215 résultats
1895015568: Samuel FRENCH 1895. Hardcover. Good. B00K: Good/Fair/ 1895 . B00K: Good/Fair/ $3670.15 Reduced from. the IMPORTANCE of BEING EARNEST. a Trivial Comedy for Serious People. WILDE Oscar Samuel FRENCH 1895 First Date Played At St. James's Theatre UnStated Edition Small H/c Sun Browning On A Green Cloth Spine With No Title Small Sized Hard Cover B00K: Good/Fair/ Shelf Edge And Corner Wear. 52 Numbered Pages Browning From Aging In Delicate Condition. Spine Separating In Front And Towards Rear. Still Attached. Some Notations Throughout. Title Appears To Be Hand Written On Front Cover In Black Ink. D/j: None. No Odors No Writing No Names No Stains No Book Plate Not X~Library. = Description Applies To This B00K Only Which Is A Historically Significant Treasure From The Past Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. WORLD WIDE SHIPPING AVAILABLE. <br/> <br/> Samuel FRENCH hardcover
1894149906London: John Lane at the Sign of the Bodley Head 1894. Attractively bound First edition trade issue one of 500 copies printed; a further 50 copies were also issued on handmade paper. An attractively bound copy with the bookplate to the rear pastedown of the eccentric sportsman and artist William Eden 1849-1915 father of future Prime Minister Anthony Eden and who like Wilde had a dispute with the artist James McNeill Whistler. Eden excelled at a range of sports from boxing and horse riding to shooting "the epitome of the sporting squire" ODNB a member of several clubs and well known in London society. So too was he a keen amateur artist and aesthete building a fine collection of paintings and was a member of the aristocratic group The Souls. The contrast between the sportsman and the aesthete has been noted: "There was little that was harmonious in his nature and the aesthetic side warred with and exacerbated rather than complemented his athleticism making him a bored sportsman and a militant aesthete. As he grew older the world's failure to correspond to his ideals drove him to furious rages and the debased taste of humanity confirmed his atheism - for how could a God have made such a botch of things" ibid. His dispute with Whistler was occasioned when Eden commissioned a portrait of his wife which Whistler executed but then kept the cheque without handing over the painting leading to a legal case which resulted in Whistler's book The Baronet and the Butterfly 1899. Wilde too had a lengthy rivalry with Whistler out of the courts but with very public sparring. Small quarto 204 x 148 mm. Early 20th-century pink straight-grain morocco for Hatchards of Piccadilly spine lettered in gilt pink cloth sides marbled endpapers top edge gilt pink silk page marker. Bound without initial blank. A few pencilled lines in margins. Spine lightly sunned very light rubbing at extremities slight split in hinge preceding dedication leaf contents clean; an excellent copy. Mason 364. hardcover
1898183630London: Leonard Smithers 1898. For he who lives more lives than one more deaths than one must die First edition one of 800 unnumbered copies printed on handmade paper; a further 30 copies on japon were published simultaneously. The first edition sold out rapidly and a second edition was issued within weeks. Octavo. Original white quarter cloth spine lettered in gilt light brown cloth sides edges untrimmed leaves unopened. Housed in a custom yellow cloth chemise and quarter calf with yellow cloth slipcase. Spine lightly toned and bumped at head covers bright text clean. A near-fine copy. Mason 371. hardcover
18991411385London: Leonard Smithers and Co 1899. First Trade Edition Limited #208/1000. Hardcover. Octavo 151 pages. In Good plus condition. Bound in publisher's pale purple cloth with gilt leaves to boards gilt lettering to spine. Fading to spine and boards. Some general shelfwear. Chipping to head and tail of spine. Bumping to corners and extremities. Spine cocked. Front pastedown with glue stains from a removed bookplate. Front free endpaper with bookplate. Shelved showcase. 'The Importance of Being Earnest' was a success on stage when it opened in 1895 but closed after 86 performances due to Wilde's arrest. It is generaly considered one of his best works. This Trade edition was published in 1899 after he was released from Reading Gaol and residing in France. He died the following year. 1411385. Shelved Dupont Bookstore. Leonard Smithers and Co hardcover
