Livre Rare Book
624 résultats
1968ABE-1694200944032 PAGES 35 CM X 50 CM-LA CRISE ENTRE PRAGUE ET MOSCOU ET SES PROLONGEMENTS-TRISTESSE DES CLOWNS "PRESENT PASSE, PASSE PRESENT" D'EUGENE IONESCO-L'ITINERAIRE DE LOUIS CALAFERTE, PAR ALAIN BOSQUET-ETUDE: JEAN GUITTON ET LA CRITIQUE RELIGIEUSE UNE METHODE APOLOGETIQUE, 2P-LES POETES MEXICAINS, 1P
1968ABE-157841944159432 PAGES-TRISTESSE DES CLOWNS "PRESENT PASSE, PASSE PRESENT" D'EUGENE IONESCO, PAR FRANCOIS BOTT, QUART DE PAGE-ETUDE: JEAN GUITTON ET LA CRITIQUE RELIGIEUSE, 2 PAGES-LES POETES MEXICAINS, 1 PAGE, SERGIO MONDRAGON, THELMA NAVA, GABRIEL Z'AID, TOMAS SEGOVIA
1972ABE-156731984500224 PAGES-35 CM X 50 CM-L'UNESCO OU LA CULTURE CONTRE LA CULTURE, PAR EUGENE IONESCO-L'AFFAIRE DES FAUSSES FACTURES DE LYON, MOITIE DE PAGE-L'AFFAIRE DE BRUAY EN ARTOIS LE JUGE PASCAL S'ELEVE CONTRE "CERTAINES INFORMATIONS ERRONEES"-COMPLET
1974ABE-160370763611636 PAGES-REPRESSION OU REPARATION POUR LES VICTIMES, PAR ROBERT BADINTER-SAMOA ILES BLESSEES II LA LINGUISTIQUE EST ELLE SUBVERSIVE? DEMI PAGE-POINT DE VUE: LE DROIT DE TUER, PAR EUGENE IONESCO, DEMI PAGE-THEATRE, PAR COLETTE GODARD: LA NOSTALGIE CAMARADE." DE FRANCOIS BILLETDOUX JEAN PAUL ROUSSILLON, MICHEL AUMONT, CATHERINE SAMIE, DENISE GENCE-QUELQUES JAUNISSURES EN UNE
19827009Paris, Editions Jannink, 1982, Relié, Jaquette jaunie, sinon très bon état.
196750141La Nouvelle Revue Française 1967. Fine. La Nouvelle Revue Française 1er Octobre 1967 14.50 x 24.50 cm broché First edition one of the few numbered copies on pure thread paper the only deluxe copies. Other contributions by Maurice Blanchot Philippe Jaccottet Jacques Reda Georges Poulet. A small crease mark at the head of the first cover handsome copy. La Nouvelle Revue Française unknown
196750141La Nouvelle Revue Française | 1er Octobre 1967 | 14.50 x 24.50 cm | broché
1959JJ18821Paris: Gallimard 1959. First Edition. Paperback. Fair. Rare inscribed and signed copy of Ionesco's most famous work. Original wrappers worn; spine stained and repaired. Images upon request. <br/><br/> Gallimard paperback
195988000Paris: Gallimard 1959. Fine. Gallimard Paris 1959 12 x 19 cm broché First edition on ordinary paper bearing the correct imprint dated 6 May 1959 with the false statement of second edition. Spine very slightly sunned. Signed and inscribed by Eugène Ionesco to the stage director playwright and writer Simone Benmussa on the half-title. Simone Benmussa was literary advisor to the ""Jean-Louis Barrault- Madeleine Renaud Theater Company"" then in 1957 editor-in-chief of the Cahiers Renaud-Barrault. She also directed from the Odéon theatre the cultural department and the Cahiers of the Renaud-Barrault Company. She adapted for the stage the plays written by her friends Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Our copy is housed under a burgundy half-morocco folder smooth spine with date at foot wood-patterned paper boards slipcase edged with burgundy morocco wood-patterned paper panels probably made by Thomas Boichot. Gallimard hardcover
195961619Paris Galliard 1959. 8vo. Uncut in the original wrappers. Minor wear with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved clean and bright. <br/><br/><em>First edition presentation-copy of one of Ionesco's most celebrated plays significant work in the Theatre of the Absurd. The copy is inscribed by Ionesco to front endpaper: "Pour Kjeld Abell - / Eugène Ionesco / avec sa reconnaissance / et son amitié. / E.I. / 9-25". With works like the present Eugène Ionesco helped found the important movement known as Theatre of the Absurd. The play explores themes of societal pressures conformity and the loss of individuality set in a town where the inhabitants gradually turn into rhinoceroses. Through the protagonist Berenger who resists the transformation Ionesco critiques totalitarianism the allure of mass movements and the fragile nature of human identity. Ionesco a Romanian-Frrench playwright bacame known for his rejection of traditional theatrical conventions and his focus on the absurdity of human existence. Alongside writers like Samuel Beckett he shaped post-war drama exploring existential themes through humor illogical dialogue and surreal situations. Le Rhinocéros is often interpreted as a commentary on the