Robida, AlbertBiblio.com
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1017022356.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
191913329Milano: Casa Editrice Sonzogno Stab. Grafico Matarelli SD 1919ca. Lievi segni del tempo sulla legatura conservato il solo piatto anteriore della brossura che racchiudeva le dispense. Non presente la carta geografica ripiegata segnalata in altre edizioni ma in questa non prevista stando ad ICCU. Legatura in tela con brossura illustrata applicata sul piatto anteriore cm 23 x 17.5 pp 804 450 illustrazioni in nero. Lievi segni del tempo sulla legatura conservato il solo piatto anteriore della brossura che racchiudeva le dispense. Non presente la carta geografica ripiegata segnalata in altre edizioni ma in questa non prevista stando ad ICCU. Fantasioso romanzo scritto e illustrato da Albert Robida visionario nelle sue anticipazioni del futuro come in questa rocambolesca narrazione d’avventura affine a quelle del celebre connazionale Jules Verne omaggiato fin dal titolo. L’edizione originale francese apparve nel 1879 in cinque parti Le Roi des singes Le Tour du monde en plus de 80 jours Les Quatre Reines À la recherche de l’éléphant blanc S. Exc. M. le Gouverneur du Pole Nord raccolte in volume unico nel 1882; la prima edizione italiana per Sonzogno nel 1884 fu come le successive dell'opera completa. Qui raccolta l'edizione a dispense che l'editore pubblicò attorno al 1919 con le 450 illustrazioni di Robida in nero nel testo o a piena pagina. Casa Editrice Sonzogno (Stab. Grafico Matarelli) hardcover
2012633412.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332784711.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
L013818A La Librairie Illustree ca. 1890 0000. First Edition. Hardcover. Near Fine/No Jacket. 4to - over 9¾" - 12" tall. 4to. 336pp. Profusely illustrated with lithographs. Sumptuously bound in period 3/4 blue-green crushed levant morocco over marbled boards spine with raised bands and elaborate gilt floral tooling within gilt-ruled compartments covers bordered in gilt top edge gilt. marbled endpapers. Ribbing along the bottom eges usual fading to the spine else a very nice copy in an attractive leather binding. Robida 1848-1926 'began his career as a popular illust rator in 1878. His designs. have attracted the favor of today's collectors ' Ray Art of the French Illustrated Book p. 403 for which see reference to this work. Illus. by Robida. A La Librairie Illustree [ca. 1890] hardcover
1909007557Paris: Boivin & Cie 1909. 1st Edition. Cloth. Very Good. Toudouze G. Gustave. Folio 37 by 30 cm. 80 2 pp. Charismatic color illustrated front cover with lavish use of gilt impressed into cloth and rich greens and reds of king's costume such as one would find in a painting of the early Renaissance. Lavish color illustrations generally full page every other page by Robida of the larger-than-life Gallic Renaissance king remembered for waging war nearly non-stop for having welcomed Leonardo da Vinci to his protection for having acquired the Mona Lisa from da Vinci and perhaps most of all as an ambitious builder most notably of Chambord the immense palatial confection that is a riot of towers crockets and turrets in the Loire Valley and also the largest royal palace based on square footage in France -- larger than Versailles based on this criterion. Condition: Light soiling of the gray cloth here and there especially by rear joint. Some cloth blistering most pronounced by front joint. A tiny pinprick hole of cloth rear cover. Perhaps a slight shake to the text block's adherence to the binding. Moderate age toning to the leaves. Boivin & Cie unknown
1909001090Paris: Boivin & Cie 1909. 1st Edition. Hardcover. Very Good. Toudouze G. Gustave. Folio - over 12 - 15" tall. ii 80 pp. Lavish color illustrations generally full page every other page by Toudouze of Renaissance king warrior and builder of fantastic chateaux. Soilage on rear board and RFEP. Minor soilage and wear to boards elsewhere. Toning to pages. Overall very good. Boivin & Cie hardcover
18794190BB1879. Paris Maurice Dreyfous 1879. 4°. 2 312 S. Mit 27 Tafeln u. zahlr. Textillustr. Schwarz- u. goldgepr. Orig.-Leinenband mit dreis. Goldschnitt. Durchgehend leicht gebräunt u. stellenweise stockfleckig. Einband berieben und bestossen. Gelenke angeplatzt. unknown
1909mon0002896103Boivin 1909-01-01. Hardcover. Good. . Oversized. Grey cloth boards with gorgeous bright illustrated front board. Minor shelf wear a couple tiny age stains on back board. Page edges slightly tanned but all illustrated pages are clean and vibrant. Binding sturdy. Front board is so pretty the gilt embellishments are really bright. Boivin hardcover
