67 résultats
18997568London: Leonard Smithers 1899. Octavo ff 31 62 pp uncut deckled edges. Unauthorized or pirated edition by the printer of the original first edition . The last edition that was authorized by Wilde for Smithers to print was dated 1899 and the numerous later unauthorized editions continued to bear that date. The title page gives Oscar Wilde's name in brackets as well as the pseudonym C.3.3 his cell number at the jail. Mason's bibliography of Wilde identifies this as the 8th printing p. 378. White cloth over mustard colored boards. Minor foxing to endpapers text block unaffected. Very good copy. <br/><br/> Leonard Smithers hardcover books
18982708London: Leonard Smithers 1898. First edition. Fine. One of 800 copies on handmade Van Gelder paper. A Fine copy without the fading or soiling typical of this book. Pages unopened. Housed in a custom case and chemise. Wilde's later work based on his two years hard labor at Reading Gaol for "gross indecency." Published under the pseudonym "C. 3. 3." for his cell block because the publisher feared having his name on the work would adversely affect sales. <br/><br/>The poem is based on a fellow inmate convicted of murdering his wife and generated one of the great lines from Wilde "Yet each man kills the thing he loves." Wilde continued to revise his plays until his death in 1900 but said that he had lost the joy of writing and would write no other new works. An excellent copy housed in a handsome slipcase with chemise. Fine. Leonard Smithers unknown books
18997426New York: Benj. R. Tucker; Blumenberg Press 1899. Duodecimo 18.5 x 13.5 cm. 8 44 pages. Second American Edition. Preceded by the Brentano's edition circa 1898 though often considered the first American edition. This edition was published in two states the first in which the text appears on rectos only and some leaves are untrimmed; in the second the text is printed on rectos and versos: "Both editions that printed on one side and that printed on both sides are from the same type. It is therefore clear that they are not two independent editions but the one-side issue constitutes merely a kind of de-luxe variety while the two-sided is a cheaper popular version of the same edition" Horodisch pages 76-77. This copy comports with the first state with text printed one side only. A printer's binder's issue is extant as at least one leaf is hinged at the top edge. Is it possible that what Horodisch thought a deluxe issue is merely error some of which made it to the wild Issued by Benjamin R. Tucker the noted anarchist publisher and editor of the journal Liberty in which Tucker published the essay "The Criminal Jailers of Oscar Wilde" in 1895. Tucker and Emma Goldman were two of the few Americans to publicly defend Wilde during his trial George Haggerty Encyclopedia of Gay Histories and Cultures 2013 page 52. In publisher's two-toned cloth white over blue upper cover lettered and ruled in gilt unadorned spine. Some minor shelf wear white portion of cloth binding rather soiled and toned along spine short closed tear to title page fore-edge not approaching text old ink spot affecting first few leaves else interior fine. Very Good and sound overall. Benj. R. Tucker; Blumenberg Press hardcover books
1894218086London: Reeves and Turner 1894. First Edition thus. xxiv 400; xii 425 16 ads pp. 2 vols. 8vo. Green moire silk spines gilt. Near Fine. First Edition thus. xxiv 400; xii 425 16 ads pp. 2 vols. 8vo. Reeves and Turner unknown books
189422666ELondon: Elkin Mathews & John Lane 1894. First English Edition. Limited to 500 copies. Illustrated by Aubrey Beardsley. Original gilt-stamped blue cloth. Near fine only slightly handled copy with the gilt-stamping to the boards bright. From the library of Harpo Marx the great clown of the Marx Brothers comedy team and his wife actress Susan Fleming Marx former member of the Ziegfeld Follies and star of early talking films like Million Dollar Legs with W.C. Fields. With a charming bookplate illustrated by Susan Marx with a drawing of Harpo in his comic character which reads: “FROM THE LIBRARY OF HARPO & SUSAN MARXâ€. Elkin Mathews & John Lane hardcover books
