HEINE, MauriceBiblio.com
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1918KA8FVLF635ZVParis: Jules Meynial colophon: Frazier-Soye 1918. Original green cloth. Square 4to 25 x 26 cm. With three different versions of the frontispiece: a lithographed plate a hand-coloured miniature painting on vellum highlighted with gold and an engraved plate; and with the half-title printed in blue and several words in the text printed in green and blue. One of six deluxe copies numbered 4 of a sumptuous edition of seven poems on Islam by the French poet writer and publisher Maurice Heine 1884-1940. The entire edition comprised 77 copies the first six numbered 1-6 being deluxe copies printed on dyed Japanese paper and including the frontispiece in three versions one painted on parchment and highlighted with gold. The frontispiece an Arabic text surrounded by flowers was designed and drawn by the Algerian miniature painter Mohammed Racim 1896-1975 founder of the Algerian school of miniature painting that still exists. The poems included are: La demeure harmonieuse Dans la maison moresque Palais d'Islam Le voyage en faience Le cyprès Alger-aux-barbares and La mort d'Alger.The work opens with a half-title printed in blue followed by a blank leaf a leaf with the privilege another half-title three frontispieces the title-page and a dedication followed by the prologue and the seven poems. It closes with a colophon noting the different copies of the book followed by: "Exemplaire no. 4. Imprimé pour le docteur Pierre Astruc".With a presentation inscription to Pierre Astruc: "à Pierre Astruc avec toute l'affection de ton ami dévoué Maurice Heine". In very good condition.l Library of Congress Cat. of copyright entries 16 1919 2706 ordinary copy; C. Tailliart L'Algérie dans la littérature française 123; WorldCat 3 copies 1 possibly a deluxe copy. [Jules Meynial] (colophon: Frazier-Soye), hardcover
1910006225Berlin: Paul Cassirer 1910. Limited First Edition Thus. Vellum. Near Fine. No. 46 of 60 on Imperial Japan Japan vellum and a total limited edition of 310 copies. Large 4to. 31.5 by 24 cm. 83 2 pp. With 35 lithographic plates six of which are hand-colored and nine of which are signed by Pascin. Also signed by him on the limitation page. The cover also has a partly colored illustration by Pascin done on the vellum. This book was Pascin's first book project. The satirical Heine novel first published in 1833 actually was the inspiration for Wagner's "Der Fliegende Hollander" or "The Flying Dutchman". Pascin was born in Bulgaria was active in Paris for much of his career although becoming an American citizen and working in the U.S. as well. The illustrations in this book have a deliberately naive quality almost as if done by a child. Condition: short tear of vellum along lower front joint 2 to 3 cm in length. Typical yet slight bowing of the vellum and a touch of lifting of the vellum from the boards. Minor darkening of the vellum leaves within along the edges. <br/><br/> Paul Cassirer hardcover books
1910006225Berlin: Paul Cassirer 1910. Limited First Edition Thus. Vellum. Near Fine. No. 46 of 60 on Imperial Japan Japan vellum and a total limited edition of 310 copies. Large 4to. 31.5 by 24 cm. 83 2 pp. With 35 lithographic plates six of which are hand-colored and nine of which are signed by Pascin. Also signed by him on the limitation page. The cover also has a partly colored illustration by Pascin done on the vellum. This book was Pascin's first book project. The satirical Heine novel first published in 1833 actually was the inspiration for Wagner's "Der Fliegende Hollander" or "The Flying Dutchman". Pascin was born in Bulgaria was active in Paris for much of his career although becoming an American citizen and working in the U.S. as well. The illustrations in this book have a deliberately naive quality almost as if done by a child. Condition: short tear of vellum along lower front joint 2 to 3 cm in length. Typical yet slight bowing of the vellum and a touch of lifting of the vellum from the boards. Minor darkening of the vellum leaves within along the edges. Paul Cassirer unknown
