LA BRUYEREBiblio.com
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CS03<p>Paris chez Estienne Michallet premier Imprimeur Du Roy 1696. Avec Privilège de Sa Majesté.</p><p>12mo of 16 ll. 52 pp. 662 pp. xliv pp. of <em>Discours à l'Académie Françoise</em> 2 ll. of table 1 l. of privilege. Ruled copy.</p><p>Full black Jansenist morocco blind-stamped fillet around the covers spine ribbed inner gilt border decorated gilt paper lining and endleaves edges gilt. <em>Bound in contemporary black Jansenist morocco.</em></p><p>163 x 96 mm.</p><p>Last edition printed during La Bruyère's lifetime who died on the night of 10-11 may 1696 the ninth published and corrected by La Bruyère.</p><p>It consequently contains the text definitively adopted by him with his final corrections and served to fix the text of later editions.</p><p><em>"Between 1688 and 1696 La Bruyère published eight editions of the 'Caractères' with changes and additions in each. Bringing them together in the same library is of some interest and allows the bibliophile to follow the different phases through which this remarkable work passed. The eighth and ninth editions contain at least twice as much text as the first".</em> Le Petit.</p><p><em>"La Bruyère has no equal when it comes to isolating the word the gesture the 'tic' that suddenly betrays an entire character. He is better the closer he gets to the concrete. Not that he seeks singularity for its own sake: it is indeed common passions and general types that he is aiming for but always taken in the moment of their manifestation and within the framework of a particular society: not the abstract man but the courtier the grande dame the magistrate the financier the preacher of the century of Louis XIV on the beginning of its decline.</em></p><p><em>It is true that he did not set out to provide a historical account even though his depictions of manners reveal the growing domination of money which was in the process of breaking down the frameworks and traditions of old society. But La Bruyère's concrete and one might say photographic realism so well served by an agile and incisive style marks a transition between the great classics and the 18th century: in the end it takes us closer to Montesquieu and Voltaire than to Molière".</em></p><p>With huge margins height 163 mm this ruled copy is preserved as new in its strictly contemporary black morocco binding a particularly rare and refined state.</p><p>From <em>Patrice Madden</em>'s library with handwritten ex libris.</p><p><strong>FR</strong></p><p>Paris chez Estienne Michallet premier Imprimeur Du Roy 1696. Avec Privilège de Sa Majesté.</p><p>In-12 de 16 ff. 52 pp. 662 pp. xliv pp. de Discours à l'Académie Françoise 2 ff. de table 1 f. de privilège. Exemplaire réglé.<br />Plein maroquin noir janséniste filet à froid autour des plats dos à nerfs coupes ornées roulette dorée intérieure doublures et gardes de papier doré décoré tranches dorées. Reliure en maroquin noir janséniste de l'époque.</p><p>163 x 96 mm.</p><p>Dernière édition imprimée du vivant de La Bruyère mort dans la nuit du 10 au 11 mai 1696 la neuvième publiée et corrigée par La Bruyère.</p><p>Elle contient par conséquent le texte définitivement adopté par lui avec ses ultimes corrections et a servi pour fixer le texte des éditions postérieures.</p><p>" <em>Dans l'intervalle de 1688 à 1696 La Bruyère avait publié huit éditions des 'Caractères' avec des changements et des additions dans chacune. Leur réunion dans une même bibliothèque présente un certain intérêt et permet au bibliophile de suivre les différentes phases par lesquelles a passé cet ouvrage remarquable. La huitième et la neuvième édition renferment un texte au moins double de celui des premières. </em>" Le Petit.</p><p>" <em>La Bruyère n'a pas son pareil pour isoler le mot le geste le " tic " où se trahit d'un coup tout un caractère. Il est meilleur à mesure qu'il se rapproche du concret. Non qu'il recherche la singularité pour elle même : ce sont bien des passions communes et des types généraux qu'il vise mais toujours pris dans l'instant de leur manifestation et dans le cadre d'une société particulière : non l'homme abstrait mais le courtisan la grande dame le magistrat le financier le prédicateur du siècle de Louis xiv sur le commencement de son déclin.