251 résultats
A clean, unmarked book with a tight binding. 64 pages. Previous owner's stamp on front endpaper. Stated 1977 first printing.
Scholar's name to top of titlepage (Martin Cropp) with bibliographical reference written to lower section of titlepage in pen. On inner cover (classics scholar John H. Betts). Some rubbing to spine. Light edgewear to spine ends. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
Light edgewear to wraps. Minor shelfwear. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
Rubbing and colour loss to spine. Else Minor shelfwear. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
Some minor rubbing to spine. ; Text in latin; Apparatus in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 190 pages
8°, pp.(40) con num. ill. fotogr.anche a p. pag. Br.edit.<BR>
grand in-4° 173 pages, abdt illustre en n/b et en couleurs, reliure editeur pleine toile bleue, jaquette illustree pelliculee. Traces de mouill. a la couv. et aux 1ères pages (au bas de l'ouvrage) sinon bel exemplaire. [VU-2]
Very light pencilling to a few pages. Book has been rebound in 1/4 leather spine with marbled boards and textblock. Ex-library markings to inner covers. 1 corner a bit creased/cracked. Else VG. ; Text in latin; Apparatus in Latin. Xxxiv, 92 pp ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana; 1.2 x 8.3 x 5.6 Inches; 92 pages
In 16 (cm 10 x 16,5), pp. 72. Piccolo alone al frontespizio. Brossura editoriale rimontata. Libretto in traduzione italiana dell'opera musicata da Meyerbeer su parole di Eugene Scribe andata in scena al Teatro Regio di Torino durante il Carnevale Quaresima 1854-55. La prima assoluta dell'opera fu a Parigi, all'Opera, il 29 febbraio 1836. La prima italiana, con il titolo "Gli Anglicani" e' alla Pergola di Firenze il 26 dicembre 1841 (in un primo tempo, a causa della censura, l'opera venne anche rappresentata con il titolo di "I guelfi e i Ghibellini"). G. Pannunzio, in "La persecuzione dei giusti. Presenze ugonotte nella letteratura drammatica dell'Ottocento italiano" (p. 51), afferma che la traduzione dell'opera apparve gia' in ambiente napoletano dopo il 1836. Questo testo intitolato "Gli Ugonotti. Dramma in cinque atti di Eugene Scribe. Musica di Giacomo Meyerbeer" (Napoli, A spese dell'editore, s.d.) e' conforme a "Gli Ugonotti. Opera in cinque atti. Versione italiana" pubblicata a Milano da Ricordi senza data (ma 1837).
Spine is sunned and discolored. Light chipping along top edge of front wrap. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is sunned and discolored. Light shelfwear; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is a bit sunned and discolored. Former owner's initials to half-title. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Spine is sunned. Minor shelfwear. ; A review of books with translations of Greek and Latin lyric, elegiac, and pastoral poetry; epigrams in elegiac metre are included but didactic elegy is not. ; 62 pages
Full leather spine with tooled design to front board and spine. Spine has raised bands. Marbled endpapers. Front board almost detached. Corners a bit edgeworn. An attractive book. ; 8vo 8" - 9" tall; 490 pages
Minor shelfwear to book. DJ has light shelfwear. ; Loeb Classical Library No. 144; Vol. 5; 496 pages
Scholar's name to titlepage (Robert Brown). Pencilling to about 7 pages or so. ; English translations of some lyric poets including Anacreon, alcaeus, Simonides, Sappho and others. ; Phoenix Books; 82 pages
Wraps are a bit yellowed. Minor rubbing and shelfwear to wraps. Scholar's bookplate to ffep (Jenifer Neils). ; English translations of some lyric poets including Anacreon, Alcaeus, Simonides, Sappho and others. ; Phoenix Books; 82 pages
Tragedia in quattro atti, testi di Enrico Heime (55b).
Book is in excellent condition with one barely bumped corner as the only flaw. Black cloth HB covers with gilt print at spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket shows edge wear, small tears at corners and spine. 244 pages with b&w photos and prints.
An original vintage copy NOTa reproduction (Volume I of a 2 Volume set - will NOT be sold separately) Clean, tight, unmarked text. Scuffing to head and foot of spine, corners slightly bumped Book
Spine browned. Gift inscription from Holoka to G. P. Goold on front wrap in ink. ; Pp 65-154; Classical World October 1979, Volume 73 No. 2; 89 pages; Signed by Author
Very minor shelfwear. ; Pp 393-472; Classical World May-June 1990, Volume 83 No. 5; 79 pages
Very minor shelfwear. ; Pp 89-176; Classical World November-December 1990, Volume 84 No. 2; 87 pages
Book has light shelfwear. Scholar's name to ffep (Philippa Goold née Forder). Dustjacket has chipping with small tears. DJ is browned. ; Horace is viewed as the poet of the Odes and Epodes -- the incomparable genius of the lyric form, and a sympathetic and engaging character. Like most Roman poets, Horace was not inventive in subject-matter -- rather it is the manner of his writing, his mastery of form, rhythm and cadence that have charmed and captivated his readers for centuries. This is the aspect of Horace that is studied here, with much grace and insight, with profound and liberal scholarship, and with a readily communicated affection. ; 192 pages