56 résultats
173650575bdParis: Jean Baptiste Claude Bauache 1736. First Edition. Octavo 1/4 red levant & red cloth hardcover leather uncut iv i-viii 1-80 i pp. Woodcut ornaments. One of Voltair’s better received theatrical presentations with a setting in the New World. Very Good bearing the bookplate of collector and French translator Richard F. O’Gorman. Jean Baptiste Claude Bauache, 1736. First Edition. hardcover books
1767716331767. First English-Language Edition. First English-Language Edition. First English-Language Edition of PMM 209: "One of the Most Influential Books in the Whole History of Criminology" Beccaria Cesare Bonesana Marchese de 1738-1794. Voltaire Arouet Francois-Marie 1694-1778. An Essay on Crimes and Punishments Translated from the Italian; With a Commentary Attributed to Mons. De Voltaire Translated from the French. London: Printed for J. Almon 1767. xii 179 1 lxxix 1 pp. Last page blank. Octavo 8" x 5". Contemporary calf raised bands and lettering piece to spine. Light rubbing minor worming and a few minor scuffs to boards moderate rubbing to extremities creasing to spine chipping to spine ends corners bumped and moderately worn front joint starting at ends rear joint and hinge partially cracked. Moderate toning occasional worming to margins leaves F4-F5 pp. 71-74 partially detached and lightly edgeworn two early owner signatures of F.J. Atkinson and W. Hartto title page. $3750. First edition in English. First published in Livorno in 1764 as Dei Delitti e Delle Pene this landmark work is to quote Printing and the Mind of Man "one of the most influential books in the whole history of criminology. It is significant because it was the first systematic study of the subject. Infused with the spirit of the Enlightenment its advocacy of crime prevention and the abolition of torture and capital punishment marked a significant advance in criminological thought which had changed little since the Middle Ages. It had a profound influence on the development of criminal law. It was especially influential among American thinkers such as Thomas Jefferson who wished to use ideas from Beccaria to reform the system of criminal law Americans inherited from England. Printing and the Mind of Man 209. Sowerby Catalogue of the Library of Thomas Jefferson 2349. English Short-Title Catalogue T138985. unknown books
1793716151793. Philadelphia 1793. 3rd American Edition. Philadelphia 1793. 3rd American Edition. Early American Edition of "One of the Most Influential Books in the Whole History of Criminology" PMM 209 Beccaria Cesare Bonesana Marchese de 1738-1794. Voltaire Arouet Francois-Marie 1694-1778. An Essay on Crimes and Punishments: By the Marquis Beccaria Of Milan. With a Commentary by M. De Voltaire. A New Edition Corrected. Philadelphia: Printed by William Young 1793. x 13-230 pp. 12mo. 6" x 3-1/2". Contemporary sheep lettering piece and gilt fillets to spine. Light rubbing and some minor nicks to boards a few creases to spine joints starting at head moderate rubbing to spine ends and corners which are lightly bumped front free endpaper lacking. Light toning to text light foxing and negligible faint stains to a few leaves early repair to Leaf D6 pp. 43-44 with no loss to text. An attractive copy. $750. Third American edition. First published in Livorno in 1764 as Dei Delitti e Delle Pene this landmark work is to quote Printing and the Mind of Man "one of the most influential books in the whole history of criminology. It is significant because it was the first systematic study of the subject. Infused with the spirit of the Enlightenment its advocacy of crime prevention and the abolition of torture and capital punishment marked a significant advance in criminological thought which had changed little since the Middle Ages. It had a profound influence on the development of criminal law. It was especially influential among American thinkers such as Thomas Jefferson who wished to use Beccaria to reform the system of criminal law Americans inherited from England. The first two American editions were issued Charleston in 1777 and Philadelphia in 1778. Printing and the Mind of Man 209. Sowerby Catalogue of the Library of Thomas Jefferson 2349. Cohen Bibliography of Early American Law 4234. unknown books
