194 résultats
04915London: George G. Harrap & Co. Ltd. 1916. An Exceptionally Fine Riviére Rubáiyát<br/>Illustrated by Willy Pogany<br/><br/>RIVIÉRE & Son binders. Rubáiyát of Omar Khayyám. Presented by Willy Pogany. The illustrations and decorations in this edition of Fitzgerald's translation of the "Rubáiyát" are by Willy Pogany. London: George G. Harrap & Co. Ltd. ca. 1916.<br/><br/>Octavo 8 1/8 x 5 1/2 inches; 207 x 140 mm. Text printed in blue and black. 112 unnumbered pp. With sixteen tipped-in color plates within decorative borders by Willy Pogany and numerous text illustrations printed in blue.<br/><br/>Bound ca. 1916 by Riviére & Son stamp-signed in gilt on front turn-in. Full vermillion crushed levant morocco. Front cover with a central oval panel of green morocco with Eve the serpent and the tree of life inlaid in various color morocco's. This central panel is surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Rear cover with an oval panel featuring the snake twined around a large chalice also surrounded by a gilt floral border of flowers and bunches of grapes which in turn is surrounded by a border lettered "Oh Thou Who Man of Baser Earth Didst Make / And Who With Eden Didst Devise The Snake / For All The Sin Wherewith The Face Of Man / is Blacken'd. Man's Forgiveness Give - And Take". Spine with five raised bands decoratively paneled tooled and lettered in gilt in compartments gilt board edges decorative gilt turn-ins decorative floral endpapers all edges gilt. Housed in the original felt-lined red cloth over boards slipcase. A very fine example.<br/><br/>Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones.<br/><br/>"Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany the Hungarian had made Omar the Persian live again." Willy Pogany and his Work. eight-page leaflet.<br/><br/>Willy Pogány born in Szeged Hungary in 1882 studied at Budapest Technical University and in Munich and Paris. His reputation as a muralist painter and illustrator was well established in Paris London and Munich before arriving in the United States in 1915 at the age of thirty-three. Skilled in an unusually wide range of media he had won gold medals at exhibitions in Budapest Leipzig and at the Panama Pacific International Exhibition.<br/><br/>"Among Pogány's many murals are those for the Heckscher Children's Theatre in New York City and the Niagara Falls Power Station. As a painter he did portraits of famous people in all walks of life. An expert on scenery design and lighting effects Pogány also designed sets for ballets and operas including "Le Coq d'Or" and for many films such as Modern Times for Charlie Chaplin as well as animated cartoons based on his children's books.<br/><br/>"Among his other artistic endeavors Pogány was an accomplished book illustrator. It was this phase of his career especially as an illustrator of children's books which gives this collection special relevance for Special Collections & University Archives at the University of Oregon Libraries. Pogány designed and illustrated more than 150 books. His illustrations include those for the Rubaiyat and the Sonnets from the Portuguese The Song Celestial The Adventures of Odysseus Gulliver's Travels and many others both classic and original.<br/><br/>"Working tirelessly right up until the end Willy Pogány died in 1955" University of Oregon Guide to the Willy A. Pogány Papers 1910-1967. London: George G. Harrap & Co., Ltd., [1916] unknown books
04916London: G.G. Harrap 1913. A Superb Early Bayntun Inlaid Binding<br/>On One of Willy Pogany's Masterpieces<br/><br/>BAYNTUN binder. POGANY Willy illustrator. WAGNER Richard. ROLLESTON T.W. The Tale of Lohengrin Knight of the Swan after the Drama of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap n .d. 1913. <br/><br/>First trade edition. Quarto 10 x 7 1/4 inches; 254 x 184 mm. 192 unnumbered pages. Eight tipped-in color plates including frontispiece with original tissue guard numerous full page color illustrations calligraphic text head- tailpieces; an image on every page. Printed on heavy gray stock. Some minor discoloration to first three and last three leaves otherwise fine.<br/><br/>Bound ca. 1930 by Bayntun of Bath stamp-signed in gilt on front turn-in. Full black morocco covers with single gilt rule front cover with multi color morocco inlays reproducing the illustration on page 53. Spine with five raised bands decoratively tooled and lettered in gilt in compartments. Decorative gilt board edges gilt ruled turn-ins blue cockerel endpapers all edges gilt. Housed in the original blue cloth over boards clamshell case.