</em><br /><em>Il n'a certes pas songé à donner un témoignage historique quoiqu'on devine à travers ses tableaux de mœurs cette domination croissante de l'argent qui était en train de faire craquer les cadres et les traditions de l'ancienne société. Mais le réalisme concret et pourrait-on dire photographique de La Bruyère si bien servi par un style agile et incisif marque à lui seul une transition entre les grands classiques et le XVIIIe siècle : il nous mène finalement plus près de Montesquieu et de Voltaire que de Molière</em> ".<br /><br />Immense de marges hauteur 163 mm cet exemplaire réglé à l'état de neuf est conservé dans sa reliure en maroquin noir strictement d'époque teinte particulièrement rare et raffinée.</p><p>De la bibliothèque<em> Patrice Madden</em> avec ex-libris calligraphié.</p>
182432033-136Paris Lefèvre 1824. With engr. portrait of the author. 2 leaves 432 pp. 1 leaf; 2 leaves 408 pp. Large 8vo. 19th-century polished calf over four raised bands spines gilt with 2 gilt-lettered black morocco labels inner and outer edges gilt covers surrounded by black fillet with tiny gilt corner fleurons and blind-stamped ornamental border rhomboid blind-stamped center ornament partly uncut two light stains black fillet parly rubbed. Paris Lefèvre 1824. "Collection des Classiques François". Valuable 19th-century edition of La Bruyère's "Caractères" with the preliminary notes on the author and his work by L. S. Auger and J. Schweighaeuser which were first published in the 32mo edition of the previous year. La Bruyère's 1645-1696 work 1688 is a vivacious and lucid satirical description of the French aristocracy up to the end of the reign of King Louis XIV. Starting with a translation of Theophrast's "Characters" La Bruyère added more and more of his own critical observations with each edition thereby making numerous enemies. Nevertheless he was accepted as a member at the "Académie Française" in 1693. - Very slight brownig to the uncut margins. A wide-margined copy in a fine binding. - Quérard La France littéraire 352; Vicaire IV 786. LITERATURE: FRENCH ; Paris, Lefèvre hardcover
93715Paris Librairie des Bibliophiles 1872 73. 8° radiertes Fronti. Portrait des Autors XLVIII 296 S.; 324 S Brauner Maroquin-Bd. der Zeit signiert: Hardy Buchrücken goldgeprägt Rundumgoldschnitt. Vorsätze m. reicher floraler Zierleiste u. marmoriertem Papier. Ein Band min. beschienen sehr schöne Exemplare. Nr. 91 von 100 numerierten Exemplaren auf Whatman-Papier. Das Portrait vom franz. Maler François Léopold Flameng 1856 -1923.Über den pariser Buchbinder Hardy ist leider wenig bekannt- Jean de La Bruyère 1645-1696 war ein französischer Schriftsteller. Der als Moralist zu den großen französischen Klassikern gerechnete Autor stammte aus einer bürgerlichen wohl erst seit kurzem in Paris ansässigen Familie und erhielt nach einem Jurastudium in Orléans 1665 die Zulassung als Anwalt am höchsten Pariser Gericht dem Parlement. 1671 beerbte er mit seinen drei jüngeren Geschwistern einen reichen Onkel und kaufte 1673 in Caen ein Amt in der Finanzverwaltung das ihn pro forma adelte ihm aber keine Präsenz vor Ort abverlangte. Er lebte vielmehr weiter als Rentier in Paris und dilettierte als Privatgelehrter.Als Randfigur im hochadeligen Milieu wurde er zu dessen scharfem Beobachter und bereicherte in der Folge die Theophrastschen „Charaktere“ um die Darstellung sozialer Typen der eigenen Zeit wobei er mit Vorliebe bestimmte adelige und pseudoadelige Verhaltensweisen aber auch allgemeine menschlich-allzumenschliche Schwächen Manien und Ticks aufs Korn nahm. 1688 ließ er ein Bändchen erscheinen mit dem Titel «Les Caractères de Théophraste traduits du grec avec les caractères ou les mœurs de ce siècle».Das Werk war dank seiner Thematik seiner Einteilung in kurze gut lesbare Abschnitte sowie seiner pointierten oft ironischen Formulierungen sofort ein Erfolg und La Bruyère erweiterte es von einer zur nächsten der neun Auflagen die rasch aufeinander folgten; die letzte kurz nach seinem Tod. In Paris zirkulierten bald auch Schlüssel die einzelne Figuren als Porträts bekannter Zeitgenossen zu identifizieren versuchten. 010 Paris, Librairie des Bibliophiles, 1872, 73 unknown
