215 résultats
1894835081894. WILDE Oscar. A Woman of No Importance. Orig. tan buckram gilt stamped decorations on boards and spine. London: John Lane at the Sign of the Bodley Head 1894. Mason 365. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" The Cambridge Companion to Oscar Wilde ed. by Peter Raby 1997. First edition. Large paper copy one of 50 copies. Previous owner's signature on limitation page. Boards toned browning to pastedowns and first free endpapers. Overall a near fine copy housed in a custom purple cloth chemise and matching quarter morocco slipcase. unknown
187133153Savannah: Georgia Historical Society. J. H. Estill Printer 1871. First Edition. Hardcover. Good. Octavo. 3 .70 pages 4. Green cloth hardcover with gilt lined borders and title on the front cover. All edges gilt. Areas of rubbed cloth along the edges. Previous owner illustrated book plate with initials RBH on the front paste down. <br /> <br /> This copy includes a post card of Wesleyan Female College in Macon Georgia addressed to "Miss J. Troy Tuscaloosa Ala" from past President of the College Dupont Guerry. Also included is an undated Platt of land along the Savannah River. The Platt is chipped with significant loss at the bottom of the paper resulting in loss of dimensions of the land. The Platt does not name an owner. Laid inside the book is one page letter folded with two blank sides and an address on the back side dated March 7 1835 and signed at the bottom by R. H. Wilde. The letter appears to be addressed to B. F. Butler. The writing is difficult to decipher but the signature is neat and legible. Approx. 5" x 3.5" section of paper clipped from the letter but no missing content of the signed one page letter. Georgia Historical Society. J. H. Estill, Printer hardcover
189916660Bruxelles: Ad.Mertens 1899. Gebunden. Ad.Mertens unknown
189570802Boston:: Joseph Knight Company 1895. publisher's pale blue cloth stamped in red and blue. Short closed tear at the top edge of the half-title page; very slight use to cloth; clean tight and sound. 12mo. Illustrated. Cosy Corner Series. Joseph Knight Company, hardcover
1888024406Cassell 1888. No Binding. Near Fine. Assorted. 1st edition Volume I 4to 12¼ x 9½ ins. Original 3/4 leather and cloth boards. Quite worn with spine missing and both covers loose. First 4 1/2 3/4 pages torn along bottom right-hand edge & Final 2 pages 571/2 torn along center. Pp. iv 572 pages v-viii. All other contents are very good and better Many illustrations and color plates. NOTE: This is NOT a reprint it is the Original Printing from 1888. <br/> <br/> Cassell unknown
1893371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown
1894102669New York: R.F. Fenno. 1894. Early US edition published same year as the UK limited edition edition de luxe. Original colour illustrated stiff wraps Mt Fuji Japanese house and boat col dec endpapers pp 22. The yapp edges have very small closed tears and very small holes. Clean. Very good condition. Unusual early printing of Wilde's poem "The Sphinx" in Japanese-inspired binding by a small publishing firm. Early Issue. Paper Wraps. R.F. Fenno paperback
1894329742London: Elkin Mathews & John Lane 1894. Limited. hardcover. fine. Ricketts Charles. Title page design and nine illustrations eight full page by Charles Ricketts. Printed throughout in black red & green all edges untrimmed. Thin small 4to full vellum with pictorial decorations in gilt to the spine & covers by Ricketts. 2 bookplates. London: Elkin Matthews & John Lane 1894. Limited edition.<br/> <br/> One of 200 unnumbered copies. An exceptionally fine copy unfoxed and with a clean binding<br/> <br/> Elkin Mathews & John Lane unknown
1894001392London: Elkin Mathews and John Lane 1894. 44p including blanks original gilt decorated vellum designed by Charles Ricketts with his monogram to bottom left hand corner of upper cover and the monogram of the binders Leighton Son and Hodge to the bottom left hand corner of the lower cover. Corners slightly bumped and rubbed vellum generally quite bright and clean. Internally some light browning to page edges some light foxing to several pages as often but generally fairly clean. Small booksellers label and previous owners book plate to front paste down. Printed in three colours throughout. Stated one of two hundred copies for the UK with another fifty printed for the US and twenty-five large paper copies and possibly a few more. Now housed in a cloth drop back box by Temple Bookbinders. Holbrook Jackson called 'The Sphinx' "'the most remarkable of the books of this period' because it translated the Wildean temperament into physical form . Ricketts created a parallel system of symbols evoking the mystery and erotic sensuality the Aesthetes often associated with Egypt" Thomson 'Aesthetic Tracts - Innovation in Late-Nineteenth-Century Book Design' page 75. Mason 361. First Edition. Full Vellum. Good. Illus. by Ricketts Charles. 8vo. Elkin Mathews and John Lane Hardcover
