303 résultats
1894835081894. WILDE Oscar. A Woman of No Importance. Orig. tan buckram gilt stamped decorations on boards and spine. London: John Lane at the Sign of the Bodley Head 1894. Mason 365. Richard Ellmann Oscar Wilde 1988; Joel Kaplan "Wilde on the Stage" The Cambridge Companion to Oscar Wilde ed. by Peter Raby 1997. First edition. Large paper copy one of 50 copies. Previous owner's signature on limitation page. Boards toned browning to pastedowns and first free endpapers. Overall a near fine copy housed in a custom purple cloth chemise and matching quarter morocco slipcase. unknown
1871WRCLIT23857Savannah: Georgia Historical Society 1871. 70pp. Gilt decorated cloth a.e.g. Light spotting to cloth else very good and bright. First edition in book form. A full examination of the question of whether Mr. Wilde's poetic products were original. Georgia Historical Society hardcover books
187133153Savannah: Georgia Historical Society. J. H. Estill Printer 1871. First Edition. Hardcover. Good. Octavo. 3 .70 pages 4. Green cloth hardcover with gilt lined borders and title on the front cover. All edges gilt. Areas of rubbed cloth along the edges. Previous owner illustrated book plate with initials RBH on the front paste down. <br /> <br /> This copy includes a post card of Wesleyan Female College in Macon Georgia addressed to "Miss J. Troy Tuscaloosa Ala" from past President of the College Dupont Guerry. Also included is an undated Platt of land along the Savannah River. The Platt is chipped with significant loss at the bottom of the paper resulting in loss of dimensions of the land. The Platt does not name an owner. Laid inside the book is one page letter folded with two blank sides and an address on the back side dated March 7 1835 and signed at the bottom by R. H. Wilde. The letter appears to be addressed to B. F. Butler. The writing is difficult to decipher but the signature is neat and legible. Approx. 5" x 3.5" section of paper clipped from the letter but no missing content of the signed one page letter. Georgia Historical Society. J. H. Estill, Printer hardcover
18782178Oxford: Thos. Shrimpton and Son 1878. First edition. First edition. 12mo. 16pp. Original grey-green printed wrappers. Exceedingly scarce first edition with the publisher's printed crest appearing on the cover of the wrappers as well as on the title page. and a vignette woodcut appears on the last page. The prestigious Newdigate Prize Oxford's top award for poetry dates to early 1800's and the winner for 1878 was the young Oscar Wilde. The pamphlet was issued in the same year as was common with many of the early prize winners and is considered Wilde's first publication in book form. He worked on the poem a few years earlier while touring Greece as a student at Oxford. An exemplary the finest we have seen with no wrinkling or central creases as was commonly seen from folding to place in a pocket. Very small nick out of two corners very slight barely detectable browning to covers else extremely clean and bright. Extremely scarce in this condition. 16pp. <br/><br/> Thos. Shrimpton and Son unknown books
1884051503Ad. Mertens reliure Rigide Décorative Bruxelles 1884 519 pages en format 11.5 -18 cm - reliure rigide en cuir au dos avec quatre nervures - coiffe supérieure frottée
1884051576Ad. Mertens reliure Rigide Décorative Bruxelles 1884 636 pages en format 11.5 -18 cm - quelques rousseurs - reliure rigide en cuir au dos avec quatre nervures - coiffe supérieure frottée
1884027578Ad. Mertens reliure Rigide Décorative Bruxelles 1884 519 pages en format 11.5 -18 cm - reliure rigide en cuir au dos - manque la page de garde
189916660Bruxelles: Ad.Mertens 1899. Gebunden. Ad.Mertens unknown
189570802Boston:: Joseph Knight Company 1895. publisher's pale blue cloth stamped in red and blue. Short closed tear at the top edge of the half-title page; very slight use to cloth; clean tight and sound. 12mo. Illustrated. Cosy Corner Series. Joseph Knight Company, hardcover
1888024406Cassell 1888. No Binding. Near Fine. Assorted. 1st edition Volume I 4to 12¼ x 9½ ins. Original 3/4 leather and cloth boards. Quite worn with spine missing and both covers loose. First 4 1/2 3/4 pages torn along bottom right-hand edge & Final 2 pages 571/2 torn along center. Pp. iv 572 pages v-viii. All other contents are very good and better Many illustrations and color plates. NOTE: This is NOT a reprint it is the Original Printing from 1888. <br/> <br/> Cassell unknown
1893371134Oxford: published for the Proprietor by James Thornton High Street 1893. 100 pp. Squarish 8vo. Blue printed paper wrappers. Some chipping and loss to covers; toning to pages. 100 pp. Squarish 8vo. Featuring "The Disciple" by Oscar Wilde and pieces by Lord Alfred Douglas H. M. Beerbohm and John Addington Symonds. published for the Proprietor by James Thornton, High Street unknown
