18 167 résultats
192912422Paris: Shakespeare and Company Sylvia Beach. Poor. 1929. First Edition. Softcover. Front cover evenly detached; chips with loss to leading edges of front & back cover; loss of up to 1" bottom of spine; covers soiled; moderate tanning to text pages. Holding tight in spite it all. ; Printed wrappers. ; 8vo 8" - 9" tall; 194 pages . Shakespeare and Company, Sylvia Beach paperback
192925938Paris: Shakespeare and Company Sylvia Beach 1929. First edition. 3-194 2 p. 191 x 140 mm. 7 1/2 x 5 1/2 in. Original printed paper wrappers. Copy no. 60 of 96 numbered copies printed on Arches paper. Mogens Boisen's copy the Danish translator of Ulysses inscribed to him by Sylvia Beach and with two letters from him to a former owner explaining the circumstances. Small chip from rear wrapper edge light creasing on front wrapper otherwise a fine copy. In a folding box with the announcement. "Dante.Bruno. Vico.Joyce" published here constitutes Samuel Beckett's first appearance in print. Shakespeare and Company, Sylvia Beach unknown
192922015Paris: Shakespeare And Company 1929. First edition. One of 96 numbered copies printed on Arches paper. Our Exagmination contains brief quotations from Work In Progress including a passage concerning Swift and blindness which was not later incorporated in Finnegans Wake. The ‘Letters of Protest' are reputed to have been written by Joyce himself. Slocum & Cahoon B10. Also includes Samuel Beckett's first appearance in print his essay on Joyce entitled "Dante Bruno Vico Joyce." The present copy belonged to Mogens Boisen the Danish translator of Ulysses and is inscribed to him by Sylvia Beach. It also includes two letters from him to a former owner explaining the circumstances whereby he was given the book. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. 8vo original printed wrappers. Small chip from rear wrapper front wrapper lightly creased otherwise a fine copy with two copies of the publication announcement preserved in a folding board box. Shakespeare And Company unknown
2A9422Verschiedene Auflagen und Verlage 1985-2013. Insgesamt ca. 2600 S. mit Abbildungen verschiedene Einbände teils quart/quart-quer 1 Band Stempel auf unterem Schnitt. - sonst gute Exemplare / Enthalten: Die Katzen von Kopenhagen; James Joyce Illustriert von Wolf Erlbruch / Deutsch von Harry Rowohlt / James Joyce A to Z. An Encyclopedic Guide to his Life and Work; A. Nicholas Fargnoli and Michael Patrick Gillespie Text englisch / Joyce Images; Edited by Greg Vitiello. Introduction by Anthony Burgess Text englisch / James Joyce Finnegans Wehg. Kainnäh ÜbelSätzZung des Wehrkeß fun Schämes Scheuß; Dieter H. Stündel / James Joyce Irland; Fotos von Alain Le Garsmeur. Texte zusammengestellt von Bernard McCabe / James Joyce; Chester G. Anderson Thames and Hudson - Literary Lives / Text englisch / Three Days with Joyce; Preface by Richard Ellmann. Photographs by Gisèle Freund / James Joyce; Edna O'Brien Aus dem Englischen von Holger Fließbach unter Mitarbeit von Christoph Nettersheim / James Joyce - Briefe an Sylvia Beach 1921 - 1940; Herausgegeben von Melissa Banta und Oscar A. Silverman Aus dem Englischen von Claudia Bodmer und Michel Bodmer / Nora - Das Leben von Nora Joyce; Brenda Maddox; Aus dem Englischen von Karin Kersten - unknown
1926345989New York / Birmingham England: J. Fischer & Bro 1926. First edition Low B No. 5774 issue. 4 pp. 4to. Unbound folio wrappers with small chip at lower corner circa one-quarter inch in blank margin of corner only former ownership in black ink on top right original seller's stamp at lower right rear cover has one small tear with a small ink blot at upper blank margin toning at upper fore-edge else a very good copy. First edition Low B No. 5774 issue. 4 pp. 4to. A scarce early James Joyce sheet music. OCLC lists a single holding British Library. J. Fischer & Bro unknown
