1 073 résultats
ABE-4454427681Eugene Ionesco wrote Rhinoceros a play considered to be a masterpiece of the Theatre of the Absurd in which the inhabitants of a small provincial French town turn into rhinos. The only human who does not succumb to this is the central character and the play is often read as a response to the upsurge of totalitarianism. The play explores themes of conformity culture philosophy and morality. Peter Kettle painted this large image - 18"x35" - in response to the plays themes. He imagined a sculptor intending to create a monumental image of a rhinoceros beetle. The exquisite beetle is perched on a copy of the book and seemingly looking at the crude carving with contempt. Thus the viewer is taken a further step towards absurdity. Language: eng Language: eng 0.0 Language: eng 0.0 Language: eng 0.0 Language: eng. Signed by Author. No Binding. New. unknown
195930416Un des 13 exemplaires de tête dans une reliure à décor Paris, Gallimard, coll. « Le Manteau d'arlequin », (6 mai) 1959. 1 vol. (115 x 180 mm) de 198 p. et [5] f. Veau, box et cuir fantaisie en camaïeu de brun, décor mosaïqué passant sur le dos, titre à l'oeser au dos, date en pied, contreplats assortis, gardes de veau bleu, tranches dorées sur témoins, couvertures et dos conservés, chemise et étui (reliure signée de C. Léonard). Édition originale. Un des 13 premiers exemplaires sur vélin de Hollande (n° 2).
30416Paris Gallimard coll. « Le Manteau d'arlequin » 6 mai 1959. 1 vol. 115 x 180 mm de 198 p. et 5 f. Veau box et cuir fantaisie en camaïeu de brun décor mosaïqué passant sur le dos titre à l'oeser au dos date en pied contreplats assortis gardes de veau bleu tranches dorées sur témoins couvertures et dos conservés chemise et étui reliure signée de C. Léonard. . Édition originale. Un des 13 premiers exemplaires sur vélin de Hollande n° 2. . Tirée d'une nouvelle publiée en 1957 dans la revue Les Lettres nouvelles Le Rhinocéros sera montée à Düsseldorf en allemand le 31 octobre 1959 avant d'être jouée à Paris le 20 janvier 1960 sous le titre Rhinocéros sans l'article titre retenu pour les éditions postérieures au théâtre de l'Odéon mise en scène par Jean-Louis Barrault. À cette occasion Ionesco rappelle que la pièce n'avait jusqu'alors été jouée que dans de petites salles et que c'est là une première : « Barrault ne manque pas de courage en montant ma pièce dans un théâtre d'État » ! Du courage et de l'intuition. Le succès est immense. Rhinocéros est la première grande pièce de Ionesco celle qui lui ouvrira les portes de tous les théâtres d'Europe et du monde. Bel exemplaire en reliure signé de Christine Léonard élève de Tchékéroul et de Micheline de Bellefroid à La Cambre longtemps établie à Bruxelles. Une exposition lui a été consacrée en 1992 à la Bibliotheca Wittockiana. On trouve nombre de ses reliures dans les grandes collections belges Hayoit de Sadeleer Moureau. De la bibliothèque Robert Moureau ex-libris. Paris, Gallimard, coll. « Le Manteau d'arlequin », (6 mai) 1959. 1 vol. (115 x 180 mm) de 198 p. et [5] f. Veau, box et cuir unknown
07-0162St. Gallen Switzerland: Erker Galerie 1972. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Jean Cassou Max Frisch Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness and Ezra Pound with 8 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Asger Jorn Giuseppe Santomaso Toni Stadler Mark Tobey and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1972. unknown
1987102099LEC. New. 1987. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- ONE OF 1000 NUMBERED COPIES SIGNED BY IONESCO. 127 pages. -- with a bonus offer-- . LEC paperback
19036Craïova, Editura “Cercul analelor romane”, 1931, in-8, br., 32 p. Edition originale rarissime du premier livre de Ionesco, une plaquette de vers. Long envoi a.s. de l’époque en roumain à une comédienne.
