32 résultats
1920kb758C.013GB: Robert Riviere 1920. Not dated but about 1920. Half dark green leather with five raised bands on spines heavily decorated in gold and green cloth. Top edges gold. A superb completely umarked set. . Hardback. nrFine/No DW. Robert Riviere Hardcover
190810595<p>Heinemann. London. 1908. FIRST RACKHAM EDITION. 1st printing. 4to. 10.1 x 7.7 inches. Colour frontis and thirty nine tipped-in colour plates each with a printed tissue paper guard and 30 fine line drawings by Rackham throughout the text some full page. Finely bound in recent full tan morocco. Spine with raised bands the compartments ruled decorated and lettered in gilt. Red title label gilt. Some light foxing throughout but still a very good copy of this beautiful book in an attractive leather binding. Rackham at his very best.</p> Heinemann. London. 1908 hardcover
1920007425LONDON/NY: WILLIAM HEINEMAN / DOUBLEDAY PAGE 1920. SEVENTH PRINTING . Hardcover. Very Good/NoNE. RACKHAM ARTHUR. 40 BEAUTIFUL COLOR TIPPED IN PLATES BY ARTHUR RACKHAM ALL WITH PLATE COVERS OTHER RACKHAM DRAWINGS IN BLACK AND WHITE BOUND IN BLUE/ GREEN WITH VERY NICE COMPLETE GILT LETTERING AND GILT DESIGN ON FRONT COVER SOLID BINDING A LOVELY EDITION OF THIS SHAKESPEARE WORK SMALL NEAT PERIOD PREVIOUS OWNERS INSCRIPTION WEAR AND BUMPING TO ALL CORNERS PRIVATELY OWNED ILLUSTRATED PLATES HAVE SOME AGE TONING TO THE MARGINS WITH SOME BLEED OVER TO TEXT TEXT IS OTHERWISE VERY BRIGHT LIGHT WEAR TO TOP AND BOTTOM OF SPINE A REALLY GRAND BOOK IPHONE PICTURES AVAILABLE <br/> <br/> WILLIAM HEINEMAN / DOUBLEDAY PAGE hardcover
19446199<p><strong>First edition of '<em>Antony and Cleopatra</em>' translated by Pasternak</strong>. This is the only separate edition of his translation. Printed during wartime approved for printing on June 3 1944.</p><p>This is the third Shakespeare play translated by <strong>Boris Pasternak</strong> 1890-1960 commissioned by the Moscow Art Theatre. He began work on it immediately after completing the translation of '<em>Romeo and Juliet</em>'. By the end of June 1943 the translation was ready for printing. Soviet literary critic Mikhail Morozov described this translation as '<em>the most successful</em>' emphasizing that it transcended mere translation to become a poetic dialogue between two poets. Pasternak himself likened Cleopatra to '<em>the Nastasya Filippovna of antiquity</em>' drawing parallels with heroines such as Anna Karenina and Madame Bovary. <br />Illustrations were created by <strong>Mikhail Pikov</strong> 1903-1973 a student of VKhUTEMAS under Vladimir Favorsky known for his mastery of woodcut techniques.</p><p>Zakharenko 1995. # 114.</p> OGIZ, Goslitizdat paperback
1987x-033342784XPalgrave Macmillan 1987. Paperback. New. 104 pages. 8.50x5.50x0.25 inches. Palgrave Macmillan paperback
1960108439Torino Einaudi 1960. Volumi 3 in tela editoriale contenuti in cofanetto con piatti illustrati presenti gli acetati muti. Pp XLVIII 988 1009 1. 998 ampia e bella l'iconografia fuori testo. Collana I Millenni n° 50 Torino, Einaudi hardcover
1918040312Paris: L'Édition D'Art 1918. Hardcover Half Leather. Very Good Condition. Edmond Dulac. Finely rebound in a half leather art deco binding of gilt ruled green morocco with geometrical inlays on the spine of red and blue morocco in a marbled slipcase edged in leather. Undated ca. 1918 with 40 tipped in plates by Dulac one loose but present. Pages are very slightly browned otherwise unmarked. Lightly rubbed on the spine hinges and corners; slipcase worn at edges. Bookplate to a front endpaper. First Illustrated Edition or first by this illustrator and in this format. Size: Quarto 4to. Text is clean and unmarked. Illustrator: Edmond Dulac. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Theatre & Plays; Antiquarian & Rare. Inventory No: 040312. L'Édition D'Art hardcover
196975451Editions Rencontre 1969. Book. As New. Hardcover. 12mo - over 6¾" - 7¾" tall. 15 volumes In-12 reliés Comme Neuf introduction de J.B. Fort traduction de François-Victor Hugo avec texte originale en regard tomes 1-14: théatre complet tome XV: Poèmes et Sonnets suivi de Les grands thèmes shakespeariens . Editions Rencontre Hardcover
