Joyce james

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Joyce, WilliamBiblio.com

The Leaf Men and the Brave Good Bugs

JOYCE, JamesBiblio.com

Tales Told of Shem and Shaun. Three Fragments from Work in Progress.

19294072Paris: The Black Sun Press 1929. First edition. Number 38 of 100 copies on Japanese Vellum signed by the author. 4to. 212x168mm. 8 XV 1 55 3. Original cream paper wrappers lettered in black and red to upper cover and spine and with 'black sun' motif on the lower cover. Original glassine wrapper. Slight chipping to head of spine and there are some tears to the glassine wrapper at the spine and to the front wrapper but overall in very good condition. Internally excellent with only very minor marking in a few places. Housed in the cardboard slipcase covered with green paper and edged in silver paper to which there is some slight marking and wear to the edges. Signed on the half title by James Joyce in black ink and illustrated with Constantin Brancusi's etching Symbole de Joyce intended by the artist to capture Joyce's "sens du pousser" and described as "a portrait as abstract as the author's text". With a preface by C.K.Ogden who in the same year as the publication of Shem and Shaun arranged a recording of Joyce reading from Anna Livia Plurabelle the first published section of Work in Progress. In an interview of 1936 Joyce said "I haven't lived a normal life since 1922 when I began Work in Progress. It requires an enormous amount of concentration.Since 1922 my book has become more real to me than reality and everything has led to it". "My book" is Finnegans Wake to which during its seventeen year gestation Joyce gave the name Work in Progress. In the late 1920s Joyce published three sections of Work in Progress: Tales Told of Shem and Shaun is the second. Reviews concentrated on the Joyce's verbal brilliance while noting its limited appeal. To H.G.Wells Work in Progress was "an extraordinary experiment" but also "a dead end". Joyce was undeterred. In 1937 two years before the publication of Finnegans Wake Joyce said of "the few fragments which I have published" that they "have been enough to convince many critics that I have finally lost my mind.And perhaps it is madness to grind up words in order to extract their substance or to graft them one onto another to create crossbreeds and unknown variants to open up unsuspected possibilities for these words to marry sounds which were not usually joined together before although they were meant for one another to allow water to speak like water birds to chirp in the words of birds to liberate all sounds of rustling breaking arguing shouting cracking whistling creaking gurgling - from their servile contemptible role and to attach them to the feelers of expressions which grope for definitions of the undefined". Paris: The Black Sun Press 1929 hardcover

Voewood Rare Books · Royaume-Uni5 500,00 £GB≈ 6 279,90 €

Joyce JamesBiblio.com

ULYSSES

193630022London: John Lane The Bodley Head 1936. First Edition English Issuance First Authorized English edition one of 900 copies only printed on special Japon vellum papers probably the most beautiful First Edition of ULYSSES ever printed. Tall thick royal 8vo publisher’s original full green polished linen buckram with the gilt lettering and pictorial decoration of the gilt bow designed by Eric Gill on the upper cover and spine housed in the rare printed dustjacket lettered in black on the upper cover and on the spine and decorated with the bow in red on the spine panel. xvi 766 pp. A well preserved copy the covers of the green cloth in bright and beautiful condition without any of the fading typical to the book the back just a bit mellowed at the tips the dustjacket with the price still intact and showing some light aging and some evidence of use or handling but whole and without major defects or substantial wear some tidying up to the verso. A pleasing survival with all aspects of a collector’s demands in good order. A HIGHLY IMPORTANT LITERARY FIRST EDITION ARGUABLY THE GREATEST WORK OF FICTION OF THE 2OTH CENTURY RARE IN THE DUSTJACKET. This an extremely impressive copy of the first authorized English edition. IT IS ALSO THE FIRST EDITION of ULYSSES PRINTED IN GREAT BRITAIN. The superb binding executed in full polished linen buckram has been especially designed for this great book. DESIGNS FOR THE BINDING EXECUTED IN GILT WERE ACCOMPLISHED BY ERIC GILL ONE OF THE MOST GIFTED MASTERS OF THE ART. The typeface is extremely attractive and very readable the printing on fine paper makes the book unusually handsome and presents what is perhaps the most beautiful printing of ULYSSES ever accomplished. Along with the text there are a series of appendices attached including copies of the International Protest against the unauthorized and mutilated printings of ULYSSES done especially in the United States; a copy of the injunction issued to prevent Samuel Roth from continuing his piracies of ULYSSES; a copy of Joyce’s letter to Bennet Cerf concerning the promotion legal fight and publication of ULYSSES on the author’s behalf; a copy of the decision of the US District Court which was rendered on December 6 1933 which lifted the ban on ULYSSES and a copy of the subsequent decision of the US Court of Appeals rendered in August of the following year which upheld the original decision; a copy of the forward to the first American edition and a bibliography of the works of James Joyce. ULYSSES can be viewed as the pinnacle of the Modernist movement and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf John Dos Passos William Faulkner Samuel Beckett Malcolm Lowry and Anthony Burgess have all paid tribute consciously or unconsciously to Joyce's influence. Burgess as well pronounced it the greatest single work in the English literature of this century and he is not alone in that opinion. John Lane, The Bodley Head hardcover