191047004Berlin.: Verlag bei Paul Cassirer / PAN-PRESSE. 1910. Original publisher's full vellum front cover with lithograph by Pascin with additional colouring by hand title to spine in black t.e.g. 4to. 312 x 242 mm. Leaf with title with lithograph vignette by Pascin recto justification verso and Heine's text illustrated with 35 lithographs by Pascin of which 9 are signed in pencil and 6 are coloured by hand one double page final leaf with list of the illustrations recto. The édition de tête of Pascin's first illustrated book with an original drawing.From the edition limited to 310 copies with this one of 60 from the édition de tête on Kaiserliches Japan signed by Pascin pencil to the justification; Pascin has signed 9 of the lithographs in pencil and 6 feature additional colouring by hand.The original drawing by Pascin on a sheet of smooth laid paper without watermark 196 x 196 mm is for the second illustration in the book that on page 10. The drawing as per the illustration within a drawn frame is slightly larger than the lithograph version the drawn frame is 178 x 178 mm while the printed version is 146 x 146 mm and in addition also features at upper right a tiny remarque in watercolour: the head of a mouse peeking out of a hole to observe the events of the drawing.'Pascin's first book illustrations. The deceptive simplicity of his drawing recalling German illustration of a hundred years earlier gives the plates a mock innocence.' The Artist and the Book.The Artist and the Book 219. Verlag bei Paul Cassirer / PAN-PRESSE. hardcover
1923000435Berlin: Propyläen-Verlag. Very Good with no dust jacket. 1923. Leather Spine Tips. A MASTERPIECE OF BOOK DESIGN ONE OF THE MOST BEAUTIFUL FINE PRESS BOOKS AND A HIGH POINT OF GERMAN AND FRENCH LITERARY AND ARTISTIC TRADITIONS Number 117 of 400. No copies in 30 years in the American auction records. 17 Original Lithographs signed twice by Max Liebermann and numbered. Book: HEINE Heinrich. DER RABBI VON BACHERACH. Propyläen-Verlag Berlin 1923. Folio. With 17 ORIGINAL Lithographs by Max Liebermann. 1/2 Black Morocco and boards. This copy SIGNED TWICE as usual on limitation and additionally not in all copies on frontispiece lithograph. Minor spotting and soiling to beige boards otherwise a HANDSOME AND FINE COPY and internally clean. This book is a wonderful combination of two Jews one who brought to France German literary tendencies and the other who brought to the Germans French artistic tendencies. Heinrich Heine has been called 'the first modern intellectual' and became one of the greatest and most respected writers of the 19th century. Leibermann was the Great German artist that led the Berlin secession group and introduced French impressionism to Germany. This fine press book a magnificent combination of typography design and illustration is often lauded as among the most beautiful of Jewish fine press books if not all fine press books. Liebermann demonstrates a refined sensitivity in his artwork that parallels the emotive text. The Rabbi of Bacherach includes a lovely and romantic description of a Passover- the earliest and most expressive of the essence of the festival in modern Jewish literature. The story here recounts that in trans. and referring to the Haggadah " It was an old heirloom with ancient wine stains. It had come down from the days of her grandfather. The book contained many boldly and brightly colored pictures. As a little girl she had often looked at it so eagerly on Passover evenings." ; German Language; Folio - over 12" - 15" tall; JUDAISM HEBREW LANGUAGE Jewish Literature Kabbalah Judaica Jewish Studies Hebrew Talmud ; Signed by Illustrator . Propyläen-Verlag hardcover