1978mon0000087572Signet Book 1978-04-01. Mass Market Paperback. Good. 1.2690 in x 17.5127 in x 10.4061 in. Clean copy sound binding. Signet Book paperback
1982147878Editions Jean de Bonnot 1982. Hardcover. Illustré. <b>Livre en français</b>. Couverture rigide. Traduction de François-Victor Hugo. Reliure cuir de l'éditeur. 8 volumes de 460 à 500 pages. <i>ref. 147878</i> Editions Jean de Bonnot hardcover
19446179<p><strong>Wartime edition. First edition of '<em>Romeo and Juliet'</em> in Pasternak's adaptation for children.</strong></p><p>At the end of the 1930s Pasternak became a translator: '.<em>.not by good fortune through misprision and if conditions were better I ought not to be translating at all'</em> Makaryk McHugh. Shakespeare and the Second World War. 2012.<br />Two extracts from '<em>Romeo and Juliet'</em> appeared in magazines in 1941 '30 Dney' No 4 and 'Internatsional'naya Literatura' No 5 but the beginning of WWII interrupted his work. In October 1941 Pasternak was evacuated to Chistopol where he finished the translation in February 1942. He wrote to his first wife Eugeniya Pasternak that he was totally absorbed in his work and had not written to anyone for more than two months — 'a conscious sacrifice for "<em>Romeo and Juliet"'</em>Sergeeva-Klyatis. Pasternak v Zhizni. 2015. It costs him 'more pain' than '<em>Hamlet'</em> the first Shakespeare play translated by Pasternak. In Chistopol he gave a public reading at Teacher's House on February 26. Tickets cost four and five rubles and '<em>the event was held as a benefit performance for soldiers of the Red Army'</em> Boris Pasternak: A Literary Biography. Vol. 2. 2004. After the first extremely rare collotype edition 100 copies only the play was not published for a year. Pasternak believed that it was due to the deteriorating political situation between the Soviet Union and the UK: '.<em>.it had an effect on Shakespeare and after him on me so my shares falling.'</em> Lucenko. ".Pod Ruku s Morozovym". 2016.<br />The first official edition was published in <em>OGIZ</em> in February 1944 and the next edition was supposed to appear in <em>Detgiz</em> the state publishing house of children's literature. The author of the preface a literary critic Shakespearean <strong>Mikhail Morozov</strong> 1897–1952 called this translation 'a magnificent artistic creation' but he also considered that this translation is not for children. Pasternak corrected edited and shortened the translation especially for children.<br />Most likely an artist <strong>Elena Rodionova</strong> 1912–1996 prepared these illustrations of '<em>Romeo and Juliet'</em> before WWII. For the first time the illustration with the balcony scene appeared in the magazine '<em>30 Dney'</em> '30 Days' No 4 1941 p. 42.</p><p>Zakharenko 1955. # 113.</p> Detgiz paperback
190934589London: Hodder and Stoughton 1909. First Edition First Printing with the Thomson Illustrations. With 24 mounted colour plates by Thomson including a frontispiece each with a cptioned tissued guard. Quarto handsomely bound in the publisher's original green cloth with gilt titles to the spine and red titles with dark green pictorial decorations to the upper cover. xxxvi 143 1 pp. A beautiful copy bright and fresh the binding is very attractive and finely preserved internally well preserved with some of the usual spotting occasional to the foredges a bit of mellowing the plates and tissue guards all in excellent condition. SHAKEPEARE'S PLEASANT WORK PRESENTED IN aS PLEASING AN ILLUSTRATED format as one could hope to find. Hugh Thomson’s delightfully detailed and skillful illustrations would be hard to surpass making this a true gem in its pretty binding. Thomson's pen-and-ink drawings are in much the same style as those he did for works by Jane Austen and Charles Dickens.<br> As You Like It is a pastoral comedy by William Shakespeare believed to have been written in 1599 and first published in the First Folio in 1623. The play's first performance is uncertain though a performance at Wilton House in 1603 the house having been a focus for literary activity under Mary Sidney for much of the later 16th century has been suggested as a possibility. <br> The play follows its heroine Rosalind as she flees persecution in her uncle's court accompanied by her cousin Celia to find safety and eventually love in the Forest of Arden. In the forest they encounter a variety of memorable characters notably the melancholy traveller Jaques who speaks one of Shakespeare's most famous speeches "All the world's a stage" and provides a sharp contrast to the other characters in the play always observing and disputing the hardships of life in the country. Hodder and Stoughton hardcover
