251 résultats
Scholar's name to ffep (Robert Brown). Creasing and a bit of chipping to corners of wraps. Minor shelfwear. Some pencil notes to text. ; 234 pages; Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets--the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.
Scholar's name to ffep (Robert Brown). Light edgewear to corners of wraps. Minor shelfwear. Tiny stain to foreedges. ; 234 pages; Sappho sang her poetry to the accompaniment of the lyre on the Greek island of Lesbos over 2500 years ago. Throughout the Greek world, her contemporaries composed lyric poetry full of passion, and in the centuries that followed the golden age of archaic lyric, new forms of poetry emerged. In this unique anthology, today's reader can enjoy the works of seventeen poets, including a selection of archaic lyric and the complete surviving works of the ancient Greek women poets--the latter appearing together in one volume for the first time. Sappho's Lyre is a combination of diligent research and poetic artistry. The translations are based on the most recent discoveries of papyri (including "new" Archilochos and Stesichoros) and the latest editions and scholarship. The introduction and notes provide historical and literary contexts that make this ancient poetry more accessible to modern readers. Although this book is primarily aimed at the reader who does not know Greek, it would be a splendid supplement to a Greek language course. It will also have wide appeal for readers of' ancient literature, women's studies, mythology, and lovers of poetry.
Faint shelfwear to book with very faint creasing to a couple of pages. DJ has a couple of small tears. ; 9.3 X 6.3 X 0.8 inches; 196 pages
Top corners very lightly bumped. Minor shelfwear. ; Die 2. Auflage ist ein Unveränderter Nachdruck der 1. Auflage, die 1913 erschien. ; 330 pages
Scholar's bookplate to inner cover (G. P. Goold). ; Die 2. Auflage ist ein Unveränderter Nachdruck der 1. Auflage, die 1913 erschien. ; 330 pages
Faint creasing through pages. Creasing to wraps. ; 2nd printing. Traces Sappho's reception in English literature; Poetica 27; 144 pages
A solid, scholarly and interesting biography of this poetess, including 'Every known fragment of Sappho's poetry is quoted in full .(using) the Greek text as edited by J.M.Edmonds in his Lyra Greca" . The notion that there were two Sapphos- - one the poet and the other the courtesan-is discussed and dismissed. 319p.frontis. plates, maps,index. Cloth binding fading along spine Book
(Small stamp on title page states " Canadian Edition For Sale in Canada only") A solid, scholarly and interesting biography of this poetess, including "Every known fragment of Sappho's poetry is quoted in full .(using) the Greek text as edited by J.M.Edmonds in his Lyra Greca" . The notion that there were two Sapphos-one the poet and the other the courtesan-is discussed and dismissed."With 13 reproductions from sketches and photographs" 328p. plates, maps,index. Name of previous owner, Rear end paper missing Book
Libretto d'opera in brossura spillata con copertina editoriale a stampa illustrata; corredato da alcuni ritratti in b.n. f.t (33g).
In 16, pp. 66. Il fr. presenta mancanze e diffuse bruniture e gore. Br. rifatta con carta d'epoca.
Libretto d'opera (33f).
Coperta cartonata, leggermente imbrunita e con segni d'usura ed irregolarità al dorso, tagli regolari, pagine ben salde alla costa e con naturale minima imbrunitura, libro completamente fruibile, con prefazione dell'autore, presenti illustrazioni in nero nel testo (disegni di Fabio), note a piè di pagina, numero pagine 124 USATO
Opera in cinque atti, versione di G. Zaffira. Testi di Barbier J. - Carrè M (55b).
(Collana : I fascicoli musicali scelti da Giovanni Da Nova) Libretto d'opera della tragedia lirica in un atto di O. Wilde con musica di Riccardo Strauss (33f).
Cartoncino di 4 facciate (cm 12 x 15,5), all'interno un testo di Enrico Contessa relativo allo spettacolo, in programma al Teatro Regio di Torino, "Sigfrido" di Wagner. Alla facciata posteriore sono elencati altri spettacoli inseriti nella stagione. Marchio pubblicitario della Cinzano alla facciata anteriore.
Cartoncino di 4 facciate (cm 12 x 15,5), all'interno un testo di Enrico Contessa relativo allo spettacolo, in programma al Teatro Regio di Torino, "Lucrezia Borgia". Melodramma di F. Romani su musica di Donizetti. Alla facciata posteriore sono elencati altri spettacoli inseriti nella stagione. Marchio pubblicitario della Cinzano alla facciata anteriore.
Cartoncino di 4 facciate (cm 12 x 15,5), all'interno un testo di Enrico Contessa relativo allo spettacolo, in programma al Teatro Regio di Torino, dal titolo Dejanice. Dramma lirico in quattro atti di A. Zanardini su musica di A. Catalani. Alla facciata posteriore sono elencati altri spettacoli inseriti nella stagione. marchio pubblicitario della Cinzano alla facciata anteriore.
Book has been rebound in 1/4 cloth binding with brown boards. Boards rubbed. Minimal ex-lib markings with institution stamp to titlepage and numbers to spine. Faint dampstaining to upper corner of some pages. Boards a bit edgeworn. Small tear to cloth at head of spine. ; Vol. 1: (1878) xx, 488 pp; Text in Greek with extensive notes in Latin. ; Poetae Lyrici Graeci Vol. 1; Vol. 1; 8vo 8" - 9" tall; 488 pages
Spine is sunned and discolored. Light edgewear to corners. Scholar's name to ffep (T. J. Dunbabin). Rear hinge weakening ; Text in Greek with extensive notes in Latin. ; Poetae Lyrici Graeci Pars II; Vol. 3; 8vo 8" - 9" tall; 771 pages
Spine and sections of boards are sunned and discolored. Fraying to head of spine. Mild bumping to top corners. Bookseller's circle stamp to inner cover. Light foxing. ; Text in Greek with extensive notes in Latin. ; Bibliotheca Scriptorum Graecorum Et Romanorum Teubneriana TEUBNER. Poetae Lyrici Graeci; Vol. 2; 8vo 8" - 9" tall; 536 pages
Spine is sunned and discolored. Light edgewear to corners. Scholar's name to ffep (T. J. Dunbabin). ; Text in Greek with extensive notes in Latin. ; Poetae Lyrici Graeci Pars II; Vol. 2; 8vo 8" - 9" tall; 536 pages
Dustjacket has minor shelfwear and rubbing. Top corner lightly bumped. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
Faint foxing to textblock. Very minor shelfwear to DJ. Dustjacket is protected in plastic sleeve. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
Foxing/dustsoiling to top of textblock. Dustjacket has minor shelfwear and rubbing. Top corner lightly bumped. ; Nagy challenges the widely held view that the development of lyric poetry in Greece represents the rise of individual innovation over collective tradition. Arguing that Greek lyric represents a tradition in its own right, Nagy shows how the form of Greek epic is in fact a differentiation of forms found in Greek lyric. ; 1.75 x 9.75 x 6.5 Inches; 414 pages
Scholar's bookplate to inner cover (G. P. Goold). Foxing to top of textblock. ; Hermes Books; 8.5 X 5.7 X 0.8 inches; 195 pages