1 580 résultats
190487526Paris: Flammarion 1904. Fine. Flammarion Paris s.d. 1904 11.50 x 19 cm relié sous chemise et étui New edition and first printing of the superb illustrations by Pierre Bonnard one of 20 numbered copies on japon the only deluxe paper issue. Half blue percaline bradel binding with corners smooth spine adorned with a central gilt fleuron and double gilt fillet at the foot chocolate brown shagreen title label with minor scuffing french curl on Turkish patterned paper boards covers and spine preserved contemporary binding signed Carayon. Spine slightly browned corners slightly dulled. Our copy is housed under a half morocco chemise with five raised bands ill. de P. Bonnard stamped in gilt at foot of spine boards of tiger patterned paper and a slipcase bordered with blue Morocco with boards of tiger patterned paper signed T. Boichot. Illustrated with 68 drawings by Pierre Bonnard the second cover is also illustrated with a drawing by Félix Vallotton for the edition of Poil de Carotte published by the same publisher two years earlier. A rare and pleasant copy in a contemporary binding by Carayon. Flammarion hardcover
190287525Paris: Flammarion 1902. Fine. Flammarion Paris s. d. 1902 11.50 x 19 cm relié sous chemise et étui Second edition with some parts in first edition with 5 added tales Félix Vallotton's illustrations in first issue one of 20 numbered copies on japon only deluxe issue. Bradel binding brown 3/4 cloth smooth spine with floral motif stamped in gilt at center twice ruled in gilt at foot slightly chafed morocco title-label marbled paper boards original covers and spine preserved contemporary binding signed Carayon. Small clear stains to the top edge of first board one corner slightly rubbed a spot of foxing at foot of the first few pages. Illustrated with 50 drawings by Félix Vallotton. Rare and handsome copy housed in a contemporary binding by Carayon. Renard and Vallotton the foreign nabi had met in the offices of La Revue Blanche a famous avant-garde journal which frequently featured Vallotton's woodcuts and published numerous contributions by Jules Renard. The writer invited Vallotton to illustrate this ""other first edition of Poil de Carotte which includes 5 previously unpublished stories: My dear Vallotton Would it amuse you to illustrate - in complete freedom - Poil de Carotte for Flammarion Renard wrote him in a letter dated June 21 1902. Vallotton was chosen ahead of Toulouse-Lautrec and Alexandre Steinlen two other great artists of the time who had shown an interest in the project. Renard's affinity with Vallotton's style is easy to understand as Vallotton's raw simplicity perfectly matches Poil de Carotte's incisive depiction of a loveless childhood: A few words a few lines are enough for these two artists. They both ruthlessly cut away the superfluous Léon Guichard L'Interprétation graphique cinématographique et musicale des uvres de Jules Renard. Flammarion hardcover
190287525Flammarion | Paris s. d. [1902] | 11.50 x 19 cm | relié sous chemise et étui
198442811984 Lausanne, André et Pierre Gonin, 1984. Format oblong. En feuilles : 32,5x25 cm. Ouvrage orné de 8 gravures originales en couleurs d'Albert CHAVAZ. Introduction de Rémy de Gourmont. Couverture rempliée. Chemise-étui de l'éditeur, en demi-parchemin et carton recouvert de papier orange. Dans un carton contenant en plus les deux cuivres. Tirage limité à 130 exemplaires au total. Un des 8 exemplaires de tête, sur japon nacré, avec une suite sur japon nacré signée, deux cuivres de Chavaz (non retenu pour l'ouvrage et non barré) et le tirage (en sépia) signé des deux cuivres. Signé à la justification par l'artiste et l'éditeur. Exemplaire pour Madame * avec un envoi de Chavaz sur la page de titre. Exemplaire exceptionnel. Envoi de photographies sur simple demande.
197522502Paris chez l'Artiste 1975 In-8 oblong, maroquin beige entirement recouvert sur les plats d'un dcor gomtrique de filets pousss or et l'oeser noir voquant une superposition de feuilles, dos sans nerfs portant les noms de l'auteur et de l'artiste ainsi que le titre de l'ouvrage pousss l'oeser noir; doublures et gardes de papier beige fonc, tte dore, non rogn, couverture imprime. Chemise, tui (Michel Richard, 1976).Edition originale de ces pomes qui accompagnent 7 aquatintes originales hors texte de Michel Richard. Tirage limit 40 exemplaires numrots sur papier d'Arches, signs par l'auteur et l'artiste. Un des 5 exemplaires hors commerce, comportant toutes les aquatintes signes par l'artiste et un trs grand dessin original excut l'encre et sign par Michel Richard. Exemplaire reli par l'artiste ds la sortie du livre.
190252612Düsseldorf: Verlag der Dt. Nat. Kunstausstellung 1902. First edition. Loose leaf. Very good to fine condition. Oblong Quarto. 35 original silver gelatin prints. Original brown leather portfolio with gilt emblem and gilt lettering on gilt-framed cover. Red silk inside front cover and portfolio flaps. The bottom flap gilt-stamped Otto Renard Paul Adam Buchbinderei Düsseldorf.<br /> <br /> Album of thirty-five original photographs 9 3/4 x 11 1/4" by court photographer Otto Renard that document National Art exhibtion of 1902 by room. The photographs include a exterior panorama view of the newly built Art Palace its courtyard an interior view of the dome the large gallery the large hall and various galleries with work of artist groups and art organizations e.g. Kunstgenossenschaft Berlin Secession Berlin Dresden Düsseldorf 6 Munich Luitpold Group Munich Secession Munich Art Association Rhineland and Westfalia Art Alliance "Hagen" from Vienna 2 Art Collective Vienna Secession Vienna recreation room Secession Vienna the Van der Velde room the art historian gallery 5 old Japanese art. The exhibition includes paintings furniture sculpture and statuettes and a variety of interiors. The Art Palace was built for the 1902 Industry and Craft Exhibition for the Rhineland Westfalia and neighboring districts. <br /> <br /> The building of the Kunstpalast was in large part due to the efforts of Fritz Roeber director of the Düsseldorf Art Academy the painter Georg Oeder and the art historian Paul Clement in the late 1800s who were able to convince Heinrich Lueg director of the association for commerce that the time for another great art and commerce exhibition had come. The goal was the establishment of a new permanent venture for art exhibitions that was to become the center of the arts in the Rhinelands and Westfalia. Lueg took the lead and started the planing for the Kunstpalast already in 1898. The goal was to exhibit the development of the past 20 years in a formidable gallery and the 1900 Paris World exhibition was the model for the undertaking. Despite the fact that some of the planned buildings were not ready by the opening of the two exhibitions it opened on May 1st and closed on October 20th 1902 the exhibitions became a huge success. Two OCLC entries.<br /> <br /> Text in German. Portfolio with light wear one inch closed tear at top right of portfolio cover. Some light worm damage in silk of inside front cover and right flap. Few plates with minor damage at edges and lightly age-toned in margins. Images fine. Otto Renard 1855-1943 was known for his documentation of art exhibitions among them the 1902 art and commerce exhibition in 1902. The distinction "Hof Fotograf Court photographer" he earned while working at the court of Zar Nikolaus II. Renard returned to Germany after the turn of the century to open photo-studios in Düsseldorf and Aachen. He became wealthy due to his invention of a photo-paper moved to Berlin and then to Darmstadt. Verlag der Dt. Nat. Kunstausstellung unknown
1929133042New York: E.P. Dutton 1929. First Edition. First Edition in English and first edition in hardcover preceded by the French edition "Les mains d'Orlac" in 1920. With the publisher's wraparound band. <br/><br/>A seminal horror novel rare in dust jacket written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "Orlacs Hande" The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br/><br/>Near Fine in a Very Good dust jacket with the publisher's wraparound band "The Dutton Prize Mystery for November". The jacket's deco design is bright and striking with some toning to the spine jacket and band a chip at the crown affecting a portion of the title "The Ha" and part of "n" a portion of the publisher name at the heel the "Du" in "Dutton" and a few tiny chips nicks and closed tears. <br/><br/>Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. E.P. Dutton unknown books
197591954n. l.: Moulin de Larroque 1975. Fine. Unique copy Moulin de Larroque n. l. 1975 19 x 20 cm En feuilles sous chemise et étui First edition one of 35 numbered copies printed on ""mousse d'épave"" paper ours one of 10 copies hors commerce. Illustrated with original colour engravings by Ania Staritsky who also designed the original layout of the work in collaboration with Claude Nardin. Rare and very fine copy complete with its chemise and slipcase in full grey cloth spine of the chemise slightly faded. Manuscript pencil signatures of Jean-Claude Renard and Ania Staritsky at the colophon. Our copy contains a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky signed by her. Fine signed autograph inscription from Ania Staritsky to her friend and collaborator Claude Nardin: ""Pour Claude-le-Normal avec toute l'amitié d'une gâteuse. Staritsky."" Unique copy exceptionally enriched with a second manuscript text by Jean-Claude Renard an engraving not retained for the work and a page of the limitation statement signed by Ania Staritsky and differing from that of this copy. Moulin de Larroque hardcover
1911007159Paris A. Romagnol / Librairie de la collection des dix 1911 in-4° cuir Très bon
1929133042New York: E.P. Dutton 1929. First Edition. First Edition in English and first edition in hardcover preceded by the French edition "Les mains d'Orlac" in 1920. With the publisher's wraparound band. <br /> <br /> A seminal horror novel rare in dust jacket written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "Orlacs Hande" The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Near Fine in a Very Good dust jacket with the publisher's wraparound band "The Dutton Prize Mystery for November". The jacket's deco design is bright and striking with some toning to the spine jacket and band a chip at the crown affecting a portion of the title "The Ha" and part of "n" a portion of the publisher name at the heel the "Du" in "Dutton" and a few tiny chips nicks and closed tears. <br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. E.P. Dutton unknown
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br/><br/>A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br/><br/>Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br/><br/>Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown books
197591938n. l.: Moulin de Larroque 1975. Fine. Moulin de Larroque n. l. 1975 19 x 20 cm En feuilles sous chemise et étui First edition one of 35 numbered copies on ""mousse d'épave"" paper this being one of the 10 hors commerce copies.Illustrated with original colour engravings by Ania Staritsky who also designed the original layout of the work.A rare and very fine copy complete with its chemise and slipcase in old-rose full cloth.Pencil signatures of Philippe Jones and Ania Staritsky on the colophon.Our copy includes a manuscript text by the poet Jean-Claude Renard as well as an original collage by Ania Staritsky signed by her.Framing his manuscript an autograph inscription signed by Jean-Claude Renard to Claude Nardin who was a collaborator of Ania Staritsky. Moulin de Larroque hardcover
19296209New York: E. P. Dutton & Co. Inc 1929. First edition in English. 8vo 337pp. MGM vault copy with stamps and labels to front endpaper and spine of jacket. Publisher's purple cloth lettered in orange in illustrated jacket. Pushing at spine ends else nicely preserved in original jacket heavily chipped and partially split along folds and lacking the front inner flap which is provided in facsimile under the Mylar protector. <br /> <br /> Wonderful association copy of this horror/mystery novel originally published in French Les mains d'Orlac in 1920 and here translated into English by Florence Crewe-Jones. In 1935 MGM released the film Mad Love based on the Crewe-Jones translation the original drafts of the screenplay written by director Karl Freund and Guy Endore author of The Werewolf of Paris. Though not a box office hit the film is considered today by critics to be one of the more influential horror movies of the 1930's.<br /> <br /> <br /> The book itself is scarce in jacket and this copy is quite interesting for its association with MGM studios. <br /> <br /> Barron Fantasy and Horror 4-125. Hubin pg 342. Locke Spectrum of Fantasy pg. 182. . E. P. Dutton & Co., Inc unknown
200031376Gien Loiret France: Commissaire Priseur. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 46 pages 292 lots. -- with a bonus offer-- . Commissaire Priseur) paperback
199952287Saint-remy-en L'eau France: Editions Monelle Hayot. New. 1999. Hardcover. 2903824266 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - Text in French. 240 page monograph with many lovely color and black and white illustrations. -- with a bonus offer-- . Editions Monelle Hayot hardcover
1920148871Paris: Editions Nilsson 1920. First French Edition a trade softcover original preceding the first English language edition by nine years. Text in French. Cover illustration by Maggy Monier. Rare.<br /> <br /> A seminal horror novel written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br /> <br /> Very Good in illustrated wrappers. All edges uncut. Slight lean some vertical wrinkling to the spine small chips at a couple of corners and wrappers foxed particularly rear wrapper.<br /> <br /> Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. Editions Nilsson unknown
1977YRG-502Fort grand infolio (39x31 cm), reliure d'art Chr. Grégoire, sous emboitage, 148 pages, Pointes sèches originales de Pierre Letellier. Tirage limité à 150 exemplaires numérotés, le XXI, un des XXXIV réservé aux amis des sociétaires et collaborateurs. Il 148 pages. Dos légèrement insolé. Cercle des Bibliophiles de la Maison de la Chasse et de la Nature. Paris.
1937CLL-118Bruxelles, Les Éditions de Belgique, 1937 In-4, 121 pp., (1) f., demi-maroquin vert, dos à nerfs orné de caissons de filets à froid, tête dorée, non rogné (Laurenchet).
190278085Paris: Charpentier 1902. Fine. Charpentier Paris 1902 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with Jules Renard's celebrated ex-libris designed and engraved by Henri de Toulouse-Lautrec. Charpentier unknown
192771861Reliure demi-maroquin bordeaux à coins. Dos à nerfs avec date dorée au talon. Tête dorée. Couverture et dos conservés. Non rogné. Reliure signée ALIX.
191147814Paris A. Romagnol 1911 In-4, bradel vlin, plats orns d'un encadrement peint l'or avec des motifs floraux en couleurs chaque angle; doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime. Etui.53 compositions graves par Lobel-Riche, dont un portrait-frontispice, 41 hors-texte et 11 in-texte. Tirage limit 350 exemplaires numrots. Un des 150 premiers exemplaires sur papier du Japon ou sur papier vlin van Gelder Zonen (celui-ci imprim sur japon), seuls comporter une suite de toutes les gravures en 3 tats dont l'tat avec remarques. Exemplaire enrichi de 4 exemplaires du bulletin de souscription illustr.
191146875Paris A. Romagnol 1911 In-4, broch, couverture imprime. Etui.52 compositions graves par Lobel-Riche dont un portrait frontispice, 41 hors-texte et 11 in-texte. Tirage limit 500 exemplaires numrots. Un des 150 premiers exemplaires sur papier du Japon ou sur papier vlin van Gelder Zonen (celui-ci imprim sur japon), seuls comporter une suite de toutes les gravures en 3 tats dont l'tat avec remarques.
190278085Charpentier | Paris 1902 | 13 x 19 cm | broché
195358551953 Lausanne, André Gonin, 1953, 27x35 cm, 212pp. En feuillets, sous jaquette illustrée. Avec double emboîtage en demi parchemin, plats cartonnés illustrés. Magnifique exemplaire illustré des 29 lithographies originales pleines pages et en couleurs d'Erni. Le texte, en caractères Baskerville, a été tiré chez A.Kundig. L'un des 220 exemplaires sur Rive à la forme, signés de l'artiste et de l'éditeur (no. 135). Celui-ci est un exemplaire nominal imprimé pour M. Edouard Faure. Superbe exemplaire, léger frottement aux coins de emboîtage.
195830696Paris Les Francs-Bibliophi 1958 In-4, reliure encadrement maroquin rouge et noir, plats de papier fantaisie orns de larges listels en maroquin rouge ou noir, dos sans nerfs; doublures de papier gris, gardes de papier rouge, tte dore, non rogn, couverture illustre. Chemise, tui (Manuel Grard).27 lithographies originales d'Andr Minaux, dont une en couverture, un frontispice et 25 in-texte. Tirage unique limit 160 exemplaires numrots sur vlin de Rives.