1909292128Paris: Boivin 1909. hardcover. good. Robida. 38 full page chromo-lithographs by Robida. 82 pages. Slim folio colorful pictorial gray cloth rubbed; inner hinges reinforced half title and title page are chipped along the margins very small ex-lib stamp at base of the avant-propos. Paris: Boivin 1909. A good copy.<br/> <br/> Boivin unknown
1909272337Paris: Boivin 1909. hardcover. very good. 38 full page chromo-lithographs by Robida. 82pp. Folio colorful pictorial gray cloth rubbed inner hinges loose. Paris: Boivin 1909. Very good.<br/> <br/> Boivin unknown
50610Paris:: Henri Laurens Editeur no date. publisher's cloth illustrated in color. Light soiling and rubbing to cloth; tight and sound. Folio. Illustrations de A. Robida. Preface de A. Robida. Henri Laurens, Editeur, hardcover
272327Paris: Librairie Illustree. hardcover. very good. Numerous black and white illustrations throughout the text and many full page illustrations by Robida. Tall 4to 336 pages rubricated title. Pictorial gray cloth with black and gold lightly bumped. Paris: Libriarie Illustree circa 1890. Very good.<br/> <br/> Librairie Illustree unknown
19155304France: S.P. 1915. First edition. Hardback slipcase with engraved plates. Limited edition of only 125 this is copy #113. Each plate is signed the titles are hand written in pencil by Robida at the foot of the card: "Les Evacués italiens" "Départ des territoriaux" "Le dernier jour du Pont de Compiègne" "les Fugitifs" "Le Prisonnier" "Convoi belge échappé de Namur" "Le Premier Taube!" The cream slipcase has a pasted on title sheet with a view of soldier on a quayside looking at a destroyed bridge. A little darkening and marking to the boards and the spine of the folder is quite damaged. This has been reinforced from the inside with archival tape. Original closure ties are present. Inside the work is in a stiff card folder slightly darkened with a title showing soldiers marching past a cathedral. This is signed by Robida in pencil. The first gather is the text sheets 4 pages three of which are printed with the image from the front board replicated. This is darkened to the edges but clean. The seven plates are in lovely condition each with a tissue guard. A scarce piece of world war one illustration. Compiègne in the Oise department was Robida's home town. He could not have known when he created this work that Compiègne would play a deeply symbolic and strategic role as the site of the armistice that ended the conflict. The famous signing of the armistice was in the Forest of Compiègne. The town was close to the Western Front and saw many troop movements and bombardments. Albert Robida 1848–1926 was a French illustrator caricaturist lithographer and novelist celebrated both as an artist and as a visionary social commentator of the Belle Époque period. In 1880 Robida co-founded and edited La Caricature. Première édition. Boîtier cartonné avec des planches gravées. Édition limitée à 125 exemplaires seulement il s'agit de l'exemplaire n° 113. Chaque planche est signée les titres sont écrits à la main au crayon par Robida au pied de la carte : "Les Evacués italiens" "Départ des territoriaux" "Le dernier jour du Pont de Compiègne" "les Fugitifs" "Le Prisonnier" "Convoi belge échappé de Namur" "Le Premier Taube !". L'étui crème comporte un feuillet de titre collé avec une vue d'un soldat sur un quai regardant un pont détruit. Les planches sont légèrement assombries et marquées et le dos de la pochette est assez endommagé. Il a été renforcé à l'intérieur avec du ruban adhésif d'archivage. Les attaches d'origine sont présentes. À l'intérieur l'œuvre se trouve dans une chemise en carton rigide légèrement assombrie avec un titre montrant des soldats défilant devant une cathédrale. Elle est signée au crayon par Robida. Le premier rassemblement est constitué des feuilles de texte 4 pages dont trois sont imprimées avec l'image de la première planche reproduite. Les bords sont assombris mais l'ouvrage est propre. Les sept planches sont en très bon état chacune d'entre elles étant accompagnée d'un papier de garde. Une pièce rare d'illustration de la première guerre mondiale. Compiègne dans l'Oise était la ville natale de Robida. Il ne pouvait pas savoir lorsqu'il créa cette œuvre que Compiègne jouerait un rôle profondément symbolique et stratégique en tant que lieu de l'armistice qui mit fin au conflit. La célèbre signature de l'armistice a eu lieu dans la forêt de Compiègne. La ville était proche du front occidental et a été le théâtre de nombreux mouvements de troupes et de bombardements. Albert Robida 1848-1926 est un illustrateur caricaturiste lithographe et romancier français célèbre à la fois comme artiste et comme commentateur social visionnaire de la Belle Époque. En 1880 Robida a cofondé et publié La Caricature. S.P. hardcover
