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1996120325<p>London: W. W. Norton / Folio Society. Fine with no dust jacket. 1996. 1st Thus; Second Printing. Hardcover. Near AS NEW. Bound in quarter bonded leather with 5 raised bands and gilt decoration and titling to the compartments with pictorial cloth boards. Housed in the Original Gilt Titled paper-covered strong card SLIPCASE. VERY slight storage marks to the slipcase and one bumped/ marked corner. This edition was designed and produced by the Folio Society in 2001 and 2006 using the sheets from W. W. Norton as a 'brought in' volume but it does not have the Folio Society imprint. This is the second edition of the Norton facsimile of Shakespeare's First Folio of 1623 printed by Blount and Jaggard. With two introductions explaining the origins printing methods and modern scholarship of the First Folio. NO Inscriptions or marks. Near AS NEW. An Excellent copy. This book is Large Folio Sized and overweight and will almost certainly require extra postage depending on your location. See Images. ; Large Folio 14" - 15" tall .</p> W. W. Norton / Folio Society, hardcover
195037072Dent 1950. 3 vols. 8vo. with frontispieces in photogravure original captioned tissue guards present titles in red and black and 33 fine plates in photogravure all original captioned tissue guards present; original green cloth upper boards blocked in blind gilt backs green tops a near fine set in unclipped dustwrapper the wrappers mildly sunned at backstrips. Bright set of an edition first issued in 1911. Dent, hardcover
201641285Folio Society 2016. Sm folio First Edition thus with coloured frontispiece; blue buckram upper board with illustrated label repeating frontispiece backstrip lettered in silver blue-green endpapers a near fine copy in publisher's slip-case. First volume in a new Folio Society series presenting Shakespeare in a larger format. Folio Society, hardcover
1982147878Editions Jean de Bonnot 1982. Hardcover. Illustré. <b>Livre en français</b>. Couverture rigide. Traduction de François-Victor Hugo. Reliure cuir de l'éditeur. 8 volumes de 460 à 500 pages. <i>ref. 147878</i> Editions Jean de Bonnot hardcover
1961123508Le club français du livre 1961. intérieur frais tranche dessus assez salie. in8. 1961. Cartonné. Le club français du livre unknown
100106866Rencontre. Bon Etat de conservation cependant rousseurs en tête intérieurs propres bonne tenue circa 1970. in12. Sans date. Reliure editeur. 15 volumes. Rencontre unknown
196292Hodder & Stoughton c. 1910. 4to 10 x 7¾ ins. Original gilt decorated green cloth page edges lightly spotted; wear at edges of spine and bumped at head and tail - otherwise VG. Pp. xxiv 143 illus with 40 tipped-in coloured plates with captioned tissue-guards prelims lightly spotted; no inscriptions. Hodder & Stoughton, c. 1910 unknown
188268New York: George Routledge and Sons c. 1880. 13 vols. 12mo 5 x 3¼ ins. Original uniform blind-ruled gilt decorated maroon cloth all edges yellow bright VG housed in battered box lacking lid. Pp. various no inscriptions. New York: George Routledge and Sons, c. 1880 unknown
PJH50419Norton 1996. Fine copy in Modern Burgundy Leather backed boards in slightly dusty matching Slipcase. Second Edition of Monumental Facsimile. Norton 1996 hardcover
18703588<p>Ireland and co. London and Manchester.ND circa 1870's. Large 8vo. iv920pp. Text printed in double column. A very good copy in publishers red cloth with highly decorative gilt stamped spine. Author and title lettered within elaborate design. The whole housed with a double ruled border. Boards with blind stamped corner decorations with a triple ruled border. Brown endpapers. Top of spine has a small stain accross about a quarter inch of the cloth. Overall a near fine copy in a highly decorative victorian cloth binding.</p><p>A scarce edition unrecorded in the British Library or the Copac library catalogues.</p> Ireland and co. London and Manchester.,ND (circa 1870's) hardcover
1960108439Torino Einaudi 1960. Volumi 3 in tela editoriale contenuti in cofanetto con piatti illustrati presenti gli acetati muti. Pp XLVIII 988 1009 1. 998 ampia e bella l'iconografia fuori testo. Collana I Millenni n° 50 Torino, Einaudi hardcover
187830276George Bell 1878. 8vo. Tenth Edition with frontispiece and numerous full-page engraved illustrations in the text; handsomely bound in green full pebble-grain morocco sides with double frame border enclosing elaborate decorative frame all in gilt back with five raised bands tooled in gilt second compartment ruled and lettered in gilt all other compartments richly rooled in gilt gilt edges bevelled boards gilt doublures marbled endpapers backstrip lightly chafed at headband else a most attractive copy ideal as a gift or for presentation. George Bell, hardcover
196830913Paul Hamlyn 1968. Folio First Edition thus with full-page facsimiles throughout; green cloth gilt back a near fine copy in publisher's board slip-case the latter mildly age-soiled and worn and frayed at extremities. Paul Hamlyn, hardcover
