem artist. LIMITED EDITIONS CLUB. Poems. With Lithographs by Willem De Kooning. New York: Limited Editions Club 1988. Limited to 550 numbered copies with Willem de Kooning's facsimile authorized signature taken from the hand-signed Bon a Tirer proof as his health prohibited him from signing originals. This being number 35. Large folio 21 3/4 x 17 3/8 inches; 555 x 440 mm. With 17 original lithographs by Willem de Kooning. With publisher's prospectus. Publisher's original full black goatskin Front board lettered in gilt. Spine lettered in black. In original black cloth felt lined clamshell box. Box with a black leather spine label lettered in gilt. A fine copy. "The Museum of Modern Art honored Frank O'Hara with a memorial edition of his poetry illustrated by artists who knew and loved him-foremost among them William de Kooning. De Kooning made his drawings on mylar which he then presented to the Museum. A quarter of a century later the mylar drawings were transferred to lithographic plates and printed under the supervision of the artist and the Museum of Modern Art solely in order to illustrate the Club's edition of those O'Hara poems that had so moved de Kooning. Seventeen of de Kooning's eighteen charcoal drawings are reproduced here for the first time as originally intended-with their subtle strokes and wide tonal range. De Kooning's drawings were transferred from their original mylar sheets to lithographic plates and printed on hand--made ochretinted Kitakata paper. Each print was torn by hand and pressed into the book's pages by the intaglio method." From the publisher. LEC Bibliography. HBS 69340. $2750. Limited Editions Club unknown

Heritage Book Shop, LLC · États-Unis2 750,00 $US≈ 2 326,78 €

O'Hara Frank Larry Rivers and Grace Hartigan WIlliam de KooningABAA

Hartigan and Rivers With O’Hara.

195990478New York: Tibor de Nagy Gallery 1959. First edition of this exhibition flyer for the 1959 Tibor de Nagy exhibition of works by Larry Rivers and Grace Hartigan inspired by O'Hara's poetry. Octavo original wrappers as issued illustrated with twelve black and white lithographs. Association copy inscribed by Larry Rivers on the verso of the front cover to fellow member of the informal New York School of artists Willem de Kooning "For Bill de Kooning much admiration Larry Rivers." Musician artist and filmmaker Larry Rivers took up painting in 1945 and lived in the the Hotel Chelsea notable for its artistic residents such as Bob Dylan Janis Joplin Leonard Cohen Arthur C. Clarke Dylan Thomas Sid Vicious and multiple people associated with Andy Warhol's Factory. A part of the New York School of the 1950s of which Frank O'Harra was the crux due to his position at the MOMA Rivers' paintings drew inspiration from the contemporary avant-garde movement in particular abstract expressionism. De Kooning too was a part of the New York School his well-known The Woman Series notable for its powerful expression of the frustrations and desires of the post-World War II era. In near fine condition. An intimate association copy linking these great artists of the 20th century. The New York School was an informal group of American artists musicians and poets active in New York City throughout the 50s and 60s. At the heart of the group was poet Frank O'Harra due to his post as a curator at the Museum of Modern Art where he created connections between poets and painters including Larry Rivers John Ashberry and Fairfield Porter. The group participated in many joint collaborations including several publications exhibitions and works of art. While the poets of the group often wrote in an immediate and spontaneous manner reminiscent of stream of consciousness writing the painters represented the New York abstract expressionists. The Abstract Expressionism movement in American painting was the first specifically American movement to achieve international influence and put New York City at the center of the western art world a role formerly filled by Paris. Tibor de Nagy Gallery unknown books