471 résultats
1970161221970. Paris Marcel Lubineau 1970. 3 vol. au format pt in-4 277 x 197 mm de 281 279 et 275 pp. en feuilles sous couvertures titrÂŽes ˆ rabats rempliÂŽs et ÂŽtuis-chemises cartonnÂŽs de l'ÂŽditeur dos lisses titre dorÂŽ tomaison dorÂŽe. Ensemble complet des 3 volumes le constituant. Un des 1.050 exemplaires numÂŽrotÂŽs du tirage sur vÂŽlin de Rives. L'ensemble recÂle de nombreuses compositions in et hors-texte en couleurs d'Henry LemariÂŽ. ''Henry LemariÂŽ est sans conteste le miniaturiste franÂais le plus cÂŽlÂbre et le plus apprÂŽciÂŽ de notre ÂŽpoque. Son oeuvre est la plus recherchÂŽe des bibliophiles: en effet ˆ ses qualitÂŽs picturales il a su adjoindre une parfaite ma”trise de l'illustration.'' La Chartreuse de Parme roman improvisÂŽ en 52 jours est toujours considÂŽrÂŽ aujourd'hui comme l'un des plus grands romans de la littÂŽrature franÂaise. Ë Parme l'ombre de la chartreuse s'ÂŽtend sur la cour et sur les intrigues aristocratiques des quelques happy few qui l'animentÊ: Gina la belle duchesse le comte Mosca mais surtout le jeune Fabrice delÊDongo qui suscite l'amour de tous ceux qui le croisent. Comment ne pas l'aimer ce jeune rÂveur plein de gr‰ce qui transfigure la rÂŽalitŽÊ Mais lui que tout le monde aime qui saura-t-il aimerÊ C'est la question qui hante Fabrice et Stendhal nous entra”ne dans sa quÂte qui le conduira de Milan ˆ Parme de Waterloo au lac de C™me jusqu'ˆ la prison de la tour FarnÂse o son destin va basculer. Roman d'apprentissage ou rÂverie italienneÊ Tout l'art de Stendhal tient justement ˆ cette ambigu•tÂŽ entre un amer constat d'impuissance et une invitation ˆ la magie poÂŽtique entre dÂŽsenchantement et rÂŽ-enchantement. Sans conteste La Chartreuse de Parme est avec Le Rouge et le Noir le chef-d'oeuvre de Stendhal. Infime jaunissement affectant les dos des chemises. Nonobstant trÂs belle condition. b42961 unknown
1977LRB922Plan-de-la-Tour Var: Éditions dAujourdhui 1977 Titre : Vie de Rossini - Tomes I et IIAuteur : Beyle Henri StendhalPréface : Vittorio del LittoÉditeur : Éditions dAujourdhuiCollection : Les IntrouvablesLieu : Plan-de-la-Tour VarDate : 1977Édition/Tirage : Retirage en offset de 1977 réalisé en 2000 exemplaires par lImprimerie de Plan-de-la-Tour VarLangue : françaisNombre de volumes : 2Format : in-12 env. 18 cmReliure : Brochés couverture violette impriméeNotes : Texte conforme à lédition du Divan établie par Henri Martineau Paris 1929. Préface de Vittorio del Litto professeur à lUniversité de Grenoble. Collection Les Introuvables. Softcover. Good. Éditions d?Aujourd?hui paperback
19672141029München: Winkler-Verlag 1967. 602, (2) Seiten. Dünndruck. 8° (17,5-22,5 cm) Flexibler Orig.-Lederband mit goldgeprägtem Rückentitel, goldgefärbtem Kopfschnitt und transparentem Schutzumschlag. [Hardcover / fest gebunden].
1921102371Berlin: Propyläen 1921. XVIII 570 S. 1 Bl.; mit SW-Frontispiz; aus dem Französischen u mit Vorwort von Arthur Schurig; Einband u. Satzanordnung von Hugo Steiner-Prag; Kopfgoldschnitt zweiseitig unbeschnitten Rücken in modern anmutender Goldprägung mit goldenen senkrechten geprägten Zierlinien in Gold möglicherweise Privat- oder Luxuseinband; Kanten leicht berieben. Erste Auflage dieser Ausgabe. Halbleder. Gut. 231 cm. Privateinband. Propyläen Hardcover
196729585Milano: Sergio Tosi Paolo Bellasich Stampatori 1967. First edition. Bury Pol. 260 x 350 mm. 36 leaves original wrappers in publisher's printed wood slipcase. Fine old glassine wrapper worn. One of 130 copies printed on Magnani paper signed by Bury. 8 color and 2 black lithographs by Bury illustrating Stendhal's text with images of buildings and monuments. OCLC locates only one copy National Gallery of Art Library. Sergio Tosi Paolo Bellasich Stampatori unknown
1999Q-0704346230Womens Pr Ltd 1999-11-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Womens Pr Ltd paperback
195041398Paris: La Belle Edition 1950. Brossura custodia wrappers slip-case. Ottimo Fine. Suive de: Venina Vanini Les Cenci San Francesco a Ripa Suora scolastica. Aquarelles de Claude Chopy. Un portrait de lauteur gravé par Raoul Serres. Cette Edition publiée sous la direction de Robert Meiffredy a èetè tirée sur les Presse de lImprimerie Durand à Chartres Blin étant directeur pour la typographie. Les aquarelles ont été reproduites par Duval et coloriées à la main par Maurice Beaufumé. Visat taille doucier a tiré le portrait de Sthendhal. Exemplaire sur chiffon de Lana n. 1163. 8vo. pp. 254. Ottimo Fine. Prima edizione di 1200 es. numerati. La Belle Edition, unknown
193070971Paris:: Librairie des Amateurs A. Ferroud - F. Ferroud 1930. First edition; No. 419 of 600 copies. publisher's illustrated wrappers. Vertical creases and short splits to the paper spine; edges of wrappers a little tanned. Contents beautiful. Large 8vo. Vingt-trois illustrations dessinees par Auguste Leroux. . Librairie des Amateurs A. Ferroud - F. Ferroud, unknown
