COLERIDGE, Samuel Taylor & POGANY, WillyBiblio.com
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191058193<p>MASTERFULLY ILLUSTRATED & DECORATED BOOK - REGARDED AS POGANY'S MASTERPIECE - IN ITS MOST ATTRACTVE BURGUNDY SUEDE BINDING</p><p>first edition de-luxe issue in burgundy suede binding large 4to. 32 x 23 cms. 4 colour printed half-title & titlepage 124pp. on silky paper the pages elaborately designed by Pogany using decorative calligraphic lettering for the text inside broad decorative borders and with colour and monochrome illustrations throughout by Pogany most pages printed in two colours 20 pages with tipped in coloured plates by Pogany publisher's full burgandy suede reversed calf with yapp edges upper third of the front cover boldly gilt blocked with a decorative design of a sailing ship in full sail and elaborate gilt title lettering lower two thirds of the front panel with an elaborate bling blocked design very decorative original endpapers designed by Pogany and printed in shades of buff top edges gilt other edges untrimmed minor wear to foot of spine with loss of the projecting yapp edge else a nice copy. A most attractive book both internally and externally.</p><p>This beautiful and lavishly illustrated book was issued in two forms: a a special signed edition of 525 signed copies bound in tan calf and b this in fact more attractive de luxe binding of full suede. The binding of the suede issue was fragile especially at the edges and copies as well preserved at this are rare.</p><p><br />The colophon at the end states "The letterpress and line illustrations were printed by Vincent Brooks Day and Son Ltd. and the four-colour plates by Benrose Dalziel Ltd. at London in the Year of Our Lord NCMX". <br />A trade edition was issued later considerably smaller in format and with the decoration on the pages greatly reduced but retaining the 20 tipped-in coloured plates. That trade edition appears to have been issued in several binding in both morocco and in cloth.</p> George G. Harrap hardcover
191077636New York: 1910. First trade edition. publisher's green gilt-decorated cloth; t.e.g. Small area of damage at the bottom edge of one of the tipped-in plates 3/16 x 1/2 inch; contents otherwise fine. Decoration on the spine dulled; slight use to cloth; tight and sound. Folio. Presented by Willy Pogany throughout including twenty tipped-in color plates. hardcover
1910091972London: George G. Harrap 1910. 1st Edition 1st Printing. Hardback. Very Good/Very Good. 4to - over 9¼ - 12" tall. Willy Pogany. First edition first printing thus Large quarto hardback. Gilt embossed decoration on front cover and spine; olive green cloth. 21 tipped in colour Illustrations plus other black and white illustrations Content within is in excellent condition. Boards in Good condition with slight faded bottom right hand edge of front cover due to damp. Slightly discoloured spine. Has a custom made olive green box which it is kept in. No inscriptions. Photographs available on request <br/> <br/> George G. Harrap hardcover
1910890173New York: Thomas Y. Crowell. Very Good- with No dust jacket as issued. 1910. First Edition. Hardcover. Wonderful illustration by Pogany -- tipped in color plates and more. Spine lettering is badly rubbed and dulled in and otherwise very good binding. ; 4to 11" - 13" tall; Unpaginated pages . Thomas Y. Crowell hardcover
19103732274George G. Harrap & Co 1910. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. No dust jacket. No. 327 of 525 limited copies for sale in England and America and signed by Willy Pogany. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1600grams ISBN: George G. Harrap & Co hardcover
1910008531NY: Thomas Y. Crowell & Co. Signed first edition limited to 525 numbered copies in England and America #137 signed by Pogany on limitation page. Full brown morocco with gilt cover design gilt spine titles top edge gilting pictorial end papers sewn in silk bookmark. Published NY: Thomas Y. Crowell & Co. 1910. Folio 9 1/2" x 13" printed on Japan vellum unpaginated Illustrated by Pogany with 20 tipped-in color plates calligraphic text decorative borders plus illustrations in color and line throughout the text. A stunning work. Some scuffing wear along the edges of boards small previous owner bookplate on front pastedown internally near fine pages clean no foxing or markings page block crisp all plates present binding tight. Rare. . Very Good. Hard. 1st. 1910. Thomas Y. Crowell & Co unknown
19106398London: George G. Harrap & Co. 1910. Good. 33cm; 144 pages. Polychrome half title and title page. Twenty full color illustrations by Pogàny printed by Dalziel and mounted. Numerous full-page monochrome illustrations and illustrations in text. Letterpress and Initials in two colors surrounded by elaborate borders designed and printed by Vincent Brooks Day & Son. Decorated endleaves following blanks. In gilt-stamped brown leather. Covers worn at spine and at extremities somewhat stained and mottled yet sound and entire. Pages quite clean and unmarred. <br /><br />Edition limited to 525 copies SIGNED by Willy Pogány. George G. Harrap & Co. hardcover