1894wld44London: Elkin Mathews & John Lane. G : in good condition. Rebacked. Cover rubbed. Page edges browning. Hinge at title cracked. 1894. Limited Edition 500. Blue hardback cloth cover. 220mm x 160mm 9" x 6". 67pp 15pp plates. 10 plates by Aubrey Beardsley. . Elkin Mathews & John Lane hardcover
18930036073Paris and Londres: Librairie de L'Art Independant and Elkin Mathew et John Lane 1893. First Edition. Hardcover Hardcover. Very Good Condition. 20.5cm x 15cm. 84 2 pages. Half leather marbled papered boards gilt lettering and decoration top edge gilt marbled endpapers. Text is in French. First edition one of 600 copies the title page device by Felicien Rops. MASON 348. This copy rebound in a fine signed art nouveau binding by Hatchards Piccadilly without the wrappers with a plentiful quantity of blank leaves at the rear to allow for the binding design. Text is in French. Some discolouration to spine. Very minor rubbing to fore-edge corners lower tail fore-edge corner lightly pushed. Very minor foxing. Category: Theatre & Plays; Fine Bindings; Foreign Language::French; French Language; Antiquarian & Rare. Inventory No: 0036073. BZDB407 Theatre & Plays; Fine Bindings; Foreign Language::French; French Language; Antiquarian & Rare. Unbranded Oscar Wilde Salome. Drame en un acte. Librairie de L'Art Independant and Elkin Mathew et John Lane hardcover
1899159879London: Leonard Smithers and Co 1899. Wilde's favourite play with an appealing association First edition one of 1000 copies printed presented in the year of publication from Lady Lewis the wife of Wilde's solicitor to their mutual friend the actress Elizabeth Robins. Lewis has inscribed the front free endpaper: "With love from Beth. Lewis. Aug. 6th 99 Vulpera"; Robins's ownership inscription is on the half-title: "Elizabeth Robins from Lady Lewis Waldhaus Tarasp Switzerland". Waldhaus Vulpera was a popular Grand Hotel in the Swiss Alps. Elizabeth Lewis née Eberstadt was the second wife of Wilde's long-time friend and legal adviser Sir George Lewis 1833-1911. A discreet and astute solicitor he advised Wilde on various occasions and on his request represented Lord Alfred Douglas in 1983 to recover an incriminating letter from a blackmailer. Richard Ellman Wilde's biographer mentions a series of letters sent by Wilde to her during his lecture tour of North America in which he boasted about his various successes. The American actress and feminist Elizabeth Robins 1862-1952 is best known for her play Votes for Women! which is credited with inaugurating suffrage drama. Wilde met her for the first time at a reception at Lady Seton's House in 1888 and subsequently used his influence to help her gain success on the London stage. He gave her feedback on her performances throughout her career. Oscar Wilde's third comedy An Ideal Husband premiered at the Haymarket on 3 January 1895 preceding his sensational trial but was not published until after his release from prison. In a letter to his publisher Leonard Smithers Wilde wrote that "I really think it reads the best of my plays" cited in Nelson p. 392. Quarto. Original pink cloth flat spine lettered in gilt leaf motifs to spine and covers designed by Charles Shannon edges untrimmed. Spine and head of rear cover sunned cloth otherwise bright spine ends and tips slightly rubbed and bumped tiny mark to front cover offsetting to endpapers a few spots of foxing to half-title otherwise generally clean. A very good fresh copy. Mason p. 433; James G. Nelson Publisher to the Decadents: Leonard Smithers in the Careers of Beardsley Wilde Dowson 2000. hardcover
