Stendhal

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Stendhal (1783-1842)Biblio.com

Oeuvres completes de Stendhal 64 volumes in 34 - incomplete series - with 6 additional works of criticism

1927201018Paris : Le Divan 1927-37 1927. 1st Edition in this form. Hardback. Finely bound in later burgundy buckram with contrasting gilt-blocked black labels to spines. Each volume is in a protective clear plastic cover. Limitation statement facing title page of each volume - limitation number varies. Remains particularly and surprisingly well-preserved overall; tight bright clean and strong. Unread copies with unopened pages. ; 8vo 8"" - 9"" tall; Physical description: 70 vols. in 37. 16cm. Incomplete series of Stendhal's works published by Divan 1927-1937. Includes 64 volumes of Stendhal's works in 34 with 6 additional critical works in 3. Contents: I La Chartreuse de Parme. 2 v. - III Le rouge et le noir. 2 v. - IV Vie de Henri Brulard. 2 v. - V Armance. - VI Rome Naples et Florence. 3 v. - VII Souvenirs d' egotisme. - IX Lamiel. - X Vies de Haydn de Mozart et de Metastase. - XI Romans et nouvelles. 2 v. - XII Vie de Rossini. 2 v. - XIII Lucien Leuwen. 3 v.- XIV Histoire de la peinture en Italie. 2 v. - XVI Memoires d'un touriste. 3 v. - XVII Voyage dans le Midi de l aFrance. XIX Moliere Shakspeare la comedie et le rire. - XXI Pensees. 2 v. - XXII Idees italiennes. - XXIII Theatre. 3 v. - XXIV Melanges d' art. - XXV Ecoles italiennes de peinture. 3 v. - XXVII Melanges de litterature. 3 v. - XXVIII Melanges de politique et d'histoire. 2 v. - XXVIX Correspondance. 10 v.-XXX Courrier anglais. 5 v. - XXXI Melanges intimes et marginalia. 2 v. - XXXII Journal. 5 v. Lacks 15 volumes: - II De l'amour. 2 v. - VIII Racine et Shakspeare. - XV Chroniques italiennes. 2 v. - XVIII Napoleon. 2 v. - XX - Promenades dans Rome. 3 v. - XXVI Pages d'Italie. - XXXIII Table. 4 v. Note: Volume numbers assigned according to Bibliotheque Nationale Paris. Additional critical works: Petit dictionnaire stendhalien / Henri Martineau 1948 - Le calendrier de Stendhal / Henri Martineau avec la collaboration de Jules Lefranc et de Marion Lievre 1950 - La vie intellectuelle de Stendhal : genese et evolution de ses idees 1802-1821 / par Victor del Litto 2nd ed. 1962 - En marge des manuscrits de Stendhal : complements et fragments inedits 1803-1820 / suivis en appendice d'un courrier italien par V. del Litto 1955 - Le coeur de Stendhal : histoire de sa vie et de ses sentiments / Henri Martineau 2 vols. 1952 & 1953 - L' oeuvre de Stendhal : histoire de ses livres et de ses pensees / par Henri Martineau revised edition 1966. Subjects: Stendhal 1783-1842 - Marie-Henri Beyle - French literature - 19th century - Collected works - Fiction - Realism - France - Correspondance - Travel literature - Literary criticism - Studies and criticism - Biography. Language: French. Paris : Le Divan, 1927-37 hardcover

STENDHALBiblio.com

De l'Amour.