19210053731921. Hardcover. Very Good. Exquisite and delightful manuscript account of a happy and prosperous marriage made as a commemoration on its Silver Anniversary which occurred in 1921. Folio. 38 by 27.5 cm. 10 leaves on card stock with original watercolored artwork on each page. Blue felt bevelled binding with stalks of tall grass painted in silver on the cover. The grass design repeats on the title page with the addition of cherubs and a highly ornamental painted placard bearing the title -- this placard is suspended from a stalk and held by one of the cherubs. The account begins with a young man Vienna leaving his love behind as he travels to Lyon. We are told how he misses his beloved and so follows their wedding in 1896. A stock market crash then leaves the desperate groom concerned about their future. The young family return to Vienna where he becomes a workaholic as his wife tends to the home filling it with bric-a-brac that speaks to their material well being. Finally there comes the anniversary celebration and the happiness from seeing their children grown and settled. This brief account doesn't do justice to the verse or paintings. The account is really just a few snapshots of their lives using words and pictures which work together to bring a dream-like glow to the reminiscences. Each page is framed by a decorative band of primarily blue set off by a floral festoon within it. Most pages have two illustrations with the verse written by a calligraphic hand. The illustrations are filled with a vigor and energy -- they almost seem to float above or hover over the page. We would guess that the anniversary couple's surname was Labin based on a door sign in the office scene and the company the husband worked for was named Abadie which may have been based in Paris. Beyond that we can not speak more specifically about the parties. Condition: the felt is rubbed and slightly sunned on front. The silver design is somewhat faded. Soiling along the bevelled edge. The contents are clean and bright. <br /><br /> hardcover books
19210053731921. Hardcover. Very Good. Exquisite and delightful manuscript account of a happy and prosperous marriage made as a commemoration on its Silver Anniversary which occurred in 1921. Folio. 38 by 27.5 cm. 10 leaves on card stock with original watercolored artwork on each page. Blue felt bevelled binding with stalks of tall grass painted in silver on the cover. The grass design repeats on the title page with the addition of cherubs and a highly ornamental painted placard bearing the title -- this placard is suspended from a stalk and held by one of the cherubs. The account begins with a young man Vienna leaving his love behind as he travels to Lyon. We are told how he misses his beloved and so follows their wedding in 1896. A stock market crash then leaves the desperate groom concerned about their future. The young family return to Vienna where he becomes a workaholic as his wife tends to the home filling it with bric-a-brac that speaks to their material well being. Finally there comes the anniversary celebration and the happiness from seeing their children grown and settled. This brief account doesn't do justice to the verse or paintings. The account is really just a few snapshots of their lives using words and pictures which work together to bring a dream-like glow to the reminiscences. Each page is framed by a decorative band of primarily blue set off by a floral festoon within it. Most pages have two illustrations with the verse written by a calligraphic hand. The illustrations are filled with a vigor and energy -- they almost seem to float above or hover over the page. We would guess that the anniversary couple's surname was Labin based on a door sign in the office scene and the company the husband worked for was named Abadie which may have been based in Paris. Beyond that we can not speak more specifically about the parties. Condition: the felt is rubbed and slightly sunned on front. The silver design is somewhat faded. Soiling along the bevelled edge. The contents are clean and bright. hardcover
19221911110173Berlin: Propylaen-Verlag 1922-01-01. First Edition. Hardcover. Very Good. Signed. 1st edition Signed by the artist Max Libermann on colophon Limited edition of 400 copies. Folio 34 x 27 cm. Bound in 3/4 morocco over brown boards with an image of a stooped couple on front. Mylar dust cover. Good binding and cover. Minor shelf wear. Signed frontispiece and 17 lithographs by Liebermann of the Jewish community in Germany. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Berlin: Propylaen-Verlag hardcover