1920007425LONDON/NY: WILLIAM HEINEMAN / DOUBLEDAY PAGE 1920. SEVENTH PRINTING . Hardcover. Very Good/NoNE. RACKHAM ARTHUR. 40 BEAUTIFUL COLOR TIPPED IN PLATES BY ARTHUR RACKHAM ALL WITH PLATE COVERS OTHER RACKHAM DRAWINGS IN BLACK AND WHITE BOUND IN BLUE/ GREEN WITH VERY NICE COMPLETE GILT LETTERING AND GILT DESIGN ON FRONT COVER SOLID BINDING A LOVELY EDITION OF THIS SHAKESPEARE WORK SMALL NEAT PERIOD PREVIOUS OWNERS INSCRIPTION WEAR AND BUMPING TO ALL CORNERS PRIVATELY OWNED ILLUSTRATED PLATES HAVE SOME AGE TONING TO THE MARGINS WITH SOME BLEED OVER TO TEXT TEXT IS OTHERWISE VERY BRIGHT LIGHT WEAR TO TOP AND BOTTOM OF SPINE A REALLY GRAND BOOK IPHONE PICTURES AVAILABLE <br/> <br/> WILLIAM HEINEMAN / DOUBLEDAY PAGE hardcover
196975451Editions Rencontre 1969. Book. As New. Hardcover. 12mo - over 6¾" - 7¾" tall. 15 volumes In-12 reliés Comme Neuf introduction de J.B. Fort traduction de François-Victor Hugo avec texte originale en regard tomes 1-14: théatre complet tome XV: Poèmes et Sonnets suivi de Les grands thèmes shakespeariens . Editions Rencontre Hardcover
163925John Tallis and Co. c. 1860. 4 vols in 2. 4to 11¼ x 7½ ins. Rebound in recent half calf with original gilt lettered spine labels re-laid marbled edges and new marbled endpapers spines lightly faded - otherwise a VG set. Pp. xxxi 575 496 & 487 484 illus throughout with steel engraved plates no inscriptions. John Tallis and Co., c. 1860 unknown
173433904London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine some minor mellowing and some minor spotting in places internally. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Cymbeline contains famous quotations among which are:<br><br><br>Boldness be my friend:<br>Arm me audacity from head to foot!<br>Iachimo Act 1 Scene 6<br><br>The game is up.<br>Belarius Act 3 Scene 3<br><br>I have not slept one wink.<br>Pisanio Act 3 Scene 4<br><br>I see a man’s life is a tedious one.<br>Innogen Act 3 Scene 6<br><br>All gold and silver rather turn to dirt.<br>Arviragus Act 3 Scene 6<br><br>Play judge and executioner all himself.<br>Guiderius Act 4 Scene 2 J. Tonson unknown
2572London: Geo. W. Jones 1916. . Large 8vo stiff buff wrappers with laurel wreath motif printed in black and red on front cover; bottom edges of covers chipped and small segment of front lower outer corner missing. slightly soiled A Three other copies located: one holding in OCLC Bibliotheque national Paris COPEC adds British Library and Cambridge University. A tour de force by this master printer. [London: Geo. W. Jones, 1916]. unknown
2007148199London : The Folio Society. 2007. 5th or later Printing. Hardcover. Fine/No Jacket Issued. 8vo - over 7¾" - 9¾" tall. first printing with this binding large 8vo original 8 VOLUME SET original red quarter leather hardcover a fine clean set in slightly split and slightly rubbed very good original gilt decorated slipcases. Very heavy so international shipping will be prohibitive. We are a real bookshop with real books situated in and shipping from the United Kingdom. Shelf HU. <br/> <br/> The Folio Society. hardcover
1887901973London: Macmillan & cO 1887 A very solid 3 volume set The Victoria Edition produced by Macmillan & Co. Full leather bound. The boards are the orignal boards as are the endpapers however the spines have been rebound in matching leather and the original paper spines pasted on. Vol 1 shows a little more wear thanthe other two volumes its front free endpaper present but loose. Each volume has a previos owners book plate on the front pastedown. The orignal gilt is very bright and the gilt decor around the inner boards still vright. Minor shelfwear bumping to corners. It would be appear that they were repaired ealry 1900's but the the repair is excellent and all volumes are very solid and clean. Macmillan & cO hardcover
173533901London: J. Tonson 1735. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Henry VI contains many famous quotations among which are:<br><br><br>My thoughts are whirled like a potter's wheel:<br>I know not where I am nor what I do.<br>Talbot Act 1 Scene 5<br><br>Here I prophesy: this brawl today <br>Grown to this faction in the Temple garden <br>Shall send between the red rose and the white <br>A thousand souls to death and deadly night.<br>Warwick Act 2 Scene 4<br><br>Defer no time delays have dangerous ends.<br>Reignier Act 3 Scene 2<br><br>Here on my knee I beg mortality <br>Rather than life preserved with infamy.<br>John Act 4 Scene 5<br><br>She’s beautiful and therefore to be wooed;<br>She is a woman therefore to be won.<br>Suffolk Act 5 Scene 3<br><br>To be a queen in bondage is more vile<br>Than is a slave in base servility.<br>Margaret Act 5 Scene 3 J. Tonson unknown
173433902London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Henry VI Part II contains famous quotations among which are:<br><br>Could I come near your beauty with my nails<br>I'd set my ten commandments in your face.<br>Eleanor Act 1 Scene 3<br><br>The fox barks not when he would steal the lamb.<br>Suffolk Act 3 Scene 1<br><br>For where thou art there is the world itself<br>With every several pleasure in the world:<br>And where thou art not desolation.<br>Suffolk Act 3 Scene 2<br><br>Small things make base men proud.<br>Suffolk Act 4 Scene 1<br><br>True nobility is exempt from fear.<br>Suffolk Act 4 Scene 1<br><br>The first thing we do let's kill all the lawyers.<br>Dick the butcher Act 4 Scene 2<br> J. Tonson unknown