Buddenbrooks, Inc. · États-Unis7 150,00 $US≈ 6 049,62 €

JOYCE, JamesBiblio.com

Ulysses LEC

193569620New York: The Limited Editions Club 1935. MATISSE Henri; LIMITED EDITIONS CLUBGILBERT Stuart. GILBERT Stuart contributor. LIMITED EDITIONS CLUB. MATISSE Henri illustrator. Ulysses LEC. With an introduction by Stuart Gilbert and illustrations by Henri Matisse. New York: The Limited Editions Club 1935. Full Description: MATISSE Henri illustrator. JOYCE James. Ulysses. With an introduction by Stuart Gilbert and illustrations by Henri Matisse. New York: Limited Editions Club 1935. Limited to 1500 numbered copies signed by Henri Matisse this being number 956. Quarto 11 5/8 x 9 inches; 295 x 230 mm. xv 3 363 7 blank pp. Twenty-six plates by Matisse consisting of six etchings printed by hand and twenty lithographic drawings made as studies for the etchings printed on thin colored papers. Original full brown buckram embossed in gilt on front board and spine from a design by LeRoy H. Appleton. Top edge speckled bottom edge uncut. Spine gilt just a bit darkened. Front inner with hair splint but firm. Small bookseller stickers on front and rear endpapers. With the publisher's original printed slipcase. Slipcase with some minor wear along edges. Still a near fine copy. "One of the very few American livres de peintres issued before World War II. According to George Macy who undertook this only American publication of Matisse's illustrations he asked the artist how many etchings the latter could provide for five thousand dollars. The artist chose to take six subjects from Homer's Odyssey. The preparatory drawings reproduced with the soft-ground etchings Matisse's only use of this medium record the evolution of the figures from vigorous sketches to closely knit if less spontaneous compositions." The Artist and the Book. "The text of Ulysses is printed in double columns throughout; the running title and pagination are printed in brown. The six etchings by Henri Matisse with their accompanying sketches on yellow and blue paper depict the Calypso Aeolus Cyclops Nausicaa Circe and Ithaca episodes. These six etchings were issued separately by the Print Club New York 1935 in an edition of 150 copies. The text of this edition is based on that of the Odyssey Press edition A20 second impression" Slocum and Cahoon. The Artist & the Book 197. LEC bibliography 71. Slocum and Cahoon A22. HBS 69620. $6500. The Limited Editions Club unknown

Heritage Book Shop, LLC · États-Unis6 500,00 $US≈ 5 499,65 €

JOYCE, JamesBiblio.com

Photographic Portrait of James Joyce by Berenice Abbott

193269434New York: Berenice Abbott 1932. JOYCE James; ABBOTT Berenice. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Bernice Abbott 1932. Full Description: JOYCE James. ABBOTT Berenice. Photographic Portrait of James Joyce by Berenice Abbott. New York: Berenice Abbott n.d. taken 1928. Original gelatin silver print portrait of Joyce taken by Abbott. Signed by the photographer in pencil in the lower right hand corner of the photograph. Mounted on stiff board. Abbott's stamp with her "50 Commerce Street NY" address on the verso of the mount. Image size: 13 x 10 1/8 inches; 330 x 260 mm. Some minor sunning around the perimeter of the photo. A tiny bit of scuffing to top and bottom edges. Otherwise about fine. This is the largest photo we can find of Joyce for the Commerce St. address. Swann Galleries who has had this photo before states "Circa 1932." This is a lovely and well-know portrait of author James Joyce. He is seated in Abbott's studio with a cane wearing a hat and his signature round-framed glasses. "Abbott photographed Joyce on two occasions the first in 1926 at his home in Paris and the second two years later in her studio. At the time of the sitting Joyce was struggling with teeth and eye problems and was struggling through completion of one of his best-known works Finnegan's Wake." "Berenice Alice Abbott July 17 1898 - December 9 1991 was an American photographer best known for her portraits of cultural figures of the interwar period New York City photographs of architecture and urban design of the 1930s and science interpretation of the 1940s to the 1960s." Wikipedia Abbott lived at 50 Commerce St. in NYC with her partner the influential art critic Elizabeth McCausland from 1935 to 1965. HBS 69434. $6000. Berenice Abbott unknown