1909470075Dublin / London: Hodges Figgis & Co. Ltd./ Henry Frowde Oxford University Press 1909. Hardcover. Near Fine. First edition an unrecorded thick-paper issue the sheets bulk approximately 1 7/16 inches. Edited by John Cooke. Octavo. 804pp. Green cloth stamped in gold. Contains three poems by James Joyce Slocum and Cahoon B3. This issue printed on heavy stock paper is an unrecorded variant not cited by Slocum with the following differences from Slocum: sheets bulk 1 7/16 inches instead of 1 9/32 inches top edge gilt instead of all edges gilt lower spine has publisher's name in two lines instead of the three lines as cited in Slocum. Owner's ink name dated 1960 on front flyleaf front cover has light discoloration else a near fine copy. Hodges, Figgis & Co., Ltd./ Henry Frowde, Oxford University Press hardcover
1909470074Dublin / London: Hodges Figgis & Co. Ltd./ Henry Frowde Oxford University Press 1909. Hardcover. Near Fine. First edition an unrecorded thick-paper issue the sheets bulk approximately 1 7/16 inches. Edited by John Cooke. Octavo. 804pp. Green cloth stamped in gold. Contains three poems by James Joyce Slocum and Cahoon B3. This issue printed on heavy stock paper is an unrecorded variant not cited by Slocum with the following differences from Slocum: sheets bulk 1 7/16 inches instead of 1 9/32 inches top edge gilt instead of all edges gilt lower spine has publisher's name in two lines instead of the three lines as cited in Slocum. Bookplate on front pastedown front cover has slight wear at tip of one corner spine gilt a bit rubbed and dull owner's bookplate on front pastedown else a bright and near fine copy. Hodges, Figgis & Co., Ltd./ Henry Frowde, Oxford University Press hardcover
1918517072London: The Egoist 1918. Softcover. Good. No. 2 Vol. V February 1918. Editor: Harriet Shaw Weaver. Assistant Editor: T.S. Eliot. Quarto. 18-32pp. Stapled wrappers. The wrappers are detached as are most of the pages but the issue is complete edgewear with chips and tears to the brittle paper and toning a good only copy. Features the poem "Apathy" by Richard Aldington "On the Intellectual Plane" by Horace B. Samuel and more including an excerpt from "Il Marzocco" an Italian review of A Portrait of the Artist As a Young Man by James Joyce translated from the Italian into English by Joyce himself Slocum and Cahoon C52. The review is quite positive and enthusiastic one passage reads in part "His book is not alone an admirable work of art and thought; it is also a cry of revolt: it is the desire of a new artist to look upon the world with other eyes to bring to the front his individual theories and to compel a listless public to reflect that there are another literature and another esthetic apprehension beyond those foisted upon us. The Egoist unknown
26614New York: Persea Books 1985. First Edition. Cloth. Fine/Fine. First Edition. Cloth. First Edition. Review Copy with the publisher's material laid-in. A fine copy in black cloth gilt titles to the spine in a fine pictorial dustwrapper portraying James Joyce. With an introduction by Joyce biographer Richard Ellmann. Square 8vo. 70 pp. Freund's stunning now famous photographs of Joyce throughout. Size: 8vo - over 7¾" - 9¾" tall. New York: Persea Books, (1985) unknown
195910590London: Abelard-Schuman 1959 1959. 1st Edition. Hardcover. Dust Jacket Included. 1st Edition. Hardcover. First Edition. 8vo. A fine copy in a dustwrapper showing light use. London: Abelard-Schuman (1959) hardcover
22608-Cambridge University Press 1998-. First edition. xi247 pages with index. Cloth. Fine in dustjacket. In Transcultural Joyce a team of leading international scholars assess the afterlife of James Joyce and his writings within a multinational context. How does Joyce haunt the works of later writers in diverse literary traditions How well does he translate from one culture and language to another This book consider Joyce’s reincarnations in texts from Latin America Europe and South Asia. Transcultural Joyce provides a fresh theoretical examination of conventional notions such as ‘influence’ and ‘translation’ and asks how Joyce is imported across particular cultural boundaries. As a canonical modernist and colonial subject Joyce inhabits a borderline position that complicates his reception and revision by later writers. This book accounts for his cultural place as specifically Irish and more postcolonial than previous studies have acknowledged. Scholars and translators of Joyce also consider the formidable task of translating his work for a global audience. Transcultural Joyce oxbridge 0521621097 -Cambridge University Press, 1998- hardcover
