829 résultats
19793856Fata Morgana, sl., 1979. Petit in-folio (340 x 270 mm), 34 pages en ff., couverture illustrée rempliée, sous chemise illustrée et étui toilés bleu. Édition originale illustrée très rare en tirage de tête. 34 LITHOGRAPHIES ORIGINALES EN COULEURS à chaque page par Pierre Alechinsky, dont 2 pour la couverture. Tirage : 200 ex. sur vélin d'Arches, signés par l'auteur et l'artiste au justificatif. Celui-ci l'un des 30 numérotés de 1 à 30 du tirage de luxe (n°17), AVEC LA SUITE COMPLÈTE DES 32 LITHOGRAPHIES SUR DOUBLES FEUILLETS (16), chacune rehaussée d'aquarelle au pochoir, chacune signée et numérotée 17/30. Note bibliographique : Cioran avait peu de goût pour la peinture, et n'avait jamais fait de livres illustrés. En 1979, persuadé par son éditeur, il tente l'aventure avec Pierre Alechinsky et lui propose une trentaine de pages d'aphorismes. Le peintre y répondit par 32 lithographies en couleurs. Poussé par le challenge, il réalise alors l'une de ses très grandes réussites éditoriale.
194360084Paris nrf Librairie Gallimard 1943. 8vo. Orig. printed wrappers uncut and first quire unopened. Light traces of use but overall remarkably fresh. Spine very slightly darkened and wrappers with very light scattered brownspotting. A small vague couloured thump bark to lower corner of front wrapper and first leaves. An unusually good copy as the fragile wrappers are often much more worn. Also internally unusually fresh. Wrappers printed in red and blue. With half-title. 722 2 pp 2ff. one with colophon. <br/><br/><em>The very rare first edition first impression from "Bibliothèque des idées" printed on 25th of June 1943 "Le vingt-cinq juin mil neuf cent quarante-trois" colophon rare review-copy with "S.P. - Service des Presses to back wrapper. With the printed dedication "au CASTOR" i.e. for Simone de Beauvoir". This the first edition of Sartre's first and main philosophical work which is one of the absolutely most important philosophical works of the 20th century passed virtually unnoticed as it appeared in the summer of 1943 which is why it is now extremely scarce. It didn't reach recognition till 1945 thus very few copies of the first edition have been preserved. "Achevé au debut de 1943 le livre parut en été et étant donné les circonstances passa à peu près inapercu. Il fallut attendre 1945 année aù la vogue soudaine de Sartre attira sur son oeuvre maîtresse une attention qu'aucun ouvrage philosophique n'avait connue précédemment pour que les commenteurs s'en ampareut;" Contat & Rybalka p. 86. Even though the work was hardly noticed when it first appeared a few scholars acknowledged it as a great work of seminal character importance and novelty; in 1964 Michel Tourier writes: "Un jour de l'automme 1943 un livre tomba sur nos tables: "L'Être et le Néant". Il y eut eu moment de stupeur puis une longue rumination. L'oeuvre était massive hirsute débortante encyclopédique superbement technique." Les Nouvelles littéraires 29 octobre 1964.Sartre is first and foremost known for his philosophical works and as "L'être et le néant" "Being and Nothingness" is generally accepted as his greatest and main work this marks the beginning of 20th century existentialism and furthermore "has also come to be regarded as a text-book of existentialism itself." Mary Warnock's Introduction to Hazel E. Barnes' translation. This his seminal work of existentialism marks one of the most influential philosophical movements of our age.Contat & Rybalka Les Écrits de Sartre 1970. </em> unknown