1694elala1452Paris: Estienne Michallet 1694. 1694. 12mo. pp. 16 p.l. 716 xliv 8table & privilege. title in red & black with woodcut vignette. engraved portrait. woodcut ornaments & initials. 19th century quarter calf gilt back scattered light foxing repaired tears in Cc7-8 with no loss of text. Eighth Enlarged Edition: the first complete edition of the text containing a total of 1120 characters 46 more than the previous edition. Also included here for the first time is La Bruyères discourse of admission to the lAcadémie Française in 1693 preceded by an apologetic preface. This is the second issue with corrected text and the added portrait of Theophrastus. La Bruyères scarcely veiled sarcastic portraits of his contemporaries brought him many readers and many enemies. "The short paragraphs of which his chapters consist are made up of maxims proper of criticisms literary and ethical and above all of the celebrated sketches of individuals baptized with names taken from the plays and romances of the time. These last are the great feature of the work and that which gave it its immediate if not its enduring popularity. They are wonderfully piquant extraordinarily life-like in a certain sense and must have given great pleasure or more frequently exquisite pain to the originals who were in many cases unmistakable and in most recognizable His abundant wit and his personal "malice" have done much to give him his rank in French literature but much must also be allowed to his purely literary merits. With Racine and Massillon he is probably the very best writer of what is somewhat arbitarily styled classical French." Encyc. Britann. 11th Edn. Brunet III 720. Cioranescu 37514. Goldsmith BM STC French T275 vide THEOPHRASTUS. Tchemerzine VI 322-24. cfQuérard IV 381. 1st Edition. Paris: Estienne Michallet, 1694. unknown
1699459217A Paris: Chez Estienne Michallet 1699. Hardcover. Very Good. Dixieme tenth edition. 12mo. pp. 32 52 662 xliv 6. Bound in contemporary mottled calf gilt spine in six compartments with leather titling label marbled endpapers edges stained red. Title page printed in red and black with Michallet’s monogram woodcut initials and head and tail-pieces. Small autograph note stamp and signature of a noted American psychologist on front fly leaf contemporary light marginal notes written in a neat hand the spine gilt is rubbed modest wear to the joints and edges of the boards about near fine. An attractive early edition of Jean de La Bruyère’s classic work one of the masterpieces of French literature in the original boards. Chez Estienne Michallet hardcover
1926B6935Paris: Rene Kieffer Ducros & Colas. 1926. Interior clean and crisp. Binding: Full original blind-stamped morocco boards in compartmentalized design with central radiating motif. Spine with 4 raised bands blind-tooled compartments and design matching boards gilt lettering. Marbled pasted and free endpapers. Top edges gilt. Front and bottom edges deckled. Notes: Limited edition 98/550.<br>Text in French.<br>Jean de la Bruyere 1645 – 1696 was a French philosopher and moralist noted for his satire. <br><br> Size: Quarto 285 x 200 mm Illustration: A fine example of this translation of Theoprastus the Greek philosopher and successor to Aristotle. With 19 plates of woodcuts after Georges Bruyer and many other vignettes and in-text illustrations. Bottom edges of leaves blind-stamped with publisher’s name. With Rene Kieffer’s label fixed to verso of front free endpaper and publication ticket-strip dated guarded at back. Pages: P. Blank 6. Pictorial title. Blank 3. Half title. Blank. Justification du Tirage. Blank. Title. Blank. P. 1-333. Blank. Colophon. Blank 4. Leaf with black pictorial stamp. Publisher’s ticket. Blank 6. Category: Book Classics; Book Caricatures; Book Philosophy; Rene Kieffer, Ducros & Colas. hardcover
192654664Paris: René Kieffer 1926. No. 92 of 550 copies. Illustrated with woodcuts after drawings by George Bruyer. 1 vols. 11-1/4 x 8 inches. Bound in full brown pigskin embossed and stamped with an abstract design on both covers spine similarly stamped and lettered in gilt marbled endpapers t.e.g. with the binder's ticket of RENé KIEFFER on verso of flyleaf. Fine copy in beautiful binding. No. 92 of 550 copies. Illustrated with woodcuts after drawings by George Bruyer. 1 vols. 11-1/4 x 8 inches. René Kieffer unknown