19004855Paris: Imprimerie Des Annales - P. Vinsonau 1900. First edition. A complete set of the 14 issues of this illustrated publication. A newspaper printed in the style of each historical epoch it pretends to be from. Printed on various luxury papers of various colour which debuted on the occasion of the reconstruction of Old Paris along the Seine for the Universal Exhibition of 1900 old-style calligraphy raised initials and vignettes many authors including Pierre Loti and Anatole France numerous illustrations on wood. Issue two was entirely illustrated by Robida. 1: Gallo-Roman; 2: Merovingian; 3: Carolingian; 4: Saint-Louis; 5: 14th century Tour de Nesle; 6: The Middle Ages in the form of illuminated manuscripts; 7: Rabelais François 1e; 8: Henry IV; 9: Théophraste Renaudot; 10: Molière; 11: The Regency period; 12: Marie-Antoinette; 13: L'Ami du peuple; 14: Bonaparte. The hessian covers are darkened and a little rubbed. There is gilt titles and a red seal with the crest of Paris on it. The remnants of leather ties. Still attractive though. The individual issues are in good clean condition with just a touch of edgewear to a couple of the sheets. 31cm x 23cm. . Première édition. Ensemble complet des 14 numéros de cette publication illustrée. Un journal imprimé dans le style de chaque époque historique dont il se réclame. Imprimé sur divers papiers de luxe de différentes couleurs qui débuta à l'occasion de la reconstruction du Vieux Paris le long de la Seine pour l'Exposition universelle de 1900 calligraphie à l'ancienne initiales et vignettes en relief nombreux auteurs dont Pierre Loti et Anatole France nombreuses illustrations sur bois. Le deuxième numéro est entièrement illustré par Robida. 1 : Gallo-romain ; 2 : Mérovingien ; 3 : Carolingien ; 4 : Saint-Louis ; 5 : Tour de Nesle XIVe siècle ; 6 : Le Moyen Âge sous forme de manuscrits enluminés ; 7 : Rabelais François 1e ; 8 : Henri IV ; 9 : Théophraste Renaudot ; 10 : Molière ; 11 : La Régence ; 12 : Marie-Antoinette ; 13 : L'Ami du peuple ; 14 : Bonaparte. Les couvertures en toile de jute sont assombries et un peu frottées. Il y a des titres dorés et un sceau rouge avec l'écusson de Paris. Il y a des restes de liens en cuir. Elles restent néanmoins attrayantes. Les numéros individuels sont en bon état propres avec juste un peu d'usure sur les bords de quelques feuilles. 31cm x 23cm. Imprimerie Des Annales - P. Vinsonau hardcover
19022337141Paris.: Félix Juven. 1902. Hardcover. Cubierta deslucida. Good. 20 cm. 286 p. Encuadernación en tapa dura artesanal con lomo en piel nervios decorados y doble tejuelo. Idioma francés . Cubierta deslucida. Literatura.82 82 Félix Juven. hardcover
000811Paris: E. Baudelot & Co. In printed wraps bound with cord. Cover is foxed internally fine. Thirty-two pages of text and illustrations by Robida. Text is in English. E. Baudelot & Co. paperback
73876Paris: Librairie Illustree N.d. 3/4 cloth over marbled boards with a leather spine label. 4to. Very good. Extremities worn. Corners slightly bumped. Pages 194 & 195 torn and repaired with clear tape. Profusely illustrated with 500 color and black & white illustrations. Foldout illustration at rear. Text in French. Hardcover. Librairie Illustree N.d. hardcover
252370Paris: Librairie Illustree. hardcover. near fine. Hundreds of illustrations. 336pp. small thick folio red cloth black leather spine label. Paris: La Librairie Illustree n.d. A near fine copy.<br/> <br/> Librairie Illustree unknown
252371Paris: Librairie Illustree. hardcover. near fine. Hundreds of illustrations. 332pp. small thick folio red cloth black leather spine label. Paris: La Librairie Illustree n.d. A near fine copy.<br/> <br/> Librairie Illustree unknown
252369Paris: Librairie Illustree. hardcover. near fine. Hundreds of black & white illustrations. 331pp. small folioi red cloth black leather spine label. Paris: La Librairie Illustree n.d. A near fine copy.<br/> <br/> Librairie Illustree unknown
252372Paris: Librairie Illustree. hardcover. Hundreds of illustrations. 336pp. small thick folio red cloth black leather spine label. Paris: La Librairie Illustree n.d. A near fine copy.<br/> <br/> Librairie Illustree unknown
3r252Libraire Illustrèe Paris um 1891. 332 S. mit 40 lithographischen Tafeln und 229 Textillustrationen original illustrierter Leinen-Einband mit Goldprägung. Quart Exlibris auf Vorsatz. - sehr schönes Exemplar - unknown
188071828París: Maurice Dreyfous 1880. Holandesa tela. Cuarto mayor. Maurice Dreyfous hardcover
188066488Paris : Maurice Dreyfous diteur 1880. 260x180mm. reliure cartonnage orn de lÕditeur rousseurs marginales. Plat suprieur et dos richement illustrs dÕornementations froid et dores. Tranches dores. Bel exemplaire. Belle reliure. 1210 Maurice Dreyfous, diteur unknown
