78 résultats
2006126483New York: JMC & GHB Editions 2006. First edition. Hardcover. Number 13 of only 20 slipcased copies. A collection of images of the punk environment in Southern California in the early 1980's that Richardson was a part of. A very fine copy in a fine dust jacket and in a very near fine slipcase. Includes two original photographs one in color and one in black and white both of which have been signed and numbered by Richardson who has additionally signed the book on the colophon page. At publisher price. JMC & GHB Editions unknown books
2015274N.P.: by the artist 2015. Original. Framed and matted. Fine. Lucas Richardson. Framed in black wood and matted in charcoal gray: overall size 18 1/2" x 15 1/2" / image displayed: 7 7/8" x 4 7/8". Lucas Richardson graduated valedictorian from DuCret School of Art in 2002. He has a double major in graphic design and fine art illustration. He continued to study with Peter Caras who had been instructed by Frank Reilley James Bama and Norman Rockwell. As a portrait artist Richardson has undertaken commissions in oil & charcoal mediums. He is also actively engaged in digital design. A STRIKING Portrait! by the artist unknown books
2008175819New York: JMC & GHB Editions 2008. First edition. Hardcover. Limited edition. Copy 41 of only 100 numbered copies. Text by James Frey taken from his novel "Bright Shiny Morning." A provocative group of photographs by Terry Richardson and with a dust jacket featuring a photograph by Richard Prince. A very fine copy in very near fine dust jacket with a crease to the front flap and in a very fine slipcase. Signed by Frey Richardson and Prince on the title page. JMC & GHB Editions unknown books
20087965New York: JMc & GHB Editions 2008. Limited Edition. Hardcover. Fine in Fine DJ and Slipcase. Tight bright and unmarred. DJ bright and clean. Tan cloth boards burnt umber ink lettering mustard endpages; mustard slipcase. 4to. 100pp. Illus. color and b/w plates. Issued in an edition of 2000 copies; consisting of a wraps issue of 1000 DJ by Terry Richardson and a hardcover issue of 1000 DJ by Richard Prince. Signed by Frey Richardson and Prince. <br/><br/>"JMc & GHB Editions has announced their forthcoming publication James Frey’s Wives Wheels Weapons. Published as a companion volume to Frey’s latest novel Bright Shiny Morning Harper Collins 2008 Wives Wheels Weapons is an artist’s book which excerpts three stories “Wives” “Wheels” and “Weapons” from Frey’s novel and presents them alongside a photo essay response by photographer Terry Richardson. Both writer and photographer are known for their fascination with the seamier side of life so not surprisingly the results of their collaboration are more than a little provocative. <br /> <br />Against the murky backdrop of the city’s one-night stand hotels and pornographic sub-culture “Wives” relates the tale of a sex-driven affair between a congressman’s wife and a high school teacher. The U.S. edition of Bright Shiny Morning will not carry the steamy “Wives” vignette but it will be included in the forthcoming U.K. edition. “Wheels” follows the rise of the car-dominated culture of L.A. the development of the surrounding super highway infrastructure and the emergence of illegal late night car racing introducing us to the mysterious figure of the “racemaster” orchestra or of these illicit nocturnal do-or-die contests. “Weapons” explores the complicated culture of gangs and crime their initiation rites power hierarchies and ruthless strategies as well as describing a genealogical topology of former and current gangs of L.A. <br /> <br />Balancing on a knife-edge of sustainability Frey’s L.A. is an apt symbol of contemporary Western mores and the dilemma of the 21st Century urbanite. Hovering however above the dismaying profane facts of urban existence is the grand spectral romance of citification the dream of civilized streamlined functional mass co-habitation a fallen yet potent ideal. <br /> <br />Photographer Terry Richardson’s spirited images discover this idealism in a typically bold and colorful style. The mood is defiant the sitters resilient and self-assertive. Here the “Wives” and mothers – a selection of women that might be lewdly characterized by the acronym MILFs – show an insistence on the sexual self amidst the routines of domesticity an assertive response to the annihilating mores of impersonal social decorum. Richardson’s “Wheels” documents the exuberant culture of automobile customization in contrast to the grim tedium of what most urban travel essentially demands. “Weapons” while documenting styles and postures of gang members invokes the dream of personal empowerment and the ideals of success born out of the ghettoes of desperation and failure." from copyleft.com JMc & GHB Editions hardcover books
