(1804-1876 ), George SandBiblio.com
2 877 résultats
1016895070.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197391811Paris: Gallimard Bibliothèque de La Pléiade 1973. Fine. Gallimard Bibliothèque de La Pléiade Paris 1973 10.50 x 17.50 cm reliure de l'éditeur sous étui souple First edition. Publishers full brown grained sheepskin binding orange top edge smooth spine ruled in gilt. Richly illustrated. Copy complete with its dust jacket acetate wrapper and soft slipcase. Acetate wrapper slightly yellowed. Gallimard, Bibliothèque de La Pléiade unknown
186718346Washington: GPO 1867. Hardcover. Near fine. Two volumes. The first is 8vo. Pp. 3-108. In a 19th or early 20th century binding of victorian ribbed blue cloth gilt title on the upper board. Extracted from the "Joint Committee on the Conduct of the War at the Second Session Thirty-Eighth Congress". First page partially separated for bottom inch else this is a fine copy in a fine binding.<br /> <p><br /> The second is a Senate copy of the Report of the Secretary of War dated February 14 1867 detailing the evidence taken at Denver and Forty Lyon Colorado Territory on the Sand Creek Massacre of 1864. 228pp. Bound in black tape spine clear plastic sides.<br /> <p>. (GPO) hardcover
1173144056.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1999TK253451Galleri Sand Oslo 1999. 1st Edition. SOFTCOVER. Folio size in silvered stiff glossy card covers with small colour plates pasted to front and rear covers as issued. Unpaginated approx. 44 pp colour plates etc. Text in English and Norwegian. Inscribed and SIGNED by both artists on first leaf __CONDITION : An extremely well preserved almost AS NEW copy minute speck of shelf rub to cover corner tips very mild surface rub to covers. . __To see more of our Art Monographs etc type DBBARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Galleri Sand, Oslo paperback
1900D20874Philadelphia: George Barrie and Son 1900. Limited Edition. Hardcover. Near Fine. A single volume from the Astral edition where of 250 copies were printed with twelve photogravures on Japan paper this being number 34. In a sumptuous red morocco binding heavily gilt. Light wear only. Sold as a binding. <br/><br/> George Barrie and Son hardcover
1902D20873Philadelphia: George Barrie and Son 1902. Limited Edition. Hardcover. Near Fine. 8vo. With a preface by George Sand. 384 pp. A single volume in a sumptuous red morocco binding heavily gilt. a.e.g. Light wear only. Sold as a binding. This is a complete work in itself with ten etchings by H. Touissant after paintings by J. Le Blant. A beautiful book. <br/><br/> George Barrie and Son hardcover
1900D20875Philadelphia: George Barrie and Son 1900. Limited Edition. Hardcover. Near Fine. A single volume from the Astral edition where of 250 copies were printed with six photogravures on Japan paper this being number 34. In a sumptuous red morocco binding heavily gilt a.e.g. Light wear only. Sold as a binding. <br/><br/> George Barrie and Son hardcover
1842Sand29<p><strong>DELACROIX SAND George 1804-1876</strong></p><p><u>Two autograph letters</u> signed " GS " to Eugène Delacroix<br />Nohant 6 & 7 July 1842 3 p. in-8° in total in black ink<br />Autograph addresses on verso<br />Stamp marks previous trace of mounting</p><p><strong>Saddened by the departure of her "good little" Delacroix after the latter's stay in Nohant in the company of Chopin and the rest of the Sand family the writer found herself immersed in her reading of <em>Les Mystères de Paris</em></strong></p><p><strong><u>From the Marc Loliée library</u></strong></p><p><em>" <strong>Cher bon petit</strong> J'espère que vous êtes arrivé à bon port sans trop souffrir de la chaleur qui a été modérée le jour de votre départ. Vous avez oublié ici quelques effets dont Maurice a fait une caisse laquelle part aujourd'hui. Comme le port en est payé accusez-en réception afin qu'elle ne s'égare pas sans que nous la fassions réclamer. J'ai encore retrouvé dans mes mouchoirs un mouchoir à vous. Je vous le mets à part ainsi que ceux qui pourraient se retrouver au prochain blanchissage. <strong>Que Jenny</strong></em> la gouvernante de Delacroix <strong><em>ne nous accuse donc