1926511478New York: Two Worlds 1926. Softcover. Very Good. First edition. 397-566pp. Printed wrappers. Text block edges lightly foxed covers lightly soiled with corners slightly bumped spine creased still very good in about very good publisher's paper-covered slipcase box with moderate wear and two short tears along top edge and a few nicks. Limited to 500 copies this copy unnumbered. Contains a pirated episode of Joyce's Work in Progress S&C C65 and contributions by Frank Harris Max Beerbohm Carol Rakosi Author Symons and more. Two Worlds unknown
1926511475New York: Two Worlds 1926. Softcover. Very Good. First edition. 255-396pp. Printed wrappers. A few pages and text block edges a bit foxed covers lightly soiled with a few small abrasions spine slightly faded still very good in very good publisher's paper-covered slipcase with a short bumped tear at one corner and a few nicks. Limited to 500 copies this one unnumbered. Contains a pirated episode of Joyce's "Work in Progress" S&C C65; additional contributions by Arthur Symonds William Hazlitt D.H. Lawrence and more. Two Worlds) unknown
14362-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen. Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce bxd 0838754465 -Bucknell University Press, 2001- hardcover
14364-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen. Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce 0838754465 -Bucknell University Press, 2001- hardcover
14363-Bucknell University Press 2001-. First edition. 222 pages with index. Cloth. Fine in fine dustjacket. This study makes the case that the novel's intricate self-consciousness begins as a very recognizable story: the 'Kunstlerroman.' In such a reading Ulysses emerges as the story of the time-obsessed Stephen Dedalus who desires to compose a masterful chronicle that will one day rival the timeless narratives of Ovid and Homer. McBride's analysis treats at length Stephen's poetic theories and compositions examinig them as clear forerunners to the novel that the reader is reading. The culminating point is the claim that the figures of Leopold and Molly Bloom may be elaborate fictions created by Stephen Ulysses and the Metamorphosis of Stephen Dedalus. James Joyce bxd 0838754465 -Bucknell University Press, 2001- hardcover
19574587New York: New Directions 1957. First Edition thus. Hardcover. Very Good/Very Good. First Edition thus with introduction by Edel. Very good copy in a very good dust jacket. Perhaps too much has been made of this book being Joyce's inspiration for his stream-of-consciousness method but Dujardin's minor place as a point of interest to Joyce scholars is nevertheless secure. Joyce first read the book in French in 1902; it was republished in 1924 soon after Joyce acknowledged its importance to him. This copy has been inscribed by Leon Edel who has provided an introduction for this edition: "Fredrica Laudon with fond memories of our talks last summer in Edgarton and the affectionate regards of Leon Edel. New York 1958." <br/><br/> New Directions hardcover
1983125403Houghton Mifflin 1983. First Edition. hardcover. Very Good. 5x1x8. Signed by Author. First edition first printing. Author inscribed to previous owner John Sampas who was Kerouac's brother in law and the literary representative of the Kerouac estate and signed. Tight binding text unmarked price intact jacket shows very light shelf wear. Please email for photos. Houghton Mifflin hardcover
1910012561New York: Moods Publishing 1910. First Edition. Hardcover. Corners worn some typical edgewear. Front hinge cracked; paper on spine largely lacking; contents Very Good. Full parchment lettered in gilt. Copy #16 of only 50 autographed copies of a total edition of 500. This copy SIGNED by the editor Edwin Markham and 22 contributors including Louis Untermeyer and Joyce Kilmer a very scarce autograph as he was killed in World War I. This anthology predates both Kilmer's and Untermeyer's first books. <br/><br/> Moods Publishing hardcover