175908228Geneva: Gabriel Cramer 1759. First Edition. Full Leather. Fine. The third of the first four editions according to Bengesco 1436 and the fourth edition according to Wade see Voltaire and Candide 1959 p. 201 dated 1759 with 299 pages clandestinely printed and published by Cramer in Geneva and preceeding the other 16 different editions published throughout Europe in 1759. The present copy conforms to Bengesco 1436 in every respect which is "page by page line for line like the first edition" except for the "que ce ce fut" error on page 103 an error which was introduced by Cramer into the early printings then doubtless not "fixed" as it was correct in the first place. Note that the fleurons agree exactly with Bengesco 1436 as follows: p. 134 is a basket of fruits; p. 228 shows two horns 'a plenty; the fleuron at p. 115 is repeated on pages 179 and 193; fleuron on page 213 is signed N. C. and is repeated on page 279; page 277 is paginated 177. The present copy also agrees with Wade see Voltaire and Candide 1959 p. 201 in every respect including that page 17 is numbered 15. Both the above references to Bengesco and Wade show signatures A-N3 meaning they are bound without the Table of Chapters; the present copy like 7 of the 10 known copies of the first edition shows signatures A-N6 without the final leaves N7 a blank and without N8 instructions to the binder concerning the cancellation of two pairs of leaves B4 B9 and D6 D7. In addition to the above let us state the textual points in the present copy: page 31 B4 an unnecessary paragraph break was eliminated. The words "mais il y a une raison." do NOT start a new paragraph; page 41 B9 several short sentences about the Lisbon earthquake were rewritten as "car dit-il tout ceci est."; page 84 D6 D7 reads "Nos filles se trouverent."; page 103 reads "que ce fut." as explained above was correct to begin with then discovered by Cramer and was not "fixed"; page 125 reads "mais ils se leverent precisement."; page 242 the paragraph beginning "Candide etait afflige."; has been removed by Voltaire while the book was being printed as it was critical of German poets. Pages 121 - 168 signatures F and G are a larger type than the rest of the book. In summation the present copy agrees with the first edition except that the "que ce ce fut." error was discovered and not inserted and the fleurons differ but are by Cramer who printed the first four editions. This a wide margined copy is larger than other copies we have seen at 165 mm x 95 mm; beautifully bound in late 19th Century full tan leather with raised bands and gilt decoration on spine with a brown leather lettering piece marbled end papers all edges gilt; printed on laid paper. The text is remarkably clean and bright; a fine copy. PMM204. <br/><br/> Gabriel Cramer hardcover books
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown books
1784211667Leipzig 1784. First edition in German. 4 148 pp. 1 vols. Small 8vo. Contemporary marbled boards. Very good plus. First edition in German. 4 148 pp. 1 vols. Small 8vo. unknown books
1761D1402n.p.: n.p. 1761. Hardcover. Very Good. Full calf gilt-stamped lettering in black spine label. Additional shipping charges may apply. <br/><br/> n.p. hardcover books
17689022099London: Printed for S. Bladon 1768. Hardcover. Very good. Bound in full brown tree calf with the covers spine label and inner dentelles stamped and decorated in gilt. Rubbed at the edges and extremities corners worn through boards are loose at the hinges but holding. Marbled endpapers. <br/><br/> Printed for S. Bladon hardcover books
1760262806Berne 1760. hardcover. very good. xii336 pages 12mo calf backed blue boards black leather spine label worn text block clean. Berne 1760. Very good.<br/><br/> unknown books
1770264621Paris: Chez la Veuve Duchesne Saillant Desaint Panckoucke et Nyon de l'imprimerie de Barbou 1770. Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. Contemporary full red morocco covers tooled in gilt with triple fillet border and floral tool stamped in corners flat spine divided into 6 compartments 2 with black morocco lettering-pieces the rest with gilt with floral and small tools star-patterned Dutch gilt endpapers a.e.g. Covers slightly rubbed contents fine. Eisen Charles. "Nouvelle édition" first edition with Eisen's illustrations. Engraved frontispiece and title with medallion portrait of Voltaire 10 plates and 10 head-pieces engraved by Longueil after Charles Eisen all bound in vol. I. xl 272; 316 4 pp. 2 vols. 8vo. First Eisen Edition. The first edition illustrated by Charles Eisen of Voltaire's epic poem on the life of Henry IV. Voltaire was so pleased with the illustrations that he wrote a complimentary letter to the artist printed here in volume I. Cohen-De Ricci 1026; Bengesco 384; Ray French 30 Chez la Veuve Duchesne, Saillant, Desaint, Panckoucke et Nyon [de l'imprimerie de Barbou] unknown books