176585707A Paris: PanckouckeChez Hochereau 1765. Fine. Panckoucke Chez Hochereau A Paris 1765 21.80 x 29.10 cm relié New edition and first deluxe edition in quarto format on large Dutch paper. A handsome portrait of La Bruyère engraved by Cathelin as frontispiece. A title vignette by Gravelot and two fine headpieces by the same. Title page in red and black. Full contemporary glazed lavallière calf binding. Smooth spine decorated. Brown morocco title label. Upper joint split at head and tail with loss of leather. A few narrow cracks along the upper joint. Surface wear at bottom of upper board 2 small ones at bottom of lower board. Both upper corners discretely restored. Copy overall quite fresh printed on fine paper despite some scattered foxing. Fine and carefully produced edition reproducing the Costes edition of 1739 for the text and notes as well as the key to the Characters. The Discourse to the French Academy forms the final text. PanckouckeChez Hochereau hardcover
168955700à Lyon: Chez Thomas Amaulry 1689. Fine. Chez Thomas Amaulry à Lyon 1689 9 x 15.50 cm relié Fourth edition partly first edition as it was significantly expanded. The first three similar to each other appeared during 1688. The fourth edition is therefore considered the second first edition. It appeared simultaneously at the Parisian publisher Etienne Michallet who had indeed shared his privilege with Amaulry since the first editions. Title page in red and black. Half vellum 19th-century binding with corners. Spine with raised bands decorated with roulettes. Brown shagreen title label. Upper joint split at tail for 8 cm. Small split in vellum at lower joint at head. Rubbing. This fourth edition is the first to have been completed it indeed contains 764 remarks against 420 in the first and those that followed. The writing of the Caractères begins in 1670 but it is only after 17 years of work that La Bruyère decides to publish the Caractères he is however so unsure of success that he gives precedence to his translation of Theophrastus's Characters in the first editions and it will be necessary to wait for the fifth for the work of the Caractères to assert itself before that of Theophrastus and for La Bruyère to finally sign the edition with his name. Chez Thomas Amaulry hardcover
169126268à Paris: Chez Etienne Michallet 1691. Fine. Chez Etienne Michallet à Paris 1691 9 x 16.50 cm relié Sixth edition with some parts in first edition. It contains 54 new remarks compared to previous editions. Contemporary full brown sheep binding. Decorated spine with raised bands. Red morocco title label. Rubbing. The last endpaper has been pasted down over the privilege. 3 wormholes on the spine. La Bruyère's Characters was a dynamic work constantly evolving. While the first edition emphasized the translation of Theophrastus's Characters editions from the fourth in 1689 onward would include numerous additions; thus the fourth edition the first to have been completed contains 764 remarks compared to 420 in the first the sixth that we offer will count 997 compared to the original 420. The sixth edition 1691 grants for the first time a privileged place to the Characters having his translation of Theophrastus printed in smaller type and explicitly signing his work: in remark 14 of the chapter ""De quelques usages"" he replaces ""Geoffroy D"" with ""Geoffroy de la Bruyère"" the alleged high-born ancestor of the author. Chez Etienne Michallet hardcover
169954371à Paris: Chez Charles Osmont 1699. Fine. Chez Charles Osmont à Paris 1699 8 x 14 cm relié First edition rare. Contemporary full brown sheep binding spine with raised bands decorated with gilt fleurons. Headcaps eliminated joints of first cover lightly rubbed. Rear endpaper split very light worming to a few leaves without loss. All posthumous books by La Bruyère died in 1696 were completed by his editor Louis Ellies Dupin who wrote two dialogues for this work. La Bruyère takes part in this book in the theological quarrel between Bossuet and Fénelon defender of quietism. The author criticizes quietism in an ironic tone modeled on Pascal's provincial letters. First edition of a work by the famous author of the Caractères. Chez Charles Osmont hardcover