2011281372New York: Gagosian 2011. First. hardcover. fine/fine. Pable Picasso. Beautifully illustrated throughout in color and b&w with facsimile "flipbook". 300 pages 4to white cloth d.w. New York Gagosian Gallery 2011. First Edition. Published to accompany an exhibition. Fine.<br/><br/> Gagosian unknown books
2011179895New York: Gagosian Gallery 2011. Hardbound. As new in shrinkwrap. White cloth boards w/ black & emerald printing; color illustrated dust jacket with black and teal spine lettering 296 pgs w/ color & bw illustrations. Pablo Picasso met Marie-Therese Walter in Paris in 1927 when she was 17 and he 45 and married to the Russian ballet dancer Olga Koklova whom he eventually left for the younger woman. This catalogue examines Picasso's endless fascination with his lover's character and form which led to some of the artist's most popular works. Contents include: Picasso and Marie-Thérèse Walter / John Richardson -- The Marie-Thérèse years: a frenzied diologue for the sleeping muse or the rebirth of Picasso's plastic laboratory / Diana Widmaier Picasso -- Plates -- The image of Picasso-sculptor in the 1930s / Elizabeth Cowling -- Lydia from the other side of the world-- / John Richardson. Gagosian Gallery unknown books
2006008272East Hampton: JMc GBH Editions 2006. First Edition. Hardcover. Fine. First edition. Essay by John McWhinnie. A fine hardbound book issued without dustwrapper. This is one of only 50 hand numbered and SIGNED copies. Fine. Signed by Author. <br/><br/> JMc GBH Editions hardcover books
2009281445New York: Gagosian 2009. hardcover. fine/fine. Picasso. Illustrations in color and imn black & white. 319 pages thick 4to crimson cloth d.w. New York: Gagosian Gallery 2009. First Edition. Fine.<br/><br/> Gagosian unknown books
201136206New York: Gagosian Gallery 2011. Hardbound. VG. scuffs to covers; shelf-wear to lower cover edges & corners. crease to lower corner. tight binding. dustjacket has wear to upper spine edge. white cloth boards w/ black & emerald printing. 296 pgs w/ color & bw illustrations; small flip-book. illustrated dustjacket. Beautifully illustrated and designed. A nice copy. Gagosian Gallery unknown books
2001184981Cambridge MA: Harvard University Press 2001. Hardcover. VG-/VG- ex-library with labels and stamps on spine block inside front and rear covers and title page verso. Pages are otherwise very clean and clear. Binding is tight. Burgundy cloth boards with gilt spine lettering; red black and white dj mylar cover; xvi 312 pp. "Historians overwhelmingly have blamed the demise of Reconstruction on the South and on white Americans' persistent racism. Heather Cox Richardson argues instead that class along with race was critical to Reconstruction's end. Northern support for freed blacks and Reconstruction weakened as growing labor interests critiqued the economy and called for government redistribution of wealth." "Using newspapers public speeches popular tracts Congressional reports and private correspondence Richardson traces the changing Northern attitudes toward African-Americans from the Republicans' idealized image of black workers in 1861 through the 1901 publication of Booker T. Washington's Up from Slavery. She examines such issues as black suffrage disfranchisement taxation westward migration lynching and civil rights to detect the trajectory of Northern disenchantment with Reconstruction. She reveals a growing backlash from Northerners against those who believed that inequalities should be addressed through working-class action and the emergence of an American middle class that championed individual productivity and saw African-Americans as a threat to their prosperity."--Jacket. Contents include: Prologue: the view from Atlanta 1895 -- The Northern postwar vision 1865-1867 -- The mixed blessing of universal suffrage 1867-1870 -- Black workers and the South Carolina government 1871-1875 -- Civil rights and the growth of the national government 1870-1883 -- The Black exodus from the South 1879-1880 -- The un-American Negro 1880-1900 -- Epilogue: Booker T. Washington rises Up from slavery 1901. Harvard University Press hardcover books
200815577New York: JMc & GHB Editions 2008. New in jacket and publisher's slipcase. First Edition. Quarto. One of 100 copies in slipcase SIGNED by all three participants: Prince Richardson and Frey. This artist's book published by JMc & GHB Editions consists of three vignettes from Frey's novel Bright Shiny Morning. The stories are illustrated by Terry Richardson's photographs of Los Angeles with a tipped-in image announcing each section. One of the vignettes Wives was too racy for the American edition; Richardson has illustrated it with humorous images of breastfeeding MILFs brandishing rifles holding trophies and bent over in hot tubs but it is his aerial black and white shots of the Los Angeles freeway system that turn this cool collaboration into a finely honed and executed photobook. New York: JMc & GHB Editions unknown books