1894319476London: Elkin Mathews and John Lane. At the Sign of the Bodley Head. Boston Copeland and Day LXIX Cornhill 1894. LARGE PAPER one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page half and full-page designs ornamental initials. Printed in red black and green. Unpaginated. 1 vols. Slender 8vo 10 x 7-3/8 inches. Original full vellum gilt with fantastic designs including 2 weird female sphinx on both sides by Charles Ricketts uncut The deluxe binding has "extra ornaments to the sides and inner marges of the binding and with ribbons". The binding is signed by Ricketts with monogram CR on the upper cover; the monogram of the binder Leighton Son and Hodge appears on the lower cover. The deluxe issue has an added lower border on the binding and ties. Fine copy custom half morocco clamshell box. Ricketts Charles. LARGE PAPER one of 25 copies. Printed by the Ballantyne Press. Illustrated by Charles Ricketts with wood-engraved title page half and full-page designs ornamental initials. Printed in red black and green. Unpaginated. 1 vols. Slender 8vo 10 x 7-3/8 inches. One of 25 Anthony Powell's Copy. "The monsters of the Egyptian room at the British Museum live again in his weird sometimes repulsive but all the same stately and impressive lines. The vellum binding the various symbolic designs the quaint rubricated initials and the general arrangement of the text all by Mr. Ricketts' sympathetic art are most subtly infused by the spirit of the poem." Pall Mall Budget June 21 1894. This was the last book Wilde published before his imprisonment.<br/>"the most beautiful and consummately designed trade book of the 1890s" - Nelson<br/>With the bookplate of novelist Anthony Powell 1905-2000 about whose suite of novels A Dance to the Music of Time Guy Davenport observed "The only book I know that takes Proust's habitual narrative gestures Anglicizes them and succeeds in the effort. In fact Powell is the best critical study of Proust."<br/>A CHOICE COPY OF ONE OF THE MOST BEAUTIFUL BOOKS OF THE 1890s. Mason 362; Nelson A View from the Bodley Head pp.45- 46 passim; Wick THE TURN OF A CENTURY 1885-1910 Number 10; Ray Illustrator and the Book 262. Provenance: Anthony Powell his bookplate Elkin Mathews and John Lane. At the Sign of the Bodley Head. Boston Copeland and Day LXIX Cornhill unknown books
18946710New York: R. F. Fenno & Company 1894. First American Edition. Hard Cover with Dust Jacket. Very Good/Very Good. 12mo 4 1/2" x 7 3/8" stiff pictorial wraps 22 pages; half title with date of 1894; original glassine dust jacket and original box with printed label: "The Sphinx. Wilde Nippon Booklets." First edition printed in America. Pictorial front wrapper with color rural scene with Mt. Fiji in the background. Book and dust jacket are very good; box has a few light stains but is intact. <br/><br/> R. F. Fenno & Company hardcover books
1894102669New York: R.F. Fenno. 1894. Early US edition published same year as the UK limited edition edition de luxe. Original colour illustrated stiff wraps Mt Fuji Japanese house and boat col dec endpapers pp 22. The yapp edges have very small closed tears and very small holes. Clean. Very good condition. Unusual early printing of Wilde's poem "The Sphinx" in Japanese-inspired binding by a small publishing firm. Early Issue. Paper Wraps. R.F. Fenno paperback
1894329742London: Elkin Mathews & John Lane 1894. Limited. hardcover. fine. Ricketts Charles. Title page design and nine illustrations eight full page by Charles Ricketts. Printed throughout in black red & green all edges untrimmed. Thin small 4to full vellum with pictorial decorations in gilt to the spine & covers by Ricketts. 2 bookplates. London: Elkin Matthews & John Lane 1894. Limited edition.<br/> <br/> One of 200 unnumbered copies. An exceptionally fine copy unfoxed and with a clean binding<br/> <br/> Elkin Mathews & John Lane unknown
1894001392London: Elkin Mathews and John Lane 1894. 44p including blanks original gilt decorated vellum designed by Charles Ricketts with his monogram to bottom left hand corner of upper cover and the monogram of the binders Leighton Son and Hodge to the bottom left hand corner of the lower cover. Corners slightly bumped and rubbed vellum generally quite bright and clean. Internally some light browning to page edges some light foxing to several pages as often but generally fairly clean. Small booksellers label and previous owners book plate to front paste down. Printed in three colours throughout. Stated one of two hundred copies for the UK with another fifty printed for the US and twenty-five large paper copies and possibly a few more. Now housed in a cloth drop back box by Temple Bookbinders. Holbrook Jackson called 'The Sphinx' "'the most remarkable of the books of this period' because it translated the Wildean temperament into physical form . Ricketts created a parallel system of symbols evoking the mystery and erotic sensuality the Aesthetes often associated with Egypt" Thomson 'Aesthetic Tracts - Innovation in Late-Nineteenth-Century Book Design' page 75. Mason 361. First Edition. Full Vellum. Good. Illus. by Ricketts Charles. 8vo. Elkin Mathews and John Lane Hardcover