1896019044: the NEW YORK BOOK CO. 1896. Hardcover. Good. B00K: Good/ 1896 . B00K: Good/ $250.90 BALLAD of READING GAOL WILDE Oscar the NEW YORK BOOK CO. 1896 Shown On Book Which Was Printed After 1904. Small H/c This Edition Printed After 1904 Brown Paper Spine With No Title Hard Cover B00K: Good/ 35 Numbered Pages UnNumbered Pages That Are Clean And Tight To The Spine Printed On Tan Paper Browning From Aging In Very Good/ Condition. Spine Broken Inside B00K. Water Stains On Front Cover Not Stuck No Odor No Mold. D/j: None. = No Odors No Other Writing No Names No Rippling Not Stuck Together No Book Plate Not X~Library No Remainder Or Other Marks. Description Applies To This B00K Only. = = This B00K Is Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift. = = World Wide Shipping AVAILABLE. = = <br/> <br/> the NEW YORK BOOK CO. hardcover
1898882015London: 1898. First Edition. 8vo. One of 800 copies on handmade paper. White lined-backed cinnamon cloth in a later cloth slipcase. Binding lightly soiled. Mason 371. Original White Cloth Gilt. Good. Hardcover
1894182551Oxford: J. Vincent; Simpkin Marshall Hamilton Kent & Co. London 1894. An uncommon parody of Wilde First edition one of 750 copies of this Oxford play satirizing Oscar Wilde. The authors of this anonymous parody an entertaining imitation of the classical Greek comedy of Aristophanes were three Oxford undergraduates. Leopold Amery 1873-1955 later a prominent journalist and conservative politician. Francis Wrigley Hirst 1873-1953 later a successful journalist editor of The Economist and biographer of Thomas Jefferson. Little is known about Henry Alford Antony Cruso besides that he published another drama in 1907. The initialism Y.T.O. comprises the last letter of their surnames. The student-authors were motivated by "an honest dislike for Dorian Gray Salome The Yellow Book and the whole of the erotic lack-a-daisical opium-cigarette literature of the day". The play was published in 1894 just before Wilde's arrest and trial when he was at the height of his fame. Octavo. Original buff wrappers rebacked front cover lettered in green. Wrappers a little marked and soiled spot to prelims leaves unopened. A very good copy. Mason 685. unknown
1899022513LONDON : Leonard SMITHERS and Co. 1899. Not Stated . Hardcover. Very Good/No Jacket. Leonard SMITHERS and Co. B00K: Very G00D/ 1899 . B00K: Very G00D/ $3985.O3 Reduced from. the IMP0RTANCE of BEING EARNEST: a TRIVIAL C0MEDY for SERI0US PE0PLE by the Author of Lady Windermere's Fan. WILDE 0scar Leonard SMITHERS and Co. 1899 There is no limited or edition statement. H/c Brown Top And Balance Of Tan Spine With Title And Design In Polished Gold Letters Hard Cover B00K: Very G00D/ Shelf Edge And Corner Wear. 151 Numbered Pages Printed On Tan Paper Browning And Spotting From Aging In Very Good/ Condition Clean And Tight To The Spine Slight Wear. The Exterior Covering Of The Boards Are Not Decorated. D/j: None. = Description Applies To This B00K Only Which Is A Historically Significant Treasure From The Past Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. = WORLD WIDE SHIPPING AVAILABLE. <br/> <br/> Leonard SMITHERS and Co. hardcover
1891158131891. Ricketts Charles. London: James R. Osgood McIlvaine and Co. 1891. Original salmon paper-covered flexible boards decorated in dark red.<br/> <br/> First Edition of this collection of four dark semi-comic mystery tales. "Lord Arthur Savile's Crime" is an amusing but macabre tale if there can be such a thing about a young man who convinced by Lady Windermere's cheiromantist that he is doomed to commit murder does his best to do so prior to getting married -- out of a sense of duty to his fiancée. As one would expect Lord Arthur bungles his mission. In addition to the title story this book includes "The Sphinx Without a Secret" "The Canterville Ghost" and "The Model Millionaire." The binding of this title with decorations by Charles Ricketts is extremely delicate -- paper-covered flexible boards; although 1500 copies were issued we find this book to be quite uncommon and we have never seen a truly fine copy. In our experience THE PICTURE OF DORIAN GRAY THE HOUSE OF POMEGRANATES and this title are the three Wilde first editions most difficuilt to find in collectible condition. This copy is close to near-fine with a bit of the darkening and mottling of the spine that is typical for this fragile book but with scarcely any actual wear. Mason 345. Housed in a handsome gilt-paneled morocco-backed slipcase with inner chemise. unknown