18824554Philadelphia: J.M. Stoddart & Co 1882. First Edition. Edition de Luxe. Printed throughout in brown ink on rectos only on thin translucent deckled edged hand-made paper. 1 vols. Crown 8vo. Full vellum t.e.g. all others uncut; front free endpaper detached and chipped at edges some soiling to covers. The illustrations have all been removed either clipped from leaf or the pages removed entirely this without affecting the text which is complete A note on the front cover explains this desecration thusly - "The illustrations have been removed.illegible.for their inappropriateness". Interleaved throughout with a thin leaf of green tissue paper. First Edition. Edition de Luxe. Printed throughout in brown ink on rectos only on thin translucent deckled edged hand-made paper. 1 vols. Crown 8vo. Edition de Luxe. "A volume of short poems characterized by Oscar Wilde as 'verses full of sweet sadness and yet full of joy;' they were written by a young English friend of his of whom he speaks at length in his introduction" Publishers' Weekly October 7 1882. Rodd's dedication to Wilde reads: "To Oscar Wilde - 'Heart's Brother' - These Few Songs and Many Songs to Come." In addition to this effusive dedication "for which Wilde clearly was responsible the book was 'edited' by the omission of two poems Lucciole and Maidenhair.At the same time Wilde added nine of Rodd's poems which had not previously been collected" Mason p.185. In a letter to Thomas Mosher who reprinted this book Stoddart replies to Mosher's questions as to the number printed: "I think this deluxe issue was not over 250 copies." The edition de luxe is usually supposed to have been published earlier. Mason 242 J.M. Stoddart & Co unknown books
1882402167Philadelphia: J. M. Stoddart 1882. First edition. Cloth somewhat soiled bookplate partly removed from pastedown. 8vo. 115 pages. Illustrations in text. Original tan cloth lettered in red on front cover and with a gilt medallion. Provenance: Edward T Cook bookplate 1883 inscription on flyleaf. James Rennell Rodd 1858-1941 was a contemporary of Wilde's at Oxford and was later to have a highly successful diplomatic career. While in America Wilde arranged for the publication of this book originally issued in the UK under the title Songs in the South removing two poems and adding nine previously uncollected. Rodd took offense that Wilde dedicated this edition to himself. <br/><br/> J. M. Stoddart hardcover books
188153887Boston: Roberts Brothers 1881. First American Edition. First Printing. Crown octavo 18cm; yellowish-brown cloth with titling and cherub device stamped in gilt on spine and front cover; yellow topstain; green floral-patterned endpapers; iiviii2304pp. Light wear to spine ends gentle sunning to spine with mild dust-soil and a few tiny rubbed spots to cloth and a 1.5cm tear to lower front hinge; contents fresh; Very Good. MASON 310. Roberts Brothers unknown books
1881WB18283London: David Bogue 1881. Second Edition. Hardcover. Near Fine. 8vo. Modern 3/4 green morocco and cloth slight fading to spine. Small booklabel of Henry Southern Ltd and a larger bookplate of Giles Alexander Esme Gordon. <br/><br/> David Bogue hardcover books
1892283124London: Elkin Mathews 1892. Limited. hardcover. near fine. Ricketts. Title page design and elaborately gilt pictorial binding by Charles Ricketts 8vo tan cloth uncut with top edge gilt. London: Chicwick Press for Elkin Mathews & John Lane.<br/><br/> The book has been re-cased with excellent facsimile end-papers and overall is in beautiful clean crisp condition. Number 64 of 220 copies signed by Wilde. Mason 309.<br/><br/> Elkin Mathews unknown books
1881D1284Boston: Roberts Brothers 1881. First American Edition First Issue. Hardcover. Very Good. Grey cloth gilt-stamped lettering and detail on upper board and spine yellow topstain pretty decorative endpapers. Spine tips and corners just a little rubbed and frayed; text block rolled with upper board extending nearly 1/4 inch beyond lower. A tight clean copy. <br/><br/> Roberts Brothers hardcover books
18941291592Manchester 1894. First Edition. Softcover. 8vo. 6 pages 1 plate; G-; light blue cover with black print discolored perimeter some smudging on front and back chipping/tears along spine curling upper-right corner ink inscription "With the Author's Compliments" penciled notations upper right and left on front slight spotting; pages water-stained at top clean text; "From the Ninth Volume of the Fourth Series of 'Memoirs and Proceedings of the Manchester Literary and Philosophical Society' Session 1894-5" 1291592. Rockville Non-Retail Listings. unknown books
1891WRCLIT84623London: Osgood McIlvaine and Co. 1891. Small octavo. Original salmon paper over boards printed and decorated in dark brown. Ink name dated 1892 on endsheet internally very good. The fragile binding shows heavy wear at the extremities is frayed at head and joints of the darkened spine with small repair and has a surface scrape on the upper board at the top corner causing loss of paper and affecting a few letters. A reasonably sound copy of this easily abused book. First edition. The edition consisted of two thousand copies of which five hundred were sent to the U.S. MASON/MILLARD 345. Osgood, McIlvaine and Co. hardcover books
