14 résultats
16962259A AMSTERDAM. CHEZ J. LOUIS DE LORME & ESTIENNE ROGER, MARCHANDS LIBRAIRES SUR LE ROCKIN. 1696. 2 TOMES IN-12 EN UN VOLUME (8 X 13,5 X 2,5 CENTIMETRES ENVIRON) DE 198 ET 177 PAGES, RELIURE D'EPOQUE PLEIN VEAU HAVANE GLACE, DOS A QUATRE NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE SUR ETIQUETTE MAROQUIN HAVANE, ROULETTE DOREE SUR COUPES, PLATS ENCADRES D’UNE DENTELLE AVEC FLEURONS A FROID AUX ANGLES, TRANCHES ROUGES. ILLUSTRE DE 2 FRONTISPICES GRAVES. EDITION PARUE LA MEME ANNEE QUE L’EDITION ORIGINALE (BRUNET. V. 383). EX-LIBRIS MANUSCRIT RATURÉ SUR UN FEUILLET BLANC. PETITE GALERIE DE VERS EN MARGE INFERIEURE BASSE SANS AUCUNE ATTEINTE AU TEXTE PAGES 169-177 DU TOME 2, QUELQUES PETITS DEFAUTS EXTERIEURS, SANS AUCUNE GRAVITE, SINON BEL EXEMPLAIRE.
169610405Paris, Michel Brunet, 1696. 1080 g 8 parties en 4 volumes in-12, plein veau, dos ornés à nerfs, [3] ff., 394 pp., [1] f.; [1] f., 371-[1] pp.,; [2] ff., 385-[1] pp.; [2] ff., 396 pp.. Le titre annonce que cet ouvrage est de Saint-Evremond (orthographié Evremont) mais d'après Quérard (X, 209) le véritable auteur en serait le jésuite Pierre de Villiers (1648-1728). Cette attribution, qui n'est pas reprise par Sommervogel, remonte à Nicéron mais depuis elle a été mise en doute (Revue d'Histoire littéraire, 1918, 315). Edition originale rare, surtout complète des deux derniers volumes. Les tomes III et IV comportent chacun un faux-titre portant ''Suite et conclusion des mémoires ...''. L'achevé d'imprimé du premier volume est de décembre 1695. Légers défauts, petits manques au bas de deux plats. . (Catégories : Littérature, )
170030079Chez la veuve de Claude Barbin | à Paris 1700 | 10 x 17 cm | relié
169223644<p><strong>1692 Charles Evremond Works Existence of God ROME Punic Wars Epicure Philosophy</strong></p><p>Charles de Saint Evremond was a 17th-century French writer known primarily for living in England after being exiled from France for his disturbances to French peace. He wrote many works while in exile including comedies ironies essays correspondences and letters and much more! Perhaps some of his best works include:</p><p><!-- if !supportLists-->· <!--endif-->"On the Existence of God"</p><p><!-- if !supportLists-->· <!--endif-->"Discourse on Epicurus"</p><p><!-- if !supportLists-->· <!--endif-->"On the Second Punic War"</p><p><!-- if !supportLists-->· <!--endif-->"The Consuls of Rome"</p><p><!-- if !supportLists-->· <!--endif-->"Moral Maxims"</p><p>Item number: #23644</p><p>Price: $599</p><p>SAINT-EVREMOND Charles de</p><p><strong><em>Oeuvres MesleÌes De Mr. De Saint-Evremont</em></strong></p><p>A Paris: chez Claude Barbin 1692-1693.</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages; 5 volumes</p><p><!-- if !supportLists-->o <!--endif-->Vol. I – 4 358</p><p><!-- if !supportLists-->o <!--endif-->Vol. II – 2 326 6</p><p><!-- if !supportLists-->o <!--endif-->Vol. III – 16 309 1</p><p><!-- if !supportLists-->o <!--endif-->Vol. IV – 6 346</p><p><!-- if !supportLists-->o <!--endif-->Vol. V – 6 279 1</p><p><!-- if !supportLists-->· <!--endif-->Provenance: Armorial bookplate – Esher</p><p><!-- if !supportLists-->o <!--endif-->Reginald Baliol Brett 2nd Viscount Esher GCVO KCB PC DL 1852–1930 was a British historian and Liberal Party politician although his greatest influence over military and foreign affairs was as a courtier member of public committees and éminence grise. He held the confidence of the royal family and met or corresponded with King Edward VII nearly daily by 1903. Though he turned down appointment to several public offices behind the scenes he influenced many pre-First World War military reforms and was a supporter of the British–French <em>Entente Cordiale</em>. Motto: VICIMUS</p><p><!-- if !supportLists-->· <!--endif-->Language: French</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~6.5in X 3.75in 16cm x 9.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>23644</p><p>Photos available upon request. </p> Claude Barbin hardcover
