457 résultats
19277594LONDON METHUEN 1927 1927. DARK GREEN CLOTH FORTY-FIFTH EDITION VERY GOOD. Hardcover. LONDON, METHUEN, 1927 hardcover books
19097592NY PUTNAM/KNICKERBOCKER PRESS 1909 1909. BLUE CLOTH OVER GRAY BOARDS; 1/2 SECOND AMERICAN EDITION VERY GOOD. Hardcover. NY, PUTNAM/KNICKERBOCKER PRESS, 1909 hardcover books
7591NY PUTNAM'S 1909. VERY GOOD. NY, PUTNAM'S 1909 unknown books
1905WN31426London: Methuen and Co. 1905. 2 prior owner bookplates on front endpapers. Preliminaries offsetting including from laid-in newspaper clipping regarding a falsified De Profundis manuscript. Clipping source and date not present. Pencil notation on read pastedown that this is first edition first issue. 40 page Methuen catalogue dated February 1905 at rear. Ink handwritten underlined quotation beneath title as follows: "Rien n'est vrai que le beau". Some soiling of title page but text quite clean. TEG other edges untrimmed. Spine ends and corners bumped with minor loss of cloth. . First Edition. Cloth. Fair/No Jacket. 8vo - over 7¾" - 9¾" tall. Trade. Methuen and Co. Hardcover books
200061992London: The British Library 2000. cloth. 4to. cloth. 14 2 pages followed by the facsimile. Limited to 495 numbered copies. With a ten page introduction by Merlin Holland followed by the facsimile of the original manuscript of this important book. The manuscript consists of 20 foolscap folio sheets each of four sides. This manuscript was written while Wilde was imprisoned for being a homosexual. The British Library unknown books
1950WRCLIT45289London: Methuen 1950. Cloth. Second "edition" of this version. A nice copy in lightly worn dust jacket with short tear and crease. Methuen hardcover books
1910144641New York: Putnam's/Knickerbocker 1910. Hardcover. Clean and tight but with some foxing to very ends of pages. Grey paper over navy blue cloth; gilt lettering to cover and spine. 154 pp. Bw frontis with tissue guard. TEG. Wilde's classic written in despair from his imprisonment in Reading jail gaol. Putnam's/Knickerbocker hardcover books
7595NY PHILOSOPHICAL 1950. UNEXPURGATED FIRST EDITION THUS VERY GOOD. F. NY, PHILOSOPHICAL, 1950 unknown books
195041360NY: Philosophical Library 1950. 8vo pp. 147. Introduction by Vyvyan Holland. A VG tight copy. A long letter written from prison to Alfred Douglas. Philosophical Library unknown books
1918243691918. FT. WILDE Oscar. DER JUNGE KONIG. Weimar: Gustav Kiepenheuer 1918. 1/1000 copies. With original lithographs vignettes and initials by Charlotte Christine Engelhorn. Cloth-backed paper boards slightly faded and worn at corners otherwise a fine copy. unknown books
19067596NY BUCKLES 1906 1906. BLACK CLOTH PIRATED EDITION GOOD-VERY GOOD. Hardcover. NY, BUCKLES, 1906 hardcover books
1907224723Berlin S. Fischer ca. 1907. 1907. Third edition. Thin 8vo. 39 pages. Translated into German by Max Meyerfeld. Original stiff wrappers printed in red and black. Very good. Soft cover. Berlin, S. Fischer, ca. 1907. paperback books
7597LEIPZIG INSEL 1912. GERMAN TEXT THIRD EDITION VERY GOOD. LEIPZIG, INSEL, 1912 unknown books
58081Mt. Vernon NY: Peter Pauper Press. VERA BOCK. Oblong 8vo 87. Bound in cloth backed boards a very good copy in worn publisher's box. Peter Pauper Press unknown books
1922228889<p>First edition. Octavo. Original gilt stamped white cloth t.e.g. uncut. Dust jacket unclipped; 3" chip on spine; few small chips; some separation at fold on flap. Very good. 39 pages. No signatures or bookplates. Printed by Jarrold & Sons Norwich. One of 1000 copies on handmade paper.</p> Methuen & Co., Ltd. hardcover books
192326145NY: Putnam 1923. Second Edition. 12mo. Quite scarce. VG. Withheld for many years the masque was finally released for printing. Putnam unknown books
19062221794<p>Second edition. Small octavo. Original green stiff stapled wrappers stamped in black. No dust jacket. Very good. 34 pages. No signatures or bookplates.</p><p>Mason 592.</p> Privately Printed paperback books
134067N.P.: Rolf Lock n.d. gilt-tooled crushed morocco in leather clamshell box with author and title gilt-stamped on spine. Miniature Books. miniature book 9.3 by 6.9 cm. gilt-tooled crushed morocco in leather clamshell box with author and title gilt-stamped on spine. unpaginated. Text in German. Written by hand by Lock on parchment. Calligraphy and illustrations by Rolf Lock. Lock b. 1955 studied lithography 1970-3 and calligraphy 1978-82 and founded his own press in 1991. Bound by Swiss artist Roland Meuter of Weggis Switzerland where he has operated a bindery since 1998. "R MEUTER" stamped on back pastedown. Hand gilt by Samuel Feinstein of Chicago Illinois U.S.A.; "SF-GILDER" stamped and embossed on leather on back pastedown. A German translation of Wilde's prose poem "House of Judgment" first published in Spirit Lamp III:2 February 17 1893 an Oxford magazine edited by Alfred Douglas. See Stuart Mason Bibliography of Oscar Wilde London: T. Werner Laurie 1914 211 Rolf Lock unknown books