169824154<p><strong>1698 PASCAL Pensees Caracteres of Theophrastus French Philosophy Louis XIV</strong></p><p>Jean de La Bruyère was a 17th-century French philosopher best-known for his book '<em>The Caracteres'</em>. This philosophical 'novel' – a loose translation of Theophrastus maxims and sketches – was <strong>written to expose the corruption of the reign of Louis XIV</strong> by identifying the mental characteristics of people. Bruyere wanted to correct people's flaws particularly those with cruel behaviors or bad manners. This work was heavily influenced by a number of great thinkers including Montaigne and Pascal.</p><p>This 1698 edition appeared only a few years after the first – a book which garnered countless critics and enemies. <u>An important work of French philosophy during the reign of Louis XIV</u>.</p><p>Item number: #24154</p><p>Price: $599</p><p>LA BRUYERE Jean de</p><p><strong><em>Suite des caracteres de Theophraste et des PenseÌes de Mr. Pascal</em></strong></p><p>A La Haye: chez Adrian Moetjens 1698.</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages</p><p><!-- if !supportLists-->o <!--endif-->4 267 1</p><p><!-- if !supportLists-->· <!--endif-->Language: French</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~6in X 3.75in 15.5cm x 9.5cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>24154</p><p>Photos available upon request.</p> Adrian Moetjens hardcover
169956019Paris: Chez Charles Osmont 1699. First edition. Title page with printer's device. 11 leaves 382 2 pp. 1 vols. 12mo. Contemporary speckled calf gilt spine leather label marbled endpapers. Fine. First edition. Title page with printer's device. 11 leaves 382 2 pp. 1 vols. 12mo. Posthumous attack on the quietists by the immortal author of Les "Caractères" de Thèophraste 1688. After his death in 1696 La Bryère's work was completed by the editor Louis Ellis du Pin who wrote the final two dialogues "pour remplir le dessein de l'Auteur" and had them published. Brunet III: 723 Chez Charles Osmont unknown
188517401New York: Scribner & Welford John C. Nimmo London Ballantyne Press 1885. One of 300 copies printed. This is number 46. 24 Etchings by B. Damman and V. Foulquier plates on tissue tipped in. 1 vols. 8vo. Black morocco gilt cornerpieces. Upper joint neatly repaired some light rubbing and light offsetting else a good handsome copy of this work. One of 300 copies printed. This is number 46. 24 Etchings by B. Damman and V. Foulquier plates on tissue tipped in. 1 vols. 8vo. This was originally published in 1688 as "Caractères de Théophraste traduits du grec avec les Caractères ou les Moeurs de ce siècle." The original contributions by La Bruyère are primarily observations on character and conduct describing portraits of people and their failings many were thinly disguised descriptions of living people. It was first translated into English in 1699 and is credited with greatly having influenced the English essayists of that time. Scribner & Welford, John C. Nimmo, London [Ballantyne Press] unknown
169928937<p>Published posthumously in 1699 Jean de La Bruyère's Dialogues Posthumes examines the suppression of Quietism within the Catholic Church through satirical dialogues. Though critical in tone the text displays moments of literary sympathy toward Fénelon a central figure in the Quietist debate. As a first edition the book marks a distinct intersection of religious conflict and rhetorical strategy during the late 17th century. Good. Full leather binding shows modest corner rubbing with the text block firm and complete. Sextodecimo 16mo single volume. Collation: 11 382pp 1. No illustrations. First edition. References: not cited. #28937. PHOTOS AVAILABLE UPON REQUEST.</p> Charles Osmont hardcover
1765294244Paris: Hochereau & Panckoucke 1765. hardcover. very good. Text in French. Copperplate frontispiece portrait and rubricated title with small engraved vignette. 484 pages. Thick 4to full mottled calf marbled endpapers all edges gilt with ornately gilt spine slight wear. Paris: Chez Hochereau et Panckoucke 1765. Very good.<br/> <br/> Hochereau & Panckoucke unknown