1894151353London: Elkin Mathews and John Lane 1894. In the original vellum decorated by Charles Ricketts First edition one of 200 unnumbered copies. Wilde's poem together with Charles Ricketts's art nouveau illustrations was described by W. E. Henley Wilde's harshest critic as "about as fin-de-Siecle a business as you ever saw" Frankel p. 155. Wilde first met Ricketts in 1889 and in the two years that followed the artist designed either parts or the entirety of several of Wilde's works. Now celebrated for his book illustration and design Ricketts is also noted for his theatre designs and costumes and he contributed to the first English production of Wilde's Salomé in 1906. James G. Nelson records that alongside the 200 copies published in the limited edition a further 103 copies were printed though most of these were left unbound. Small quarto. Title page design one half-page illustration and eight full-page illustrations by Charles Ricketts. Original full vellum pictorial decorations by Ricketts to spine and covers in gilt all edges untrimmed printed throughout in black green and red. Ownership signature to front free endpaper and ownership inscription to preliminary blank. Vellum lightly soiled as usual and some occasional internal foxing; a fresh and very good copy with bright gilt to the covers. Nicholas Frankel Oscar Wilde's Decorated Books 2003; Mason 361; James G. Nelson A Checklist of Early Bodley Head Books: 1889-1894. hardcover
1894001874London: Elkin Mathews & John Lane at The Sign of The Bodley Head 1894 1894. FIRST EDITION. 1 vol. 8-1/2" x 7" illustrated by Charles Rickets limited to 200 copies printed in 3 colors bound in original art nouveau gilt decorated vellum covers straight often found quite bowed inner and outer hinges fine head and foot of spine fine foxing to one side of the first 8 leaves typical previous owners bookplate to front pastedown housed in a 1/2 red morocco clamshell slipcase raised bands gilt decorated spine overall still a VERY GOOD copy. Charles Ricketts's art nouveau illustrations were described by W. E. Henley Wilde's harshest critic as "about as fin-de-Siecle a business as you ever saw" Frankel p. 155. Ricketts considered the designs for the illustrations and for the original vellum binding amongst his best work. While predominantly working with book illustration and design Ricketts was also famed for his theater designs and costumes and he contributed to the first English production of Wilde's Salome in 1906. London: Elkin Mathews & John Lane at The Sign of The Bodley Head, 1894 hardcover
1891WRCLIT75377New York: The Humboldt Publishing Company 1891. 48pp. plus 4ff of adverts. Large octavo. Printed self-wrappers. Uniform tanning diagonal crease across lower forecorner of rear wrapper and adverts minute loss at toe of spine neat repair at crown; a very good copy of this characteristically fragile pamphlet. First US printing in this format published as HUMBOLDT LIBRARY OF SCIENCE No. 147 in company with Morris's "The Socialist Ideal - Art" and Owen's "The Coming Solidarity." Wilde's essay is featured as the wrapper- title. The essay first appeared in British and US editions of THE FORTNIGHTLY REVIEW in February 1891. The first UK edition in book form appeared 'privately' in an edition of fifty copies in 1895. Not in Mason/Millard. Uncommon in wrappers. The Humboldt Publishing Company unknown books
18952221665<p>First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase.</p><p>Printed by The Chiswick Press.</p><p>Mason 367 - only 50 copies were printed.</p> Privately Printed paperback books
1891BOOKS324407New York: THE FORTNIGHTLY REVIEW February 1891. Collectible-Very Good/NO DUSTJACKET. 1891. First Printing. Paperback. First appearance in the United States of this Oscar Wilde publication pages 292-319. Other contributors include E. B. Lanin David F. Schloss and a continuing story by George Mededith. Ref. - Mason #52. . Sm 4to. One advertising page has a tear without anything missing. A period magazine club readers list glued to rear cover. . THE FORTNIGHTLY REVIEW February, 1891 paperback
18952221665<p>First edition. 8 1/2" x 6 1/2". Original brown wrappers stamped in red lower right corner of upper cover replaced uncut and mostly unopened. Very good. 98 pages. No signatures or bookplates. Enclosed in a plum half morocco slipcase.</p><p>Printed by The Chiswick Press.</p><p>Mason 367 - only 50 copies were printed.</p> Privately Printed paperback
1891BBO50<p><b>WILDE</b> Oscar: </p><p><i><b>The Picture of Dorian Gray</b></i>.<br /></p><p>London: Ward Lock and Co. 1891.</p><p>First English edition Deluxe Issue Limited to 250 copies #43. <b>Signed by Oscar Wilde</b>.</p><p>4to vii viii 334 pp.; <b>design binding by Robert Wu</b> in gilt red goat morocco.</p><p>A Landmark work of Literature.</p> Ward Lock and Co. hardcover books
18012604140123Boni and Liveright inc 1918-01-01. Hardcover. Very Good. 6x1x9. Bound in green leatherette. Hardcover. Good binding and cover. Edge wear. 255 p. 17 cm. Boni and Liveright, inc hardcover
189026040071890. pirated first. hardcover. very good. Pirated first edition. Book very good foxing throughoutsome soiling to covers former owner's one-line writing to front free end paper. unknown