STENDHALBiblio.com
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1805669741805. Fine. 10 Floréal 13 30 avril 1805 18.50 x 23.10 cm une feuille Stendhal's autograph letter addressed to his sister Pauline. 28 lines written with a fine writing in black ink. First name ""Pauline"" from the hand of the sender at the bottom of the letter. Inventory number ""36"" in ink from another hand. Two small traces of stamp and stamp a small tear restored in the bottom margin of the page. A few tiny folds inherent in the enveloping of the letter. Rare and beautiful letter of Stendhal addressed to his sister Pauline in which all the sensitivity of the young man and his love for the dramatic art shows more than twenty years before his big romantic successes. This letter comes from the correspondence between Henri Bayle here twenty-two years with his sister Pauline three years younger. This true epistolary liaison which quickly took the form of a ""diary"" - Pauline's answers were rare - is an essential milestone in the constitution of the intellectual journey of the future Stendhal. Our letter of a great lyricism testifies to the strength of the bond uniting the young writer and his sister: ""Let's shake each other my good friend. We will never find anyone who loves Pauline as Henry nor will Henry ever find a more beautiful soul than Pauline. ""The use of the third person and a lover vocabulary erects the young woman to the rank of alter ego a sister-soul and even perfect mistress. The young Henri is then precisely under the yoke of a devouring passion for the actress Melanie Guilbert whom he met during his declamation classes at Dugazon: "" I'm going to be bored perhaps by my dark sadness. I know very well that the seriousness of ardent passions is not pleasant. "" Contrasting with this passionate relationship Pauline symbolizes reason and balance a figure that Henri like a pygmalion can fashion at leisure. In good tutor he advises: ""Learn by heart roles. About declamation I will teach you a thousand things. I'm bringing you a Gil Blas and a Tracy. ""We understand here worship Stendhal devoted to the theater from his earliest years both as a player as a playwright the fund of its archives to the Grenoble Library contains nearly 700 sheets of blanks:"" I am in despair at not being able to wear you Beanies. But wait maybe someday will come . as Ulino says. ""This passion for theater Henry intends to pass it to his sister:"" We will work like hell during the time that I stay in Grenoble. ""In total opposite view with the education of women in his time he put a point of honor that Pauline is an educated person; In several letters moreover we find injunctions from the brother ordering his sister to give up needlework in favor of the reading he recommends. Truly obsessed with theater and convinced that he will become an author of successful comedies he works tirelessly: ""I am told a room where I will not be free and where I can not just declaim. Try to disturb this arrangement. ""Years before writing great novels that make her famous Stendhal already understands that loneliness is for him a source of creation and says:"" A lonely is jealous of his freedom. It is his greatest good as that of all men. "" unknown
18547625Paris Michel Lévy 1854 Un volume in-12°, 341 (2) pp. Reliure en demi-percaline verte à coins d'époque, dos lisse orné de l'auteur, du titre, de filets et d'un petit fer dorés, signet. ( petite fente à la coiffe supérieure, rousseurs).