1924145085Paris: René Kieffer Éditeur et Relieur d'Art 1924. Stendhal's great study of love crystallized in a superb art deco Kieffer binding First Kieffer edition in a striking Kieffer binding number 50 of 50 copies on japon from an edition limited to 1050 copies only of this art deco edition of Stendhal's great study of love which was originally published in 1822. In De l'Amour known in English as On Love Stendhal shared his concept of "crystallization" as "the process whereby the lover discovers new perfections in the beloved. This first crystallization is most often reinforced by a second one" Schehr. An argument however can be made that "Stendhal's crystallization has mainly been read from the masculine subject position however sympathetically. In the formula for crystallization Stendhal counts five steps to the completeness of it the fifth culminating in 'proof of love'. That is when the beloved loaded with all the imaginary perfections with which he can endow her grants him sexual access le don de merci in courtly terms. This moment marks of course precisely when a negative crystallization begins - for her. Having 'given herself' as 'proof' of love to him she finds that his final step is her first one into the state of the cruellest doubt did he just use me. Masculine and feminine positions within crystallization thus overlap only at this step and take opposing attitudes toward the same central experience" MacCannell. René Kieffer 1875-1964 worked for ten years at the famed Chambolle-Duru bindery in Paris before establishing his own workshop in 1903 and going on to become one of the leading binders in Paris. In 1909 he launched himself in the edition of illustrated luxury books. He learned the trade from Georges Crès and from Auguste Blaizot who joined his name to the first editions of René Kieffer; even the Mercure de France entrusted him with the direction of some volumes for their own editions. From 1919 to 1923 he executed bindings designed by Pierre Legrain for Jacques Doucet and his workshop quickly became important producing up to 2000 volumes a year with bindings of all kinds from the most luxurious to the more modest one. His bookshop opened in 1923 and his three activities were then combined in one place. Kieffer's consistent endeavour was to retain large poorly published texts have them illustrated by the great names of the time and when possible offer them in luxury or publisher's bindings. 2 vols octavo 196 x 138 mm. Printed in black and blue. Finely bound by René Kieffer with his ticket to versos of front free endpapers in green morocco preserving the original pink wrappers art déco decorative motifs blocked in blind to boards and spine end compartments titles in gilt direct to spine marbled endpapers white silk page markers top edges gilt others untrimmed. Occasional light pencil marks. Joints sometime expertly and discreetly repaired and refurbished spines and edges sunned the bindings otherwise sound and clean internally fresh; an attractive set. Juliet Flower MacCannell "The Hysteric's Guide to the Future Female Subject" 2000 p. 310; Lawrence Schehr "Rendering French Realism" 1997 p. 38. hardcover

Peter Harrington · Royaume-Uni1 750,00 £GB≈ 1 998,15 €

BEYLE (Henri, dit STENDHAL) - LEMARIE (Henry, ill de).Biblio.com

La Chartreuse de Parme.

1970161221970. Paris Marcel Lubineau 1970. 3 vol. au format pt in-4 277 x 197 mm de 281 279 et 275 pp. en feuilles sous couvertures titrÂŽes Âˆ rabats rempliÂŽs et ÂŽtuis-chemises cartonnÂŽs de l'ÂŽditeur dos lisses titre dorÂŽ tomaison dorÂŽe. Ensemble complet des 3 volumes le constituant. Un des 1.050 exemplaires numÂŽrotÂŽs du tirage sur vÂŽlin de Rives. L'ensemble recÂle de nombreuses compositions in et hors-texte en couleurs d'Henry LemariÂŽ. ''Henry LemariÂŽ est sans conteste le miniaturiste franÂais le plus cÂŽlÂbre et le plus apprÂŽciÂŽ de notre ÂŽpoque. Son oeuvre est la plus recherchÂŽe des bibliophiles: en effet Âˆ ses qualitÂŽs picturales il a su adjoindre une parfaite maÂ”trise de l'illustration.'' La Chartreuse de Parme roman improvisÂŽ en 52 jours est toujours considÂŽrÂŽ aujourd'hui comme l'un des plus grands romans de la littÂŽrature franÂaise. Ã‹ Parme l'ombre de la chartreuse s'ÂŽtend sur la cour et sur les intrigues aristocratiques des quelques happy few qui l'animentÃŠ: Gina la belle duchesse le comte Mosca mais surtout le jeune Fabrice delÃŠDongo qui suscite l'amour de tous ceux qui le croisent. Comment ne pas l'aimer ce jeune rÂveur plein de grÂ‰ce qui transfigure la rÂŽalitÂŽÃŠ Mais lui que tout le monde aime qui saura-t-il aimerÃŠ C'est la question qui hante Fabrice et Stendhal nous entraÂ”ne dans sa quÂte qui le conduira de Milan Âˆ Parme de Waterloo au lac de CÂ™me jusqu'Âˆ la prison de la tour FarnÂse oÂ son destin va basculer. Roman d'apprentissage ou rÂverie italienneÃŠ Tout l'art de Stendhal tient justement Âˆ cette ambiguÂ•tÂŽ entre un amer constat d'impuissance et une invitation Âˆ la magie poÂŽtique entre dÂŽsenchantement et rÂŽ-enchantement. Sans conteste La Chartreuse de Parme est avec Le Rouge et le Noir le chef-d'oeuvre de Stendhal. Infime jaunissement affectant les dos des chemises. Nonobstant trÂs belle condition. b42961 unknown

Babel Librairie · France570,00 €