rise of fascism and the danger of unhecked ideologies though Ionesco insisted it was a more universal reflection on human nature. Its relevance endures as it invites readers and viewers to reflect on the role of the individual within the collective and the pressures to confirm even when that means losing one's humanity. The work is one of Ionesco's most celebrated plays alongside La Cantatrice chauve The Bald Soprano and La Leçon The Lesson and it soldified his reputation as a key figure in modernist literature. Kjeld Abell was a major Danish playwright and a key voice in mid-century European theatre. His bold innovative works anticipated many of the themes later explored by the Theatre of the Absurd. Abell often employed dream logic satire and non-linear structure to critique authoritarianism and explore existential dilemmas making him a highly relevant and meaningful dedicatee for this presentation copy. </em> unknown
195988000Gallimard | Paris 1959 | 12 x 19 cm | broché
1965RO20221085Gallimard. 1965. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 198 pages. Une page annotée au crayon à papier.. . . . Classification Dewey : 792-Théâtre
1959054551Gallimard Broché Paris 1959 collection " le manteau d' arlequin " - 198 pages en format 12 - 18.5 cm
1966R260262514Gallimard. 14 décembre 1966. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 198 pages.. . . . Classification Dewey : 792-Théâtre
195930416Un des 13 exemplaires de tête dans une reliure à décor Paris, Gallimard, coll. « Le Manteau d'arlequin », (6 mai) 1959. 1 vol. (115 x 180 mm) de 198 p. et [5] f. Veau, box et cuir fantaisie en camaïeu de brun, décor mosaïqué passant sur le dos, titre à l'oeser au dos, date en pied, contreplats assortis, gardes de veau bleu, tranches dorées sur témoins, couvertures et dos conservés, chemise et étui (reliure signée de C. Léonard). Édition originale. Un des 13 premiers exemplaires sur vélin de Hollande (n° 2).
195961619Paris, Galliard, 1959. 8vo. Uncut in the original wrappers. Minor wear, with edges exhibiting slight signs of use. The cover is clean overall but has four small brown spots. Fine and tight. Internally exceptionally well-preserved, clean and bright.
1959821021959 Paris, NRF, Gallimard (Collection "Le Manteau d'Arlequin"), 1959, in 12 broché, 203 pages
196389591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
196381421Paris: Gallimard 1963. Fine. Gallimard Paris 1963 12 x 19 cm broché First edition one of 60 numbered copies on pure thread paper the only deluxe copies after 17 Holland. Handsome copy. Gallimard unknown
1963017874Paris France: Gallimard 1963. First Edition First Thus . Soft Cover/Stiched. Near Fine/None as Issued. BRAND NEW COPY w/un-cut pages; showing surface discoloration to softcover. French language text. Full-length play translated into English as "Exit the King" by Romanian-French playwright Eugène Ionesco 1909 - 1994. Drama was first performed 1962 the Theatre de l'Alliance Paris. An absurdist drama in the other plays of the "Berenger Cycle" in which Berenger appears as a depressed insecure everyman prone to sentimentality. In this play he is King Berenger the First who all powerful is now more than 400 years in age. Story begins as he is informed that he is dying and likewise his kingdom is crumbling around him as his physical capabilities deteriorate. First in denial The King faces reality lapses into the Berenger mode of sentimentality and accepts looming death --- characters disappear one by one leaving the King now unable to speak alone his first queen who prepares him for the end. Of the play Ionesco said he wrote it while ill and frightened his own death. Le Roi se Meurt is an attempt to help in the preparation for death ---- we are all dying men who refuse to die. A tale of everyman's essential solitude and insignificanceof human existence. <br/> <br/> Gallimard paperback
1963054552Gallimard Broché Paris 1963 collection " le manteau d' arlequin " - 157 pages en format 12 - 18.5 cm
196381421Gallimard | Paris 1963 | 12 x 19 cm | broché
196389591Gallimard | Paris 1963 | 11.5 x 18.3 cm | Relié
1963500144673Folio 1963 15x21x3cm. 1963. Broché.
19636346Paris, NRF Gallimard (Le manteau d'Arlequin), 1963. In-8 couronne br., couv. semi-rigide (dos frotté, défauts d'usage).
