848 résultats
1789124097Paris Delalain 1789 1 vol. Relié in-18, plein maroquin rouge, dos lisse orné de caissons dorés, triple filet doré en encadrement sur les plats, roulette sur les coupes, tranches dorées, 320 pp., page de titre gravée. Choix de poèmes par Florian, La Harpe, Marmontel, Parny, Voltaire, etc., suivi de notices sur les ouvrages de poésie et de théâtre parus en 1788. Petites taches d'encre sur les plats, mors supérieur un peu usé, sinon joli almanach en maroquin rouge d'époque.
1789124097Paris Delalain 1789 1 vol. Relié in-18, plein maroquin rouge, dos lisse orné de caissons dorés, triple filet doré en encadrement sur les plats, roulette sur les coupes, tranches dorées, 320 pp., page de titre gravée. Choix de poèmes par Florian, La Harpe, Marmontel, Parny, Voltaire, etc., suivi de notices sur les ouvrages de poésie et de théâtre parus en 1788. Petites taches d'encre sur les plats, mors supérieur un peu usé, sinon joli almanach en maroquin rouge d'époque.
1785994A PARIS. CHEZ BASSET. SANS DATE. (VERS 1785). BELLE GRAVURE ALLEGORIQUE (34 X 28 CENTIMETRES ENVIRON DANS LA PLAQUE, 50 X 34 AVEC LES MARGES). TEXTE TIRE DE LA HENRIADE DE VOLTAIRE, CHANT 10. BASSET L'AINE, GRAVEUR ET EDITEUR A PARIS, AU 64 DE LA RUE SAINT-JACQUES, DEPUIS LE REGNE DE LOUIS XVI JUSQU'EN 1849, PUBLIA UN GRAND NOMBRE DE PLANCHES ANONYMES. (BENEZIT, EDITION DE 2002. I. 840). QUELQUES FINES ROUSSEURS EPARSES, ESSENTIELLEMENT DANS LES MARGES, SINON BELLE EPREUVE.
1764SB-12609Généve, Freres Cramer, 1764. 351 S. Original-Pbd. Mit zahlreichen Text-Illustrationen sowie Textvignetten.
178517459o. O. o. V., 1785. 520 S. Gr. 8° Groß-Oktav Ln.
174824627Paris 1748 In-12 5 ffnch-560 pp, ouvrage attribué Louis Travenol et Louis Manoury dont on connaît peu de détails biographiques . Mors de la reliure fendus en queue
178321810(Kbh., 1783). Samt. slidt hldrbd.
173862659Amsterdam, Etienne Ledet & Compagnie, 1738. 8vo. In contemporary full sprinkled calf with five raised bands and richly gilt spine. Wear to extremities, corners bumped and with loss of leather, spine-ends with loss of leather. With a small printed note pasted on to lower margin of title-page. Ex-libris pasted on to verso of front board. Pencil annotations to front free end-paper and previous owner's names in ink. A few pages slightly browned, but internally generally nice and clean. (6), XII, 399, (1), 401-410, (6) pp. + 1 frontispiece and 7 engraved plates. Numerous engraved headpieces, vignettes and diagrams throughout. Wanting the portrait.
17712502# AUTEUR: Voltaire # ÉDITEUR: Genève (Cramer) # COLLECTION: Collection complète des oeuvres tomes XVIII - XIX - XX # ANNÉE ÉDITION: 1771 - 1774 # COUVERTURE: Plein veau fauve - dos à nerfs très décoré doré - pièce de titre rouge et tomaison noire - liserés dorés sur les coupes - # DÉTAILS: 3 volumes in 4° reliés 524pp. 526pp. 571pp. tomés premier, second, troisième sur la 2ème page de titre. Parus à Genève sans nom d'éditeur à partir de 1768. # PHOTOS visibles sur www.latourinfernal.com
177674561776 A Basle, chez les Héritiers de Paul Buker, 1776; In-8°, plein veau marbré de l’époque, dos lisse orné , nom d'auteur doré en long "Voltaire" sur petite étiquette de maroquin vieux-rouge, tranches rouge; IV, 282pp. "Approbations" de Durey et Christin au verso du titre ainsi que les " fautes typographiques à corriger ", les pp. III-IV renferment la liste des lettres. Edition de l’année de l’originale. Il y eut plusieurs éditions à la date de 1776 (Lausanne, Basle, Neuchatel), celle de Lausanne étant considérée comme l’originale. (Cf. Notice BNF ci-dessous et Bengesco ).