1854RO40257569Michel Lévy Frères, Paris. 1854. In-12. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Rousseurs. 341 pages. Auteur, titre, fleuron et filets dorés sur le dos. Etiquette de code sur la couverture. Quelques tampons de bibliothèque. Dernier cahiers se détachant.. . . . Classification Dewey : 780.92-Musiciens, concertistes
1829879M12Paris; Lugano: Alphonse Levavasseur; Presso G. Ruggia e Comp 1829-1831. Leather. Very Good. 8.5" by 5.5". Not Stated. A vellum-bound work concerning the lives of the important composers Haydn and Mozart and the librettist Pietro Metastasio with a history of the economy of Italy. The second edition of this work in a half vellum binding with marbled boards. Loosely inserted is a catalogue of the Mozart Museum in Salzburg published in 1937. Two volumes bound in one consisting of 'Vies de Haydn de Mozard et de Metastase' by M. de Stendhal Alphonse Levavasseur Paris 1831 and 'Storia della Economia Pubblica in Italia ossia Epilogo Critico Degli Economisti Italiani' by Giuseppe Pecchio Presso G. Ruggia e Comp Lugano 1829. The first is a history of the lives of the important composers Joseph Haydn and Wolfgang Amadeus Mozart and the poet and librettist Pietro Metastasio written in French. This work includes letters about Haydn and the life of Mozart translated from German by M. Schlichtegroll. The second work is a first edition copy of Pecchio's study of the Italian economy including a critical study of Italian economists. It was written in Italian by Giuseppe Pecchio who distinguished himself as a modern and original economist in both Italy and England. This work was influential for developments in political economy. In a half vellum binding. Externally smart though a little rubbed to the joints and extremities. Internally firmly bound. Pages are bright with the odd spot. Very Good Alphonse Levavasseur; Presso G. Ruggia e Comp hardcover
1824Embry 189662Chez Auguste Boulland Paris: 1824. First edition. Light foxing to first few pages edges rubbed still near fine and internally bright. Two engraved portrait frontis pieces. Period green calf-backed marbled boards. Text in French. Chez Auguste Boulland, Paris: 1824. First edition. hardcover books
1824100383Paris, chez Auguste Boulland [Impr. de Houzard-Courcier], 1824, in-8, 2 tomes en 1 vol, pagination continue, 2 front, VIII-306 pp.; et reprise de [5]-306 à 623, Demi-basane maroquinée verte de l'époque, dos orné de fers romantiques, tranches bleues, Édition originale. Portraits-frontispices de Rossini et de Mozart au début de chaque tome. Stendhal avait délivré une première version de cette Vie de Rossini dans le Paris Monthly Review de janvier 1822. Cette édition est bien plus ample. L'ouvrage suscita la colère en Italie l'auteur saisissant le prétexte de la biographie du musicien pour dresser un portrait peu flatteur du pays après l'époque napoléonienne. Une annotation ancienne à l'encre brune, en regard du faux-titre. Ex-libris manuscrit ancien sur la page de titre. Étiquettes ex-libris sur le contreplat : la bibliothèque Fleury, avec la devise "In medio stat"; et monogramme R.N. Agréable exemplaire. Rousseurs, quelques feuillets uniformément brunis. Carteret II, 347. Cordier, 64. [Exposition 1983] Stendhal et l'Europe, Paris, BNF, n° 197. Paupe, p. 44-45. Vicaire I, 454. Couverture rigide
185424979Paris: Michel Lévy Frères 1854. Octavo. Full dark orange cloth spine with title label gilt original publisher's light green printed upper wrapper bound in. i series title i printer's note 1f. title 1-4 advertisement 1-4 advertisement 3 preface 4 blank 5-368 369-370 chronologic list of Rossini's compositions 371-375 table of contents i blank pp. <br/><br/>Some leaves uncut. Part of a series of volumes of the author's complete works see series title and second advertisement.<br/><br/>Spine very slightly faded; wrappers slightly worn and soiled. Moderate to heavy foxing to outer leaves light foxing throughout especially to edges. A later edition.<br/><br/>"Though best known today for his novels Le rouge et le noir 1830 and La chartreuse de Parme 1839 in which opera serves as backdrop and emotional correlative Stendhal was better known during most of his lifetime for his interdisciplinary and comparative criticism and chronicling of arts and letters in relation to modern French and Italian socio-cultural politics. He cast these writings in various generic guises: biography. art history. travel literature. and Romantic manifesto. " Janet Johnson in Grove Music Online.<br/><br/>Originally published in 1824 the Vie de Rossini is a colourful although somewhat inaccurate biography of the famed Italian composer. Michel Lévy Frères unknown books
182418927Par Stendhal (Henry Beyle de). Ornée des portraits de Rossini et de Mozart.Edition originale. Paris, chez Auguste Bouland et cie, libraire, - 1824. - viii pp + 623 pp.en continue.Somptueuse reliure plein maroquin cerise de l'époque signée Sim. Kra. Rel. Dos à nerfs orné de caissons et de fleurons dorés. Filets dorés encadrant les plats. Dentelles dorées sur les contreplats. Couvertures et dos conservées. Quelques légères rousseurs éparses. Très bon état. Format in-8°(22x15).
