Saint Bris, GonzagueMareMagnum
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Saint Bris, Gonzague Sur les pas de George Sand. , Presses de la Renaissance 2004, Copertina rigida plastificata con dorso in tela editoriale leggermente brunita; pagine integre con immagini illust Buono (Good) . <br> <br> Copertina rigida <br> 94<br> 2856169821
200036894Edition présentée, 1 vol. in-12 br., Séquences, 2000, 94 pp.
2000175066Séquences Séquences, 2000. In-12 broché, couverture à rabats de 93 pages non coupées. Très bon état
59790Séquences, 2000, 95 pp., broché, une tache sur la quatrième de couverture, bon état.
1841Sand14<p><strong>DELACROIX SAND George 1804-1876</strong></p><p>Autograph letter signed " G.S. " to Eugène Delacroix<br />Paris Postal mark 23rd December 1841 1 p. 1/2 in-8°<br />Autograph address on fourth folio wax seal : " Monsieur Delacroix rue des Marais Saint Germain 17 "</p><p><strong>Superb letter to her friend Delacroix about her desire to write "a few pages on painting" the <em>Femmes d'Alger</em> her contempt for the <em>Ingresque</em> school and other artistic news</strong></p><p><em>" Vous avez bien fait cher ami de ne pas venir à l'Opéra. <strong>C'était ennuyeux à crever malgré la beauté et la pompe du spectacle.</strong> J'espère que vos truffes vous auront donné de meilleures inspirations musicales que la reine de Chypre n'en a donné à Mr Halevy.1</em><br /><strong><em>Venez ce soir comme vous me l'avez promis. J'ai à vous parler sur des matières artistiques !!!</em></strong> le mot est entouré par Sand d'un triple trait de plume.<strong><em> Sans plaisanterie j'écris quelques pages sur la peinture et j'ai besoin de vous pour savoir si je ne déraisonne pas. </em></strong><em>2</em><br /><em>Bonjour et bonne nuit. Il est 6h du matin. Vous devriez venir dîner avec nous. Nous avons embelli notre existence d'un pot-au-feu quotidien et avec le dîner de l'anglais3 et du bon café c'est supportable.</em><br /><em>G.S.</em><br /><strong><em>La Lélia</em></strong><em>4<strong>avec son moine et son mort me frappe et me plaît de plus en plus c'est ce qui m'a mise en veine d'écrire sur la couleur et ce qu'il faut entendre par la forme. Avec ça j'ai vu vos femmes d'Alger</strong>5 ce matin. Si vous m'encouragez je suis capable de faire le prochain salon dans notre revue</em> La Revue indépendante<em> et <strong>vous savez que je ne caponnerai pas</strong></em> ne se montrera pas lâche <strong><em>avec tout cette école silhouettiste</em></strong><em>6<strong> qui se dit en possession du dessin</strong> ".</em></p><p>1 <em>La Reine de Chypre</em> an opera in five acts by Halévy to a libretto by St. George took place the day before December 22 1841. Unlike George Sand Richard Wagner who was also present at the premiere considered the music "noble moved and even new and exhilarating" although he criticized Halévy's failings in simple orchestration.<br />2 In Horace which George Sand was then writing she staged a rapin a pupil of Delacroix but there were no "few pages on painting". Is this an article intended for the Independent Review – which it has just created – but which it has renounced The word written in postscript confirms that it is an aesthetic reflection that focuses on "color" and "form".<br />3 Possible reference to an English restaurateur or caterer frequented by George Sand.<br />4 <em>Lélia avec son moine et son mort</em> is the third work offered by Delacroix to George Sand for the gifts of 1842. It is a pastel depicting Lélia kneeling near Stenio's corpse while the monk Magnus "in the shadows leaning stiffly against the wall of the cave darted on her his sparkling eyes". The subject was treated several times by Delacroix.<br />5 This is the <em>Femmes d'Alger dans leur appartement</em> a painting presented at the Salon of 1834 where it caused a sensation. A synthesis of orientalism and romanticism this painting expresses a deep "melancholy" for the poet and art critic Baudelaire.<br />6 George Sand refers to the school of Ingres as a "Silhouettist school". We know the adversity between the two painters that animated the artistic scene of the nineteenth century. The writer had resolutely taken Delacroix's side that of "form" and "color".</p><p><u>Bibliography:</u><br /><em>George Sand</em> – Correspondance t. V Lubin Garnier p. 529-531 lettre n°2369<br /><em>Correspondance</em> éd. Françoise Alexandre Les éditions de l'Amateur p. 117-118 n°50</p><p><u>Provenance:</u><br />Achille Piron Delacroix's universal legatee<br />Bibliothèque Marc Loliée</p>
1973747474PN. New. 1973. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
Napoli, A. Morano, 1877, in-8, br., pp. 325, (3). Dorso rifatto, copertine controfondate. Alcuni segni in matita.