1882140655Philadelphia: J. M. Stoddart & Co 1882. First edition of Rodd's first book of verse which was published with the assistance of Oscar Wilde. 12mo original publisher's vellum with gilt inner dentelles silk watered endleaves top edge gilt with others untrimmed illustrated. In near fine condition. Neat ownership inscription. Rare. J. M. Stoddart & Co hardcover
18917941London: James R. Osgood 1891. First edition. Very Good . One of 1000 copies. A Very Good copy fresh and clean throughout. Publisher's pictorial tan cloth stamped in gilt. Cloth a bit faded and foxed. Gilt very bright and attractive. Dent to edge of lower board at bottom corner. Modern bookplate D. Chisholm Simpson and ink ownership stamp Yew Tree Cottage to upper endpapers. A some toning to upper free endpaper otherwise very fresh and clean internally. Complete with the four plates illustrated by Charles Shannon which have faded but are somewhat clearer than is usually seen.<br /> <br /> A collection of fairytales from the famed writer wit and aesthete A House of Pomegranates compiles four stories of mermaids hunchbacks kings and princesses. This was actually Wilde's second collection of fairy tales - he had been writing such stories for years - after The Happy Prince and Other Tales published in 1888. A House of Pomegranates was met with some controversy with many reviewers finding the stories too complex and morally ambiguous for children. Wilde clearly had more wide-ranging ambitions than the standard children's tale however and found it absurd that "the extremely limited vocabulary at the disposal of the British child is the standard by which the prose of an artist is to be judged.in building this House of Pomegranates I had about as much intention of pleasing the British child as I had of pleasing the British public." Very Good . James R. Osgood unknown
1893140949205London: Elkin Mathews and John Lane 1893. First Edition. Very Good. First edition first printing. xiv 132 14 2 pp. with 14 advertising pages at rear. Bound in publisher's mauve cloth stamped in gilt. Very Good with soiling and darkening to cloth and bumping to corners and spine ends. Contents lightly toned and thumbed with foxing to endpapers and first and last few pages. One of the Irish playwright Oscar Wilde's best-known plays a comedy in four acts. Elkin Mathews and John Lane unknown
1878140943843Oxford: Thomas Shrimpton and Son 1878. First Edition. First edition. Oxford crest present on front wrap and title page; a later pirate edition lacked these. Mason 301. 16 pp. Bound in publisher's gray-green printed wrappers. An unsophisticated copy Very Good with toning and and few small edge chips to fragile wrappers. Contents bright and in great shape. <p>The author's first book. Thomas Shrimpton and Son unknown
1878233047Oxford: Thos. Shrimpton and Son 1878. First edition first printing. Early twentieth-century three-quarter crushed green morocco over green cloth with gilt rules spine titled ruled and decorated in gilt aeg marbled endpapers bulked with 51 binder's blanks. Bound with original pale blue printed wraps. A very fine copy. Octavo. 16pp. 7" x 5" "O lone Ravenna! many a tale is told / Of thy great glories in the days of old." So Wilde reflects upon the great Italian city. This lyrical exploration of Ravenna introduced the world to Wilde. This work won him the prestigious Oxford Newdigate Prize awarded annually to the best student poem. Wilde recited the poem in public on June 26th 1878 launching his notoriety beyond the walls of academia. <br /> <br /> Wilde was inspired by his travels through the faded glory of the streets of Ravenna the year before. According to Ellmann it is in these streets that "the young man.muses elegiacally upon its fallen greatness"––a musing that would be a continued theme throughout his literary career. <br /> <br /> Beautifully rebound in vibrant green morocco with the original wraps preserved and bound within. <br /> <br /> Mason 301; Ellmann 91. Thos. Shrimpton and Son unknown