185473322Paris Michel Lévy Frères 1854 1 vol. relié in-12, demi-percaline rouge à coins, dos orné de fleurons dorés, fer aux armes sur le plat supérieur, 375 pp. 2e édition revue. Ex-libris gravé. Quelques rousseurs éparses. Bon état.
185473322Paris Michel Lévy Frères 1854 1 vol. relié in-12, demi-percaline rouge à coins, dos orné de fleurons dorés, fer aux armes sur le plat supérieur, 375 pp. 2e édition revue. Ex-libris gravé. Quelques rousseurs éparses. Bon état.
182419182Paris, Chez Auguste Boulland et Cie, 1824. 2 volumes in-8 de VIII-306 et [4]- de 305 à 623-[1] pages, demi-veau brun, dos lisse orné de filet et fleurons dorés, étiquette de titre et tomaison verte, plats de papier marbré brun.
182419863Paris, Chez Auguste Boulland et Cie, 1824. 2 parties en un volume in-8 de VIII-306 et [4]- de 305 à 623-[1] pages. Demi-chagrin brun, dos (passé) orné de filets et fleurons dorés.
185424979Paris: Michel Lévy Frères 1854. Octavo. Full dark orange cloth spine with title label gilt original publisher's light green printed upper wrapper bound in. i series title i printer's note 1f. title 1-4 advertisement 1-4 advertisement 3 preface 4 blank 5-368 369-370 chronologic list of Rossini's compositions 371-375 table of contents i blank pp. <br /> <br /> Some leaves uncut. Part of a series of volumes of the author's complete works see series title and second advertisement.<br /> <br /> Spine very slightly faded; wrappers slightly worn and soiled. Moderate to heavy foxing to outer leaves light foxing throughout especially to edges. A later edition.<br /> <br /> "Though best known today for his novels Le rouge et le noir 1830 and La chartreuse de Parme 1839 in which opera serves as backdrop and emotional correlative Stendhal was better known during most of his lifetime for his interdisciplinary and comparative criticism and chronicling of arts and letters in relation to modern French and Italian socio-cultural politics. He cast these writings in various generic guises: biography. art history. travel literature. and Romantic manifesto. " Janet Johnson in Grove Music Online.<br /> <br /> Originally published in 1824 the present work is a colorful although somewhat inaccurate biography of the famed Italian composer. Michel Lévy Frères unknown
1877RO80119257CALMANN LEVY. 2ème édition. 1877. In-12. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur acceptable. XIX + 298 pages.. . . . Classification Dewey : 944.051-Histoire de Napoléon 1er
1876100454Paris, Calmann Lévy, 1876, in-12, [4]-XIX-298 pp, Demi-maroquin bordeaux à coins postérieur, dos à faux nerfs, tête dorée, couvertures et dos conservées [Laurenchet], Édition originale, parue dans la série des Oeuvres complètes de Stendhal (Michel et Calmann Lévy, 1853-1876). L'auteur entreprit l'écriture de la Vie de Napoléon au cours de son séjour à Milan en 1817; il revint dessus en 1818 après avoir lu les Considérations sur la Révolution française de Mme de Staël. Inachevée, comme le seront les Mémoires sur Napoléon, la Vie est publiée plus de 20 ans après sa mort. Placards sur papier bleu en tête et fin de volume. Bel exemplaire. Papier jauni. Carteret II, 366. Cordier n° 231. Vicaire I, 466. Couverture rigide
187681089Paris, Calmann Lévy, Editeur, Ancienne Maison Michel Lévy Frères. Coll. Bibliothèque Contemporaine, 1876, in-8, agréable demi-chagrin à coins bleu-vert (tardive), plats papier bleu, dos à quatre faux nerfs, titre et date à l'or, tranche de tête dorée, 297p. Edition originale de ce texte posthume. Couverture conservée. Signet. Hormis de légères marques sur la couverture, exemplaire en bel état de fraîcheur.