Heritage Book Shop, LLC · États-Unis6 000,00 $US≈ 5 076,60 €

Joyce, JamesBiblio.com

A PORTRAIT OF THE ARTIST AS A YOUNG MAN Robert McAlmon's Copy

19211403270London: The Egoist Press 1921. Third Edition Thus. Hardcover. Octavo 299 pages. In Fair condition. Bound in green cloth boards. Cloth on spine missing; part of a page has been adhered to spine in its place. Rubbing to edges and corners of boards. Heavy soiling to rear board lighter soiling to front board. Writer and founder of publishing house Contact Editions Robert McAlmon's bookplate adhered to front pastedown. Pencil markings to "By the Same Writer" page. Soiling from rear board affecting textblock from page 288 to rear pastedown. Tearing to rear pastedown. Age toning throughout. SH consignment. Shelved case 2. Printed in the United States of America using sheets imported from B.W. Huebsch. Presumed given to William Bird either to read or for a project regarding Three Mountains Press. Robert McAlmon ran Contact Editions and typed and edited the handwritten manuscript of Ulysses by James Joyce. This copy was possibly used by McAlmon regarding The Egoist Press' 1922 publication of Ulysses. Bill Bird was an American publisher best known for running the Three Mountains Press a small press that published many prominent modernists in the 1920s including Ezra Pound Ernest Hemingway James Joyce William Carlos Williams and Robert McAlmon with Ezra Pound serving as editor. Over a period of two and a half years he published 9 works. Concurrently he founded Consolidated Press Service and worked there as a journalist from 1920-1933 when he joined the New York Sun as chief foreign correspondent. Forced to flee France after the Nazi invasion he wrote articles warning of war. After WWII he moved to Tangier and was the editor of the Tangier Gazette. This title was among Bird's private collection having been carted by him from Paris where he stayed until 1940 to Spain Tangiers and finally back to Paris and by descent to the US. 1403270. Shelved Dupont Bookstore. The Egoist Press hardcover

Second Story Books, ABAA · États-Unis5 000,00 $US≈ 4 230,50 €

Teriade, ed; Henri Matisse, Pablo Picasso, Marc Chagall, Joan Miro, James Joyce, Georges Bataille, Georges Braque, Pierre BonnarBiblio.com

VERVE VOLUME 1: ISSUES 1-4 4 Volume Complete Set: No. 1: December 1937; No. 2: Spring 1938 March-June; No. 3: October - December 1938; No 4: January - March 1939;

1937510540Verve 1937. First Edition. Paperback. FINE. Complete run of the first four issues of Teriade's legendary art magazine. Beginning with a stunning cover produced by Matisse for the first issue Verve would incorporate fresh artwork into its cover designed newly commissioned by artists such as Miro Picasso Chagall and other leading lights of the French art world. Each issue offered spectacular color lithographs printed by the Paris lithographers Mourlot. Early issues came in litho-printed card wrappers in boxes later volumes would be in paper-over board with litho covers. This choce allowed Teriade to feature the fresh lithographic artwork in the cover design but left the books themselves extremely fragile and succeptible to wear. Additionally the full-page lithographs have been continuous targets for art dealers looking to excise the plates. So condition seen here is quite rare with each volume preserved COMPLETE FINE with no signs of the wear and toning so commonly seen. 'The cover of Verve No. 1 is by Henri Matisse; it consists of three unmodulated colors--red blue and black--that the master cut directly from printers' ink specimen books. . Mattisse's cover for the first issue lithographed by Fernand Mourlot printers was an original work of art created expressly for the magazine--as would be practically all of the Verve's covers. . The painter took great pains to make sure that the cover would turn out exactly as he wished. . THe care Matisse lavished on what others might consider a minor undertaking was one of the hallmarks of Teriade's publications. How did he induce the greatest artists of this century to give the very best of themelves . Matisse and Teriade shared a common ideal. For both of them painting was life itself.' Michel Antonioz VERVE: The Ultimate Review of Art and Literature 35-36. Verve paperback

Arches Bookhouse · États-Unis4 950,00 $US≈ 4 188,20 €

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