1894151353London: Elkin Mathews and John Lane 1894. In the original vellum decorated by Charles Ricketts First edition one of 200 unnumbered copies. Wilde's poem together with Charles Ricketts's art nouveau illustrations was described by W. E. Henley Wilde's harshest critic as "about as fin-de-Siecle a business as you ever saw" Frankel p. 155. Wilde first met Ricketts in 1889 and in the two years that followed the artist designed either parts or the entirety of several of Wilde's works. Now celebrated for his book illustration and design Ricketts is also noted for his theatre designs and costumes and he contributed to the first English production of Wilde's Salomé in 1906. James G. Nelson records that alongside the 200 copies published in the limited edition a further 103 copies were printed though most of these were left unbound. Small quarto. Title page design one half-page illustration and eight full-page illustrations by Charles Ricketts. Original full vellum pictorial decorations by Ricketts to spine and covers in gilt all edges untrimmed printed throughout in black green and red. Ownership signature to front free endpaper and ownership inscription to preliminary blank. Vellum lightly soiled as usual and some occasional internal foxing; a fresh and very good copy with bright gilt to the covers. Nicholas Frankel Oscar Wilde's Decorated Books 2003; Mason 361; James G. Nelson A Checklist of Early Bodley Head Books: 1889-1894. hardcover
1894001874London: Elkin Mathews & John Lane at The Sign of The Bodley Head 1894 1894. FIRST EDITION. 1 vol. 8-1/2" x 7" illustrated by Charles Rickets limited to 200 copies printed in 3 colors bound in original art nouveau gilt decorated vellum covers straight often found quite bowed inner and outer hinges fine head and foot of spine fine foxing to one side of the first 8 leaves typical previous owners bookplate to front pastedown housed in a 1/2 red morocco clamshell slipcase raised bands gilt decorated spine overall still a VERY GOOD copy. Charles Ricketts's art nouveau illustrations were described by W. E. Henley Wilde's harshest critic as "about as fin-de-Siecle a business as you ever saw" Frankel p. 155. Ricketts considered the designs for the illustrations and for the original vellum binding amongst his best work. While predominantly working with book illustration and design Ricketts was also famed for his theater designs and costumes and he contributed to the first English production of Wilde's Salome in 1906. London: Elkin Mathews & John Lane at The Sign of The Bodley Head, 1894 hardcover
1891BOOKS324407New York: THE FORTNIGHTLY REVIEW February 1891. Collectible-Very Good/NO DUSTJACKET. 1891. First Printing. Paperback. First appearance in the United States of this Oscar Wilde publication pages 292-319. Other contributors include E. B. Lanin David F. Schloss and a continuing story by George Mededith. Ref. - Mason #52. . Sm 4to. One advertising page has a tear without anything missing. A period magazine club readers list glued to rear cover. . THE FORTNIGHTLY REVIEW February, 1891 paperback
18952221665<p>First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase.</p><p>Printed by The Chiswick Press.</p><p>Mason 367 - only 50 copies were printed.</p> Privately Printed paperback
18012604140123Boni and Liveright inc 1918-01-01. Hardcover. Very Good. 6x1x9. Bound in green leatherette. Hardcover. Good binding and cover. Edge wear. 255 p. 17 cm. Boni and Liveright, inc hardcover
189026040071890. pirated first. hardcover. very good. Pirated first edition. Book very good foxing throughoutsome soiling to covers former owner's one-line writing to front free end paper. unknown
1891260London: Ward Lock & Co 1891. First Edition. First printing without Bowden's name added to the title page imprint the Preface with Wilde's name at the end in larger bolder type and with "nd" for "and" beginning the eighth line from the bottom on page 208. The error was corrected for the second printing which included the 250 signed copies of the limited edition—copies that in addition to being the second issue are literally the second printing. This trade edition is not only earlier than the limited but when it has its dust jacket many times rarer. Original white vellum parchment-backed boards former owner's neat name to endpaper spine slightly faded from light not dust else near fine in the rare dust jacket with small tears and chips to the spine tips and corners neatly repaired a bit short an irregularity with nineteenth-century hand-trimmed jackets but a charismatic jacket still—integral clean and one to be owned with pride. An unequivocal Victorian classic as great a short novel as has ever been written and copies in dustjacket must have been dumped in the Bermuda Triangle because they never show up at auction or in the trade. Full morocco case. Wilde was from that atypical minority of great men those who do not remind us of anyone else. He wrote the best comedies since Shakespeare mastered paradox and was the reigning wit of the 1890s but he became a victim when society forgot that the mouse should never be a juror at the cat’s trial. Dorian Gray was his only novel and why not When you write one like this one is sufficient. It’s undeniably a modern Gothic and a self-evident Victorian classic unique in the delicacy of its grim and melancholy metaphor and it continues to maintain it’s appeal even in our 21st century. Ward Lock & Co unknown