198934151Bibliographical Society of the University of Virginia Charlottesville VA 1989. Folio First Edition with 16pp of facsimiles; green boards upper board with label primnted in gilt green cloth back lettered in gilt green endpapers small scuff-mark on upper board else a near fine copy. Bibliographical Society of the University of Virginia, Charlottesville VA, hardcover
196711023<p>Heinemann. London. 1967. Reprint. This edition originally published in 1963. 8vo. 7.2 x 4.9 inches. vi 194pp. Finely bound by Bayntun-Riviere in attractive full red calf binding. Spine with raised bands each decorated with gilt wavy lines. Compartments double ruled and decorated in gilt. Blue morocco label gilt. Board edges and turn-ins with decorative floral gilt tooling. All edges gilt. Marbled endpapers. Overall a lovely highly attractive volume.</p> Heinemann. London. 1967 hardcover
1911904682New York: The Sentury Co. 1911 A Lovely Solid Book No Marks Or Inscriptions. All Three Block Edges Bright Gilt. Black Leather Covered Boards With Gilt Title On Spine And Gilt Shakespeare's Name On Front Board. Minor Rubbing To Edges With A Little Fraying To Top Edge. Spine Has Small Triangle Missing From Top Rear Otherwise In Excellent Condition.A Beautful Complete Works Of Shakespeare! The Sentury Co. hardcover
193527293London: Oxford University Press 1935. Early printing of the edition. Illustrated with a black and white frontispiece of Shakespeare. 8vo beautifully bound in full dark-green crushed morocco the spine with raised bands richly gilt separating compartments with fully gilt panels incorporated broad central gilt tools and elaborate borders one compartment lettered in gilt the covers fully gilt with elaborately tooled borders enclosing very finely and broadly tooled inner designs in gilt all edges gilt end-leaves of fine marbled paper. 1352 pp. including a very extensive glossary. A very fine copy especially well preserved very handsome and a beautifully bound book. A WONDERFUL COLLECTION OF THE COMPLETE WORKS OF THE VENERABLE BARD. Besides of full complement of the plays the Sonnets and the longer poems are all included. There is a fine glossary an index of first lines and an index of characters. Oxford University Press hardcover
192033912London: Thomas Nelson & Sons ca.1920. 6 volumes. A sweet little set printed by Nelson around the turn of the century. With a colour frontispiece illustration to each volume. Small 8vo publisher's original soft flexible crimson leather the spines lettered and decorated in gilt the covers blocked in blind top edges gilt. A sweet little set with some rubbing to the bindings and a bit of wear to the extremities some cracking to the hinge of Volume 6. The text-blocks are all in very good order. THE EDITION OF SHAKESPEARE'S DRAMATIC AND POETIC WORKS PUBLISHED BY THOMAS NELSON. All of Shakespeare's plays including Pericles are found within the set.<br> Included also are the most famous of the poetical works: Venus and Adonis The Rape of Lucrece The Sonnets A Lover's Complaint and The Passionate Pilgrim. Thomas Nelson & Sons hardcover
1996120325<p>London: W. W. Norton / Folio Society. Fine with no dust jacket. 1996. 1st Thus; Second Printing. Hardcover. Near AS NEW. Bound in quarter bonded leather with 5 raised bands and gilt decoration and titling to the compartments with pictorial cloth boards. Housed in the Original Gilt Titled paper-covered strong card SLIPCASE. VERY slight storage marks to the slipcase and one bumped/ marked corner. This edition was designed and produced by the Folio Society in 2001 and 2006 using the sheets from W. W. Norton as a 'brought in' volume but it does not have the Folio Society imprint. This is the second edition of the Norton facsimile of Shakespeare's First Folio of 1623 printed by Blount and Jaggard. With two introductions explaining the origins printing methods and modern scholarship of the First Folio. NO Inscriptions or marks. Near AS NEW. An Excellent copy. This book is Large Folio Sized and overweight and will almost certainly require extra postage depending on your location. See Images. ; Large Folio 14" - 15" tall .</p> W. W. Norton / Folio Society, hardcover