19310037321Paris: S. & C. aux Depens des Bibliophiles Souscripteurs 1931-36. First Thus. Hardcover Hardcover. Near Fine Condition. 27cm x 21cm. xvi 218; viii 219-401; iv 402-498 2; 4 pages 16 plates 3 volumes bound in 1 with the suite of plates. Half leather gilt lettering top edge gilt marbled endpapers. Original printed wrappers bound in. Typescript index of plate locations bound in at rear. Text is in French. The first critical edition of the text and the first established directly from the autograph manuscript written by Donatien Alphonse François Marquis de Sade in the Bastille in 1785. The manuscript composed in minute script on a continuous paper roll was long presumed lost following the storming of the Bastille before resurfacing in the late nineteenth century and coming into the hands of the Berlin physician and pioneering sexologist Iwan Bloch whose foundational but flawed 1904 edition first brought the text into print. Following Bloch's death the manuscript entered French ownership often associated with the patronage circle of Charles de Noailles and Marie-Laure de Noailles a descendant of Sade enabling the Sade specialist Maurice Heine to prepare the present edition under their support. Working directly from the autograph roll Heine produced a transcription of far greater fidelity than Bloch's accompanied by a substantial critical apparatus keyed to the original manuscript and including a photographic facsimile as frontispiece. Heine's engagement with Sade was both scholarly and personal: he first encountered the work through Bloch's edition in 1912 later recalling most notably in the 1933 'Minotaure enquete' organised by Andre Breton and Paul Eluard that discovery as decisive. Pascal Pia would subsequently credit Heine with establishing the modern text of Sade. Issued in a limited edition of 396 numbered copies this example is one of 300 on velin de Rives. It is here bound with the complete suite of sixteen lithographs by Andre Collot separately issued in a limited edition c. 1936 and intended for addition to subscribers' sets and unsold copies. Text is in French. Minor wear and discolouration to binding. Minor foxing to front flyleaves of part 3. Category: Sexuality; Foreign Language::French; Sexuality::Fetish & SM; French Language; Literature & Fiction. Inventory No: 0037321. BZDB407 Sexuality; Foreign Language::French; Sexuality::Fetish & SM; French Language; Literature & Fiction. Unbranded Marquis de Sade; Maurice Heine; Andre Collot Les 120 Journees de Sodome ou l'Ecole du Libertinage par le Marquis de Sade S. & C., aux Depens des Bibliophiles Souscripteurs hardcover
1902281949New York: Croscup 1902. hardcover. near fine. Translated by Charles Godfrey Leland frontispiece portraits in 2 states illustrated lettered tissue guards. 20 volumes rubricated titles 8vo 3/4 green morocco raised spines gilt design on spines top edges gilt. New York: Croscup & Sterling Co. n.d. ca. 1900. The Dusseldorf edition number 83 of 250 sets this copy unnumbered printed on Holland Paper. A near fine set.<br/><br/> Croscup unknown books
1902281949New York: Croscup 1902. hardcover. near fine. Translated by Charles Godfrey Leland frontispiece portraits in 2 states illustrated lettered tissue guards. 20 volumes rubricated titles 8vo 3/4 green morocco raised spines gilt design on spines top edges gilt. New York: Croscup & Sterling Co. n.d. ca. 1900. The Dusseldorf edition number 83 of 250 sets this copy unnumbered printed on Holland Paper. A near fine set.<br/> <br/> Croscup unknown
1902237000New York: Printed for Subscribers only by Croscup and Sterling Company 1902. Düsseldorf edition number 15 of 250 copies printed on Holland Paper signed by the publishers. With plates in TWO STATES. Printed by Ballantyne Hanson & Co. Edinburgh. 20 vols. 8vo. Bound in original three quarter blue morocco with gilt stamping and red morocco floral onlays on the spines t.e.g. Bookplate of Richard Waln Meirs. Two volumes with hinges neatly repaired. Very nice and unusual set. Düsseldorf edition number 15 of 250 copies printed on Holland Paper signed by the publishers. With plates in TWO STATES. Printed by Ballantyne Hanson & Co. Edinburgh. 20 vols. 8vo. This was one of the last works by Charles Leland. He died in 1903. Printed for Subscribers only by Croscup and Sterling Company unknown books