169917221à Paris: Chez Charles Osmont 1699. Fine. Chez Charles Osmont à Paris 1699 10 x 16.50 cm relié First edition. Tchemerzine VI 331. Contemporary full brown sheep binding. Decorated spine with raised bands. Worn headcaps. Overall rubbing. Large brown stain on upper cover. 3 corners slightly bumped. Pp. 158 to 168 foxed. All posthumous works by La Bruyère died in 1696 were completed by his editor Louis Ellies Dupin who wrote two dialogues for this work. La Bruyère takes part in this book in the theological quarrel between Bossuet and Fénelon defender of quietism. The author criticizes quietism in an ironic tone modeled on Pascal's Provincial Letters. Chez Charles Osmont hardcover
170114921Amsterdam 1701. Tome second. Beigebunden: Pascal Blaise; Suite des Caracteres de Theophraste et des Pensées 2 Bde. in einem Unbeschn. Dadurch etwas Verlust und kleine Risse an den auslaufenden Rändern Brunet III 720 8°. Pbd. marm. Literatur unknown
1868007737Paris: D. Jouaust 1868. Book. Near Fine. Morocco. Limited and Numbered Edition. 12mo - over 6¾" - 7¾" tall. Limited and Numbered Edition this one of only 12 copies # 12 on papier du Chine there were 2 copies printed on parchment 12 on Whatman paper and 500 on papier du verge. This copy additionally contains bound in the original prospectus of the series "Le Cabinet du Bibliophile" of which this is # 1. 4 x Errata 224 pp. Edited and published by D. Jouaust containing a true reprint of the original text of 1688. Finely bound by J. Larkins signed verso front flyleaf in contemporary full carmel crushed moroccom covers with gilt rules back in six compartments with second and third containing title and publisher the other four with a central gilt flower bordered by ornate gilt wide ornate gilt dentelles all edges gilt marbled end papers. Near Fine the binding Fine internally foxed at plain paper end pages no foxing to China paper. Prior owner names in pencil front end page old bookseller's description pasted to verso front flyleaf with the number 12 in pencil below that. Numbered 523 at limitation page nonetheless one of only 12 in papier du Chine and a lovely copy at that. D. Jouaust Hardcover
1885294045London: John Nimmo 1885. hardcover. very good. Translated by Henri Van Laun. 24 etchings by B. Damman and V. Foulquier 7 full page with tissue guards. 494 pages. Thick 8vo 3/4 burgundy morocco; spine lightly faded with 2 small spots one corner rubbed internally fine. London: John Nimmo 1885. Very good.<br/> <br/> Handsomely illustrated edition of fictional character studies based on actual people. One of 300 numbered copies.<br/> <br/> John Nimmo unknown
6j6815F. Changuion Amsterdam 1741. 580/487 Seiten Halbpergament der Zeit etwas fleckig und bestossen/Name auf Vorsatz/Rücken gebräunt. - Nicht bei Brunet/La Bruyere 1645 - 96 verbindet eine Übersetzung der Charaktere des Theophrast mit Charakter- und Sittenschilderungen seiner Zeit besonders des Hofes Ludwigs XIV und entwickelt in aphoistischer Form eine pessimistische Lebensphilosophie in knappem Stil in dessen Nachfolge der sozial- und zeitkritische Essay sich zur eigenständigen Gattung entwickelte - unknown
18672774Tours 1867. Royal8vo. Nice cont.hmoroccorichly gilt back. Uncut. IX403 pp. Engr.portr.loose and 18 fine en gravings. A few brownspots. unknown
177633304London: J. Bell 1776. Near very good condition; Front outer hinges cracked but binding sound; Edge and corner wear; Prelim page edges toned . pp. ix 1 311 247; Contemporary calf with raised bands gilt decorations and red and green spine labels. J. Bell unknown
1885121414London: John Nimmo 1885. hardcover. Translated by Henri Van Laun. 24 etchings by B. Damman and V. Foulquier 7 full page with tissue guards. 494pp. 8vo 3/4 tan morocco; spine rubbed internally fine. London: John Nimmo 1885. Very good .<br/> <br/> Handsomely illustrated edition of fictional character studies based on actual people. One of 300 numbered copies.<br/> <br/> John Nimmo unknown
1716118817Lyon : Boudet Declaustre Deville et Delaroche 1716. 165x100mm. frontispice 2 ff. - CXII - 352 pages - 2 ff. 1 ff. - pages 353 ˆ 816 1 ff. - 500 pages 1 ff. - 401 pages bandeaux lettrines culs-de-lampe reliure plein veau marbrÂŽ de lՎpoque avec piÂce de titre et tomaison et caissons ornÂŽs dorÂŽs au dos ˆ cinq nerfs tranches jaspÂŽes. Ex-libris : De Surbeck Aide Major aux Gardes Suisses. 1259 Boudet, Declaustre, Deville, et Delaroche unknown