1876GITk575Paris Calmann Lévy 1876. In-12 XIX 298pp. Demi basane blonde à coins, dos à nerfs guillochés, rehaussés de filets perlés à froid, pièce de titre bleu nuit, étiquette de classement ancienne en queue, tranches marbrées, reliure de l'époque (Potter and Sons York). Rousseurs sur les 2 feuillets blancs, la page de titre, la marge inférieure des pages 1 à 5 et le verso de la page de table; coupure restaurée en biais de la page 211, sans la page de faux-titre. Intérieur frais et complet, exemplaire bien relié de la Bibliothèque d'Andrew Fairnburn avec son bel ex-libris armorié. Edition orignale posthume de cette biographie inachevée composée par Stendhal, parue dans la collection des Oeuvres Complètes de cet Auteur chez Calmann Lévy. Vicaire I colonne 466, Careteret II, 366.
1882RO80191927CALMANN LEVY. 1882. In-12. Relié. Etat d'usage, Coins frottés, Dos satisfaisant, Quelques rousseurs. XIX + 298 pages Rousseurs naturelles - Plats jaspés - Auteur, titre, filets et fleuron dorés au dos.. . . . Classification Dewey : 923-Politiciens, economistes, juristes, enseignants
189053354BBParis, G. Charpentier 1890. In-8°. XIV, 327 p. Reliure demi toile bleu avec pièce de titre doré.
1890MSTEVIE2Paris G. Charpentier et Cie 1890 In-12 (18.5 x12 cm), cartonnage souple toile bleue type Bradel, dos lisse, étiquette (auteur et titre), 1 ff. bl., XIV pp. (faux-titre, titre, dédicace, préface), 327 pp., dernier ff. bl. manquant. Edition originale tirée à 1500 exemplaires.
189089586G. Charpentier & Cie | Paris 1890 | 11.7 x 18.8 cm | Relié
189089586Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 11.7 x 18.8 cm Relié First edition of which no copies were printed on deluxe paper.Half black shagreen binding spine with five raised bands decorated with gilt garlands gilt date at foot marbled paper boards combed paper endpapers and pastedowns gilt top edge original wrappers preserved.Scattered foxing some reading marks in red and blue pencil in the margins of certain paragraphs ink stamps of the Etienne Vion bookshop and stationery in Amiens on the title page a library shelfmark at the head of the title page. G. Charpentier & Cie hardcover
182484202Reliure demi-chagrin havane à petits coins. Dos à nerfs. Tête dorée. Couverture et dos conservés. Non rogné. Avec 2 portraits par Beyer et gravés par Tardieu, dont un de Mozart et un de Rossini en frontispice.
1818012461London: John Murray 1818 Book. Good. Half leather. xiv ii 496 pages. End papers spotted occasional spotting throughout. Ink owners' names to the front free end paper one of them modern. Half leather binding worn at the edges. Leather splitting down the edges of the spine. According to entries on Library Hub - Bombet is a pseudonym for Stendhal. John Murray hardcover
181767090London: John Murry Albemarle-Street 1817. First edition in English 8vo pp. xv 1 496; engraved leaf of music several pages with musical notation; original drab paper-covered boards brown paper shelfback printed paper label; corners bumped spine toned and rubbed Q3-Q4 with clean tear at the top margin no loss light foxing very good. Small manuscript gift inscription on pastedown "Mrs. W. Blunt with WB's best wishes." The first English edition of Stendhal's first book written under a pseudonym and also translated by him. John Murry, Albemarle-Street unknown