197856589New York: Pach Brothers 1978. Silver print mounted on studio's board signed on mount by the author in ink and stamp-signed by the studio. 9-1/4 x 6-1/4 inches image. Mount slightly chipped image fine. Silver print mounted on studio's board signed on mount by the author in ink and stamp-signed by the studio. 9-1/4 x 6-1/4 inches image. A fine early portrait of the young author -- one of America's most gifted writers of the latter half of the 20th century -- by the historic commercial New York photography studio the Pach Brothers. Oates won the National Book Award in 1970 for her novel THEM and the photograph was probably taken around the time of her emergence as a major literary figure. An unusual image of Oates in formal pose WITHOUT THE GLASSES and rarely seen. Pach Brothers unknown
1961511166Milano: Lerici & Scheiwiller 1961. Softcover. Near Fine. First Italian edition of The Cantos of Ezra Pound Some Testimonies. Narrow octavo. 15pp. printed on very thin paper. Text in Italian. Stapled self-wrappers. A bit of creasing at the spine base front cover with a small area of very slight discoloration and two tiny foredge nicks a near fine of a delicate pamphlet. Prints remarks on Pound's Cantos by James Joyce T. S. Eliot Ford Madox Ford William Carlos Williams Ernest Hemingway Archibald MacLeish and Allen Tate. First published in English nearly 30 years prior; Pound had been in Italy for about three years when this pamphlet was published almost certainly to advertise the Italian-language publication of his first 30 cantos translated by his daughter Mary de Rachewiltz and published by Lerici & Scheiwiller the same year. Reportedly Lerici & Scheiwiller were the first to publish Pound Langston Hughes Antonio Machado Norman Mailer W.H. Auden Henry Roth and Isaac Bashevis Singer in Italian. Very uncommon. Lerici & Scheiwiller unknown
1969542435London and New York: Transatlantic Review 1969. Softcover. Near Fine. Number 32. Glossy wrappers. Slightly sunned spine with light toning at the edge of wraps near fine. Order form laid in. Includes the first appearance of "Cemeteries" by John Updike and "A Benignant Growth" by Anthony Burgess. Addition contributions by: Joyce Carol Oates Muriel Rukeyser Ted Hughes Robert Graves and more. Transatlantic Review unknown
19832111902161000319Not Available 1983. Soft Cover. Fine. The book is in fine condition. Not Available paperback
2005B15KS1171Tate Publishing London 2005. 1st Edition. HARDCOVER. Large square 4to in brown velvet covered boards gilt lettering to spine and front cover with tipped-on colour plate to front cover as issued 91pp colour plates etc __CONDITION : A well preserved almost AS NEW unmarked copy slight indentations to velvet on front cover. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Photo books type DbbPHOTO in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Tate Publishing, London hardcover
191659275Albany NY: Matthew Bender & Co. 1916. Tall thick 8vo. xxxii 576 pp. Tan buckram red & black & gilt morocco spine labels some scuffing edgewear very minor shelfwear still NF copy from the library of Progressive Era Portland OR attorney Carl J. Smith. Fourth edition substantially revised & expanded of the first work on automobile law and decisions published in the United States with substantial revisions due to court decisions after 1906 removing the automobile from being classified as an agency dangerous per se and classed with combustibles explosives inflammable substances and fire arms as well as removing owner liability from accidents or acts committed by chauffeur or borrower of the automobile. This edition expands upon the idea that automobile manufacturers were required now to place reliable and safe equipment on their machines but also addressed the exploding use of automobiles as common carriers or “Jitneys†as well as increased legal decisions regarding automobile and driver specific insurance coverage. Matthew Bender & Co., hardcover