191157729Paris: Librairie des Amateurs. A. Ferroud - F. Ferroud Successeur 1911. 8vo.Illustrated. In 4 volumes. This is copy no. 109 of an edition limited to 65 copies on Japon imperial with two states of each etching there are also another 65 copies with the plates in three states. They jointly make up the first 130 of the limted edition. 220; 191; 217; 243 pp. Contemporary half morocco over marbled boards. Gilt decoration & lettering to spines. Top edges gilt. Marbled endpapers. Original paper spines bound in at rear. Bound by P. Affolter. Numerous full-page engravings. Compositions by Frederic Bourdin and engraved by Omer Bouchery. Boards clean and unmarked. Internally fine and fresh. No ownership names. A handsome set in Fine condition. . Near Fine. Half Morocco. Limited Numbered Edition. 1911. Librairie des Amateurs. A. Ferroud - F. Ferroud, Successeur 1911 unknown
190296979William Heinemann. London. 1902. William Heinemann. 1902. First edition thus. Bound in full green crushed morocco gilt by Ramages. Very professionally rebacked with original spine laid down almost invisibly repaired. Marbled endpapers gilt inner dentelles all edges of pages gilt. Sepia portrait frontis with tissue guard plus 4 coloured plates. Edges of boards rubbed spine sunned boards slightly marked. Prelims foxed pages browned otherwise a very clean and sound copy. hardcover
1989Q-0553213571Bantam Classics 1989-07-31. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Bantam Classics paperback
194711221München, Desch, 1947. 8°, 79 Seiten. mit 16 Portraits auf Tafeln. Orig.Pappband.
194712967München, Desch, 1947. 8°, 79 Seiten. mit 16 Portraits auf Tafeln. Orig.Pappband.
194263555Paris: Emile Chamontin 1942. Fine. Emile Chamontin Paris 1942 16 x 24.50 cm relié sous étui Illustrated edition of initials colored vignettes and 8 plates inset by Georges Lepape one of 36 numbered copies on Holland paper head print. Binding half turquoise shagreen corners back with four nerves slightly discolored paper plates with moiré effect guards and contreplats of handmade paper cover and back preserved gilded head. Nice copy. Our copy as it is stipulated in the justification of the draw is full of the original etching of Georges Lepape that he signed. Emile Chamontin unknown
1972FB4152 (1 to 10) /L11<p>Red cloth binding with black title plate gilt decoration and title on the spine. Embossed floral pattern on both boards. Dimensions are for one volume. <strong>There may be extra carriage cost on this item due to weight.</strong></p><p>A lovely and well produced set of Stendhal's work. Marie-Henri Beyle; 23 January 1783 – 23 March 1842 better known by his pen name Stendhal was a 19th-century French writer. Best known for the novels Le Rouge et le Noir The Red and the Black 1830 and La Chartreuse de Parme The Charterhouse of Parma 1839 he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist he coined the same characteristic in his characters' 'Beylism'. Stendhal syndrome Stendhal's syndrome or Florence syndrome is a psychosomatic condition involving rapid heartbeat fainting confusion and even hallucinations allegedly occurring when individuals become exposed to objects artworks or phenomena of great beauty and antiquity. The affliction is named after the 19th-century French author Stendhal pseudonym of Marie-Henri Beyle who described his experience with the phenomenon during his 1817 visit to Florence in his book Naples and Florence: A Journey from Milan to Reggio. When he visited the Basilica of Santa Croce where Niccolò Michelangelo and Galileo Galilei are buried he was overcome with profound emotion. Stendhal wrote: 'I was in a sort of ecstasy from the idea of being in Florence close to the great men whose tombs I had seen. Absorbed in the contemplation of sublime beauty . . . I reached the point where one encounters celestial sensations . . . Everything spoke so vividly to my soul. Ah if I could only forget. I had palpitations of the heart what in Berlin they call 'nerves'. Life was drained from me. I walked with the fear of falling.' Although psychologists have long debated whether Stendhal syndrome exists the apparent effects on some individuals are severe enough to warrant medical attention. The staff at Florence's Santa Maria Nuova hospital are accustomed to tourists suffering from dizzy spells or disorientation after viewing the statue of David the artworks of the Uffizi Gallery and other historic treasures of the Tuscan city. Though there are numerous accounts of people fainting while taking in Florentine art dating from the early 19th century the syndrome was only named in 1979 when it was described by Italian psychiatrist Graziella Magherini who observed over a hundred similar cases among tourists in Florence. There exists no scientific evidence to define Stendhal syndrome as a specific psychiatric disorder; however there is evidence that the same cerebral areas involved in emotional responses are activated during exposure to art. The syndrome is not listed as a recognised condition in the Diagnostic and Statistical Manual of Mental Disorders. A more recent account of the Stendhal syndrome was in 2018 where a visitor to the Uffizi Gallery in Florence suffered a heart attack while admiring Sandro Botticelli's The Birth of Venus.</p> Chez Jean De Bonnot. hardcover