2008404173New York: J Mc and GHB Editions 2008. A fine copy. 4to. 100 pages. Photographs by Richardson. Original cloth; dust jacket with a design by Richard Prince. FIRST EDITION signed by Frey Richardson and Prince on the title. One of 1000 hardcover copies of which 100 were signed and numbered; an additional 1000 copies were issued in wrappers. Designed by Jerry Kelly and John McWhinnie. <br/><br/> J Mc and GHB Editions hardcover books
200694133Boston:: Houghton Mifflin Company. Near Fine in Near Fine dust jacket. 2006. Hardcover. 0618433252 . First printing. Near fine in a near fine dust jacket. ; 622 pages . Houghton Mifflin Company, hardcover books
201291104Farnham:: Ashgate. Fine in Near Fine dust jacket. 2012. Hardcover. 9780754666370 . Third printing. Fine in a near fine dust jacket. ; 342 pages . Ashgate, hardcover books
200826694New York: JMc & GHB Editions 2008. First edition. Cloth. Fine/fine. Clothbound quarto in dustwrapper. Cover photo by Richard Prince. Interior photos by Terry Richardson. A fine clothbound copy in glossy photo-illustrated dustwrapper. This copy has been INSCRIBED by Frey Richardson and Prince to the same recipient. JMc & GHB Editions unknown books
2016296914New York: Idea 2016. Limited. hardcover. fine. Illustrated with color photographs some nudes all of the same model. Small slim 4to pictorial boards. New York: Idea 2016. Fine.<br/><br/> One of 1000 copies.<br/><br/> Idea unknown books
2009165161New York: Gagosian Gallery 2009. Hardcover. VG/VG some light pencil notations in text otherwise clean and tight. Red cloth boards with stamped lettering. BW-photographic dust jacket with red and white lettering on spine. 319 pp. Profusely illustrated in color and BW. Published on the occasion of the exhibition "Picasso Mosqueteros" held March 26 - June 6 2009 at the Gagosian Gallery. Gagosian Gallery hardcover books
2003006888Boston: Kluwer Academic Pub 2003. Near Fine tiny rub at head of spine. Contents are clean tight and unmarked. . First Edition. Pictorial Paper Covered Boards. Near Fine/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. Kluwer Academic Pub Hardcover books
200448537London:: Pickering & Chatto. Near Fine. 2004. Hardcover. Volume 4 only. A later printing. Near fine in burgundy cloth. No dust jacket. ; 395 pages . Pickering & Chatto, hardcover books
200126006New York: Mitchell-Innes & Nash 2001. Hardcover. VG slight bumping to corners. Cream and gray illustrated boards. 72 pp. 10 figures 22 color plates. Essay by Brenda Richardson. This is the 1st exhibit and catalogue devoted exclusively to de Kooning's tracings. Published to accompany the exhibition held in New York; Mitchell-Innes & Nash March 21 to April 21 2001. Mitchell-Innes & Nash hardcover books
2004152098Hamburg: Stern Gruner Jahr AG & Co 2004. First edition. Large softcover. 93 pages. Text in English and German. Includes numerous color and black and white images with many of his highly sexualized photographs from throughout his career. A near fine copy in stapled wrappers with some slight wear. Stern Gruner + Jahr AG & Co unknown books
2002144405New York: Mitchell-Innes & Nash / Matthew Marks Gallery 2002. First edition. Hardcover. 72 pages. Exhibition catalog for a show that ran March 21 through April 21 2001. Essay by Brenda Richardson. Includes numerous color illustrations. A clean and tight very near fine copy in illustrated boards. No dust jacket as issued. Mitchell-Innes & Nash / Matthew Marks Gallery unknown books
200820896New York: JMc & GHB Editions 2008. First Edition. Hardcover. Fine/fine. 4to. Brown cloth with stamped titles in photographic dust jacket. SIGNED by Frey and Richardson. A fine copy in like DJ. Sharp and clean throughout. 100pp. <br/><br/>From an edition of 1000 hardcover copies. Three short texts excerpted from Frey's novel BRIGHT SHINY MORNING. With accompanying photographs of wives wheels and weapons by Richardson. Cover by Richard Prince. JMc & GHB Editions hardcover books
2012175804London: National Portrait Gallery 2012. Second printing. Hardcover. 256 pages. Exhibition catalog for a show that ran February 9 through May 28 2012 at the National Portrait Gallery in London and then July 2 through October 28 2012 at the Modern Art Museum of Fort Worth. Features text by Sarah Howgate Michael Auping and John Richardson. Includes over 100 color and black and white illustrations. A clean very near fine copy in a near fine dust jacket with some very minor wear. National Portrait Gallery unknown books
2011190412Grand Central Publishing 2011-11-22. First Edition. Hardcover. Very Good/Very Good. First Edition First Printing. Dust jacket and book are clean has a very good binding no marks or notations. No shipping outside the USA due to size and weight. Grand Central Publishing hardcover books