<br/><br/>The design on the front cover is taken from the illustration on p. 53.<br/><br/>"And then aloud spake she-<br/>"O King a champion waits<br/>the hoar<br/>To take my part with godlike power<br/>And my Deliverer be.<br/><br/>"In dreams I saw him; silver-bright<br/>His jewell'd armour shone.<br/>His sword was as a beam of light<br/>His crest a silver swan.<br/><br/>"He is my Lord he is my King.<br/>And his till death am I.<br/>Come Victor Lord the hoar is near-<br/>Oh hear thy poor maid's cry!"<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Lohengrin. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color.'. London: G.G. Harrap, 1913 unknown books
100395Watercolor gouache and pencil on paper mounted on board; signed "W.P." lower left and titled by artist. 13.5 x 10.5 in. Pogány Willy. Watercolor gouache and pencil on paper mounted on board; signed "W.P." lower left and titled by artist. 13.5 x 10.5 in. A fine illustration for Book II of Spencer's The Faerie Queene showing Phaedria in her boat tempting Sir Guyon representing Temperance who stands ashore with the Palmer. unknown books
1929003040New York 1929. Willy Pogány Hungarian/American 1882-1955. ORIGINAL PEN-AND-INK PORTRAITS OF THE MAD HATTER and THE MARCH HARE From his illustrated 1929 Lewis Carroll Alice's Adventures In Wonderland published by E. P. Dutton. These marvelous drawings illustrate "The Mad Tea Party" chapter and grace pages 102 and 103. The images are both 4.75" x 3.5" situated in two corners of a large sheet of 11" by 14" heavy art paper. Pogány has printed his name in full on the March Hare drawing at the top right and initialed the Mad Hatter drawing at the lower left. His lightly penciled outline and notations can also be seen. The details of the drawings is spectacular in comparison to the actual printed book. Unique. Signed. Original Art Artwork. Unbound. Very Good. Illus. by Willy Pogany. Paperback books
03378London: G.G. Harrap & Co. 1911. One of Pogany's Quintet of Masterpieces<br/>Limited to 525 Copies<br/><br/>POGANY Willy illustrator. Tannhauser. A Dramatic Poem by Richard Wagner Freely Translated in Poetic Narrative Form by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap & Co. n.d. 1911. <br/><br/>Limited to 525 copies signed and numbered by the artist this being copy no. 241. Quarto. Sixteen mounted color plates including frontispiece many full page two-tone illustrations each page beautifully decorated. <br/><br/>Full vellum pictorially stamped in gilt. Top edge gilt others untrimmed. A fine copy with only a bit of light staining to spine. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Tannhauser was the first act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám and The Rime of the Ancient Mariner. Along with Tannhäuser Parsifal and Lohengrin these five books immortalized his career as an llustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced in four-color process included in Tannhauser. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and colour. London: G.G. Harrap & Co., 1911 unknown books
03376London: G.G. Harrap & Co. 1912. De Luxe Parsifal<br/>Exquisite Pogany<br/>One of 525 Copies<br/><br/>POGANY Willy illustrator. ROLLESTON T.W. Parsifal or the Legend of the Holy Grail. Retold from Ancient Sources with Acknowledgment to the Parsifal of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany London: Harrap 1912. <br/><br/>Edition De Luxe limited to 525 copies signed and numbered by the artist this being copy no. 293. Quarto 10 7/8 x 7 1/8 in; 275 x 181 mm. Unpaginated. Sixteen mounted color plates including frontispiece many full page color and two-tone illustrations each text leaf with elaborate pictorial borders.<br/><br/>Publisher's full vellum pictorially stamped in gilt. Top edge gilt others untrimmed. Top board very slightly bowed. A fine copy. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal. the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Parsifal. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color. London: G.G. Harrap & Co., 1912 unknown books