pas de vous avoir grinché vos zardes</em></strong>¹<em>. – <strong>Je lis le Chourineur et je vous assure que malgré l'horreur du sujet et des détails</strong></em>²<strong><em> c'est jusqu'à présent fort intéressant et fabriqué avec beaucoup de talent</em></strong><em>. – <strong>Nous sommes restés tout tristes et tout déconfits de votre départ</strong>. Nous tâchons de jouer au billard mais je crois que vous avez emporté le carambouillage</em>³<em> dans votre poche et que vous ne nous avez laissé que le manque de touche. J'attends avec impatience un petit mot de vous. <strong>Nous sommes encore trop chagrins pour vous en dire long aujourd'hui</strong>. Et puis l'heure me presse. À présent cher soyez bien portant. Si vous nous regrettez autant que nous vous regrettons faites un effort pour nous oublier jusqu'à notre retour </em>Sand et Chopin rentreront à Paris le 31 juillet<em> alors vous nous raimerez de nouveau. <strong>Adieu moi et tous vous embrassons et vous aimons</strong>.<br />GS. "</em></p><p><em>" Cher ami mon dadet </em>sic <em>de Thomas </em>peut-être Thomas Aucante autrefois vacher<em> a commencé le cours de bêtises auxquelles je dois m'attendre en ne payant pas le port de la caisse que je vous ai envoyée hier. Si bien qu'il faut que vous le sachiez afin de n'avoir pas de contestation avec l'administration. Accusez-moi réception car tout ceci a été fort mal fait malgré mes précautions.<br />Nous nous portons bien. <strong>Nous vous aimons. J'ai rêvé de vous toute la nuit</strong> ; j'espère que c'est bon signe et que vous êtes bien portant.<br />À vous<br />GS. "</em></p><p>In response to his friend's repeated invitations Delacroix spent nearly two weeks in Nohant in June 1842. He wanted above all to rest "vegetate" as he put it and enjoy the pleasures of the countryside. Back in Paris he replied on the 8th stating that he had received the crate and calling the person who had brought it to him a cheat and an imposter demanding postage. He asked his friend for a small purse left in Nohant a purse that Solange had given him and a small cord from Algiers. He concluded: "The weather is awful for the nerves. When you dreamed that you saw me did you dream that you were the Duchess of Berry I send you all my sincere embraces but I am very sad" Corr. gén. de Delacroix t. II p. 116.</p><p>Using the slang present in Eugène Sue's work we understand that Sand is here in the middle of reading The Mysteries of Paris. The serial novel published in the Journal des débats from June 19 1842 to October 15 1843 inaugurated mass literature in the 19th century and earned its author immense fame in all social classes.</p><p><u>Provenance:<br /></u>Bibliothèque Marc Loliée<br /><u><br />Bibliography:<br /></u><em>Correspondance</em> t. V éd. G. Lubin Garnier n°2477 & 2478</p>
1841Sand14<p><strong>DELACROIX SAND George 1804-1876</strong></p><p>Autograph letter signed " G.S. " to Eugène Delacroix<br />Paris Postal mark 23rd December 1841 1 p. 1/2 in-8°<br />Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 "</p><p><strong>Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the <em>Femmes d'Alger</em> her contempt for the <em>Ingresque</em> school and other artistic news</strong></p><p><em>" Vous avez bien fait cher ami de ne pas venir à l'Opéra. <strong>C'était ennuyeux à crever malgré la beauté et la pompe du spectacle.</strong> J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1</em><br /><strong><em>Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!!</em></strong> le mot est entouré par Sand d'un triple trait de plume.<strong><em> Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. </em></strong><em>2</em><br /><em>Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable.</em><br /><em>G.S.</em><br /><strong><em>La Lélia</em></strong><em>4<strong>avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger</strong>5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue</em> La Revue indépendante<em> et <strong>vous savez que je ne caponnerai pas</strong></em> ne se montrera pas lâche <strong><em>avec tout cette école silhouettiste</em></strong><em>6<strong> qui se dit en possession du dessin</strong> ".