1899355490724400London 1899. First Edition. Hard Cover. London: Leonard Smithers 1899. First Edition. First Printing. This is the first impression which was limited to 1000 copies this being # 33. Publisher's original pale salmon binding with gilt leaf stamping to panels. 152 pages. This copy is about VG with the usual slight fading to the gilt leaf. Boards clean and tidy with no noteworthy issues. There is a book-plate to the front paste-down of "Richard Buckle". No previous owner inscriptions. The spine has been sympathetically and skilfully re-backed in brown morocco with the title and author in gilt with leaf stamps blind-stamped in three places. The interior of the book is clean tidy and tightly bound with minor foxing to several pages. Photographs/scans available upon request. hardcover
1899182434London: Leonard Smithers and Co 1899. An unusual binding First edition number 373 of 1000 copies. This copy is in a contemporary vellum binding in a style that was popular at the end of the nineteenth century similar to those produced by both the Kelmscott Press and the Riccardi Press. This copy was part of the standard issue in cloth; a further 100 signed large paper copies and 12 signed copies on japon were produced. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. The play was not published in book form until February 1899 after Wilde's release from prison. Quarto 210 x 155 mm. Contemporary limp vellum spine lettered in gilt green silk ties top edge gilt others untrimmed. Natural variation to vellum light foxing mostly to edges. A very good copy. Mason 381. hardcover
1899186847London: Leonard Smithers and Co 1899. Wilde's greatest play in the original cloth First edition out of series from an issue of 1000 numbered copies. Wilde's last play opened to great acclaim on Valentine's Day 1895 but was withdrawn after Wilde's failed libel suit against Lord Queensbury led to his arrest in April of that year. It was not published in book form until February 1899 after Wilde's release from prison. The play was published in a standard issue of 1000 unsigned copies 100 signed large paper copies and 12 signed copies on japon. Quarto. Original pink cloth spine lettered in gilt stylised leaf motifs by Charles Shannon in gilt to spine and covers edges uncut and untrimmed. Spine toned and a little bumped nick to head of spine occasional foxing mostly to outer leaves. A very good copy. Mason 381. hardcover
1899140949181London: Leonard Smithers and Co 1899. First Edition. Near Fine. First edition first printing. One of 1000 copies unnumbered. xvi 152 pp. printed on laid paper. Bound in publisher's lavender cloth with gilt spine lettering and decorations by Charles Shannon. Near Fine with sunning to spine and extremities and fading to spine gilt light soiling and scattered foxing to cloth light rubbing to extremities and slight bumping to lower corners. Binding starting at p. 105 offsetting to front endsheet bookplate to front pastedown. A very nice copy from the library of the American naval officer and book collector Charles John Muto. Mason 381.<br /> <br /> <p>The first edition of the most delightful play in the English language. Wilde's last play opened on Valentine's Day 1895 to almost unanimous praise. Two weeks later he received a card at his club accusing him of sodomy to which he responded with an ill-judged libel lawsuit that led to his downfall and imprisonment. By the time this book was published by Leonard Smithers one of his few remaining friends Wilde was dying in Paris his health broken by Reading Gaol. There are now statues to him in London and Dublin. Leonard Smithers and Co unknown
18991411385London: Leonard Smithers and Co 1899. First Trade Edition Limited #208/1000. Hardcover. Octavo 151 pages. In Good plus condition. Bound in publisher's pale purple cloth with gilt leaves to boards gilt lettering to spine. Fading to spine and boards. Some general shelfwear. Chipping to head and tail of spine. Bumping to corners and extremities. Spine cocked. Front pastedown with glue stains from a removed bookplate. Front free endpaper with bookplate. Shelved showcase. 'The Importance of Being Earnest' was a success on stage when it opened in 1895 but closed after 86 performances due to Wilde's arrest. It is generaly considered one of his best works. This Trade edition was published in 1899 after he was released from Reading Gaol and residing in France. He died the following year. 1411385. Shelved Dupont Bookstore. Leonard Smithers and Co hardcover