1882314013Philadelphia: Russell & Creamer 1882. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. Publisher's blue cloth gilt with publisher's printed paper wrappers bound in. Rubbed minor staining to boards upper wrapper chipped at upper corner with small loss possibly to presentation "Mrs Jas. H. Allen. Book label offsetting to front free end paper. Very good. First edition. With fine partly colored caricature folding map of Chesapeake and Delaware Bays and environs; numerous illustrations in text. 96 pp. 1 vols. 8vo. "The 'Wilde' Æsthetes of 1882". One of the rarest of this series of privately printed volumes produced by this Philadelphia sporting club and an unusual demonstration of the popularity of Oscar Wilde during his American tour of 1882. The verso of the title page includes a list of the 22 members of the cruise "The 'Wilde' Æsthetes of 1882" with the title in a floral heading giving them all first names of flowers and Wildean associations including: <br/>Sunflower SMITH Oscar's first love too poetical .<br/>Mignonette MOUSLEY Oscar's twin brother too fat for a Porpoise.<br/>Rhododendron RAUCH Oscar's great-aunt too much 'poke.'<br/>Woodbine WEHN Oscar's little sister too awfully nice.<br/>Petunia PACKARD Oscar's maid too much of a masher.<br/><br/>With the ticket of J.L. Smith 27 S. Sixth St. Philadelphia Please Acknowledge Receipt on front wrapper. "Sunflower" Smith who heads the crew list was a Philadelphia map publisher<br/><br/>Clifford P. "Arbutus" Allen is described as the loggist; and Herbert S. "Petunia" Packard as the artist. Allen b. 1841 was the regular scribe for the club's annual fishing cruises.<br/><br/>RARE. Wetzel p. 199; Bruns W83; Library of John M. Schiff Sotheby's 11 Dec. 1990 lot 132 this copy; not in Heller. Provenance: Mortimer L. Schiff with his bookplate Russell & Creamer unknown books
1893140940629London: Elkin Mathews and John Lane 1893. First Edition. Very Good. First edition first printing. Bound in publisher's mauve cloth stamped in gilt. Very Good with soiling and darkening to cloth and corners and spine ends bumped. Previous owner bookplate and gift inscription to front endpaper. Pages toned. One of Irish playwright Oscar Wilde's best-known plays a comedy in four acts. Elkin Mathews and John Lane unknown books
189350532London: Elkin Mathews and John Lane at the Sign of the Bodley Head 1893. First Edition. Small quarto 21.75cm.; original reddish-brown gilt-embossed cloth; 1413214adspp. Straight and tight with the boards slightly faded at margins as is typical and a few spots where cloth has begun to lift. The text is slightly tanned but foxing is contained to endpapers. In all a pleasing and well-preserved copy of a fragile book. 500 copies issued MASON 357. Elkin Mathews and John Lane at the Sign of the Bodley Head unknown books
189322477London: Elkin Mathews and John Lane at the Sign of the Bodley Head 1893. First Edition. Small quarto 21.75cm.; original reddish-brown gilt-embossed cloth; 1413214adspp. Extremities a bit rubbed narrow strip of discoloration to fore-edge of upper cover minor foxing to textblock upper hinge cracked but still quite strong; About Very Good. Contemporary bookplate of Oscar Wilde collector Jon Weekly. 500 copies issued MASON 357. Elkin Mathews and John Lane at the Sign of the Bodley Head unknown books
18932221667<p>First edition. Octavo. Full modern navy blue morocco a.e.g.; marbled endpapers. Fine fresh copy. 132 pages publisher's 16 page catalog at end dated September 1893. No foxing. No signatures or bookplates. Enclosed in a blue cloth slipcase.</p><p>Printed by T. and A. Constable.</p><p>Mason 357.</p> Elkin Mathews hardcover books
1893002401London: Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable Edinburgh 1893. First Edition. Cloth. Very Good Minus. 8vo. 21.5 by 16 cm. 8.5 by 6.25 inches. 18 132 14 2 pp. With publisher's list of books in the back. In this first edition apparently only 500 copies were printed! The pages are heavily toned per the norm for the paper stock but clean otherwise. The binding is tight. A few uncut leaves in the advertisement section. FEP with small ornamental bookplate pastedown of "Carroll Atwood Wilson" who was a well-known book collector of his day as well as a lawyer and chief legal counsel to the Guggenheims. The publisher's peach-colored cloth has some blistering on the boards. Along the edges there are long narrow spots in which the color is washed out. The spine has been rebacked with most of the original spine mounted thereon with a small loss of the gilt lettering transpiring. The resulting spine also has small dark spots and one is likely not to find it prepossessing. <br/><br/> Elkin Mathews and John Lane at the Sign of the Bodley Head. Printed by T. and A. Constable, Edinburgh hardcover books
18932958London: Elkin Mathews & John Lane 1893. First edition. Near Fine. Original publisher's clothing binding with gilt to spine and boards. A Near Fine copy with the spine slightly toned. Bookplate of Governour Morris Esquire to front pastedown. Light scattered foxing throughout. Collates: 12 132 14 2: complete including the publisher's catalogue with pages uncut. Inscribed by Wilde on the first blank to the business manager of the St. James's Theater: "R. V. Shone with the author's compliments and sincere thanks. Nov. 93." Under the management of George Alexander and R. V. Shone The St. James's Theater staged Lady Windermere's Fan Wilde's first produced play in 1892 the year before the book was released.<br/><br/>First editions signed by Wilde are scarce on the market with Lady Windermere being particularly rare as only 500 copies of the first edition were printed Mason. Auction records show that the six known association copies of this play were all signed trade editions as the run of 50 large paper copies came out after. The most recent presentation copy of Lady Windermere also presented to someone involved in the production sold in 2018 at Leslie Hindman for $40000. An exceptional example of Oscar Wilde presenting a first edition of his first produced play with "sincere thanks" to the theatre manager who throughout his career would assist Wilde in dodging scandal and bad publicity.<br/><br/>Critics and scholars consider Lady Windermere's Fan to be Wilde's "first successful dramatic production" as well as an enduring masterpiece Mendelssohn. Its success not only relied on his update to French comic models and tropes including blackmail revenge attempts and the discovery of a lost child; success also came as a result of Wilde's own management of the premier. "What we want to do is to have all the real conditions of a success on our hands.Success is a science; if you have the right conditions you get the result" he informed one of the actors Mendelssohn. In addition to pulling on popular stars to perform Wilde had the young men of his entourage arrive at the premier wearing green carnations in their buttonholes -- something that scandalized attendees when in a metatheatrical moment one of the characters onstage appeared with one as well referencing its cost and symbolism for decadent immorality. Prim attendees were in fact surrounded by a generation of young men devoted to such aesthetic ideals and wearing the same flower. This very symbol born out of Lady Windermere would lead to a strong and important professional relationship between Wilde and this book's recipient R.V. Shone the business manager at the St. James. <br/><br/>In 1894 an anonymously published novel The Green Carnation exposed the sexual relationship between Wilde and Bosie son to the Marquess of Queensbury -- a man who would become Wilde's nemesis to the end of his life. Though Wilde sought to dodge Queensbury socially the marquess was roiling for public confrontation. "There was one place and time where he could be sure of seeing Wilde -- the St. James' Theatre on the opening night of The Importance of Being Earnest when as was his custom he would take the stage after the performance to enjoy the acclaim of the audience. It was too good a chance to miss. Queensbury bought a ticket 'by fraud' Wilde suggested --as orders had been given not to sell him one -- and some vegetables.His intention was to greet Oscar's appearance with a shower of vegetation and then stand up and make a public announcement" Stratmann. Fortunately for Wilde supporters including Shone prevented this from happening. Rumor about Queensbury's plan spread notes were sent to Wilde and Wilde appealed to Shone for assistance. Reaching out to Queensbury with apologies Shone returned the marquess's money and explained that his seat had mistakenly been double-booked. Yet Shone and Wilde suspected this would not be the end and so Shone arranged not only to refuse the marquess admission at the door but to have police waiting at the entrance. It was this decision that prevented a disguised Queensbury and a paid prizefighter from sneaking in to pummel Wilde. Thwarted by Shone "he contented himself with having a bouquet of vegetables addressed to Wilde delivered to the stage door" Mikhail. Throughout his career staging work at St. James's Wilde would rely on Shone's business sense to make performances a success regardless what scandals they faced. An exceptional and rare association. Near Fine. Elkin Mathews & John Lane unknown books