1931002012Paris: Stendhal & Compagnie aux Depens des Bibliophiles Souscripteurs 1931. Book. Near Fine. Soft cover. 1st Edition. Copy no.300 on "Velin de Rives" paper published in a limited bibliophile edition of 396 copies. 3 volumes in wrappers titles printed in black and red. Tome Premier 1931 xvi 218 pp. Tome Second 1935 pp. 219-401. Tome Troisieme pp. 405-498. Photograph of the original text as a frontispiece in vol. 1. With an introduction by Maurice Heine. Text with printed annotations and numbered references to the original text by de Sade. Minimal foxing to paper edges closed tear to wrapper of third volume. 275 x 215 cm. Very well preserved fresh copy of this first complete and correct translation of the original text by D.A.F. de Sade. One of the most controversial books ever written. Rare. The 120 Days of Sodom is Sade's masterpiece. A still unsurpassed catalogue of sexual abberrations and the first systematic exploration of the psychopathology of sex it was written during Sade's imprisonment and then lost after the storming of the Bastille in 1789. Later rediscovered the manuscript remained unpublished till an incomplete and not correct version was published in 1904 by the German psychiatrist Iwan Bloch under the pseudonym of Eugene Dühren. In 1929 Maurice Heine went to Germany to buy the text fot Viscount Charles de Nouilles. From 1931 till 1935 he published this text as the first real edition in a masterful and autorative way. . Stendhal & Compagnie, aux Depens des Bibliophiles Souscripteurs Paperback
196757413Penguin. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German and English. -- with a bonus offer-- . Penguin paperback
198070418Dusseldorf Germany: Heinrich-Heine-Institut. Fine. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE UNMARKED - 124 pages; 173 items catalogued including paintings of Heine several of his letters rare editions of some of his works and much more. Text in German. -- with a bonus offer-- . Heinrich-Heine-Institut paperback
194355037New York: L. B. Fischer. As New. 1943. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - 346 pages. -- with a bonus offer-- . L. B. Fischer hardcover
191934055Berlin: Verlag Julius Bard. As New. 1919. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in German only. 149 pages; interior pages clean and clear with no writing or markings to the text. Cover in poor condition merely a remnant. Sold for text and illustrations only not subject to return. Small folio. -- with a bonus offer-- . Verlag Julius Bard hardcover
196157084Mcgraw Hill / University of Pittsburgh Press. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German and English. -- with a bonus offer-- . Mcgraw Hill / University of Pittsburgh Press paperback
1992260951992 - 2021. Insel, Frankfurt, Leipzig und Berlin, In kleiner Auflage erschienen. Originallederbände. Teils im Originalschuber (wenn Original vorhanden) und Originalverpackt. 19 x 12,5 cm.
197670612Robert Hale and Company January 1976. Mass Market Paperback. Good. Robert Hale and Company paperback
19231344Heine Heinrich. 1799-1856. <b>Der Rabbi von Bacherach</b> mit Originallithographien von Max Liebermann. Berlin: Im Prophlaen Verlag 1923. #279 of 400 with signed frontispiece and limitation page by Liebermann and 17 full or partial page lithographs in black. The first 100 were printed on Japan Vellum. <br /><br />Folio. Publisher's half-morocco with title in gold with yellow board sides bearing a lithograph on the upper cover. Printed on laid paper. Original open slipcase with paper label joints split. 58p. Fine copy with a touch of wear to spine ends. <b>The Rabbi of Bacharach</b> set in the middle ages is Heine's unfinished novel that describes the ordeal of Rabbi Abraham and his wife in the small town of Bacharach Germany . <br /><br />Gentiles come to the Passover Seder in order to secretly plant a body of a Christian child. They will accuse the Rabbi of ritual murder. Then when he is taken away they will rob his home. The rabbi and his "schönne" beautiful Sarah manage to leave their home during an interval in the seder and run to the river docks. They are then transported for a fee down the Mainz to Frankfurt where they enter into the Jewish quarter without incident. In that quarter