1899140938501London: Leonard Smithers 1899. First Edition. Very Good. First Edition first printing. One of 800 copies originally printed which sold out immediately. Very Good. Covers soiled corners and spine ends softened. Endsheets offset from binder's glue. Previous owner name partially effaced from front paste down. Slight odor to pages. Clipping with apparently forged signature of Oscar Wilde tipped in on recto of final blank sheet by no means assumed to be authentic. Leonard Smithers unknown
1889042502London: David Nutt 1889. 2nd Edition. Hardcover. Very Good/No Dust Jacket. small quarto. Walter Crane and Jacomb Hood. prior owner inscriptions to flyleaf binding grubby wear to head of spine very slight toning to end papers. David Nutt hardcover
1894164122London: John Lane at the Sign of the Bodley Head 1894. Epigrammatic brilliance and shrewd social observation First edition one of 500 trade copies. The opening show of this satirical play on English manners was greeted with applause for the actors and boos for the playwright causing Wilde to announce from behind a curtain "Ladies and gentlemen I regret to inform you that Mr Oscar Wilde is not in the house" Ellmann p. 381. Wilde's opulent production used "the market forces of luxury dressmaking to comment upon the worlds of his Haymarket patrons. Audiences in the stalls and boxes continued to be both flattered and vexed by the antics of their on-stage doubles while viewers in the upper galleries enjoyed the additional spectacle of fashionable Society catching its likeness in Wilde's cunningly set mirrors" Kaplan p. 252. The play premiered at Haymarket Theatre on 19 April 1893 and ran until 16 August for 113 performances. An additional 50 large-paper copies were also issued. Small quarto. Publisher's advertisement bookplate on front pastedown and their 16-page catalogue dated March 1894 at end all as called for. Original pink linen with gilt floral decorations by Charles Shannon spine lettered in gilt top edge trimmed others uncut. Welsh-language bookplate of John Evans on front free endpaper. Spine and edges faded light wear to spine ends and corners splits to inner hinges mild toning and spots to contents. A very good copy. Mason 364. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" The Cambridge Companion to Oscar Wilde ed. by Peter Raby 1997. unknown
1898190120London: Murdoch & Co 1898. An impassioned defence First separate edition first published as a letter in the Daily Chronicle on 28 May 1897 just over a week after Wilde was released from prison. This is Wilde's defence of the warder of Reading Gaol who was dismissed from his job after giving biscuits to a hungry child. This copy belonged to A. J. A. Symons 1900-1941 with his bookplate in the chemise. Symons was friends with Lord Alfred Douglas and was writing a biography of Wilde at the time of his death. He was the founder of both the First Edition Club and the Book Collector's Quarterly. Octavo pp. 16. Original brown wrappers front cover lettered in black. Housed in custom gold patterned chemise. A few creases and marks to wrappers nick to front wrapper light foxing to first and last pages. A very good copy of this fragile work. Millard 26. unknown
1893186770London: Elkin Mathews and John Lane 1893. Life is far too important a thing ever to talk seriously about it First edition one of 500 trade copies of Wilde's first comedy play produced at the St James's Theatre on 20 February 1892. An instant success it is considered "revolutionary in its mingling of the vocabulary of comedy the potential of tragedy and the insistence on realism" ODNB. Cigarette in hand Wilde made his legendary curtain call on the opening night: "Your appreciation has been most intelligent. I congratulate you on the great success of your performance which persuades me that you think almost as highly of the play as I do myself." An additional 50 large-paper copies were also issued. Small quarto. With 16 pp. publisher's catalogue dated September 1893 at end. Original pink cloth spine lettered in gilt stylized flower and leaf motifs by Charles Shannon in gilt to spine and covers edges untrimmed. Partially removed catalogue note and previous ownership inscription to front endpapers. Extremities bumped faint marks to front cover a few neat pencil marks to contents. A very good copy. Mason 357. hardcover