03377London: G.G. Harrap 1913. One of Pogany's Masterpieces<br/>Limited to 525 Copies Signed by the Artist<br/><br/>POGANY Willy illustrator. ROLLESTON T.W. WAGNER Richard. The Tale of Lohengrin Knight of the Swan after the Drama of Richard Wagner by T.W. Rolleston. Presented by Willy Pogany. London: G.G. Harrap n .d. 1913. <br/><br/>Limited to 525 copies signed by the artist this being copy no. 90. Quarto. Eight tipped-in color plates numerous full page color illustrations calligraphic text head- tailpieces; an image on every page. Printed on heavy grey stock. <br/><br/>Full vellum pictorially gilt-stamped. Top edge gilt others untrimmed. A fine copy. Housed in a blue cloth slipcase.<br/><br/>William Andrew "Willy" Pogany born Vilmos Andreas Pogány August 1882 - 30 July 1955 was a prolific Hungarian illustrator of children's and other books. Pogany's best known works consist of illustrations of classic myths and legends done in the Art Nouveau style. He also worked as an art director on several Hollywood films including Fashions of 1934 and Dames.<br/><br/>The publication of Pogány's Lohengrin was the final act in his trilogy of masterworks focused on Wagner's Germanic tales and one of the quintet that is considered his finest work. Pogány clearly approached the commission to illustrate Lohengrin as an opportunity to improve and extend techniques that he had developed through his preceding work particularly The Rubáiyat of Omar Khayyám The Rime of the Ancient Mariner Tannhäuser and Parsifal the other four books that immortalized his career as an illustrator. That commitment to ongoing innovation resulted in an incredible suite of illustrations including color lithographs monotone and marginal illustrations and the delightful tipped-in color plates produced with a four-color process included in Lohengrin. Themes of medieval chivalry erotic love and moral tests are illustrated in a lavish fashion by Pogány with an outstanding use of iconography form and color. London: G.G. Harrap, 1913 unknown books
1910140938515London: George Harrap 1910. First THUS. Very Good. Limited edition of 525 copies hand-numbered 91 in blue signed by illustrator Willy Pogany. Quarto. Original full tan calf decorated in gilt illustrated with 20 beautiful tipped-in color plates top edge gilt. Unpaginated. Very Good with scratch in front cover wear along edges of leather internally near fine bookplate ghost on paste down. All plates present. A wonderful visual exploration of Coleridge's classic poem with intricate ink illustrations and every plate a hazy dream-like wash of color. George Harrap unknown books
19106398London: George G. Harrap & Co. 1910. Good/Edition limited to 525 copies SIGNED by Willy Pogány. 33cm; 144 pages. Polychrome half title and title page. Twenty full color illustrations by Pogàny printed by Dalziel and mounted. Numerous full-page monochrome illustrations and illustrations in text. Letterpress and Initials in two colors surrounded by elaborate borders designed and printed by Vincent Brooks Day & Son. Decorated endleaves following blanks. In gilt-stamped brown leather. Covers worn at spine and at extremities somewhat stained and mottled yet sound and entire. Pages quite clean and unmarred. George G. Harrap & Co. hardcover books
200126417Antwerp: Detlef BVBA 2001. Faint impression mark to the front cover and a hint of smudging to the printed white boards else fine. First Edition. Oblong quarto. 2001 Spring / Summer lookbook of arguably the most important men's collection of the 2000s. In a sparse and minimalist selection of twelve color images Simons anticipates by less than a year the post-9/11 era of anxiety and surveillance. Using stills captured from a video by frequent Simons collaborator and fellow Academy alumnus Willy Vanderperre; grainy uneasy images of young men on a concrete basketball court wearing balaclavas and hoods. Simons had long been fascinated by presenting his clothing via video; his first collection F/W 95 was a video recording of street models instead of live runway. The anxious threatening mood of this lookbook and artists' book is one of the final and best instances of pre-millennial anxiety in art and fashion. Antwerp: Detlef BVBA unknown books
1926160318Leipzig: Verlag Hachmeister & Thal 1926. Small octavo pp. 1-4 5-68 12-page undated publisher's catalogue at rear nineteen illustrations in the text by Thea Blüthner original pictorial orange wrappers printed in black. First edition. Lehrmeister-Bücherei 814-815. Ley's first publication on space travel. Ciancone 133a. Hübner 697. Ley Rockets Missiles and Space Travel revised edition 1957 p. 506. A fine copy. #160318 Verlag Hachmeister & Thal unknown books
1929002018New York 1929. Willy Pogány Hungarian/American 1882-1955. ORIGINAL PEN-AND-INK PORTRAIT OF THE MAD HATTER From his illustrated 1929 Alice's Adventures In Wonderland published by E. P. Dutton. This marvelous drawing is that illustrating "Who Stole the Tarts" from Chapter 11 page 172 wherein The Queen of Hearts is accusing the Mad Hatter of the crime. Pogany's version has the Mad Hatter trembling with fear as he clutches his tea cup and toast. The image is 4.75" x 3.5" situated in one corner of a large sheet of 11" by 14" heavy art paper. Pogány has initialed the drawing at the lower right. His lightly penciled outline and notations can also be seen. The detail of the drawing which is sharply inked and in Very Good condition indeed is spectacular in comparison to the actual printed illustration see our photo of the actual size of the book image to compare. We originally saw this illustration in The Book Sail's 16th Anniversary Catalogue way back in 1984. It's our pleasure to finally be able to both handle it and find it a good home. Signed. Unbound. Very Good. Illus. by Willy Pogany. Paperback books
19303692New York: Thomas Y. Crowell 1930. First Thus. First Revised American trade edition. Publishers orange silk cloth front cover lettered in gilt with black and gold illustration spine decoratively tooled and lettered in gilt top edge gilt others uncut. Original decorative tan paper dust jacket printed in orange. Original tan cardboard box decoratively printed in dark brown. Ink signature on front pastedown. Twelve tipped-in color plates including frontispiece. Text leaves additionally decorated with an additional 46 mounted black and gold illustrations and head and tailpieces in black and white. A very Fine copy.<br/><br/>With the original Thomas Y. Crowell eight-page leaflet describing the work of Willy Pogany loosely inserted. "Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as<br/>embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany<br/>the Hungarian had made Omar the Persian live again" Crowell. Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones. Thomas Y. Crowell unknown books
03820Philadelphia: David McKay Co. 1942. A Finely Bound Rubaiyat<br/>Illustrated by Willy Pogany<br/><br/>POGANY Willy illustrator. Rubáiyát of Omar Khayyám in English Verse by Edward Fitzgerald. Illustrations by Willy Pogany. Philadelphia: David McKay Co. 1942. <br/><br/>Small folio 9 7/8 x 7 1/16 inches; 250 x 180 mm. vii 1-101 1 printers mark pp. Sixteen full-page and four smaller black & white drawings all with decorative borders.<br/><br/>Bound ca 1942 by Maurin stamp-signed in gilt on front turn-in. Full orange-brown morocco covers ruled in gilt with a central 'arabesque' design surrounded by four richly gilt decorated corner pieces. Spine with four raised bands decoratively tooled and lettered in gilt gilt-ruled board edges elaborate gilt turn-ins marbled end-papers top edge gilt.<br/>Very slight crack but perfectly sound at top of front joint otherwise near fine.<br/><br/>First published in 1859 Edward FitzGerald's version of Omar Khayyam's quatrains was widely read only after it was taken up by the Pre-Raphaelites in 1861. The height of the poem's popularity corresponded with the heyday of the illustrated book and such well-known illustrators as Willy Pogany Edmund Dulac René Bull and Frank Brangwyn received commissions to illustrate the poem. The drive to illustrate the Rubáiyat was given extra impetus first by the development from the 1860s onwards of wood-engraved colour illustrations and later around the end of the century by the coming of color halftone printing. The lushly exotic and sentimental colored illustrations enabled by Victorian print technology matched the melancholy hedonism of FitzGerald's version of the Rubaiyat. Apart from the vast number of illustrated Rubáiyats the proliferation of Omar Khayyam clubs was another manifestation of the cult. Their meetings furnished excuses for rumbustious drinking and the composition of appalling doggerel. The membership of London's Omar Khayyam Club included an impressive number of convivial bookmen including Andrew Lang Arthur Pinero Arthur Conan Doyle and Edmund Gosse. Justin McCarthy the politician and prolific hack novelist presided. The literary dinners and the pastiches of Khayyam's quatrains tended to stress the heedless bibulousness of the original work. But there is another aspect to the appeal of Khayyam to the Victorian and Edwardian reading public. The first version of the Rubáiyat had been published in 1859 the same year that Darwin's Origin of the Species had appeared. A few years later Matthew Arnold would publish "Dover Beach" in which the melancholy long retreat of the "Sea of Faith" left humanity on a "darkling plain". Already in 1850 in "In Memoriam" Tennyson had raised questions about Christian doctrine and the immortality of the soul only to dismiss them with suspicious glibness. The doubts and fears of the twelfth-century Persian philosopher were shared by many of his English and American readers. In the Rubáiyat as the day wears on its mostly agnostic protagonist becomes increasingly preoccupied by thoughts of mortality and judgment in a possible afterlife and this too perfectly matched the Victorian preoccupation with death. Deathbed scenes were a popular staple of fiction and the cowled figure stalked through quite a few novels. Philadelphia: David McKay Co., 1942 unknown books
19288288New York. Thomas Nelson and Sons. 1928. Bound in elaborate high art deco pictorial gilt decorated cloth. Pictorial endsheets depicting stylized alphabet. t.e.g. 8vo 8.5" x 6". First Edition. This copy signed in ink by Pogany to half title page. This copy also includes a nine page publishers publicity insert and titled "Willy Pogany and His Work". Marvelously Illustrated throughout with high art deco colour and monochrome plates drawings vignettes and decorations by Pogany. Widely regarded as the quintessential example of high art deco illustration Pogany's Mother Goose has delighted collectors of this genre for many years. Signed first edition copies have grown exceedingly scarce. A true delight of art deco extravagance. Some light staining to covers. Sporadic light water staining to edge of front pastedown and several pages. Mild sporadic foxing throughout. A slight hint of storage mustiness. A Very Good tight bright copy in a somewhat chipped Very Good rare original dustwrapper. Thomas Nelson and Sons. hardcover books
022306New York; 1909: Thomas Y. Crowell and Co. Limited Edition. Small Quarto. Limited to 525 copies. The present copy is number 59 and signed by Willy Pogany the illustrator. Based on the first edition text of Edward Fitzgerald and illustrated with 24 full page color illustrations tipped-in text in oriental style script printed in brown within ornamental borders decorative endpapers plates are fine there is some light scattered foxing to mount sheets. Bound in full gilt decorated suede with yapped edges spine plain previous owner's gift inscription dated 1910 inner front hinge with some splitting but not broken. A very good copy. Thomas Y. Crowell and Co unknown books
19801987London: Pan Books 1980. First Edition / Limited Edition. Leather bound. Near fine. Known as The Brandt Report this leather-bound presentation copy was inscribed by former German Chancellor Willy Brandt to Secretary of State Robert McNamara. Additional signatures by Washington Post publisher Katharine Graham and Secretary of Commer. Octavo 304pp. Brown leather covers title in gilt on spine and cover. Inscribed on the front end paper by the following people: Chancellor Willy Brandt Katharine Graham Secretary of Commerce Peter G. Peterson and Sir Sonny Ramphal the Secretary-General of Guyana. The Brandt Report was an independent commission report that analyzed income disparities between the "North-South Divide." It advocates for the transfer of manufactured goods to developing countries to stimulate trade and improve economic conditions. From the personal library of former Secretary of Defense Robert McNamara. Provenance: The Robert McNamara Estate & Diane Byfield McNamara Book Collection The Potomac Company October 2019. Pan Books unknown books
1932160320Leipzig: Verlag: Hachmeister & Thal 1932. Octavo pp. 1 2-16 illustrations in the text publisher's orange wrappers printed in black stapled. First edition. A brief chronology of the history of rocketry. Ciancone 135. Hübner 388. Ley Rockets Missiles and Space Travel revised edition 1957 p. 507. Several tiny chips from edges short splits at upper and lower spine fold but a remarkably nice copy of a very fragile booklet. Rare. #160320 Verlag: Hachmeister & Thal unknown books