07-0163St. Gallen Switzerland: Erker Galerie 1974. Portfolio of 8 texts lithographically reproduced in the authors' own handwriting by Martin Heidegger Peter Huchel Eugène Ionesco Friedrich Georg Jünger Halldór Laxness Alexander and Margarete Mitscherlich and Wieland Schmied with 8 original lithographs by Anna-Eva Bergman Piero Dorazio Hans Hartung Wifredo Lam George Rickey Giuseppe Santomaso Antoni Tàpies and Fritz Wotruba each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1974. unknown
07-0164St. Gallen Switzerland: Erker Galerie 1979. Portfolio of 9 texts lithographically reproduced in the authors' own handwriting by Max Bill Jean Cassou Max Frisch Peter Huchel Eugène Ionesco Halldór Laxness Michel Leiris Alexander Mitscherlich Karl Prantl with 9 original lithographs by Max Bill Piero Dorazio Bernhard Heiliger Wifredo Lam Otto Piene Karl Prantl Giuseppe Santomaso Antoni Tàpies and Günther Uecker each signed and numbered by the artist on BFK Rives. The portfolio itself is one of 200 numbered copies. Each lithograph is folded down the middle typically with the text on the left and the image on the right and loosely inserted into a slipcase. 39 x 28.5 cm. Fine. St. Gallen, Switzerland: Erker Galerie, 1979. unknown
195988000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
196381421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
195988000Gallimard | Paris 1959 | 12 x 19 cm | broché
197770949Abrams. Very Good. 1977. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 258 pp. over 200 ills. much color 4to. -- with a bonus offer-- . Abrams hardcover
199628006Neuily-sur-Seine France: Claude Aguttes & Gabrielle Ionesco C. -P. A. / Frederic Lozada Expertises. New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Claude Aguttes & Gabrielle Ionesco, C. -P. A. / Frederic Lozada Expertises paperback
199627917Neuilly-sur-Seine France: Claude Aguttes & Gabrielle Ionesco C. -P. A. / Frederic Lozada Expertises. New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - Text in French -- with a bonus offer-- . Claude Aguttes & Gabrielle Ionesco, C. -P. A. / Frederic Lozada Expertises paperback
199236671Neuilly France: Gabrielle Ionesco C. -P. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW PRISTINE - Slight creasing else flawless. Text in French. 140 lots many illustrated in black and white or color. -- with a bonus offer-- . Gabrielle Ionesco, C. -P. paperback
199236672Neuilly France: Gabrielle Ionesco C. -P. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED-- AVAILABLE IMMEDIATELY-- Text in French. 84 lots most illustrated in black and white or color. Among the artists represented : M. Prassinos; M. Papart; B. Quentin; and others. -- with a bonus offer-- . Gabrielle Ionesco, C. -P. paperback
199236649Neuilly France: Gabrielle Ionesco C. -P. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW PRISTINE - Slight corner bump else flawless. Text in French. 205 lots many illustrated in black and white or color. Included are paintings by P. Gobert Bosschaert J. Steen and others. -- with a bonus offer-- . Gabrielle Ionesco, C. -P. paperback
199427273Neuilly France: Ionesco Gabrielle C. -P. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY PRISTINE NEVER OPENED -- with a bonus offer-- . Ionesco, Gabrielle, C. -P. paperback
196381421Gallimard | Paris 1963 | 12 x 19 cm | broché
107744Paris: Gallimard 1975. INSCRIBED COPY WITH TWO TYPED LETTERS SIGNED First edition thus first impression. Out-of-series copy from an edition of 55 inscribed by the author "A H. Gene Blocker avec toute ma sympathie Eugène Ionesco" on the half-title. With two typed letters signed from Ionesco to Blocker who was professor of philosopher at Ohio University; the letters discuss the possibility of a lecture series in the United States. In the first letter dated 18 December 1975 Ionesco politely declines Blocker's invitation: "Unfortunately my command of English doesn't allow me to do a lecture in English. I just read some easy texts and I understand a little English language but I don't speak English at all. So I think that my visit to the States wouldn't be of any interest". The second letter dated 29 December reveals a volte-face. Ionesco having since received a letter dated 12 December and now writing in French thanks Block for his invitation which he is professedly keen to use in order to lecture on the Theatre of the Absurd and issues of intellectual freedom in Europe. He also encloses the present copy. This is the first edition of L'homme aux valises; A Hell of a Mess was the American title of Ce formidable bordel first published in 1973. Octavo. Original cream light card wrappers printed in red and black. Two laid-in foolscap typed letters 300 x 210 mm the first dated on copy paper the second on wove paper. Spine creased as usual a few faint markings to front panel and light crease to upper outer corner of rear. A very good copy. Letters neatly creased where folded the first with a few discreet uses of corrective fluid the second very slightly nicked at upper left corner and negligibly marked with very faint spotting along inner edge recto and verso: very good condition overall. unknown
195850917Paris: Gallimard 1958. Fine. Gallimard Paris 1958 12 x 19 cm relié First edition an advance service de presse copy. Elegant half maroon calf over geometric marbled paper boards by Goy & Vilaine date title author and work in anthracite palladium to spine maroon paper endpapers and pastedowns covers and spine slightly faded preserved. Handsome autograph inscription from Eugène Ionesco to Marcel Aymé. A very good copy nicely bound. Gallimard hardcover
195961619Paris, Galliard, 1959. 8vo. Uncut in the original wrappers. Minor wear, with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved, clean and bright.
195961619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. <br/><br/><em>First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. </em> unknown
1953237361953 Paris, Berggruen, Mourlot, brochés in-8 allongés, 1953-1990, couvertures illustrées, certaines lithographiées, tirages limités.
196380543Couverture souple imprimée. Non coupé.