1878182528Oxford: Thos. Shrimpton and Son 1878. Wilde debuts First edition of Wilde's first independent publication a poetic evocation of the historic Italian city composed while a student at Oxford and awarded the university's prestigious Newdigate Prize; "its laments for the sufferings of Dante and Byron proclaimed admiration and anticipation" ODNB. The inspiration for the poem came on a "vacation ramble" to Italy in 1877. Wilde recited the poem at the Sheldonian Theatre on 26 June where according to the review published the next day in the Oxford and Cambridge Undergraduate's Journal he was "listened to with rapt attention and frequently applauded" Ellman p. 94. Octavo pp. 16. Original grey-green printed wrappers lettered in black. Housed in custom green cloth box. Wrappers partially detached but holding edges of wrappers lightly toned with small chips internally fresh. A very good copy of a fragile publication. Mason 301. Richard Ellmann Oscar Wilde 1987. hardcover
1878149908Oxford: Thos. Shrimpton and Son 1878. Attractively bound copy of Wilde's first independent publication First edition of Wilde's first independent publication an attractively bound copy preserving the original wrappers and with the bookplate to the front pastedown of the eccentric sportsman and artist William Eden 1849-1915 father of future Prime Minister Anthony Eden and who like Wilde had a dispute with the artist James McNeill Whistler. The inspiration for Wilde's prize-winning poem came on a "vacation ramble" to Italy in 1877 with the precentor and junior dean of Trinity College Dublin William Mahaffy. According to the review published the next day in The Oxford and Cambridge Undergraduate's Journal Wilde's recitation of it at Oxford was "listened to with rapt attention and frequently applauded" Ellman p. 94. Eden excelled at a range of sports from boxing and horse riding to shooting "the epitome of the sporting squire" ODNB a member of several clubs and well known in London society. So too was he a keen amateur artist and aesthete building a fine collection of paintings and was a member of the aristocratic group The Souls. The contrast between the sportsman and the aesthete has been noted: "There was little that was harmonious in his nature and the aesthetic side warred with and exacerbated rather than complemented his athleticism making him a bored sportsman and a militant aesthete. As he grew older the world's failure to correspond to his ideals drove him to furious rages and the debased taste of humanity confirmed his atheism - for how could a God have made such a botch of things" ibid. His dispute with Whistler was occasioned when Eden commissioned a portrait of his wife which Whistler executed but then kept the cheque without handing over the painting leading to a legal case which resulted in Whistler's book The Baronet and the Butterfly 1899. Wilde too had a lengthy rivalry with Whistler out of the courts but with very public sparring. Octavo 16 pp. 176 x 119 mm. Early 20th-century pink straight-grain morocco for Hatchards of Piccadilly spine lettered in gilt pink cloth sides marbled endpapers top edge gilt pink silk page marker; bulked with 20 binder's blanks. With the original green printed wrappers bound in. Spine lightly sunned very light rubbing at extremities short split at foot of front wrapper; an excellent copy. Richard Ellmann Oscar Wilde 1987; Mason 301. hardcover
1899biblio3<p>This printing of Oscar Wilde's <em>Ballad of Reading Gaol </em>was published on 23 June 1899 under the pseudonym C.3.3. his prison cell number. <em>Mustard boards with white cloth spine. Condition: In very good condition. </em><em>Light soiling to original publisher's two-tone mustard and white cloth boards and spine. Seventh </em>printing of Leonard Smithers 1899 Edition 8°. 31 pages. It was the first to reveal the author's identity putting the name Oscar Wilde in square brackets under his cell number on the title page. Mason Stuart 1914; new ed. 1972 <em>Bibliography of Oscar Wilde</em>. Rota pub; Haskell House pgs. 408–423.</p> Leonard Smithers hardcover