Eugene IONESCOBiblio.com
193 résultats
196389591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
196886328Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Autograph inscription signed by Eugène Ionesco to Henri Saret. Mercure de France unknown
197962117Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only deluxe copies. Handsome copy. Gallimard unknown
197948181Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only large paper copies. Spine and lower cover slightly and marginally sunned not serious a very good copy. Gallimard unknown
198720295Limited Editions Club. Fine. 1987. Wraps. Signed by author/illustrator. Limited edition of 1000 copies this being copy #869. Cream wraps are toned on spine otherwise flawless. Spine is straight. Binding is tight. Pages are clean and pristine. Book has never been cracked open. Slipcase with red morocco leather top and bottom is sunned on the cream boards with a couple of blemishes but is in very good condition. ; 0 pages; Signed by Author & Illustrator . Limited Editions Club paperback
1977Q-0810906562H.N. Abrams 1977-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! H.N. Abrams hardcover
196766850Paris: Mercure de France 1967. Fine. Mercure de France Paris 1967 14.50 x 21.50 cm broché First edition one of 50 numbered copies on pur fil the only deluxe copies. Handsome copy. Mercure de France unknown
196286344Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pure linen paper the only deluxe copies. A fine copy. Iconography. Autograph inscription signed by Eugène Ionesco to Henri Saret. Gallimard unknown
196238707Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pur fil paper the only deluxe copies. Iconography. Boards very lightly and marginally sunned without gravity handsome interior condition. Gallimard hardcover
196866849Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil the only deluxe copies. Photographic cover handsome copy. Mercure de France unknown
196870024Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on ""pur-fil"" paper only large papers. Very nice copy. Mercure de France unknown
196854181Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil paper the only large paper copies. Cover illustrated with a photograph a good copy. Mercure de France unknown
197788043Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21 cm broché First edition a Service de Presse advance copy. Handsome copy complete with its illustrated dust jacket. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa whom he erroneously called Suzanne and her companion the actress Erika Kralik: ""Pour Suzanne Ben-Mussa et Erika avec toute ma tendresse. Eugène Ionesco."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
197388042Paris: Gallimard 1973. Fine. Gallimard Paris 1973 11 x 16.50 cm broché First edition of which there were no deluxe copies a Service de Presse advance copy. Some occasional light worming to the edges. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa: ""Pour Simone Benmussa avec ma vieille amitié et pourtant toujours jeune fidèlement affectueusement Eugène Ionesco Janvier 1974."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
197724847Pittsburgh PA: Museum of Art--Carnegie Institute 1977. Pictorial wrappers. Near Fine. The catalogue based on the October 1977-January 1978 exhibition at Pittsburgh's Museum of Art at the Carnegie Institute. Clean and Near Fine in its pictorial wrappers. #94 OF 100 COPIES WHICH ALSO INCLUDE A SIGNED LAID-IN PIERRE ALECHINSKY COLOR LITHOGRAPH. Tall quarto essay by Eugene Ionesco "Three Approaches" introducing the text. Both this essay and Pierre Alechinsky's text translated from their original French by Michael Fineberg. Museum of Art--Carnegie Institute unknown
19762956Bruxelles: Cosmos 1976. Good condition illustrated 462 pp Cosmos unknown
1960380044New York: Grove Press 1960. Hardcover. Near Fine/Very Good. First American edition hardcover trade issue. Translated from the French by Donald Watson. Corners a little bumped else near fine in lightly chipped very good dustwrapper. Handwritten note on front fly: "Grove Press File Copy". Scarce. Grove Press hardcover
19881163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. <br/><br/>One of his better books. unknown
199117754<p>First edition first print Very Fine as new in DJ</p> Contrejour hardcover
196675800Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pure laid paper the only deluxe copies. Handsome copy. Gallimard unknown
196666937Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition Le roi se meurt had appeared three years earlier one of 50 numbered copies on pur fil paper the only deluxe copies. Fine copy. Gallimard unknown
196669497Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché Edition with most parts in first edition one of 50 numbered copies on pur fil the only deluxe copies. A fine copy. Gallimard unknown
196654180Paris: Gallimard 1966. Fine. Gallimard Paris 1966 12.50 x 19.50 cm broché New edition but first for many parts Le roi se meurt was published 3 years earlier one of 50 numbered copies on pur fil paper the only large paper copies. A very good copy. Gallimard unknown
1987000800New York: The Limited Editions Club 1987. First Thus 1st Printing. Soft cover. As New/Publishers Slipcase. Folio - over 12 - 15" tall. This edition consists of one thousand copied of which this is #539. The four wonderful surreal lithographs were drawn by the author Ionesco and were printed on Fabriano 'Unbria' by Erker Presse Franz larese and Jurg Janett in St. Gallen Switzerland. The paper was made at Cartiere Enrico Magnani in Pescia Italy. The book is unread and unmarked and except to photograph it's contents unopened. The Book is bound in fine creme parchment as is the printed jacket. The velvet lined slip case is bound in the same parchment except for the top and bottom edge which is fine red Morocco leather. The book starts with a conversation between Eugene Ionesco and Verena Heyden-Rumsch in paris in 1987 which has been translated by Barbara Wright. Ionesco has been quoted as saying about this and other plays and writings " My sole concern is the constant attempt to split apart the veil of appearances." In this play which is a journey to the extremities of death has the veil of appearances not been completely split have we not arrived on the other side- the side of truth asks Heyden-Rumsch." No we are caught up in that split." states Ionesco. A wonderful and fascinating look at a modern almost abstract master of modern literature. A Rare and collectible copy signed by Ionesco. <br/> <br/> The Limited Editions Club paperback
198713725New York: Limited Editions Club 1987. Fine. Signed Limited Editions Club production of this play by the French avant-garde writer and artist. 12.75'' x 8.75''. Original cream wrappers lettered in black. In original red morocco-lined cream slipcase. Illustrated by Ionesco with four color lithographs. 127 3 pages. Signed by Ionesco on limitation page one of 1000 copies. Only light soil to slipcase. Limited Editions Club unknown