1910140938515London: George Harrap 1910. First THUS. Very Good. Limited edition of 525 copies hand-numbered 91 in blue signed by illustrator Willy Pogany. Quarto. Original full tan calf decorated in gilt illustrated with 20 beautiful tipped-in color plates top edge gilt. Unpaginated. Very Good with scratch in front cover wear along edges of leather internally near fine bookplate ghost on paste down. All plates present. A wonderful visual exploration of Coleridge's classic poem with intricate ink illustrations and every plate a hazy dream-like wash of color. George Harrap unknown
191070301London:: George Harrap 1910. publisher's green cloth decorated in gold and colors t.e.g. There is some slight wear at the extremities of the spine and corners; cloth bright and attractive. A bump to the lower spine has caused a slight crease to appear in the lower corner of each leaf an area about 1/2 x 3/4" is affected. A lovely production. Folio. 20 tipped-in color plates and decorations in black and white and color by Willy Pogany. George Harrap, hardcover
191070963New York:: George H. Doran Co. ca. 1910. publisher's green quarter cloth and decorated paper-covered boards in dust jacket. A beautiful very fine copy in a jacket with some tiny chips at edges and a few little abrasions to the spine. Small folio. 20 tipped-in color plates and decorations in black and white and color by Willy Pogany. George H. Doran Co., hardcover
191058902New York:: Thomas Y. Crowell & Co. 1910. First edition: No. 138 of 525 copies signed by Willy Pogany. publisher's full pictorial gilt leather t.e.g. in custom later slipcase. Some light rubbing at the extremities of the spine and boards; the contents fine. . Folio. Presented by Willy Pogany throughout including tipped-in color plates. Thomas Y. Crowell & Co., hardcover
192025924New York:: George H. Doran ca. 1920. Early edition. publisher's full pictorial gilt leather t.e.g. in publisher's plain box with printed paper label on one edge. A few light smudges to the binding; else fresh bright and unworn. The slipcase is rubbed at the joints but intact. Folio. Presented by Willy Pogany throughout including tipped-in color plates. George H. Doran, hardcover
19485381948 - broché - J. Ferenczi et Fils, Editeurs - "Collection du Jour" - 1948 - In-12 (17 x 11,5 cm) broché, sous papier cristal - 190 pages - Troisième volume de la Collection du Jour
190477306Reliure demi-chagrin orange à bandes. Dos lisse avec titre doré. Couverture conservée. Papier bruni et taché.
197885426France Loisirs 1978 192 pages 20x13x2cm. 1978. Relié. 192 pages.
193012192CLAUDINE AT SCHOOL Albert & Charles Boni 1930 first American edition vg in near vg dust-wrapper with some light wear and tear and some shallow chipping to the dust-wrapper spine extremities. Albert & Charles Boni unknown
1922138681922. Paris SociÂŽtÂŽ d'Editions littÂŽraires et artistiques / Librairie Paul Ollendorff 1909. Un vol. in-12 188 x 113 mm de 323 pp. brochÂŽ. Edition originale rare mention fictive d'ÂŽdition portÂŽe au premier plat. ''Des yeux noirs superbes des cheveux si blonds qu'ils paraissent argentÂŽs ÂŽlancÂŽe Minne est une ravissante personne adorÂŽe par sa maman. Elle suit les cours des demoiselles Souhait pour y rencontrer des jeunes filles bien ÂŽlevÂŽes et s'y instruire ˆ l'occasion. Tout a ÂŽtÂŽ arrangÂŽ pour que Minne ait une vie des plus douillettes. Mais Minne rÂve d'autre chose elle veut conna”tre ce qu'elle appelle l'Aventure. MariÂŽe dÂŽÂue humiliÂŽe mais maintenant renseignÂŽe et ayant compris que l'Aventure c'est l'Amour Minne va alors chercher avec dÂŽtermination l'homme qui lui donnera ce bonheur merveilleux dont toutes les femmes qu'elle conna”t parlent et tous les livres aussi.'' Plats prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ. TrÂs rares rousseurs marginales dans le texte. Nonobstant trÂs belle condition. Rare. b42961 unknown
192213868Paris, Société d'Editions littéraires et artistiques / Librairie Paul Ollendorff, (1909). Un vol. in-12 (188 x 113 mm) de 323 pp., broché.
1934014085Paris 1934 J.Ferenczi et fils Soft cover
1946023684Lausanne Aux Editions du Grand-Chêne 1946 In 8 Ces 4 livres de Colette que Willy voulut siger de son nom au début de sa carrière d'écrivain , réunis sous un même coffret . Illustrés par des lithographies en couleurs tirées par les frères Mourlot , de Christian Bérard . Edition numérotée imprimée sur vélin blanc, un des 1000 exemplaires . Emboîtage terni . Roman . Littérature . - 292 p. + 290 p. + 374 p. + 264 p. , 1 kg 900 gr.