13888Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. Glue residue at bottom of image else fine. Pencil with india ink background on paper hinged to backing board. 1 vols. 7-1/4 x 5-1/2 in. A fully realized but unfinished drawing of a robed young man in a state of grace passing through a group of anguished writhing bodies.<br/>William Andrew Willy Pogany 1882-1955 was born in Hungary where he studied engineering. His success as a caricaturist led him to pursue a career in art first in London then in the United States. His influences were the Oriental artists and illuminated books and most of his career was devoted to book illustration. Among his many successes were The Rubaiyat Hungarian Fairy Book and Gulliver's Travels. He also painted murals created state settings did illustrations for most of the major magazines and exhibited widely over the course of a long career. Reed The Illustrator in America 1880-1980 p. 105 unknown books
1935Embry 180148Sutton House Ltd. Los Angeles: 1935. 7th printing. A few light stains to the suede wear to corners slight bow to boards still near fine and bright with hinges firm in custom mylar cover. Black & white margin illustrations and full page color tipped-in illustrations by Willy Pogany. Blue suede titled in gilt. 250 copies signed by each author and Pogany on publisher's special edition page. Sutton House, Ltd., Los Angeles: 1935. 7th printing. hardcover books
1920226207Paris: Artheme Fayard 1920. First. hardcover. fine. 8vo 3/4 green morocco spine faded to brown; original yellow printed wrappers including spine bound in. Paris: Artheme Fayard 1920. First Edition.<br/><br/> One of 550 numbered copies on papier velin.Lafuma. This is no. 124.<br/><br/> Artheme Fayard unknown books
192840951Leipzig: Hachmeister & Thal 1928. <p>Ley Willy 1906-1969. Die Möglichkeit der Weltraumfahrt. viii 344pp. 2 plates text illustrations. Leipzig: Hachmeister & Thal 1928. Original cloth some spotting and dampstaining minor finger-soiling. Very good copy from the library of Frederick I. Ordway III with his bookplate.</p> <p>First Edition of this pioneering collection of papers on the possibility of space travel edited by Willy Ley one of the founders of Germany's influential Verein für Raumschiffahrt Rocketry Society and a highly effective popularize of spaceflight in the first half of the twentieth century. The collection includes contributions from Karl Debus Hermann Oberth Walter Hohmann Guido von Pirquet and Fr. W. Sander-Wesermünde. This copy was owned by Frederick I. Ordway III space scientist and well-known author of books on spaceflight.</p> . Hachmeister & Thal unknown books
1985133065Munich Germany: Galerie Jahn 1985. Hardcover. VG/VG- Some small rubbed spots on dust jacket and slight fading near spine; slight foxing on edge of first and last white pages; otherwise pages are clean. Burgundy paper boards burgundy dust jacket map on rear flyleaf 183 pp. BW illustrations. Text is in French German and English. Consists of an illustrated analysis of the sculpture and tribal art of the Songye of the Congo. Includes illustrations of masks sculptures and archival photos of the people themselves. One of 1000 printed. Galerie Jahn hardcover books
19103693New York: Thomas Y. Crowell & Co 1910. First American edition. Publisher's tan buckram over pictorial paper boards spine decoratively tooled and lettered in gilt top edge gilt others uncut pictorial endpapers. 128 unnumbered pp. Twenty-four tipped-in color plates including frontispiece all mounted onto heavy stock card. A few of the tipped-in color plates have a light crease on the lower corner and a couple of the heavy card mounts have been neatly repaired with archival tape. Otherwise this is a very Fine copy in the original brown paper dust jacket decoratively printed in dark brown. Housed in a cloth slipcase. The card mounts in this edition are notoriously fragile.<br/><br/>"Had Omar Khayyam the old tentmaker visioned the beauty of his verses centuries later in Western dress as<br/>embroidered by a Hungarian artist he might have had a new conception of the meaning of immortality. For Pogany<br/>the Hungarian had made Omar the Persian live again" Crowell. Willy Pogany had previously illustrated the Rubaiyat in 1909 but these later illustrations are quite a different interpretation more westernized and modernized than the earlier ones. Thomas Y. Crowell & Co unknown books
D2528London: G. G. Harrap n.d. Hardcover. Very Good. GIlt-ruled half morocco and decorative green cloth gilt-stamped lettering and detail on spine 5 raised bands t. e. g.; illustrated throughout with four-color lithographs and full-color tipped-on plates. A lavish production. Spine a bit sunned; some light scuffing along joints and edges of boards; a little faint browning on prelims and terminals otherwise internally bright and clean. A lovely copy. <br/><br/> G. G. Harrap hardcover books