193944682Hermann & Cie 1939. Royal 8vo. Bound uncut with the original printed wrappers "Actualités scientifiques et industrielles" no. 838. Essais philosophiques II Publiés par Cavaillès also the backstrip mounted with a little loss. in an exquisite beautiful black morocco binding with gilt horizontal and vertical lettering to spine. Beautiful silvered paper over boards. Housed in an exquisite silvered marbled paper slip-case with black morocco edges. Binding signed to bottom of inside of front board: "C. et J-P. Miguet". Near mint copy. 52 pp. <br/><br/><em>First printing presentation-copy of Sartre's highly important early philosophical work which is recognized as the best introduction to his "L'Étre et le Néant" 1943. The work was only printed as it is here as no. 838 of Cavaillè's "Actualités scientifiques et industrielles" and only appeared in a new not revised edition in 1960. The large presentation-inscription reads as thus : " A Olivier Briot/ en la remerciant de " Les lignes " qui j'ai/ beaucoup aimé/ JP Sartre "."L'Esquisse d'une théorie des émotions " " Sketch for a Theory of the Emotions" although now considered one of Sartre's most important works was originally written as the first part and introduction to a greater work on psychological phenomenology that was supposed to be entitled "La Psyché". The great psychological project was abandoned due to Sartre's eagerness to finish "Le Mur". "L'Esquisse" thus remains the only part of the work ever published and perhaps exactly because of its introductory character it has come to have the effect on modern philosophical thought that it has. Due to being at the same time accessible and rigourous the work is considered the best introduction to Sartre's fundamental philosophical ideas an almost indispensible presentation of and introduction to "L'Étre et le Néant" which appeared four years later. "L'Esquisse d'une théorie des émotions " is a phenomenological essay on emotion in which Sartre ettempts to present a phenomenological psychology treating emotion as a " phenomenon " and placing it within the realm of signification. The primary presentation of his own phenomenological analysis is essantial to all his later philosophy."Although written fairly early in his career in 1939 Sketch for a Theory of the Emotions is considered to be one of Jean-Paul Sartre's most important pieces of writing. It not only anticipates but argues many of the ideas to be found in his famous Being and Nothingness. By subjecting the emotion theories of his day to critical analysis Sartre opened up the world of psychology to new and creative ways of interpreting feelings. Emotions are intentional and strategic ways of coping with difficult situations. We choose to utilize them we control them and not the other way around as has been posited elsewhere. Emotions are not fixed; they have no essence and indeed are subject to rapid fluctuations and about-turns. For its witty approach alone Sartre's Sketch for a Theory of the Emotions can be enjoyed at length. It is a dazzling journey to one of the more intriguing theories of our time." Sketch for a Theory of the Emotions 2nd Edition By Jean-Paul Sartre Published October 12th 2001 by Routledge - 80 pages Series: Routledge Classics </em> hardcover
198691100Musee / Flammarion. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text In French. 192 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee Musee / Flammarion hardcover
1986C91100Musee / Flammarion. As New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- Text In French. 192 pages. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Musee / Flammarion hardcover
194811475New York: New Directions 1948. First edition. Hardcover. Near Fine. Special limited first American edition. Translation by Lloyd Alexander. One of only twenty-five copies SIGNED by the great French philosopher. This copy unnumbered. A near fine copy in decorated paper-covered boards. Mild wear to corner tips else clean bright and tightly bound. Lacking the original slipcase. <br/><br/> New Directions hardcover books
19495417Paris: Jacques Damase 1949. A rare work with the three plates by Wols Wolfgang Schulze 1913-1951 the Art Informel painter and photographer whose short life was complicated by poverty illness and alcoholism. Half of Wols output as a printmaker was commissioned for works by Sartre Tzara and other philosopher friends before his death in 1951. While an edition of 450 copies of Sartre's NOURRITURES was planned the edition was never completed and many copies were issued without the drypoint etchings inserted. 20 cm; 57 pages and three original drypoint etchings by Wols Alfred Otto Wolfgang Schulze laid in as issued. Edition limited to 450 copies of which this is #131. Printed on deckle-edged pure rag paper by Johannot. Bound in blue paper wraps with printed title label on upper wrap. Corners and edges understandably frayed; some light toning to stock; text block shaken in wraps. Preserved in custom-made clamshell case 1/4 cloth over marbled boards with paper title label. Jacques Damase hardcover books