1756148851756 Amsterdam, 1756 ; 2 parties en 1 volume in-12°, pleine basane marbrée fauve de l'époque, dos à nerfs orné de petits fers dorés, titre doré sur étiquette de maroquin, tranches marbrées de bleu; ( 4),1 f blanc +titre +1 p table + 342pp (196 pour la 1ere partie )
176091101760 ( Genève, Cramer, 1760); in-8, demi-basane brune, dos lisse , filets dorés, titre doré sur étiquette vert olive, plats de papier marbré (reliure vers 1800) ; 282ppp.( y compris le faux-titre servant ce titre et la préface). Reliure un peu frottée, rares rousseurs. . Ex-libris manuscrit ancien " Dumarest".
1780M1636741780 La Pucelle d'Orléans, poème divisé en XXII chants avec des notes . Nouvelle édition corrigée, augmentée d'un chant, d'une variante qui tient lieu du XXIIIe chant et de plusieurs morceaux répandus dans le corps de l'ouvrage. A Genève , 1780 . In12 plein veau , XII - 455 pp . 21 planches gravées hors texte. Petit manque à la coiffe supérieure , quelques brunissures, une tache claire sur les 20 dernières pages, manque la dernière page de garde. Conforme à la description de l' exemplaire de la BNF. Le leur ne contient que 20 planches. L' Avis des éditeurs" indique que le texte a été établi par un ami de l'auteur, mais la "Préface de Dom Apuleius Risorius" est omise. Les notes sont placées à la suite de chaque chant. Après le chant XXII se trouve : "Variante du chant XXIIe", avec la note suivante : "Ce chant étant entièrement changé nous le donnons tel qu'il "est dans l'édition de XXIV chants, où il est le vingt-quatrième ou dernier chant". À la fin, les vers "dits" de l'Épilogue sont intitulés : "Postface de l'auteur". - Planches gravées sur cuivre d'après Gravelot. Titre encadré. ( BNF ).
1777ST20535-04La Haye The Hague but Geneva: Aux dépens des Libraries 1777. FIRST EDITION. 215 x 140 mm. 8 1/2 x 5 1/2". 1 p.l. 303 3 pp. <br/> Publisher's marbled paper wrappers flat spine edges untrimmed. A Large Paper Copy. Benesco 1860. Andrew R. Morehouse "The Voltaire Collection in the Rare Book Room" The Yale Library Gazette 17 no. 4 1943 p. 75.<br /> Paper wrappers a bit faded as expected slightly defective at corners and a little curled otherwise and perhaps even so A VERY FINE COPY--the text within immense margins entirely clean fresh and bright.<br/> <br/> This is a remarkable survival in its original wrappers of a work related to one of the most resonating controversies of Voltaire's life and writings--the question of his anti-Semitism. A giant of the Enlightenment and one of the greatest of French writers and philosophers Voltaire real name François-Marie Arouet 1694-1778 writes here in response to "Lettres de quelques Juifs portugais allemands et polonais à M. de Voltaire" a 1776 critique by Antoine Guénée objecting to the anti-Semitism especially as expressed within a commercial context in our author's "Dictionnaire Philosophique." Deeply philosophical and leavened with satire the 120 chapters of the seminal "Dictionnaire" were widely read much condemned and not infrequently burned as they challenged religious authority advocated for toleration and dealt with many social and political issues from an uncomfortable Enlightenment perspective. And there can be no doubt that Voltaire's "Dictionnaire" does in fact contain critical remarks about the Jews; at the same time the author's criticism is extended with equal warmth to organized religion in other forms. In the present response to Guénée Voltaire is nothing if not scathing which in the end works against him. As Voltaire scholar Andrew R. Morehouse wryly puts it the text here expands upon Voltaire's previous points in such a way as to "justify the accusation that he is cruelly anti-Semitic." This work is not exactly rare but it is very unusual to find it in original wrappers as here particularly in such fine condition. Aux dépens des Libraries unknown