196830913Paul Hamlyn 1968. Folio First Edition thus with full-page facsimiles throughout; green cloth gilt back a near fine copy in publisher's board slip-case the latter mildly age-soiled and worn and frayed at extremities. Paul Hamlyn, hardcover
19104812<p>William Heinemann. London. 1910. FIRST THOMSON EDITION. 4to. Illustrated throughout with forty fine full colour plates each mounted onto thicker art paper and with a printed tissue guard cover. A very good copy in a fine leather binding of half dark blue morocco spine with raised bands ruled lettered & decorated in gilt. Blue cloth on the boards. To edge gilt.</p> William Heinemann. London. 1910 hardcover
196834798New York: W. W. Norton 1968. The First Issuance of the famous Norton Facsimile this copy with the original prospectus. photographically rendered facsimile of the First Folio of Shakespeare 1623. Folio publisher's full red morocco over red cloth covered boards in protective slipcase the spine with raised bands gilt ruled the compartments lettered and decorated in gilt ribbon marker red decorated endpapers. xxxvii 928 pp. A pristine copy as mint. AN IMPORTANT PRINTING AND PUBLISHING EVENT. Because of the peculiarities regarding the printing of the First Folio of the eighty or so copies at the Folger Library no two copies are identical. Professor Hinman was able to collate the Folger copies and discover all the variant readings and corrections made during the print run and for this facsimile he provides the finally corrected state of every page. As the advertisement states this is "a facsimile not of 'a' Folio but 'the' Folio." Each page is photographically reproduced without retouching or opaquing in the original size.<br> Professor Hinman has provided a valuable introduction as well as a new standardized line-numbering which replaces the standard but quite faulty act-scene-line numbers of the old Globe edition of 1864. This edition also reproduces two original proof sheets with proofreader's marks. W. W. Norton hardcover
191130764London: J.M. Dent and Sons Limited 1911. 3 volumes. First of the edition and first with the illustrations by Sullivan. Beautifully illustrated with 39 gravures after original illustrations by E.J. Sullivan. Thick 8vo very handsomely bound in full red morocco and signed by Bayntun Riviere & Son with edges gilt the covers bordered with gilt fillet lines spines with raised bands with gilt rules at the borders separating the compartments which are decorated with center tools in gilt picturing symbols of the stage two compartments with gilt lettering feathered marbled endpapers all edges gilt. 14 848; 8 887; 8 982 pp. A marvelous set all gilt still handsome and bright the bindings as pristine and without wear. A VERY FINE AND HANDSOME SET. This is a well-glossed and intelligently edited set of Shakespeare’s plays complete with a biographical section about Shakespeare. This edition also contains a plethora of intricate and delightful illustrations by E.J. Sullivan. A truly beautiful set. J.M. Dent and Sons, Limited hardcover
1926046869London: William Heinemann and Doubleday 1926. First Edition. Hardcover Quarter Vellum. Near Fine Condition/Near Fine. Rackham Arthur. Vellum backed boards. Very slight discoloration to boards - just about fine in a very slightly age toned jacket Number 314 of 520 1-260 for the U.K. 261-520 for the U.S. 21 color plates one of which did not appear in the trade edition. Latimer 61 Size: Quarto 4to. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Top edge gilt in good condition. Illustrator: Rackham Arthur. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Theatre & Plays; Signed by Illustrator. Inventory No: 046869. William Heinemann and Doubleday hardcover