1993002199Cincinnati OH USA: F & W Publications Inc 1993. Book. Fine. Soft cover. Signed by Authors. 1st Edition. First Edition First Printing. Contains twelve stories from various contributors of which one is the first appearance of PIG by Yann Martell.Original pale green wrappers in fine condition. Signed by Yann Martel to the beginning of his contribution. F & W Publications Inc Paperback
1991Q-0791405818SUNY Press 1991-07-03. Paperback. New. In shrink wrap. Looks like an interesting title! SUNY Press paperback
0791405818.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1991DADAX0791405818State University of New York Press 1991-07-03. paperback. New. 6.00x1.50x9.25. Buy with confidence. Excellent Customer Service & Return policy. State University of New York Press paperback
19911-0791405818State Univ of New York Pr 1991. Paperback. New. reprint. edition. 1184 pages. 9.25x6.00x1.50 inches. State Univ of New York Pr paperback
George Sand Storia della mia vita. , La Tartaruga 1993, Libro usato in buone condizioni. Pagine brunite ai margini. Tagli regolari impolverati. Copertina flessibile cartonata con alette informative. Sguardi con firma a penna. Buono (Good) . <br> <br> <br> 258<br>
Mm 120x180 Brossura editoriale di pp. II-173 con 16 illustrazioni tavole fuori testo, sovraccoperta figurata con piccole lacune ed un numero scritto con matita rossa. Opera in buone condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. WORLDWIDE DELIVERY.
131 pages in large format. Contents include Key to major steppe habitat types in eastern washington and northern idaho, with sections on The zonal series,( Artenisia tridentata-agropyron spicatum ; Artemisia tridentata-Festuca idahoensis; Agropyron spicatum-Poa secunda; Agropyron spicatum-Festuca idaboensis (etc.) The edaphic series, (Deep soils dominated by gravel, sand, or strongly weathered volcanic ash (with 4 Latin listings) Soils shallow to bedrock (with 8 Latin listings) Saline alkali soils, nonsaline soils that are more moist than zonal soils, and Other special soils -- (all with similar Latin listings) Parks in the lower forest zones, Other types of vegetation (Dune vegetation Of rock crevices, Of talus slopes, Pond vegetation, etc. , Discussion of certain concepts ( Species diversity, altitude versus aspect, Ecologic problems involved in Artemisia eradication etc. With five appendixes. Introduction reads "More than 24,000 square miles of land in the eastern half of the State of Washington are too arid to support natural forest on the uplands. When first seen by white man a century and a half ago, the region was a steppe. The study here reported attempts to determine the character of the vegetation mosaic as it was when white man appeared on the scene, to establish the broad relationships of the different community-types to climate and soil, and to determine how fire and grazing modify the types." With maps, "stand numbers" and b&w photos.
20122080202102705528Mizukishobo 2012. Soft Cover. Fine. Page size: 132 pages Size: B5 size Mizukishobo paperback
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