1775310829Amsterdam: Francois L'Honore 1775. Engraved plates. xxiii 1 309 3; 191; 123 1 pp. Additional title vol 2 for "La Henriade travestie". 2 vols. Small 8vo. Contemporary speckled calf marbled endpapers. Very good. Engraved plates. xxiii 1 309 3; 191; 123 1 pp. Additional title vol 2 for "La Henriade travestie". 2 vols. Small 8vo. Francois L'Honore unknown books
173481165London: Jacob Tonsen 1734. Finely bound example of Voltaire's epic poem La Henriade. Small octavo original leather gilt titles and tooling to the spine marbled endpapers. In good condition. Text in French. La Henriade is an epic poem written by the French Enlightenment writer and philosopher Voltaire. According to Voltaire himself the poem concerns and was written in honor of the life of Henry IV of France and is a celebration of his life. The ostensible subject is the siege of Paris in 1589 by Henry III in consort with Henry of Navarre soon to be Henry IV but its themes are the twin evils of religious fanaticism and civil discord. It also concerns the political state of France. Voltaire aimed to be the French Virgil outdoing the master by preserving Aristotelian unity of place--a property of classical tragedy rather than epic--by keeping the human action confined between Paris and Ivry. Jacob Tonsen hardcover books
1770WRCLIT25846Paris: Chez la Veuve Duchesne. 1770. Two volumes. Octavo. Full contemporary mottled dyed calf spines gilt extra. Portrait plates and engraved headpieces. Light scattered foxing largely to occasional upper margins some extremity wear with narrow losses at extreme crowns of spines three small external worm holes in lower joint of second volume otherwise a very good set. First this edition containing in the first volume a pictorial title a frontis ten plates and ten headpieces all engraved by de Longueil after drawings by Charles Eisen. There are no illustrations in the second volume which concludes with a number of additional poems and documents by Voltaire. Voltaire's letter to Eisen written after seeing his designs opens the first volume and affirms his belief that the edition will be "plus recherchee." RAY ART OF THE FRENCH ILLUSTRATED BOOK 30. COHEN-DE RICCI 1026/7. SALOMONS p. 172. Chez la Veuve Duchesne... unknown books
1770178028Paris: Chez la Vve Duchesne Saillant Desaint Panckoucke and Nyon 1770. Hardcover. VG wear to leather especially around spine stain on edge of pages near front mild foxing pencil marking on back flyleaf otherwise remarkably tight and clean given age. Full leather binding with gilt borders gilt dentelles on turn-ins 8 compartments and gilt lettering and decoration on spine. Marbled endsheets. Engraved frontispiece and title page illustration. Engraved half-titles 10 engraved plates. French. 272 pp. Volume I of II only. The first 8 chants/cantos of Voltaire's 1694-1778 epic poem Henriade. One of only two epics written by Voltaire the poem concerned the life of Henry IV of France. This volume was published within Voltaire's lifetime just 8 years before his death. Chez la Vve Duchesne, Saillant, Desaint, Panckoucke and Nyon hardcover books
17681591281768. First Edition. paperback. 182pp. half-title; woodcut title page vignette. sewn; unlettered buff wrappers. N.p. Geneva 1768.<br/><br/> One of Voltaire's best known prose works it came out in many editions the same year. This is presumably the first and conforms to the copy in the Bibliotheque Imperiale.<br/><br/> unknown books
17622384301762. hardcover. poor. 20 engraved plates by Gravelot. Full sheep; very worn front cover loose internally fine. Geneva 1762. First Authorized Edition. Good.<br/><br/> Voltaire disavowed the edition published at Louvain in 1755. This was "the first which appeared with the approbation of the author; it contains 5 entirely new songs notes preface and a great number of corrections and additions throughout." --Brunet V 1362.<br/><br/> unknown books
17627601Geneva: Cramer 1762. First Edition. Hard Cover. Very Good. Octavo. 358 pages. The first authorized edition with a number of piracies appearing before this epic based upon the life of Joan of Arc. Twenty plates by Gravelot. The ornament on the title page is the same as the one on the 1759 first edition of Candide. Contemporary 3/4 brown leather all edges stained red; a few letters lost on red label on spine; some scuffing and edge wear; light marginal stain not affecting text on about 50 leaves; overall a very good copy. <br/><br/> Cramer hardcover books
176424563Londres: aux depens de la compagnie 1764. 8vo pp. xvi 384; engraved frontispiece and 20 engraved plates; 20th-century full crimson straight-grain morocco by Zaehnsdorf decorative gilt border on covers gilt-paneled spine and preserving the original blue printed wrappers which are bound in. First published without plates at Louvain in 1755. This is likely a 'variorum' edition probably Dutch based on the first authorized edition of 1762 Geneva with variant readings from earlier piracies. Bengesco 491. <br/><br/> aux depens de la compagnie unknown books
1755044596Paris ie. Amsterdam 1755. First Edition. Hardcover Quarter Leather. Very Good Condition. Respined in 1/4 calf in an antique style over original marbled boards. One of six editions of Voltaire's famously bawdy mock epic surreptitiously published in 1755. The first were reputedly the Louvain actually Frankfurt editions but they are all scarce. It wasn't officially published until 1762. Light foxing otherwise crisp and bright. Added endpapers but original front blank retained with an old signature binder ticket on rear pastedown. iv 216. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Anthropology. Inventory No: 044596. <br/><br/> hardcover books
17755953Geneva: Cramer et Bardin 1775. Edition encadré" volume 11. Volume 11 only of the 40-volume "edition encadré" published in 1775 by Cramer et Bardin the last edition of Voltaire's works published under the author's supervision. Then as now La Pucelle d'Orleans was Voltaire's most consumed work so it is not surprising to find this volume detached from the its 39 companions. Voltaire's greatest poem but not the one you read in school. With Ariosto in mind Voltaire rewrote the Joan of Arc story with all the wit and critical distance of an 18th-century libertine. The result is that France's sainted woman warrior becomes the vehicle for an intelligent and licentious burlesque. Good and right-thinking people have always found it offensive but it doesn't really care. Nice binding charming illustrations. Octavo 21 cm; 420 pages portrait frontispiece by Martinet and 21 engraved plates. Text within typographic borders. Bound in contemporary etched leather scored in gilt. Spine decorated in gilt with leather labels. Marbled endpapers. Boards somewhjat splayed. Negligible loss at head and tail. Hinges starting. Upper joint reinforced. Contents clean. References: Cohen-De Ricci 1042; Bengescu Voltaire IV #2141 [Cramer et Bardin] hardcover books
1761260379a londres: Aux dépens de la Compagnie 1761. This rogue edition appeared 1 year before the official edition. Frontispice and 12 plates. 224 pp. 8vo. Contemporay French mottled calf red edges. This rogue edition appeared 1 year before the official edition. Frontispice and 12 plates. 224 pp. 8vo. Bengesco Voltaire : Bibliographie de ses Oeuvres 491 Aux dépens de la Compagnie unknown books
179654353London: privately printed by Catherine Maria Bury Countess of Charleville 1796. First Edition large paper copy one of just 5. The first complete English translation. Large 8vo just under 24 cm pp. 227 218. Untrimmed. Bound in later 3/4 red morocco and plain boards rubbed along the extremities without the half title. "Mostly all of the copies were destroyed the freedom of the translation being considered injurious to the memory of Lady Charleville. Only 5 copies were printed on large paper. See the notes to the Renouard copy no. 1349- sale by Sotheby June 30 1834." The preface and notes cover 5 pages. ESTC; T137636.A nice clean tight set. A poem about Joan of Arc. From Wikipedia: "Voltaire was undoubtedly one of the most controversial writers and philosophers of the Enlightenment Age and The Maid of Orleans was also certainly one of his more contentious works. An epic and scandalous satire concerning the life of the not-yet-canonised Joan of Arc "the Maid of Orleans" the poem was outlawed burned and banned throughout a great portion of Europe during the 18th and 19th centuries. Containing mockery and satirical commentary on the life and antics of its subject the poem itself has variously been described as "bawdy" and "licentious". Despite the often sexist and indecent contents of the text its notoriety and contraband status made it one of the most widely read texts concerning Joan of Arc for several centuries. Circulating throughout the banned regions by often surreptitious means the book was read by a large number of the populace. It was also disseminated by Voltaire himself to some of his colleagues and other members of the upper class the circle of people and the portion of society that the text was specifically intended for. The author 1762-1851 was the daughter of Thomas Townley Dawson she married first James Tisdall and then in 1798 Charles William Bury first Earl of Charleville. She was an invalid for many years. privately printed by Catherine Maria Bury, Countess of Charleville unknown books
1787WRCLIT71108A Geneve 1787. 164pp. 12mo. Old mottled calf gilt label. A number of edges untrimmed. Some spotting and smudging binding rubbed and joints cracked; just a good copy. The second edition noted in Barbier of one of the popular biographies of Voltaire first published the previous year with a portrait not carried over to this edition. BARBIER IV:1018. unknown books
1731231308Paris: Josse 1731. First. hardcover. very good. Slim 8vo pp. xxix 3. 110 3 approbation and errata. Decorative copper engraved head-pieces a few contemporary ink annotations full gilt brown calf covers lightly warped and rubbed with a bright gilt heraldic crest on front and back red edges. Paris: J.F. Josse 1731. First Edition. Scarce. Very good.<br/><br/> Josse unknown books
17782690eParis: chez Desnos 1778. 12mo 124 x 68 mm. 4 82 1 pp. Two parts continuously paginated. Engraved frontispiece engraved title letterpress title removed six engraved plates before lettering all with tissue guards; one woodcut vignette of a rose. Small repair to outer blank corner of frontispiece else a fine untrimmed copy. 19th-century green straight-grained morocco gilt sides with triple filt fillets framing a wavy double border with roses spine gilt with roses in compartments turn-ins gilt gilt edges by Dupré stamp-signed on front turn-in; later two-part blue morocco slipcase by Riviere slightly scuffed. Provenance: Sir David Lionel Salomons Broomhill Tunbridge Wells armorial bookplate; Carlo de Poortere bookplate.<br/><br/>Only Edition a special copy with the engravings avant la lettre of a literary almanac in two parts unusually dividing the contributors by sex with part 1 pp. 7-34 containing only poems by women and part 2 only by men. A table at the end of each part lists the authors. In the ladies' section are verses by the mother and daughter Mme and Mademoiselle Deshoulières ou Des Houlières Mlle de Scudery Mme de La Suze Mme de Liancourt and other seventeenth-century i.e. "classical" writers. The male contributors include a few more modern authors notably Voltaire whose 13 occasional verses most dedicated to individual women represent a lighter side of his oeuvre.<br/><br/>The unsigned engravings of scenes set in elegant interiors or pastoral settings show a wedding banquet; a couple engaged in a playful chase with Cupid seizing the woman's dress; Reason Athena with a lion being seduced by folly a female fool complete with rattle bells and crazy hat; a female Narcissus admiring herself in a pond; a courting scene with musical instruments; and a lady daydreaming alone in her bedchamber. Grand-Carteret tells us that these plates along with a seventh plate were also used in a different Desnos almanac Les Caprices de l'Amour et de Baccus printed there with expressive captions. The frontispiece shows the bust of a smiling Voltaire being crowned with stars by one of two attendant muses. Grand-Carteret inattentively suggested that the bust might portray Alexis Piron another contributor not noticing the lightly etched titles of two books held by the recumbent muse namely Charles XII and La Henriade both of course by Voltaire and referring to the poem on p. 41 "A Madame la Marquise de Boufflers en lui envoyant la Henriade & Charles XII."<br/><br/>The rose decor of the binding echoes the woodcut vignette of a rose printed at the end of the publisher's anonymous dedication to all ladies Mesdames. The copy was deliberately bound without the letterpress title; it also does not contain the always optional Tables of losses and wins at the gaming table announced in the subtitle. Copies apparently differed and the almanac may have been reissued periodically. Some copies include a section of music according to Grand-Carteret who dates the almanac to 1789 whereas Cohen-de Ricci dated it to 1781. Both their copies seem to have also lacked a letterpress title: OCLC locates only the BnF copy with the letterpress title dated 1778 it is digitized on Gallica but without the plates.<br/><br/>Bengesco Voltaire Bibliographie de ses Oeuvres IV: 2238; Cohen-de Ricci 37-38 7 or 8 plates; Grand-Carteret 611 7 plates. chez Desnos unknown books