</em></p><p>1 <em>La Reine de Chypre</em> an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration.<br />2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form".<br />3 Possible reference to an English restaurateur or caterer frequented by George Sand.<br />4 <em>Lélia avec son moine et son mort</em> is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix.<br />5 This is the <em>Femmes d'Alger dans leur appartement</em> a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire.<br />6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color".</p><p><u>Bibliography:</u><br /><em>George Sand</em> – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369<br /><em>Correspondance</em> éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50</p><p><u>Provenance:</u><br />Achille Piron Delacroix's universal legatee<br />Bibliothèque Marc Loliée</p>
18432030Paris: Imprimerie de Schneider et Langrand 1843. First edition. Contemporary 19th century quarter calf binding with green boards; gentle wear to edges. Internally an excellent copy with original wraps bound in; occasional light foxing and small paper loss to margins of last two leaves neither affecting text. Octavo collates complete with 31 pages. An exceptionally rare copy of Sand's first work on social justice of which only 500 were printed. This copy is the only one known to have come onto the market with none in the modern auction records and the only other held at La Bibliotheque Nationale de France.<br /> <br /> Having dedicated the first decade of her career toward writing novels about women's internal and social struggles George Sand made her first move into activism with Fanchette. Shocked by the story of a young girl with mental illness who had been refused refuge in a convent and was soon after discovered pregnant and arrested for begging Sand opted to expose the events in a set of letters printed in the Revue Independente. Following a wave of public outcry "Sand decided to have the letters printed in brochure form with the plan that half the copies would be distributed free to the workers of La Chatre the others sold for the benefit of Fanchette. Five hundred copies of this brochure of thirty-one pages were printed and circulated. The Fanchette case therefore revealing as it did an appalling lack of sympathy for the poor and misfortunate convinced George Sand that an effort should be made to awaken the citizens of La Chatre to their duties as members of a community" Bowes. This publication marked a new phase of Sand's writing career which more directly emphasized social justice particularly for vulnerable women. A rare and important work. [Imprimerie de Schneider et Langrand] unknown
256Light wear gently bumped to spine head; offsetting to endleaves; jacket somewhat creased chipped and torn scattered staining darkened to spine Very good. LMM-256. <p>George Sand. Translated by Hamish Miles. Little Fadette. <br /> <br /> London: The Scholartis Press 1928. First edition one of 1300 copies. Octavo. 258pp. Publisher's blue cloth with gilt lettering to spine top edge gilt others untrimmed original unclipped dust jacket listing a retail price of 8/6 net on spine.</p> <br /> <p>From the collection of Larry McMurtry at his home in Archer City Texas. His book with personal brand-mark bookplate.</p> . unknown
1994PM232304MParis: Réunion des musées nationaux 1994. Hardcover. Good/Good. 30 cm. Hardcover • Illustrations en noir et en couleurs • <b><i>French text original</i></b>. Réunion des musées nationaux hardcover
189357116East Hampton North Adams & Boston MA; Bethlehem PA & New York: Caulkins & Post Co.; Harry S. Millard; Henry Lindenmeyr & Sons; Stewart & Sparry; Pettinos Brothers Atha V. Hughes; Barber Leather Co.; N.N. Hill Brass Co. 1893-1918. 