1894WRCLIT57389New York: Dodd Mead 1894. Tan cloth lettered in dark brown. Cloth a bit soiled front inner hinge cracking light pencil notes on rear endsheets but a good copy. American issue of the second edition one of five hundred copies bound up from British sheets. This copy bears an 1897 gift inscription to bookman and future publisher Mitchell Kennerley on the first blank from an unidentified Mr. MacArthur. MASON/MILLARD 344. Dodd, Mead hardcover books
1891145251891. London: James R. Osgood McIlvaine & Co. 1891. Original yellow-green cloth decorated in gilt.<br/><br/> First Edition of this group of four essays on literature art society and criticism -- which consisted of 900 copies plus 600 printed for America with the Dodd Mead imprint. Published just a week after Wilde's only novel THE PICTURE OF DORIAN GRAY INTENTIONS precedes all of his famous plays which came out during the span 1893-1899. In the opening essay Wilde laments the "decay of Lying as an art a science and a social pleasure." He takes to task modern literary realists like Henry James and Émile Zola for their "monstrous worship of facts" and stifling of the imagination. What makes art wonderful he says is that it is "absolutely indifferent to fact." The next essay "Pen Pencil and Poison" is a fascinating literary appreciation of the life of Thomas Griffiths Wainewright a talented painter art critic antiquarian friend of Charles Lamb and — murderer. The heart of the collection is the long two-part essay titled "The Critic as Artist." In one memorable passage after another Wilde goes to great lengths to show that the critic is every bit as much an artist as the artist himself in some cases more so. A good critic is like a virtuoso interpreter. Finally in "The Truth of Masks" Wilde returns to the theme of art as artifice and creative deception. This essay focuses on the use of masks disguises and costume in Shakespeare Goodreads. Charles Ricketts created the Fin-de-Siècle binding design and lettering -- in the same year that he also designed for the same publisher the binding of TESS OF THE D'URBERVILLES. This is a near-fine copy -- there is faint mottled fading that always seems to afflict this book's cloth but there is little wear other than minor rubbing at the extremities small partly-erased signature on the endpaper. INTENTIONS has become a difficult title to acquire in better condition. Mason 341. unknown books
1891BB17290London: James R. Osgood McIlvaine & Co. 1891. First Edition. Hardcover. Fair. 8vo. Rebound in plain olive cloth leather spine label lettered in gilt. 258 pp. Title page and premilinary blanks detached. Sold as is. <br/><br/> James R. Osgood McIlvaine & Co. hardcover books
1891WRCLIT61926New York: Dodd Mead 1891. Rose cloth over boards lettered in yellow top edge stained brown. Spine a trifle darkened with some hand-smudging to cloth small nick at crown of spine but a very good copy. An American issue of the British sheets. Mason/Millard was unable to examine a copy of the American issue of the first edition sheets but describes a literal date in the title-imprint in a binding of the same color of cloth as this copy with the same overall dimensions. However the American issue of the second London edition does bear a literal date 1894 in the title imprint and is bound in tan cloth. Hence the copy in hand is most likely not a variant of the American issue of the second edition and may very well be the American issue of the first edition sheets 600 copies at variance from Mason/Millard's speculative description. With the pencil ownership inscription of American publisher Ingalls Kimball dated Chicago August 1894. MASON/MILLARD 343. Dodd, Mead hardcover books
1895215072London: Elkin Mathews. Dublin: Hodges Figgis & Co. Limited 1895. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. Original green cloth. Fine. First edition. xiii 1 140 4 20 ads pp. 1 vols. 8vo. With 4 poems by Oscar Wilde and poems by Douglas Hyde Aubrey de Vere John Todhunter William Wilde. Elkin Mathews. Dublin: Hodges, Figgis & Co., Limited unknown books