1906212404Sunderland: Keystone Press 1906. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. Original blue printed wrappers stitched. Faded some chipping of corners and edges light browning of leaves else a good copy. First edition. Number 92 of 50 copies printed on hand-made paper. 1 vols. 8vo. The lecture Wilde presented in 1883 shortly after his two American trips of 1882 and 1883. Ransom p. 261 Keystone Press unknown books
1891WRCLIT61926New York: Dodd Mead 1891. Rose cloth over boards lettered in yellow top edge stained brown. Spine a trifle darkened with some hand-smudging to cloth small nick at crown of spine but a very good copy. An American issue of the British sheets. Mason/Millard was unable to examine a copy of the American issue of the first edition sheets but describes a literal date in the title-imprint in a binding of the same color of cloth as this copy with the same overall dimensions. However the American issue of the second London edition does bear a literal date 1894 in the title imprint and is bound in tan cloth. Hence the copy in hand is most likely not a variant of the American issue of the second edition and may very well be the American issue of the first edition sheets 600 copies at variance from Mason/Millard's speculative description. With the pencil ownership inscription of American publisher Ingalls Kimball dated Chicago August 1894. MASON/MILLARD 343. Dodd, Mead hardcover books
190555806NY: Brentanos 1905. Reprint first issued in 1891. 8vo pp. 263. Bound in some soiled tan cloth bookplate and former owner's name on end paper. Brentanos unknown books
190446909Portland ME: Thomas B. Mosher 1904. One of 600 copies on van Gelder hand made paper. 8vo pp. 236. Ivory paper over boards. Cover little worn; cover and edges somewhat soiled a little interior foxing and spotting o/w a VG tight copy. Thomas B. Mosher unknown books
1891BB17290London: James R. Osgood McIlvaine & Co. 1891. First Edition. Hardcover. Fair. 8vo. Rebound in plain olive cloth leather spine label lettered in gilt. 258 pp. Title page and premilinary blanks detached. Sold as is. <br/><br/> James R. Osgood McIlvaine & Co. hardcover books
190721208New York: Brentano's 1907. Hardcover. Orig. cream cloth front cover and spine lettered in gilt. Near fine. 263 pages. 19.5 x 13 cm. Introduction by Percival Pollard. A series of essays by Wilde "Jewels of wit and paradox." Clean fresh copy. Brentano's hardcover books
1891145251891. London: James R. Osgood McIlvaine & Co. 1891. Original yellow-green cloth decorated in gilt.<br/><br/> First Edition of this group of four essays on literature art society and criticism -- which consisted of 900 copies plus 600 printed for America with the Dodd Mead imprint. Published just a week after Wilde's only novel THE PICTURE OF DORIAN GRAY INTENTIONS precedes all of his famous plays which came out during the span 1893-1899. In the opening essay Wilde laments the "decay of Lying as an art a science and a social pleasure." He takes to task modern literary realists like Henry James and Émile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful he says is that it is "absolutely indifferent to fact." The next essay "Pen Pencil and Poison" is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright a talented painter art critic antiquarian friend of Charles Lamb and — murderer. The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself in some cases more so. A good critic is like a virtuoso interpreter. Finally in "The Truth of Masks" Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks disguises and costume in Shakespeare Goodreads. Charles Ricketts created the Fin-de-Siècle binding design and lettering -- in the same year that he also designed for the same publisher the binding of TESS OF THE D'URBERVILLES. This is a near-fine copy -- there is faint mottled fading that always seems to afflict this book's cloth but there is little wear other than minor rubbing at the extremities small partly-erased signature on the endpaper. INTENTIONS has become a difficult title to acquire in better condition. Mason 341. unknown books