173433903London: J. Tonson 1734. A pleasing and early octavo printing. Engraved frontispiece engraved head-piece and a six-line engraved initial at the beginning of the text Small 8vo bound in later blue wrappers hand calligraphed on the cover in brown ink. 96pp. A fine and well preserved copy the blue wrappers as pristine. VERY SCARCE. From the important Theobold oeuvre. Although Theobold ultimately gave way to Johnson in popularity he remains one of the pre-eminent Shakespearean editors. Churton Collins writing in the DNB claimed it “would not be too much to say that the text of Shakespeare owes more to Theobold than to any other editor.â€<br> The collection also draws on two rival editions J. Tonson’s and R. Walker’s. Although the two are nearly identical Tonson issued an advertisement warning the public against “such Useless Pirated and Maim’d Editions as are publish’d by the said R. Walker.†<br> Henry VI Part III contains famous quotations among which are:<br><br>How sweet a thing it is to wear a crown<br>Within whose circuit is Elysium<br>And all that poets feign of bliss and joy.<br>Richard Act 1 Scene 2<br><br>O tiger's heart wrapt in a woman's hide!<br>York Act 1 Scene 4 <br><br>My crown is in my heart not on my head.<br>King Henry Act 3 Scene 1<br><br>Yet hasty marriage seldom proveth well.<br>Gloucester Act 4 Scene 1<br><br>For trust not him that hath once broken faith.<br>Lady Grey Act 4 Scene 4<br><br>Fearless minds climb soonest unto crowns.<br>Gloucester Act 4 Scene 7<br><br>And live we how we can yet die we must.<br>Warwick Act 5 Scene 2<br><br>Suspicion always haunts the guilty mind.<br>Gloucester Act 5 Scene 6<br><br><br> J. Tonson unknown
9950Macmillan and Co. Limited. London. 1907. Reprint of the revised 1891 edition. 8vo. 7.3 x 5.1 inches. Some foxing to the blank endpapers and to a lesser extent on the first and last couple of pages of text otherwise clean throughout. Fine attractive early twentieth century binding of full dark green morocco by Zaehnsdorf of London. Spine with five raised bands each with gilt piping. Compartments decorated ruled and lettered in gilt. Triple gilt ruled border on boards. Institute of Chartered Accountants in England and Wales arms stamped in gilt to the front board and their prize label dated 1907 signed by the President Vice President and Secretary of the Institute on the front paste down endpaper. Gilt inner dentelles. Dark green endpapers. All edges gilt. Spine faded to a mellow brown but overall a fine attractive binding. Macmillan and Co. Limited. London. 1907 hardcover
178533894London: John Bell British Library Strand 1785. First in the "literary edition" of Shakespeare's plays by Bell. With two frontispiece engravings in the volume. 12mo the play bound into later blue paper wrappers lettered caligraphically in brown on the upper wrapper. iv 5-103 pp. A fine copy very well preserved and with the wrappers as pristine. FIRST OF THE EDITION. The is from Steevens' and Johnson's Scholarly Edition of Shakespeare 1773. This edition prints Observations prior to each play.<br> The "Literary" Shakespeare was published serially beginning in 1785 and collected in 20 vols. What distinguishes this edition from the others by Bell is the elaborateness of the presentation. This was the culmination of a 15 year effort to publish an edition of the Bard's works which had a high cultural value due to its edition annotation and beauty of its typography and illustration. Indeed this edition proved a social triumph for Bell with his assembled 1800 subscribers including the Royal Family except for the Sovereign along with the Queen of France monsieur the King's brother and a collection of 70 nobles.<br> The edition was printed on smooth wove paper and in this edition Bell first replaced the long s � with the modern small rounded s an innovation which quickly caught on. There are many more portraits in this edition than in the earlier "acting" editions of Shakespeare. The engraved frontispieces feature a prominent actor or actress in the role. In contrast to the engravings of the earlier edition these portraits have oval borders and lush backgrounds. The actors themselves are rendered in a much softer more romantic style. <br> The artists Bell commissioned were all under the age of 25 and relatively unknown. Most notable among them was the young Johan Heinrich Ramberg who had come to England from Hanover under the patronage of George III. It is because of these young artists that these portraits are so different from those in the "acting" edition. Ramberg brought with him a European aesthetic and all the artists brought the burgeoning romantic artistic trends to the drawing boards. John Bell, British Library, Strand hardcover
