8 181 résultats
201106240Paris, Editions atlas collection club mediterranée , 1993 ; in-folio, 136 pp., cartonnage d'éditeur avec jaquette.
182548641Wien, J. Trentsensky, o. J. (um 1825). Orig.-Lithographie von Joseph Trentsensky (Blattgröße 35,5 x 46,5 cm; Darstellung 24,5 x 34,5 cm).
19189620Berlin, Hyperionverlag, o. J. (1918). Gr.-8°. Mit einem Titelbild von A. Kubin. 1 nn., 42 num., 1 nn. Bll., OPpbd.
201323386Paris, Le livre de poche, 1997 ; in-12, 180 pp., br.
1923_202100017Paris, Les Éditions G. Crès & Cie, 1923 ; in-8 (143 x 195 mm), VIII-98 pp. + 9 pl. hors-texte, broché, couverture illustrée à rabats. Note des éditeurs, par Ad. Van Bever. Quelques illustrations en couleurs (dessins de Alastair).
1948G1337Paris, Mercvre de France, 1948 ; in-8, 192 pp., broché. Traduction de l'anglais par Léo Lack. Recueil de contes publié en Angleterre, en 1891. Bon état.
201607068Bruxelles, Club international du livre , s.d. ; in-8, 245 pp., cartonnage de l'éditeur.
1882List3658Boston Massachusetts: W. A. Evans & Bro 1882. Folio illustrated wraps. Pages detached from each other small chip to corner images and music fine remains good to very good and quite attractive. Good to very good. A visually striking example of Oscar Wilde–related ephemera issued during the height of the writer’s American lecture tour of 1882. Though lacking a printed date the title strongly suggests publication in connection with Wilde’s appearance at the Boston Music Hall on January 31 1882 where he delivered his lecture “The English Renaissance†as part of his widely publicized tour across the United States. Contemporary accounts describe the event as a notable cultural moment including the presence of Harvard students dressed in exaggerated aesthetic costume who occupied the front rows of the hall reflecting both the fascination with and satirical reception of Wilde’s aesthetic persona.1<br /> <br /> The lithographic cover prominently depicts a figure carrying an oversized sunflower an image closely associated with Wilde and the broader Aesthetic Movement. Such illustrated sheet music functioned not only as musical publications but also as collectible artifacts capitalizing on the figure of Wilde. Over the course of several months he traveled widely across the United States and Canada delivering lectures on art decoration and cultural taste and quickly became a subject of both admiration and parody in the American press. Although he never returned for a comparable national tour Wilde maintained a lasting connection to American audiences. We know of a variant edition of the Evans imprint with a different illustration as well as a different version published in Boston by Ditson the same year. <br /> <br /> OCLC 500491189 specifying this edition with the large sunflower illustration locating five copies. <br /> <br /> 1 “Freshmen at Oscar Wilde’s Lecture†The Harvard Crimson February 1 1882. W. A. Evans & Bro unknown
193015457Paris, Devambez, 1930 ; in-4, en ff., couverture crème rempliée, chemise demi-percaline bleue, titre doré au dos, étui avec couvercle plein chagrin brique, dos rond à nerfs, titre doré (reliure de l'éditeur) ; (4), 77, [78], (4) pp., (2) ff. bl., 20 eaux-fortes dont 17 hors-texte.
197334941Wien, Kremayr & Scheriau, (1973). Kl.-8°. Mit 12 ganzs. Illustrationen u. einer num. u. sign. Orig.-Farbradierung (bez. ?Nubier?) von Stuart S. R. Matthews. 92 S., 2 Bll., OPpbd. m. bedrucktem transparentem OUmschlag.
69242P., Editions de l'Odéon, , 1951, in 4° en feuilles, sous chemise rempliée et double emboitage (légèrement insolé en tête et au dos).
104747London The Nonesuch Press 1932. . Number 773 of 800 copies; tall 8vo 26 x 15.5 cm; title with vignette printed in red; original near-white cloth gilt designed by Ricketts top edge gilt others uncut a bright & sharp copy.<br /> A fine copy of Charles Ricketts' recollections of Oscar Wilde for the Nonesuch Press. Charles Ricketts was a well-known artist/illustrator and typographer most famous perhaps for his creation of The Dial co-founded with his partner Charles Shannon and for his work with the Vale Press. His name is often synonymous with that of Oscar Wilde as he was one of the two illustrators primarily associated with Wilde's work the other of course being Aubrey Beardsley. He and Shannon were friends & supporters of Wilde for whom Ricketts painted the hero of Wilde's short story The Portrait of Mr. W.H.<br /><br />'Jean Paul Raymond' was an imaginary author first introduced by Ricketts in his privately issued work Beyond the Threshold 1929. The typography was designed by Francis Meynell and the book was printed at the Dolphin Press six hundred copies being for sale in England and two hundred to Random House for sale in America.<br /> Dreyfus 8A. London, The Nonesuch Press, 1932. hardcover
18849061<p>Scarce chromolithograph of Oscar Wilde published in Vanity Fair magazine on May 24th 1884 accompanied with a page of text. The page measures 10.5 x 15 in 27 x 38 cm.</p> Vanity Fair
201708895Paris, Editions de la Martinière, 2006 ; in-8, br.
10751La nouvelle revue française, 14e année, n° 157, Paris, 1er janvier 1966. In-8, broché.
200510421Basel, Haldimann Verlag, s.d. ; in-8, 274 pp., cartonnage de l'éditeur. Coiffe haut abîmée.
183451187Leipzig, Baumgärtner?s Buchhandlung, 1834. Kl.-8°. Mit 28 Holzstich-Tafeln auf gelbem Papier. VIII, 231 S. - Angeb. - Wilde Thiere, ihre Natur, Lebensweise, Triebe, Fähigkeiten u.s.w. mit gelegentlichen Bemerkungen über ihre Heimath. (Als Gegenstück des im nemlichen Verlag erschienenen Werkes: die Hausthiere.) Aus dem Englischen. Ebda., 1836. Mit Holzstichen im Text u. auf (1 gefalt.) Tafeln. VIII, 419 (1) S., 1 Bl., HLwd. d. Zt. m. goldgepr. Rückentitel (?Natur Geschichte 6)? u. dreiseitig marmor. Schnitt.
198338353(Frankfurt a. M.), Verlag der Autoren, (1983). Kl.-8°. 86 S., 5 Bll., OKart.
200818204Paris, Editions atlas, 1991 ; in-folio, 135 pp., cartonnage d'éditeur avec jaquette.
39156Paris, Gallimard (coll. "Album de la Pléiade"), 1996. In-8°, 267p. Reliure plein cuir d'éditeur, sous rhodoïd et étui illustré.
199613524Paris, Gallimard, coll. Albums de la Pléiade, 1996. In-12 pleine peau dorée à l'or fin, rhodoïd, étui photographique.
16832P., Crès, 1920, in 12 broché, 196 pages.
4587Paris, Nouvelle Revue Critique, NRC (Collection "Les Essais Critiques" n° 24), 1931, in 12 broché, 252 pages ; quelques piqûres.
4588Paris, Nouvelle Revue Critique, NRC (Collection "Les Essais Critiques" n° 24), 1931, in 12 broché, 252 pages
1928737771928 Paris, Mercure de France, 1928, 2 volumes in 12 brochés, 300 et 276 pages.