1899140940300London: Leonard Smithers and Co 1899. Signed Limited First Edition. Near Fine. Signed limited first edition. xii 152 pp. Bound in publisher's original pale lavender cloth with gilt spine lettering and decorations by Charles Shannon. Copy number 82 of 100 large paper copies signed by Oscar Wilde with a flourish. Near Fine with subtle sunning several barely discernible spots to cloth short bubble to rear cloth. Typical offsetting to endpapers and a 5" tear to the rear endpaper. Contents bright and fresh. A beautiful copy.<br /> <br /> <p>Wilde's masterpiece which opened to wide acclaim at the St. James's Theatre London on February 14 1895. It was withdrawn after 86 performances following his arrest and imprisonment on charges of gross indecency as a consequence of his failed libel suit against Lord Queensbury the father of Wilde's homosexual lover Lord Alfred Douglas. He was outed as gay a disgrace in Victorian society and the play was not published in any form until the present edition following his release from prison. It has been hailed as an exemplary farce called by poet W.H. Auden "a pure verbal opera. Leonard Smithers and Co unknown
1895015568: Samuel FRENCH 1895. Hardcover. Good. B00K: Good/Fair/ 1895 . B00K: Good/Fair/ $3670.15 Reduced from. the IMPORTANCE of BEING EARNEST. a Trivial Comedy for Serious People. WILDE Oscar Samuel FRENCH 1895 First Date Played At St. James's Theatre UnStated Edition Small H/c Sun Browning On A Green Cloth Spine With No Title Small Sized Hard Cover B00K: Good/Fair/ Shelf Edge And Corner Wear. 52 Numbered Pages Browning From Aging In Delicate Condition. Spine Separating In Front And Towards Rear. Still Attached. Some Notations Throughout. Title Appears To Be Hand Written On Front Cover In Black Ink. D/j: None. No Odors No Writing No Names No Stains No Book Plate Not X~Library. = Description Applies To This B00K Only Which Is A Historically Significant Treasure From The Past Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. WORLD WIDE SHIPPING AVAILABLE. <br/> <br/> Samuel FRENCH hardcover
1899022513LONDON : Leonard SMITHERS and Co. 1899. Not Stated . Hardcover. Very Good/No Jacket. Leonard SMITHERS and Co. B00K: Very G00D/ 1899 . B00K: Very G00D/ $3985.O3 Reduced from. the IMP0RTANCE of BEING EARNEST: a TRIVIAL C0MEDY for SERI0US PE0PLE by the Author of Lady Windermere's Fan. WILDE 0scar Leonard SMITHERS and Co. 1899 There is no limited or edition statement. H/c Brown Top And Balance Of Tan Spine With Title And Design In Polished Gold Letters Hard Cover B00K: Very G00D/ Shelf Edge And Corner Wear. 151 Numbered Pages Printed On Tan Paper Browning And Spotting From Aging In Very Good/ Condition Clean And Tight To The Spine Slight Wear. The Exterior Covering Of The Boards Are Not Decorated. D/j: None. = Description Applies To This B00K Only Which Is A Historically Significant Treasure From The Past Hard To Find Will Be Packaged And Shipped = Carefully To Avoid Shipping Damage And Will Make It An Excellent Addition To Your Own Personal Library Collection Or As A Gift For The Discriminating Reader / Collector/. = WORLD WIDE SHIPPING AVAILABLE. <br/> <br/> Leonard SMITHERS and Co. hardcover
1888PB-0034<p>Signed first edition of Oscar Wilde's incredibly scarce "The Happy Prince and Other Tales." David Nutt publisher. Ballantyne Press. Quarto handmade paper. Original boards in Japanese vellum. Limited edition number 14 of 75 signed by both Oscar Wilde and publisher David Nutt. Publication date: 1888. Stunning illustrations: front cover design in red ink by Jacob Hood as well as head and tailpiece vignettes. Plates by Walter Crane. No dust jacket as issued.</p><p>Published before well before Wilde's incarceration and trial and before his best known works such as "The Portrait of Dorian Gray" and "The Importance of Being Earnest". The fairy tales written for his children originally include "The Happy Prince" "The Nightingale and the Rose" "The Selfish Giant" "The Devoted Friend" and "The Remarkable Rocket."</p><p>Evidence of previous tape repair on spine exterior and front and rear boards with chipping and loss on spine. Interior tape repair on inner hinge and evidence of what appears to be a hastily removed book plate on front pastedown. Light soot or dirt smudging on portion of title page. Interior pages are good. This volume is scarce in any condition but remains an excellent candidate for rebinding or external repairs and is priced accordingly. More photos available on request.</p> David Nutt hardcover