170030079à Paris: Chez la veuve de Claude Barbin 1700. Fine. Chez la veuve de Claude Barbin à Paris 1700 10 x 17 cm relié First edition of this collection which contains maxims by La Rochefoucauld in interesting variants. Illustrated with a medallion portrait by Edelinck. Contemporary full glazed fawn calf binding. Richly decorated raised spine. Red morocco title label. Despite some wormholes fine contemporary binding. Corner dampstain to a few leaves. Some pages yellowed. Charles Marguetel de Saint-Denis seigneur de Saint-Évremond 1614-1703 was a moralist and libertine critic his rigor and critical independence foreshadowed the Enlightenment philosophers and he was perhaps the first author to make criticism a profession. He cared little for his writings which circulated mainly in manuscript during his lifetime. This edition which gathers various pieces by the author including numerous letters is due to abbé de Raguenet who completed the collection with maxims by La Rochefoucauld pp. 208-271 a piece by La Fontaine a letter by Corneille. Saint-Évremond's literary success led writers to attribute numerous works to him such as these maxims by La Rochefoucauld significantly different from recent editions by the same author Chez la veuve de Claude Barbin unknown
169745263par La Compagnie des libraires | à Paris 1697 | 8.50 x 16.20 cm | 5 volumes reliés
169745263à Paris: par La Compagnie des libraires 1697. Fine. par La Compagnie des libraires à Paris 1697 8.50 x 16.20 cm 5 volumes reliés New edition. The privilege being dated 1697 it is not known whether this new edition differs from the one published by Barbin in 1693 Barbin himself being part of the Compagnie des libraires. Contemporary full glazed brown sheep binding. Richly decorated spine with raised bands. Beige morocco title and volume labels. Head of volume I slightly worn that of volume V split. Tail caps of volumes I and IV partly lacking. Wormholes on the spines of volumes IV and V. Some gatherings yellowed. Despite the mentioned defects a copy with an attractive appearance. Charles Marguetel de Saint-Denis seigneur de Saint-Évremond 1614-1703 was a moralist and libertine critic whose rigor and critical independence announced the Enlightenment philosophers and was perhaps the first author to make criticism a profession. He paid little attention to his writings which circulated mainly in manuscript during his lifetime. This edition which collects various pieces by the author including numerous letters critiques historical research and poetry is due to the abbé de Raguenet who completed the collection with maxims by La Rochefoucauld pp. 297-326 Vol. IV a piece by La Fontaine a letter by Corneille. The literary success of Saint-Évremond led writers to attribute numerous works to him such as these maxims by La Rochefoucauld substantially different from recent editions by the same author. par La Compagnie des libraires hardcover
1690elala1491Paris: Claude Barbin 1690-92. 1690. 2 Volumes. 4to. pp. 2 p.l. 540 2; 4 p.l. 488 4. woodcut ornaments initials & title vignettes. contemporary sprinkled calf gilt backs some wear to lower corners. armorial bookplate of Rodolph de Castella a Swiss officer in the French service. Including poetry three comedies historical essays and miscellaneous works on morality and religion that were much admired by the authors contemporaries for their wit and graceful style. Saint-Évremond "is an aristocratic disciple of Montaigne an Epicurean and a libertin. For him religion and philosophy are uncertain tolerance is the only reasonable attitude and sociability politeness and the pleasures of body and mind are better than stiff and strenuous verse." New Oxford Companion to Literature in French cfBrunet V 38. cfCioranescu 60795 & Cioranescu 60796. cfQuérard VIII 332. Hardcover. Paris: Claude Barbin, 1690-92. Hardcover
169320000A Paris, chez Claude Barbin, 1693-1694. 5 volumes in-12 de [16]-317-[3]; [2]-280-[8]; [4]-288-[3]; [14]-268-[4]; [6]-266 pages, plein veau bruns, dos à nerfs ornés de petits fers dorés, pièces de titres et tomaison en maroquin bordeaux, roulette dorée sur les coupes, doublures et gardes de papier marbré, tranches mouchetées.
169969505Chez Pierre Mortier | à Paris 1699 - 1700 | 10.50 x 15.60 cm | 6 tomes en 3 volumes reliés
168965452Chez Claude Barbin | à Paris 1689 | 18.50 x 25 cm | relié
169969505à Paris: Chez Pierre Mortier 1699. Fine. Chez Pierre Mortier à Paris 1699 - 1700 10.50 x 15.60 cm 6 tomes en 3 volumes reliés New edition with the false imprint of Pierre Mortier probably published by Claude Barbin. The preface presents the five-volume edition; the sixth volume was published in 1700 and contains L'éloge et le portrait de Saint-Evremont Discours sur les critiques Apologie des oeuvres de Mr. de Saint-Evremont. It is rarely found with the series of the first five volumes. 6 title pages in red and black some with the sphere device others with the Amsterdam effigy. Good printing. Later 18th century binding in full glazed blonde calf. Spine with raised bands decorated with compartments featuring foliage in the corners and a fillet at the tail. Blonde calf title and volume labels. Head of the first volume partially worn. Small lack to 2 boards. 3 corners slightly bumped. Traces of rubbing particularly to the boards. The half-title of the first volume appears to be missing according to the collation of signatures. Only the half-titles of volumes 3 and 4 are present. Handsome copy particularly fresh. Charles Marguetel de Saint-Denis seigneur de Saint-Évremond 1614-1703 was a moralist and libertine critic; his rigor and critical independence anticipated the Enlightenment philosophers and he was perhaps the first author to make criticism a profession. He paid little attention to his writings which circulated mainly in manuscript during his lifetime. This edition which gathers various pieces by the author including numerous letters criticisms historical research and poetry is due to Abbé de Raguenet who completed the collection with maxims by La Rochefoucauld a piece by La Fontaine a letter by Corneille. The literary success of Saint-Évremond led writers to attribute numerous works to him such as these maxims by La Rochefoucauld noticeably different from recent editions by the same author. Chez Pierre Mortier hardcover
168965452à Paris: Chez Claude Barbin 1689. Fine. Chez Claude Barbin à Paris 1689 18.50 x 25 cm relié New edition rare. The only quarto edition of Saint-Evremont's works. Barbin's flourished monogram on title page. The first ""oeuvres meslées"" appeared in 1668 without the content of pieces being similar from one volume to another. Barbin would thus publish several collections titled ""Oeuvres meslées"" sometimes adding new pieces. Ornamental headpieces tailpieces and decorated initials. Privilege of 1688. This edition is often presented as a first edition and perhaps certain texts are indeed so here; in any case Barbin required a new privilege to publish his work. Contemporary full marbled and grained calf binding. Spine with raised bands richly decorated. Tobacco morocco title label. A slight lack to upper joint at head a second to lower joint at foot. Gilding faded in places. Traces of rubbing. Handsome copy in good fresh condition. Manuscript ownership inscription ""Abbaye de Contigny"" on title page. Here is what Brunet writes about the author: ""Saint-Evremont attached his name to no important work but almost all his writings are distinguished by an original style by observations full of finesse and by piquant criticisms."" This edition contains 38 texts or parts. According to Barbin's notice some appear for the first time. The first editions according to Brunet contained only 11 or 12 parts in a small duodecimo volume. Chez Claude Barbin hardcover
166891521668 A Paris, chez Gabriel Quinet, au Palais, à lentrée de la Galerie des Prisonniers, à lAnge Gabriel, 1668. In-12° (88 x 157 mm) de [6]+151+[1] pages. Jolie reliure moderne, pastiche du XVIIe siècle, en plein veau marbré.