1948122197New York: New Directions 1948. Signed limited edition one of only 25 copies. Octavo original Japanese vellum spine over patterned boards top edge gilt. Translated by Lloyd Alexander. In near fine condition. Rare and desirable. One of Sartre's greatest existentialist works of fiction The Wall contains the only five short stories he ever wrote. Set during the Spanish Civil War the title story crystallizes the famous philosopher's existentialism. The Wall the lead story in this collection introduces three political prisoners on the night prior to their execution. Through the gaze of an impartial doctor-seemingly there for the men's solace-their mental descent is charted in exquisite often harrowing detail. And as the morning draws inexorably closer the men cross the psychological wall between life and death long before the first shot rings out. This brilliant snapshot of life in anguish is the perfect introduction to a collection of stories where the neurosis of the modern world is mirrored in the lives of the people that inhabit it . New Directions hardcover books
192739425Paris January 1927. 8vo. Entire issue present in the original printed wrappers uncut. Wrappers a bit soiled and first leaves of the entire issue with a few tears far from affecting text and a brown spot to first few leaves. Otherwise internally fine. Inner hinge weak. Pp. 26 - 39. Entire volume: 70 8 1 -colophon pp. <br/><br/><em>The extremely scarce first printing in German of Sartre's third publication "The Theory of State in modern French Thought". The work appeared simultaneously in German French and English and all three publications are of the greatest scarcity. Contat and Rybalka were unable to find the French edition for the bibliography of Sartre's works and had to do with the English version. They state that the "Revue universitaire internationale" is not to be found anywhere in no French libraries: "Il nous a été impossible de retrouver l'édition francaise de cette revue qui était publiée à Paris par la Fédération universitaire internationale simultanément en francais anglais et allemand. Le titre de l'édition francaise est: "Revue universitaire internationale". Elle ne figure au catalogue d'aucune bibliothèque de France." Contat & Rybalka.The present article is a brilliant and well founded essay of state theory by the 22 year old Sartre published 16 years before his philosophical breakthrough "L'Etre et le Néant" from 1943. Sartre was urged by his fellow opinionator Daniel Lagache to write the article. Lagache was the editor of the "Revue Universitaire Internationale" in which the article appeared. "Il s'agit d'une étude brillante et solidement documentée où Sartre déployant la virtuosité intellectuelle d'un normalien bien entraîné examine le philosophie du droit de quelques théoriciens francais du droit international en particulier de Hauriou de Davy et de Léon Duguit." Contat & Rybalka.Contat & Rybalka 27/3. </em> unknown
19701032601970 Tokyo, Shinsen-sha, octobre 1970-septembre 1973, 258x182mm, 120-160pp, couvertures illustrées ainsi que les vignettes par Genpei Akasegawa du n°1 au n°24, puis par Fujio Akatsuka du n°25 au n°36, textes critiques, 6 planches imprimées en photogravures en frontispice du no.1 au no.24Broché, dos carré, couverture illustrée.Revue critique du cinéma d’avant-garde, expérimental. Textes sur : J-L Godard, Buñuel, Pasolini, J-P Sartre, Gillo Pontecorvo, Satyajit Ray, Dziga Vertov, Luchino Visconti, Mikhail Il’ich Romm, Giuliano Montaldo, Robert Enrico, Louis Malle, Pier Paolo Pasolini, Joseph Losey, Kijû Yoshida, Toshio Matsumoto, Kôji Wakamatsu, Kaneto Shindô, Masahiro Shinoda, Akio Jissôji, cinéma russe, cinéma grecque et d’autres, chroniques, articles de fond sur l’Histoire, la Sociologie, ou la Politique du monde entier.Frontispice en photogravure :No.4-no.9, Takuma Nakahira et Masao Matsuda.No.10-no.13, Takuma Nakahira et Genpei Akasegawa.No.14 : Genpei Akasegawa, Kôji Wakamatsu, Masao Adachi.No.15 : Genpei Akasegawa. No.16-no.24, Chronique « Sakura Graph » texte, manga et photos par Genpei Akasegawa.Réf.The 70s in Japan 1968-1982, Museum of Modern Art, Saitama, 2012, p.140-141. (103260)
196662853published in New York: PLAYBOY 1966. 31pp on rectos of unruled paper first page with PLAYBOY's printed overlay bearing title date of the issue and printer's directions; with numerous editorial corrections in pencil throughout. 1 vols. 8-1/2 x 11 inches. Stapled. A few creases slight soiling overall very good. 31pp on rectos of unruled paper first page with PLAYBOY's printed overlay bearing title date of the issue and printer's directions; with numerous editorial corrections in pencil throughout. 1 vols. 8-1/2 x 11 inches. First appearance of Guy Daniel's translation of Sartre's important essay on Paris under the German occupation first published in the London magazine FRANCE LIBRE in 1945; and in SITUATIONS Vol. III 1949. PLAYBOY unknown books
1948Embry 161572Lear 1948. First U.S. edition. Light rubbing to spine tips else fine in very good dust jacket with some shallow chipping to upper spine and minor color loss to folds in mylar cover. Inscribed by the author. Lear, 1948. First U.S. edition. unknown books
1946404940Paris: Galerie Louis Carre 1946. A clean near-fine copy in wrappers with some very minute wear and pale offsetting. An attractive and finely printed catalog. 12mo 15.6 x 12 cm. 35 17 pages. Frontispiece photograph of Calder in his studio in Roxbury 7 plates of which four in color and two of these double-page and one color heapiece of a mobile. Printed wrappers the front wrapper with a photographic image of one of his mobiles in motion. First edition. Published in conjunction with an exhibition at Galerie Louis Carre in Paris that ran October 25 through November 16 1946. Text in French with contributions by Jean-Paul Sartre and James Johnson Sweeney. 24 pieces were included in the exhibition created between 1941 and 1946. The cover frontispiece and three balck-an-white plates reproduce photographs by Herbert Matter. <br/><br/> Galerie Louis Carre unknown books
1939CZC-13538Édition Originale. Exemplaire de service de Presse. Le Mur est un recueil de nouvelles publié en 1939 par Jean-Paul Sartre qui dédia ce livre à Olga Kosakiewicz. Le Mur est également le titre de la première nouvelle du recueil. Le recueil est composé de cinq nouvelles de 25 à 90 pages que Jean-Paul Sartre définit comme « cinq petites déroutes tragiques ou comiques... Toutes ces fuites sont arrêtées par un mur » : Le Mur, La Chambre, Érostrate, Intimité, L'Enfance d'un chef. broché 18x12, sous couvertures cristal, leg usure, très bel état, 220pp. Achevé d'imprimé le 26 janvier 1939 ref/12/5
1939CZC-13538Édition Originale. Exemplaire de service de Presse. Le Mur est un recueil de nouvelles publié en 1939 par Jean-Paul Sartre qui dédia ce livre à Olga Kosakiewicz. Le Mur est également le titre de la première nouvelle du recueil. Le recueil est composé de cinq nouvelles de 25 à 90 pages que Jean-Paul Sartre définit comme « cinq petites déroutes tragiques ou comiques... Toutes ces fuites sont arrêtées par un mur » : Le Mur, La Chambre, Érostrate, Intimité, L'Enfance d'un chef. broché 18x12, sous couvertures cristal, leg usure, très bel état, 220pp. Achevé d'imprimé le 26 janvier 1939 ref/12/5
194626028Paris: Aux dépens du Palimugre 1946. First edition. 31 3 p. cm. Original wrappers fine and unopened. One of 200 numbered copies on Lana supérieur second paper after 30 on japon. <br/><br/> Aux dépens du Palimugre unknown books
196433035Paris: Gallimard 1964. First edition no. 379 of 500 on Vélin Alma. 1 vols. 8vo. Fine in original wrappers and glassine. First edition no. 379 of 500 on Vélin Alma. 1 vols. 8vo. Gallimard unknown books
1938LD5809Paris: Editions Lidis 1938-1949. Limited Edition. Paperback. Very Good. Printed wraps; 4to; with full-color original lithographs by Walter Spitzer. From a limited edition of 4000 copies "sur velin vercors" with the watermarked signature of Jean-Paul Sartre. Only the first volume is numbered 4887. Complete limitation with variations is 5012 copies. Covers faintly rubbed; spine tips and corners gently bumped; VG presents nicely in clear acetate dust jackets. Internally bright and clean. <br/><br/> Editions Lidis paperback books
19811335040Chicago: University of Chicago Press 1981-1993. First Editions First Printings. Hardcover. Octavo five volumes; VG/VG; full bindings of gray cloth; spines white with colored lettering; dust jackets protected with mylar coverings; mild shelf wear; all volumes first printings; shelved above US Political Bios. 1335040. Shelved Dupont Bookstore. University of Chicago Press hardcover books
1947122379London: Hamish Hamilton 1947. First edition of Sartre's classic novel. Octavo original cloth. Near fine in a very good dust jacket with unnecessary enforcement to the rear. Jacket design by Michael Ayrton. Translated from the French by Eric Sutton. First editions are uncommon. The Age of Reason is concerned with Sartre's conception of freedom as the ultimate aim of human existence. The work seeks to illustrate the existentialist notion of ultimate freedom through presenting a detailed account of the characters' psychologies as they are forced to make significant decisions in their lives. As the novel progresses character narratives espouse Sartre's view of what it means to be free and how one operates within the framework of society with this philosophy. The novel is a fictional reprise of some of the main themes in his major philosophical study Being and Nothingness 1943. One of the notions is that ultimately a person's freedom is unassailable as it is fundamentally part of the nothingness that is the imagination and so cannot be taken away or destroyed. Hamish Hamilton hardcover books
198361951983 Paris, Gallimard - NRF, 1983. Broché: 15 x 22 cm, 432-[8] p., non coupé. Édition originale - grand papier. Un des 57 exemplaires du tirage de tête sur Hollande van Gelder (no. 12). À l'état de neuf.
1979D3820Paris, Club de l’Honnête Homme, 1979 ; in-4, environ 4500 pp., reliure d'éditeur plein veau, d'après la maquette de Jean Massin. Les 10 volumes. Tire à 6000 exemplaires. Sartre, écrivain et philosophe français, est né à Paris, en 1905, et meurt dans la même ville, en 1980. Il fut l'auteur d'une oeuvre prolifique. Il est connu aussi pour avoir été le compagnon de Simone de Beauvoir. Ouvrages célèbres : L'être et le néant, Les mots, L'existentialisme est un humanisme, etc. Très bon état.
19671475DLM n° 163. REBEYROLLE. Mars 1967: 8 LITHOGRAPHIES ORIGINALES EN COULEURS DONT 4 EN DOUBLE PAGE et 1 lithographie originale en noir. - DLM n° 177. REBEYROLLE. "GUERILLEROS". Mars 1969: 7 LITHOGRAPHIES ORIGINALES EN COULEURS dont 4 en double-page. - DLM n° 187. REBEYROLLE. "COEXISTENCES". Octobre 1970: 5 LITHOGRAPHIES ORIGINALES EN COULEURS EN DOUBLE PAGE. - DLM n° 202. REBEYROLLE. Mars 1973: 2 LITHOGRAPHIES ORIGINALES EN COULEURS dont 1 en double-page et 4 LITHOGRAPHIES ORIGINALES EN NOIR dont 2 en double-page. - DLM n° 219. REBEYROLLE. "NATURES MORTES ET POUVOIR". Mai 1976: 5 LITHOGRAPHIES ORIGINALES DONT 3 EN COULEURS et 1 en double-page. Nombreuses œuvres reproduites en noir et en couleurs. Textes de Claude Roy, Jean-Paul Sartre , Carlos Franqui, Michel Foucault, Ricardo Porro en édition originale. Premier tirage pour tous les numéros. Paris, Maeght éditeur. Volumes in-folio (380 x 280 mm) en feuilles.
1948100197Paris Gallimard 1948 192x120mm, 259pp., in-12 broché. Edition originale, un des 210 sur alfa mousse (n°CXXIII), 3ème papier après 15 Hollande et 60 Lafuma Navarre. Neuf et non coupé. (100197)
198312761983 Paris, Gallimard, 1983. Un volume broché de 432 pp. Un des 87 exemplaires numérotés sur vélin d'Arches, seul tirage en grand papier après 57 vergé blanc de Hollande. Ouvrage en belle condition.