176761751No place nor printer 1767. 8vo. In contemporary marbled paper covered board. Small paper-label pasted on to top of spine. Light wear to extremities internally nice and clean. 4 60 pp. <br/><br/><em>Rare second edition of this work on governance and statecraft. Barbier III 84c5. </em> unknown
1799ST17632cParis: de l'Imprimerie de Crapelet an VII 1799. 228 x 150 mm. 9 x 6". Two volumes. <br/> Very attractive 19th century red morocco by Capé stamp-signed in gilt on front turn-in French fillet border raised bands compartments with central quatrefoil surrounded by lacy gilt tooling gilt lettering gilt dentelles all edges gilt. Housed in a later marbled slipcase. WITH engraved frontispiece by Gaucher and 21 ENGRAVED PLATES after Marillier Monsiau and Ponce as called for AND EXTRA-ILLUSTRATED WITH 46 PLATES comprised of a suite of 20 small plates a suite of 21 large plates and five portraits. Verso of front free endpaper with the bookplate of Jacques Bastenet. Cohen-de Ricci 1035; Graesse VI 393. See also: Cohen-de Ricci 1047-48 for the plates by Moreau. ◆Two three-inch abrasions on one cover and a hint of wear to joints both very well disguised by refurbishment leather faintly soiled but the decorative bindings still lustrous and quite pleasing without any significant condition issues. Occasional mostly light foxing never serious and most of the plates clean but noticeable enough to be regrettable some of the smaller extra-illustrations slightly browned due to paper stock but still a book with considerable appeal inside and out with the engravings richly impressed.<br/> <br/> This printing of Voltaire's mock-heroic "Pucelle" a licentious burlesque based on the Joan of Arc story features the same beautiful engravings found in the Didot edition of 1795 but without the frames plus two additional suites of plates taken from other editions. The set of 20 small plates seem to be close copies of Gravelot's illustrations from the 1762 Geneva edition of "La Pucelle"; the set of 21 larger images are by Moreau all but two being before letters. The latter set probably comes from the suite of images for Voltaire's "Oeuvres" published by Renouard in 1802 of which there were just 40 copies before letters according to Cohen-de-Ricci. Capé was one of the most distinguished binders in France in the middle years of the 19th century being especially well known for the delicacy of his work as evidenced by our spines. He was the binder to the Empress Eugénie and Béraldi calls him "the Bozérian of the second Empire.". de l'Imprimerie de Crapelet unknown
176237144ABO. O., o. Vlg, 1761-1762. 4 verb. Aufl. 2 Tle. in 1 Bd. 8°. 14 nn Bll., 336 S., 16 nn. Bll., 160 S. Bibliothekseinbd. Rü. beschädigt., fl. Stärker gebr., Bibliotheksstempel u. Vorbesitzervermerk auf Tit.-Bl. 4
17608604Édition de l'année de l'originale. Ex-libris gravé. Pleine basane d'époque assez bien conservée. Bon s. n. Potzdam 1760 1 volume in-12°
17641322Londres 1764. <p>8vo. 190 x 120 mm. 7 ½ x 4 ½ inches. viii 344 1 pp.   Bound with half-title in contemporary Dutch decorated paper boards vellum spine and corner tips. Frontispiece portrait of Hugo Grotius dated 1790 probably added when bound. Some contemporary manuscript notes in the text and on the rear free endpaper. Very nice copy.</p> <br /> <p>First edition. Voltaire’s Philosophical Dictionary organized alphabetically and containing his thoughts on European society beginning with a short essay on Abraham and a critique of the stories of the Bible. Voltaire’s Dictionnaire ends with the topic of Virtue where referring to theologians in the Catholic Church his final words are a petition to God.  In his most sarcastic way he completes his book with the sentence “Mon Dieu donnez nous souvent de pareils fripons!