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167925406<p><strong>1679 Casimir IV King of Poland 1ed Teutonic Knights 13 Years War Valette Polish</strong></p><p>Casimir IV was the king of Poland for nearly 50 years at the end of the 15th-century best remembered for his conquering of the Teutons in the Thirteen Years War. French author and historian Michel Rousseau de Valette wrote a 17th-century account of the reign of Casimir IV – a history that has proved to be one of the best and most thorough on the second half of 15th-century Poland.</p><p>This first tome from the 1679 edition was published in Paris by Barbin.</p><p>Item number: #25406</p><p>Price: $499</p><p>VALETTE Michel Rousseau de</p><p><strong><em>Casimir roy de Pologne</em></strong></p><p>Paris: Claude Barbin 1679. First edition.</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages;</p><p><!-- if !supportLists-->o <!--endif-->6 224 i.e. 242</p><p><!-- if !supportLists-->· <!--endif-->Language: French</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~6.5in X 3.75in 16.5cm x 9.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>25406</p><p>Photos available upon request.</p> Claude Barbin hardcover
1697RO20056554JOMBERT Jean. 1697. In-12. Relié plein cuir. Etat d'usage, Couv. légèrement passée, Manque en coiffe de tête, Intérieur bon état. 241 pages + environ une centaine de pages non paginées. Bandeaux et lettrines illustrés dans le texte. Relié plein cuir marron. Caissons dorés sur le dos à 5 nerfs. Coiffe de pied légèrement abîmée.. . . . Classification Dewey : 615.88-Remèdes populaires
16409831Nantes 1640 1 document manuscrit à l'encre brune de 4 pages, grand in-quarto sur papier vergé ligné filigrané, format : 30 x 21 cm, , première page ornée d'un dessin central de 10 centimètres de large sur 13 centimètres de haut représentant les armes de la famille Brydon : l'écu au lion surmonté d'une licorne avec pour devise : "l'escu doré tranché de vermeil au Lyon, de l'un sur l'autre sont les armes de Brydon, supportées de lycorne accolée d'or en signe, qu'il tire des Bretons Albains son Origine", les deux pages centrales et la dernière sont un arbre généalogique de la famille Brydon et de la famille de sa femme : perrine Haulbert, 4 pages, fait à l'Auberdière( La Chapelle-Basse-Mer) en 1640,
168738597Paris: Christophe Ballard seul Imprimeur du Toy pour la Musique . Avec Privilege de Sa Majesté 1687. Octavo. Full dark-tan mottled calf with raised bands on spine in decorative compartments gilt dark tan leather label titled in gilt red speckled edges. 1f. recto title verso blank iii dedication to Monsieur de Sainte Colombe iv "Avant Propos" and "Remarques" iii "Table" ii "Extrait du Privilege du Roy" i errata i blank 151 i blank pp. Decorative woodcut head- and tailpieces and initials throughout. <br /> <br /> With typeset musical examples to pp. 120-151 consisting of "Modelles pour la Transposition d'un degré plus haut & d'un degré plus bas; Modelles. d'une Tierce; and Modelles. d'une Quarte" and with additional numerous examples of typeset music in text.<br /> <br /> Two narrow engraved folding plates: "Manche Harmonique" 277 x 81 mm. between pp. 46 and 47 and "Manche pour la Tablature" between pp. 54 and 55 ca. 278 x 87 mm.<br /> <br /> Stylized "B" to blank lower inner margin of title possibly Ballard's monogram and manuscript paraph to foot of errata leaf possibly that of Rousseau. Manuscript correction in pencil to pp. 121 and 123 from "haut" to "bas".<br /> <br /> Provenance<br /> From the library of the noted English early music specialist Arnold Dolmetsch 1858-1940 with his small handstamp "Dolmetsch Library" to foot of verso of title.<br /> <br /> Binding slightly rubbed and bumped; joints cracked; small portions of spine lacking; hinges tender; endpapers worn browned and soiled. Minor internal wear; edges slightly browned; light dampstaining to upper inner margins of several leaves and lower outer margins of several others; occasional small stains; pp. 31-32 slightly detached at head with small tear to blank inner margin repaired with archival tape; minor printer's error to pp. 145/146. Lacking two sections the "Manche Diatonique" and "Manche Chromatic of what was originally a larger single folding plate. First Edition. Cortot p. 170. Hirsch I 513. Gregory Bartlett p. 237. Wolffheim 1162. RISM Écrits p. 720. <br /> <br /> One of the most important sources for the history and construction of the viola da gamba.<br /> <br /> A distinguished French viol player theorist and composer "Rousseau dedicated his Traité de la viole 1687 to Sainte-Colombe and in it he defended his master's innovative approach to the position of the left hand - one which facilitated performance in the melodic style 'jeu de mélodie' - refuting point by point the attacks on unharmonized compositions made by Machy in the preface to his Pièces de violle 1685 . The Traité also includes a discussion of the history of the viol in France which provides valuable information on construction techniques; Rousseau also mentions Thomas Young Henry Butler and John Price and the influence of the English viol school on French musicians. The discussion of technique and bowing is the most thorough before Loulié and in the discussion of ornamentation Rousseau draws upon the lute tradition as well as encouraging the adoption of conventions from vocal music." Robert A. Green in Grove Music Online<br /> <br /> Dolmetsch was an "English instrument maker and pioneer in the revival of performances of early music on original instruments. . His great gift was that in a period when early music was virtually ignored except for academic study he had both the imagination and the musicianship to take a musical work that had become a museum piece and to make it speak to the people of his own time in a language intelligible to them. He wrote the book The Interpretation of the Music of the XVII and XVIII Centuries London 1915/R2005 2/1946/R1969." Margaret Campbell revised by Katherine K. Preston in Grove Music Online<br /> <br /> A nice copy of an important work with distinguished provenance. Christophe Ballard, seul Imprimeur du Toy pour la Musique ... Avec Privilege de Sa Majesté unknown