1920226207Paris: Artheme Fayard 1920. First. hardcover. fine. 8vo 3/4 green morocco spine faded to brown; original yellow printed wrappers including spine bound in. Paris: Artheme Fayard 1920. First Edition.<br/> <br/> One of 550 numbered copies on papier velin.Lafuma. This is no. 124.<br/> <br/> Artheme Fayard unknown
192060344Paris 1920. Bound uncut with the original printed wrappers also the backstrip in a magnificent bright purple lambskin binding with title and author in bright metallic lettering to spine blue pink and green respectively. Triple bright metallic line-borders to boards same three colours inside which the remainder of the boards are covered with a large inlay of shiny coloured leather in crocodile skin-like relief pattern. Recto and verso respectively of flyleaves covered with pink/purple suede. Housed in a chemise with purple lambskin spine with same lettering as the binding and purple cloth boards inside grey suede and purple full lambskin slipcase. The binding is signed Leroux in shiny green lettering to inside of front board. A handwriiten postcard from Leroux to the previous owner of the book is enclosed. The postcard is dated 1997 and concerns the binding including the price. The slipcase has a bit of edgewear but the binding is near mint. Apert from a tiny tear no loss to the upper margin of the front wrapper also internally near mint. Front free end-paper with a four-line inscription for "René Baer" signed "Colette de Jouvenel". <br/><br/><em>First edition - presentation-copy and one of 175 numbered copies on Hollande premier papier out of a total of 725 numbered copies - of Colette's fascinating novel "Chéri" published at the dawn of the roaring 20'ies. The scandalous novel which portrays the love between an older woman and a much younger man is partly inspired by Colette's own life and is considered one of her very best works. Extremely controversial as a person Colette has always been the object of fascination as well as controversy. In 1893 she married Henry Gauthier-Villars who was already a famous author and publisher. He used the pen-name "Willy" under which Colette's famous first novels the Claudine-stories also appeared. Colette and Willy separated in 1906 with a final divorce in 1910. Colette is well known for the series of lesbian relationships she embarked upon after her separation. In 1912 however she married Henry de Jouvenel editor of Le Matin and took his name. Not for her publications but she clearly used it in her personal correspondence. Their marriage ended in divorce in 1924 however due partly to her affair with her 16-year-old stepson Bertrand de Jouvenel. Chéri is partly based upon her experiences with her much younger stepson. " 'Me a feminist' She scoffed in 1910. 'I'll tell you what the suffragettes deserve: the whip and the harem'. COLETTE is an intriguing and flamboyant figure. Born in Burgundy in 1873 she moved to Paris at the age of twenty with her husband the writer and critic Henry Gauthiers-Viller Willy. Forcing Colette to write Willy published her novels in his name and the Claudine series became an instant success. She escaped her exploitative first husband to live by her pen and work in music-halls as a dancer. Colette had a lesbian love affair with a niece of Napoleon's she married three times had a baby at 40 and at 47 preferring 'passion to goodness' she seduced her teenage stepson. In the meantime she wrote stunning novels that were admired by Proust and Gide -- Gigi Sido Cheri and Break of Day. Colette lived to be over 80. She was the first woman President of the Academie Goncourt and was the first woman in France to be accorded a state funeral." "Colette in full Sidonie-Gabrielle Colette 1873 - 1954 outstanding French writer of the first half of the 20th century whose best novels largely concerned with the pains and pleasures of love are remarkable for their command of sensual description. Her greatest strength as a writer is an exact sensory evocation of sounds smells tastes textures and colours of her world. Her best work was produced after 1920 and followed two veins. The first vein followed the lives of the slightly depraved postwar younger generation. Among these novels are Chéri 1920 and La Fin de Chéri 1926; The Last of Chéri dealing with a liaison between a young man Chéri and an older woman. Encycl. Britt. René Baer 1887 - 1962 was a famous French author journalist playwright and songwriter. Georges Leroux 1922-1999 was one of the most accomplished and esteemed French binders of the twentieth century. Before he became a book binder in 1959 he was a poet. His works are known for their exotic materials use of metallic effects and strong polychromatic color. </em> hardcover
191313119Paris: Librairie des Lettres 1913. First Edition. Printed wrappers. Very Good. Small 8vo. Pp. 307. Stiff printed wraps red titles in gray decorative frame. French text. Copyright 1913 stated no printing date. List of available works ends with Prrou Poucette et quelques autres 1913. Advertisement for the "Journal de Colette" appearing in Le Matin from October 1913 laid in. Moderate spine lean top edge dust soiled toning to leaf margins. Signed by Colette on the title page. Continuation of the character Renée Néré based on Colette's marriage to Henry Gauthier-Villars Willy and experiences in the Music-Hall. Colette had married Henry de Jouvenel editor of Le Matin in 1912. A well-preserved first edition signed by the author: scarce in either case. Librairie des Lettres unknown
19205310065Paris: Edouard-Joseph 1920. First Edition. Softcover. Very Good in No Dust Jacket dust jacket. First Edition. French language. Sound binding slightly shaken. Pages clean bright deckled. Wrapper has light handling wear edge wear. Short fiction by Colette illustrated with colored woodcuts by French artist Charles Alexandre Picart Le Doux. Numbered 400 of 1000 printed on Vélin Parcheminé Lafuma. 8.0" tall; 198 pages. Edouard-Joseph unknown
193017260Paris, Arhème Fayard. Coll. Le Livre de Demain, 1930, in-8, Broché, 126 pages. 28 bois originaux de G. Jeanniot