†My God give us often such rogues as these!. </p> <br /> <p>Voltaire had this work published in Geneva by Gabriel Grasset who to keep the authors identity secret created a false imprint stating London as the place of printing. Included are 73 essays on subjects ranging from Baptism to Character Equality Fables History Liberty Religion Solomon and Tyranny to name a few. “Voltaire sought to create a text which would fit in one's pocket and be affordable because "revolutionary material must be small enough for people to carry with them". What he created is a text which educated and amused at the same time.â€Â As you can see by the subjects of Voltaire’s essays the Catholic Church was the target of much of his rhetoric. He wanted to expose the hypocrisy of the Church and at the same time advocate for a more rational God one who allowed for free will and self-examination as a major tenant of his philosophy.</p> <br /> There are numerous edition of Voltaire’s Dictionnaire Philosophique but the first is scarce in the market. This is a nice copy in a sound and not unattractive copy.<br /> <br /> <br /> <p>Roger Pearson Voltaire Almighty 2005.</p> . unknown
1762238430Geneva: Cramer 1762. hardcover. good. Gravelot. 20 engraved plates by Gravelot. 4 viii 358 i.e. 354 pages. Pages 273-354 mis-numbered 277-358. Small 8vo full sheep very worn overall spine leather damaged covers re-attached. Geneva: Cramer 1762. Nouvelle edition correigeee augmentee & collationee sur le manuscript de l'auteur. A good copy internally clean.<br/> <br/> Voltaire disavowed the edition published at Louvain in 1755. This was "the first which appeared with the approbation of the author; it contains 5 entirely new songs notes preface and a great number of corrections and additions throughout." --Brunet V 1362.<br/> <br/> Cramer unknown
178321810Kbh. 1783. Samt. slidt hldrbd. <br/><br/><em>First Danish edition. Første danske oversættelse. Fra 8. bind af "Skuespil til Brug for den danske Skueplads. Bibl.Dan. IV:291. </em> unknown
177191291Geneve 1771. 185x110mm. broch. Dchirures sur la couverture. 67 unknown
176258525BB(Genève, Cramer), 1762. 8°. Titre, VIII p. préface, 358 (i.e. 354) p. avec 20 gravures d'après Gravelot. Brochure avec papier de marbre.
175443846Geneva Chez Cramer 1754. 8vo. Bond in 2 nice contemporary full mottled calf with richly gilt spines and five raised bands. Ex-libris pasted on to pasted down front free end-paper on both volumes. A small tear to upper capital on volume I and title labels on spines are missing. Otherwise a very fine and clean copy. Pp. 50 432; 2 435-915 4 pp. <br/><br/><em>Second edition of Voltaire's history of France. In it he gives a chronological account of the French Empire from the year 742 till 1648. Voltaire exercised immense influence on the development of modern historiography through his innovating new ways of interpreting the past. "Essential to the new conception of a history in the place of histories is the recognition of the role of process and development. There is a central theme to this development as in Voltaire's present work: the progressive development of intellect culture and society. This awareness of a theme fundamentally changes the character of historical writing and introduces a developmental structure to the great narrative historical writings of the eighteenth century." Iggers. Progress and its discontents 1982 p. 44. Voltaire explains his view of historiography in his article on "History" in Diderot's Encyclopédie: "One demands of modern historians more details better ascertained facts precise dates more attention to customs laws mores commerce finance agriculture population.". The present work is a fine example of this tradition.Barbier I194. </em> hardcover
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown