251 résultats
Spine is sunned and discolored. Light chipping along top edge of front wrap. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is sunned and discolored. Light shelfwear; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is a bit sunned and discolored. Former owner's initials to half-title. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is sunned. Minor shelfwear. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
IN-4° pp. 51 con foto n.t. Bross. edit. ill.
159 pp., molte ill. in nero e a colori n.t.; 28 cm. Leg. edit. in mezza tela, custodia. Buono
8°, pp.(40) con num. ill. fotogr.anche a p. pag. Br.edit.<BR>
Bologna, Magri (anni '90 circa), 8vo brossura con copertina illustrata, pp. 246, numerose illustrazioni nel testo.
All'interno e sulla sovraccoperta ci sono delle illustrazioni in bianco e nero di teatro lirico. La sovraccoperta in cartone ha il bordo leggermente stanco ed è ingiallita e scurita soprattutto nei bordi interni. La copertina è ingiallita dal tempo. Le pagine interne sono in ottime condizioni. Numero delle pagine 62. USATO
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 141 p. B/w ills. Mehmet Akif'in Kastamonu günleri.
Scholar's blindstamp and name to ffep (Robert Brown). Minor edgewear to wraps. 2 tiny chips to spine. ; Princeton Series of Collected Essays; 356 pages
Book has light shelfwear. Scholar's name to ffep (Philippa Goold née Forder). Dustjacket has chipping with small tears. DJ is browned. ; Horace is viewed as the poet of the Odes and Epodes -- the incomparable genius of the lyric form, and a sympathetic and engaging character. Like most Roman poets, Horace was not inventive in subject-matter -- rather it is the manner of his writing, his mastery of form, rhythm and cadence that have charmed and captivated his readers for centuries. This is the aspect of Horace that is studied here, with much grace and insight, with profound and liberal scholarship, and with a readily communicated affection. ; 192 pages
A clean, unmarked book with a tight binding. 134 pages.
A clean, unmarked book with a tight binding. Previous owner's inscription inside. Slight wear to dust jacket. 9 3/4"w x 11 3/4"h.
A clean, unmarked book with a tight binding. Previous owner's name label inside. 700 pages. 5"w x 8 3/8"h.
A clean, unmarked bookwith a tight binding. Full blue cloth boards. Edge wear and small tears to dust jacket. 240 pages. Black and white illustrations throughout.
A clean, unmarked book with a tight binding. Age-toned paper. 246 pages.
Ex-library book with the usual stamps and markings. 188 pages.
pp. xvii, 315, xix-xxiv [Appendix]. Numerous text drawings, some in color, by Per Krohg. All edges sprinkled in blue. Includes an insert of the Heritage Club Sandglass, Number X:21. 4to. Original full linen cloth binding. Spine slightly soiled. No slip case. Hardbound. Very Good. THESE HERITAGE PRESS BOOKS MAKE GREAT GIFTS. W83
"For most of us classical writing is little more than a narrow circle of legendary figures. The names of Homer, Aeschylus, Plato, Virgil, and Saint Augustine are familiar, but behind their work lies a vast fellowship of writers with a common mythological and artistic heritage. 'The Norton Book of Classical Literature' includes not only the "greats" but also significant though lesser known figures and traditions: archaic lyric poets, Alexandrian Greeks, and Roman satirists, for example. The translations selected for this collection, from classic nineteenth-century versions to as yet unpublished manuscripts, reflect the diversity of the works themselves and bring them to us with eloquence and clarity." Clean crisp and tight , no marks 866p. index.(Large heavy volume - weighs 2.65 pounds) Book
These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct-the best ever published.' 114p. footnote, notes, index. Price on cover blacked out- else as new Book
Bologna, Bononia University Press, 2009, 8vo album brossura con copertina illustrata, pp. 137 con numerose tavole fotografiche in nero e a colori nel testo.
85, [3] pp.; 19 cm. Bross. edit. Tracce d'uso alla copertina, piccoli strappi al dorso, fioriture alle prime e ultime pagine
Milano, Casa Musicale Sonzogno, 1928, in-16, br. editoriale, pp. 48. Tratto dall'omonimo romanzo di Goethe, il dramma ha la sua 1a alla Wiener Staatsoper nel 1892; la 1a rappresentazione italiana è del 1894 al settecentesco Teatro Lirico di Milano, detto "la Cannnobiana" (in declino a fine '800, è proprio l'editore Edooardo Sonzogno a farlo restaurare e a dargli il nuovo nome di Teatro Lirico Internazionale) l'anno seguente alla Scala.
Dramma lirico in quattro atti (55b).