4to. 72 letters some mimeographed others typed carbon copies and a few ALS sized 5.75 x 9.25 in. up to 8.5 x 11 in. many on steel-engraved letterhead a couple on ruled paper and many featuring the offsetting from the leather dyes with over 40 attached samples of papers White coated sign muslin foundry sand and assorted leathers. All preserved in archival mylar sleeves in recent full calf 3-ring binder w/ stamping. An exceptional archive of original TLS many with original samples of paper leather and even sand which were used in ever increasing quantities by the noted manufacturer of sleigh bells bells pull toys and many other toys for children from the Gilded Age through World War I. The earliest letter dated Feb. 10 1899 includes two paper samples from the Henry Lindenmeyr & Sons Paper Warehouse in New York on Bleeker Street noting that “we can furnish in the shade of your sample at $ 8.00 per hundred sheets basis 25 x 36. We could not make less than a thousand yards.†Sixty or the majority of the letters and samples were sent by the Barber Co. beginning in 1902 and continuing into World War I. Their letters and samples describe the colour grain and general finish of the included samples as well as their perfect applications in “baby carriage straps shawl straps small cases i.e. for toys small tool boxes†and of course sleigh bells and bell hangers and bell flappers as well as handle grips. Leathers encompass Red Straight Grain Cowhide Pigskin straps Black Bell Leather Walnut Strap Leather and specialized leathers for tumbling purposes for brasswork. Barber 1836-1909 was the longtime owner and operator of the Barber Leather Co. in North Adams until his death when his son Archer Barber took over the business. Many of the samples offered to the Hill Brass Co. are mounted on TLS and TLS copy letters from Harry S. Millard who later was brought into the Barber Co. in 1914 as Treasurer of the Company. The samples here include splits black pig leather as well as embossed strips in assorted coloured leather Caulkins & Post whose building at 484-494 Main Street in Middletown was considered one of the first “modern†stores and specialized in drapes window shades furniture and bicycles before opening up their successful card dealership in 1903. The Hill Brass Co. required products beyond leathers & papers as shown by the reply to their request for a quote for White Sign Muslin waterproof textile intended for use on children’s carriages and go-carts. For their manufacturing processes they required foundry sands and the Pettinos Brothers based in Columbia Ceylon Bethlehem PA and Mexico sent them a sample of their plumbago “high grade Ceylon stock.†There is even a May 29 1905 solicitation letter from F. von Bardeleben after seeing the Hill Brass Co. exhibit at the 1904 St. Louis World’s Fair mentioning that his company can supply a “very fine grade of non-poisonous unchangeable paints to be used for painting toys.†The N.N. Hill Brass Co. founded by Norman Newton Hill 1863-1950 in 1889 operated until the early 1960’s was one of the largest factory’s in the World producing bells & toys and by the 1930’s produced Walt Disney merchandise. Along with the Bevin Brothers and other local Massachusetts foundries they manufactured Salvation Army bells sleight bells bicycle bells alarm bells and more. See: N.N. Hill Brass Company Business Correspondence Jay T. Last Collection of Transportation Huntington Library; Edward T. Howe Small Bells of Connecticut: One Town Made Sounds that Rang in Millions of Ears New England Historical Society 2019; Norman N. Hill Brass Company Connecticut Historical Society 2020. Caulkins & Post Co.; Harry S. Millard; Henry Lindenmeyr & Sons; Stewart & Sparry; Pettinos Brothers, Atha V. Hughes; Barber Leat hardcover
197488620Berkeley: Sand Dollar Books c. 1974-1983. First editions. Five issues all very near fine in stapled wrappers. Complete set of rare books catalogues issued by Sand Dollar each offering 649 to 1250 priced items. An excellent record of the contemporary small press scene. For the lot: Berkeley: Sand Dollar Books unknown
200691270AB2006. Advance Uncorrected Proof. New York Counterpoint 2006. 15.5 x 23.5cm. 8 294 pages. Original softcover. Excellent condition as new. Who was George Sand She was the first famous Frenchwoman celebrated throughout Europe who wasn't either a saint or a king's mistress. She was also the first woman in Europe to become a best-selling novelist. But her fame is inseparable from her notoriety: the scandal of leaving a husband and child setting up in Paris with an eighteen-year-old lover liaisons and friendships with men of talent and even genius: de Musset Chopin Balzac and Flaubert. Politically engaged Sand was literally "there at the revolution" those of 1831 and 1848 reporting analyzing denouncing exhorting. Acclaimed literary biographer Benita Eisler sheds new light on the many roles triumphs and losses that together constituted Sand's overwhelming presence. With nearly ninety novels 20000 letters and thousands of pages of autobiographical writings and political commentary how did Sand also have the time to live As Eisler reveals hers seems more like several lives--literary political amorous and domestic. From jacket notes paperback
32237S.l.n.d. « Galerie contemporaine 126 boulevard de Magenta » et « Cliché Nadar rue d'Anjou-Saint-Honoré 51 ». 1 tirage sur papier albuminé 250 x 340 mm encadré. Célèbre portrait sur papier fin contrecollé sur carton de la Galerie Contemporaine littéraire 2e série n°37. Rarissime épreuve dédicacée : « à mon cher Villegeorges souvenir d'amitié George Sand ». Ce portrait fait partie de l'une des entreprises éditoriales les plus caractéristiques de la fin du XIXe siècle : La Galerie contemporaine publiée de 1876 à 1884 réunit 242 biographies illustrées de 410 photographies dont 241 reproduits en photoglyptie par la maison Goupil & Cie Ce procédé photomécanique nouveau connut pendant trente ans un énorme succès dans la presse et l'édition grâce à une impression stable diffusable en grand nombre et bien moins coûteux que les tirages argentiques. George Sand est la première figure féminine à être publiée dans la Galerie Contemporaine. Le portrait reprend l'un des fameux clichés exécutés par Nadar en mars 1864 : une série de huit clichés de la romancière au mois de mars 1864. La bonne dame de Nohant ne s'appréciait pas physiquement et ne fit confiance qu'à Nadar pour poser lequel consacra de longues heures à la photographier jusqu'à ce que l'image lui convienne : « Les épreuves de ma photographie n'ont pas encore très bien réussi chez Nadar j'y retourne demain." écrit-elle à Maurice son fils le 8 mars 1864 à Paris. Ces photographies restées célèbres inaugurèrent le début d'une longue série. Nadar qui avait toujours admiré la romancière l'avait placée en tête de son Panthéon Nadar 1854 et lui avait dédicacé un livre Quand j'étais étudiant 1856 : « À madame George Sand enthousiasme fervent et profond respect » ; la romancière deviendra par ailleurs la marraine de son fils Paul. Précieuse épreuve dédicacé par Georges Sand qui devait décéder l'année même de cette parution le 8 juin 1876 si bien que les portraits signés sont absolument rarissimes George Sand n'ayant que peu d'occasions de les avoir en mains. On ne connaît qu'un autre portrait dédicacé de la série Nadar au petit format carte de cabinet à Charles-Edouard de Vasson et quelques autres tirages dans ce même format carte simplement signés. S.l.n.d. [« Galerie contemporaine, 126 boulevard de Magenta » et « Cliché Nadar, rue d'Anjou-Saint-Honoré, 51 »]. 1 tirage unknown
1390546330.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Aila Kolehmainen & Esa LaIn Pristine Condition. unknown
189257069Paris: Emile Testard 1892. Fine. Emile Testard Paris 1892 19 x 28.50 cm 2 volumes brochés Edition illustrated with 260 original compositions in and outside the text by Adrien Moreau engraved on wood by Brauer Froment Hamel Méaulle Rousseau and Thomas one of 35 numbered copies on China paper deluxe copies. A minor tear at the foot of one joint of the first volume. Handsome copy. Emile Testard unknown
B01OS-00686National Travel Club. Used - Good. Good condition. No Dust Jacket south america venezuela history A copy that has been read but remains intact. May contain markings such as bookplates stamps limited notes and highlighting or a few light stains. National Travel Club unknown
20072583191119017Billiard Gods Productions 2007-03-01. CD-ROM. Very Good. CD plays perfectly & comes in jewel case no paperwork. Billiard Gods Productions unknown
20072592191202039Billiard Gods Productions 2007-03-01. CD-ROM. New. Brand-new unused unopened in perfect condition. . Billiard Gods Productions unknown
9344Paris Librairie de la societe des gens de lettres 1873 332p reliure toile modene - unknown