life is fully described with all its variety and color. <br /><br /> This unfinished story remains popular because it pictures life in the medieval Jewish community with detailed description of worship customs and pecking orders as well as dress manners and a variety of activities within the Jewish quarter. Liebermann's realistic sketchbook style depicts scenes with a charcoal drawing like simplicity. The stark flat depiction creates an atmosphere of dark foreboding. <br /><br />The 19th century poet Emma Lazarus wrote a biographical sketch of Heine that includes commentary on The Rabbi of Bacharach: "During the period of his earnest labors for Judaism Heine had buried himself with fervid zeal in the lore of his race and had conceived the idea of a prose-legend the Rabbi of Bacharach illustrating the persecutions of his people during the middle ages. Heine one of the most subjective of poets treats this theme in a purely objective manner. He does not allow himself a word of comment much less of condemnation concerning the outrages he depicts. He paints the scene as an artist not as the passionate fellow-sufferer and avenger that he is. But what subtle eloquence lurks in that restrained cry of horror and indignation which never breaks forth and yet which we feel through every line gathering itself up like thunder on the horizon for a terrific outbreak at the end!" <br /><br />Refer: Lazarus Emma 1849-1887 From the Biographical Sketch of the life of Heinrich Heine reprinted in The Rabbi of Bacharach by Heinrich Heine. Mondial 2008. Prophalen Verlag hardcover books
1925122324Paris: J. Schiffrin et Cie 1925. Softcover. VG- Some wear to extremities including tears at top and bottom of spine; Binding loose. Grigory Gluckmann. Green illus. wraps; 158 pp.; 15 color and bw plates with tissue overlay; Watercolor painting on FFEP. Text in French; Original watercolor by Grigory Gluckmann on FFEP; Dedication on limitation page; Book limited and out of series; Heinrich Heine's unfinished novel richly illustrated by Grigory Gluckmann a Russian-born artist who worked in Paris and America; Also known in German as Florentinischen Nachte. J. Schiffrin et Cie paperback
19036539East Aurora: Roycroft Press 1903. First Edition Thus. First Edition Thus. 8vo. Beautifully bound in three-quarter crushed green morocco with marbled boards elegant gilt decorated spine marbled endpapers. PRESENTATION COPY: “To Alice Keiles Reserve your best thoughts for the Elect Few. Elbert Hubbard.†Printed in red and black on Japan vellum. David Ogle reports: “All known copies of the limited edition 100 copies are hand-illuminated though this copy with rubricated initials does not appear to be hand-illuminated an interesting feature which may indicate that this is one of Hubbard’s own copies for presentation. Book is in very fine condition Box with original label very good. Roycroft Press unknown
1969146891Unknown: I.P.C. Pictures 1969. Draft script for the 1971 film here under the working title "The Catcher in the Raw." <br/><br/>At a California hot springs resort a shady therapist helps eight carefully selected applicants find themselves and "experience their bodies" a process which mostly involves consuming large amounts of LSD meditative screaming and slow-motion basketball games. Louis Garfinkle's sole directorial credit and an excellent example of the intersection of early 1970s wellness culture and sexploitation. <br/><br/>Set in California.<br/><br/>Brown titled wrappers. Title page present dated 1969 with credits for director Louis Garfinkle. 136 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. I.P.C. Pictures unknown books
19031018480<p>New York: The Roycrofters 1903. Limited. Leather Bound. Collectible - Very Good. Signed by Elbert Hubbard on Limited Edition page. This is #43 of 100 copies printed on Genuine Japan Vellum. Hardcover with 3/4 blue leather with marble board covers. Satin marker. Gilt decoration and lettering on spine. Front gutter is not loose but paper has split. Clamshell case is also in blue cloth with a soft felt interior. Some wear and chipping to exterior boards. Paper title label on bottom edge of case. 8.25x6.25. 111823</p> The Roycrofters hardcover
